CAA News Today
Report Warns against Declining Emphasis on Humanities and Social Sciences
posted by Christopher Howard — June 19, 2013
Democratic and Republican lawmakers in Washington, DC, turned a spotlight on the urgent need to refocus the country on maintaining national excellence in the humanities and social sciences—and how failure to do so will have consequences at home and abroad for the future of American education, security, and competitiveness.
Senators Lamar Alexander (R-TN) and Mark Warner (D-VA) and Representatives Tom Petri (R-WI) and David Price (D-NC) came together on Capitol Hill this morning to accept a report, prepared at their request, by the Commission on the Humanities and Social Sciences of the American Academy of Arts and Sciences.
Today’s release of the report, titled The Heart of the Matter, launches a national conversation about the importance of the humanities and social sciences to America’s future. Presented by the commission’s cochairs—Richard H. Brodhead, president of Duke University, and John Rowe, retired chairman and chief executive officer of Exelon Corporation—the report looks at the vital role of the humanities and social sciences in preparing and sustaining Americans for the responsibility of productive citizenship in the United States and the world.
The Heart of the Matter focuses on five areas of concern: K–12 education; two- and four-year colleges; research; cultural institutions and lifelong learning; and international security and competitiveness. It also makes recommendations to achieve three goals:
1. Educate Americans in the knowledge, skills, and understanding needed to thrive in a twenty-first-century democracy:
- Invest in the preparation of citizens with a thorough grounding in history, civics, and social studies
- Increase access to online resources, including teaching materials
2. Foster an innovative, competitive, and strong society:
- To ensure the vibrancy of humanities and social-science programs at all levels, philanthropists, states, and the federal government should significantly increase funding designated for these purposes
- Create a Humanities Master Teacher Corps to complement the STEM Master Teacher Corps recently proposed by the White House
3. Equip the nation for leadership in an interconnected world:
- Develop a “Culture Corps” that would match interested adults (retirees, veterans, artists, library and museum personnel) with schools, community centers, and other organizations to transmit humanistic and social-scientific expertise from one generation to the next
- Expand education in international affairs and transnational studies
“The American character is defined not by ethnicity—Americans come from many countries, races, religions, and cultures—but by a common set of ideals and principles that unite us as a country,” said Senator Alexander. “Those ideals and principles have always been shared and learned through the study of history, philosophy, and literature, but today their study is at risk. This report is a first step to highlighting the importance of, and ensuring a future for, our nation’s humanities education—and our unique American character as well.”
Senator Warner added, “I commend all the members of the commission for their hard work on The Heart of the Matter. Having a strong knowledge of civics, comprehensive reading and writing skills, and an appreciation of history are important for a well-rounded member of the twenty-first-century world. We must use this report as a foundation to continue to engage with the public on how best to keep our humanities and social sciences robust.”
Congressman Petri noted, “Knowledge and promotion of the humanities and social sciences are absolutely important so that citizens have a firm understanding of our nation’s unique history, culture, and heritage. I hope the recommendations in this report will be seriously considered to improve the teaching and understanding of the humanities and social sciences.”
“The humanities and social sciences help us understand where we’ve come from and who we are as a people, and that understanding points us toward the endeavors we must undertake to help every person reach their full potential,” said Representative Price. “Studies in these areas are critically important to a well-rounded education and the future of our country. This report comes at a crucial moment, and I hope it will help raise the profile of the humanities, provide a better understanding of their value, and spur a national conversation about how the humanities and social sciences keep our nation strong and competitive.”
“Today’s leaders in business, government, the military, and diplomacy must be able to analyze, interpret, communicate, and understand other cultures,” said Brodhead, cochair of the commission. “This report will remind Americans that a broad-based and balanced education, integrating the sciences, the humanities, and the social sciences, is the best way to equip our citizens to approach the complex problems of our rapidly changing world.”
“The humanities and social sciences comprise many of the things that give life meaning,” said commission cochair Rowe, “both at the highest level and in our day-to-day activities. They need more public and private support and compared to other things a little money goes a long way.”
A short companion film, The Heart of the Matter, from the Emmy Award–winning Ewers Brothers Productions was also released today. Appearing in the film are the producer, screenwriter, and director George Lucas, the actor John Lithgow, the cellist Yo-Yo Ma, and the documentary filmmaker Ken Burns.
The Andrew W. Mellon Foundation, a steadfast supporter of the humanities and arts in this country, provided primary funding for the Commission on the Humanities and Social Sciences. The Carnegie Corporation of New York also provided important funding.
The views expressed in the report are those of the Commission on the Humanities and Social Sciences and not necessarily those of the officers and fellows of the American Academy of Arts and Sciences.
News from the Art and Academic Worlds
posted by Christopher Howard — June 19, 2013
Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
The New World of Net Art
When internet art first emerged in the early 1990s, it was regarded as something that dealt almost exclusively with the architecture of the World Wide Web itself. During that period, the German-born Wolfgang Staehle constructed The Thing, an electronic bulletin-board system that served as a forum for discussions about and dissemination of what was referred to as “net art.” But as the web has evolved, so too has the notion of what might be considered internet art. (Read more in ARTnews.)
Internet Real Estate, Art, and Power: The Cases of Artsy and .art
The forthcoming introduction of generic top-level domains—which will replace the .com or .net suffix with specific words or terms, such as .food, .movies, or .microsoft—poses new speculative opportunities as dizzying as those of Zola’s nineteenth-century Paris. Last year, e-flux announced that it had applied to manage the proposed .art domain. The application fee alone was $185,000, and the successful applicant will pay ICANN a further $25,000 per year. There is clearly money to be made in top-level domains, but the management of .art may be more than a business; it holds within it the power to act as gatekeeper. (Read more from Rhizome.)
2011: Michael Sanchez on Art and Transmission
Are we living in an aftermath? The unspoken consensus seems to be that, in relation to the art of the previous decade, the early 2010s are a caesura—a waiting period at best, analogous to the early 1970s in relation to the ’60s, or the early ’90s in relation to the ’80s. Those older historical moments were not just lulls, however, but scenes of profound discursive and technological mutation. And likewise, over the past few years, a set of technical innovations have arisen that have reconfigured conditions for the production and distribution of art. (Read more in Artforum.)
Smart Phones and Academic Research
For academics, smart-phone cameras can be used to gather and document information during field research, augment presentations, and connect to a wider audience through the myriad of communities online. Scholars in fields as different as clinical medicine and art are using smart-phone technology to not only aid in research, but also to share their findings with people who would not otherwise be engaged with their academic research. (Read more in Just Publics @365.)
Google Leads Search for Humanities PhD Graduates
Those worried about the value of studying the arts and humanities, particularly at the postgraduate level, take heart: Google wants you. In a boldly titled talk at a recent conference at Stanford University, Damon Horowitz, director of engineering—and in-house philosopher—at Google, discussed the question of “Why you should quit your technology job and get a humanities PhD.” (Read more in Times Higher Education.)
Connoisseurship, Physics Envy, and the Wages of Error
What is the nature of connoisseurship as a form of knowledge, and how precisely does it differ from other fields? To what special forms of cognitive error is it prone? What does the art historian do to arrive at an attribution when there is no evidence to go on other than what is before our eyes? (Read more from Neil Jeffares.)
Learning from Taksim Square: Architecture, State Power, and Public Space in Istanbul
In a matter of days, “Taksim Square” has become a household name akin to Tahrir Square, shorthand for a youthful protest movement against the brutality of state power in the Middle East. What began as a peaceful sit-in to protest the uprooting of trees from Gezi Park, one of Istanbul’s last open green spaces near Taksim Square, has morphed into a broader Occupy movement against the Turkish government. For an architectural historian, it is no accident that the great plans to remake Taksim, as well as the protestors’ speeches and actions, often invoke history and architectural memory to buttress their arguments in the present. (Read more in the SAH Blog.)
Just Look at the Data, If You Can Find Any
Advisers and prospective students need something more than a scattered helping of infrequently updated best-case scenarios. We need externally verified, reasonably comprehensive data about individual programs and maybe even individual advisers. Aggregated data about graduate schools have limited usefulness when individual programs have such variability in their placement outcomes. Also, aggregated data place little pressure on individual universities to reform themselves. (Read more in the Chronicle of Higher Education.)
caa.reviews Publishes Dissertations Completed and In Progress for 2012
posted by Alyssa Pavley — June 18, 2013
caa.reviews recently published the authors and titles of doctoral dissertations in art history and visual studies—both completed and in progress—from American and Canadian institutions for calendar year 2012. You may browse by listing date or by subject matter. Each entry identifies the student’s name, dissertation title, school, and advisor.
Each institution granting the PhD in art history and/or visual studies submits dissertation titles once a year to CAA for publication. The caa.reviews list also includes dissertations completed and in progress between 2002 and 2011, making basic information about their topics available through web searches.
Recent Deaths in the Arts
posted by Christopher Howard — June 18, 2013
In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, designers, scholars, professors, museum directors, and others whose work has significantly influenced the visual arts. Notable deaths this month include the former Guggenheim Museum director Thomas M. Messer and a dealer, curator, and publisher of Conceptual art, Seth Siegelaub.
- Cerna “Chickie” Alter, a corporate art consultant who established her Chicago-area business in the 1960s, died on May 10, 2013. She was 74
- Ralph Brown, a British sculptor of figurative works in clay, plaster, metal, and marble, died on April 3, 2013, at age 84
- Anne Bryan, an artist and a student of painting at the Pennsylvania Academy of the Fine Arts in Philadelphia, died on June 5, 2013. She was 24 years old
- William T. Cartwright, a documentary filmmaker and producer who bought and preserved the Watts Towers in Los Angeles, died on June 1, 2013. He was 92
- Roberto Chabet, a curator and the founding director of the Cultural Center of the Philippines who taught for more than thirty years in the College of Fine Arts at the University of the Philippines, died on April 30, 2013. Known as the father of conceptual art in his country, he was 76 years old
- Niels Diffrient, an industrial designer who worked on the Princess telephone, John Deere tractor seats, the Polaroid SX-70 camera, and American Airlines jet interiors, died on June 8, 2013, at age 84
- Bruce Evans, a curator and museum director who worked at the Dayton Art Institute from 1965 to 1991, died on May 14, 2013, at 72. He also led the Mint Museum of Art in Charlotte, North Carolina, and served as president of the Association of Art Museum Directors
- Dawn Glanz, a historian of American and European art who taught in the School of Art at Bowling Green State University for twenty-five years, passed away on May 9, 2013. She was 66
- Michael Harrison, head of fine art at Winchester School of Art and director of Kettle’s Yard, a contemporary-art center in Cambridge, England, from 1992 to 2011, died on April 25, 2013. He was 65
- Ray Harryhausen, an influential stop-motion animator for films such as Mighty Joe Young (1949), Jason and the Argonauts (1963), One Million Years BC (1966), and Clash of the Titans (1981), passed away on May 7, 2013. He was 92
- Jimmy Jalapeeno, a painter and photographer based in Texas who earned two fellowships from the National Endowment for the Arts, died on May 22, 2013. He was 66 years old
- Farideh Lashai, an Iranian painter of gestural abstractions and the author of a compelling autobiographical novel called Shal Bamu (2003), died on February 24, 2013, at age 68
- Lee Littlefield, a Houston-based artist known for his “Pop-Up” sculptural works alongside Interstate 10 in Texas, died on June 9, 2013. He was 77 years old
- Mollie Lyman, a professor of art who taught in the Art Department at Emory University for over thirty years as well as at the Atlanta College of Art, passed away on April 13, 2013. She was 87
- Kim Merker, a designer, typesetter, and printer of hand-pressed books of poetry, died on April 28, 2013, at age 81. He founded Stone Wall Press in 1957 and the Windhover Press at the University of Iowa ten years later
- Thomas M. Messer, a director of the Solomon R. Guggenheim Museum from 1961 to 1988 who oversaw the acquisition of the Thannhauser Collection and the Peggy Guggenheim Collection, died on May 15, 2013, at the age of 93
- Wayne F. Miller, a photographer who documented the Second World War for the US Navy and captured the experiences of black residents living on the South Side of Chicago, died on May 22, 2013. He was 94
- Otto Muehl, a controversial Austrian artist, died on May 26, 2013, at age 87. With several others, Muehl founded Viennese Actionism in the early 1960s
- Angela Paterakis, a professor of art education at the School of the Art Institute of Chicago for nearly fifty years, died on May 19, 2013. She was 80 years old
- William Plunkett, a British designer and manufacturer of modern furniture, died on May 5, 2013. He was 84
- Richard Rousseau, the founder and owner of Artist Hardware, a design and development firm, and a former product manager at Blick Art Materials, passed away on May 31, 2013. He was 46 years old
- Dale R. Roylance, a curator at Princeton University who organized more than one hundred exhibitions in the Harvey S. Firestone Memorial Library, died on May 19, 2013, age 88. Roylance also served as curator of the arts of the book at Yale University’s Sterling Memorial Library
- Betty Rogers Rubenstein, an art historian and a former art critic for the Tallahassee Democrat, passed away on May 19, 2013. She was 92
- Elizabeth Foster Schoyer, a former member of the Women’s Committee at the Carnegie Museum of Art and a longtime museum docent, died on June 10, 2013. She was 94
- Seth Siegelaub, an adventurous dealer of Conceptual art, a producer and publisher of artists’ projects, and an expert in textiles, died on June 15, 2013, at the age of 71
- Vollis Simpson, a self-taught artist based in North Carolina who created large sculptural works called whirligigs with materials from junkyards, passed away on May 31, 2013. He was 94
- Willi Sitte, an East German artist who worked in a Social Realist style, died on June 8, 2013, at age 92. Sitte served as president of his former country’s association of visual artists from 1974 to 1988
- Dorothea Wight, an artist, printmaker, and teacher who operated Studio Prints, an intaglio workshop in London, died on May 23, 2013. She was 68
Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries, or your completed texts, to Christopher Howard, CAA managing editor, for the next list.
People in the News
posted by CAA — June 17, 2013
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2013
Academe
Luca Buvoli, an interdisciplinary artist, has been appointed director of the Mount Royal School of Art at Maryland Institute College of Art in Baltimore.
Muriel Hasbun, chair of photography at the Corcoran College of Art and Design in Washington, DC, has been promoted to professor at her school.
Jean Robertson, an art historian and professor in the Herron School of Art and Design at Indiana University–Purdue University Indianapolis, has been named Chancellor’s Professor, the highest academic rank at the university.
Rachel Schreiber, formerly director of humanities and sciences at California College of the Arts in Oakland and San Francisco, has become dean and vice president for academic affairs at the San Francisco Art Institute. She will assume her duties on July 1, 2013.
Tanya Sheehan has been promoted to associate professor in the Art History Department at Rutgers University in New Brunswick, New Jersey, where she has taught since 2008. In September 2013 she will take a new position, associate professor of American art, at Colby College in Waterville, Maine.
Museums and Galleries
Peter Barnet, the Michel David-Weill Curator in Charge of the Metropolitan Museum of Art’s Department of Medieval Art and the Cloisters in New York, has been promoted to the newly created position of senior curator. His new position begins on September 1.
Connie Butler, chief curator of drawings at the Museum of Modern Art in New York, has been named chief curator of the Hammer Museum, part of the University of California, Los Angeles. Her new job begins in July.
C. Griffith Mann, deputy director and chief curator of the Cleveland Museum of Art in Ohio, has been appointed Michel David-Weill Curator in Charge of the Department of Medieval Art and the Cloisters at the Metropolitan Museum of Art in New York, succeeding Peter Barnet. He assumes his new position on September 1.
Ugochukwu-Smooth Nzewi, a specialist in modern and contemporary African and African diaspora art, has been appointed the first curator of African art for the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire.
Jonathan F. Walz, curator of the Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, has resigned in order to devote more time to a national traveling exhibition that he is cocurating, This Is a Portrait If I Say So.
Institutional News
posted by CAA — June 17, 2013
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2013
The Meadows Museum of Art at Southern Methodist University in Dallas, Texas, has received a $1 million gift from Linda and William Custard to establish and endow the position of Linda P. and William A. Custard Director of the Meadows Museum and Centennial Chair in the Meadows School of the Arts. The position will also receive an additional $1 million in funding to endow the position.
Travel Grants to Attend the 2014 Annual Conference in Chicago
posted by Lauren Stark — June 17, 2013
CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. In addition, the Getty Foundation has funded the second year of a program that enables twenty applicants from outside the United States to attend the 2014 Annual Conference in Chicago. Applicants may apply for more than one grant but can only receive a single award.
CAA Graduate Student Conference Travel Grant
CAA will award a limited number of $250 Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to attend the 102nd Annual Conference, taking place February 12–15, 2014, in Chicago. To qualify for the grant, students must be current CAA members. Successful applicants will also receive complimentary conference registration. Deadline: September 13, 2013.
CAA International Member Conference Travel Grant
CAA will award a limited number of $500 International Member Conference Travel Grants to artists and scholars from outside the United States as partial reimbursement of travel expenses to attend the 102nd Annual Conference, taking place February 12–15, 2014, in Chicago. To qualify for the grant, applicants must be current CAA members. Successful applicants will also receive complimentary conference registration. Deadline: September 13, 2013.
CAA International Travel Grant Program
The CAA International Travel Grant Program, generously supported by the Getty Foundation, provides funding to twenty art historians, museum curators, and artists who teach art history to attend the 102nd Annual Conference, taking place February 12–15, 2014, in Chicago. The grant covers travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships. The program also includes a one-day preconference meeting to be held on February 11, providing grant recipients and their hosts with the opportunity to address their common professional interests and issues. Applicants do not need to be CAA members. Deadline extended: August 23, 2013.
Donate to the Annual Conference Travel Grants
CAA’s Annual Conference Travel Grants are funded solely by donations from CAA members—please contribute today. Charitable contributions are 100 percent tax deductible. CAA extends a warm thanks to those members who made voluntary contributions to this fund during the past twelve months.
Image: Joseph Mallord William Turner, Rain, Steam and Speed—The Great Western Railway, 1844, oil on canvas, 35⅞ x 49 in. National Gallery, London (artwork in the public domain)
Grants, Awards, and Honors
posted by CAA — June 15, 2013
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2013
Dora Apel has received a Marilyn Williamson Distinguished Faculty Fellowship for 2013–14, awarded by the Humanities Center at Wayne State University in Detroit, Michigan.
Sarah D. Beetham, a doctoral candidate in the Department of Art History at the University of Delaware in Newark, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. Her research project is titled “Sculpting the Citizen Soldier: Reproduction and National Memory, 1865–1917.”
Leigh Behnke, an artist and lecturer at the School of Visual Arts in New York, has earned a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.
Jill E. Bugajski, a PhD student in the Department of Art History at Northwestern University in Evanston, Illinois, has accepted a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. She is researching “Totalitarian Aesthetics and the Democratic Imagination in American Art, 1933–1947.”
Mary Katherine Campbell, assistant professor of art history in the School of Art at the University of Tennessee, Knoxville, has earned a 2013 ACLS Fellowship from the American Council of Learned Societies. Her project is called “Mormon Porn: Charles Ellis Johnson’s Stereographic Sinners and Latter-Day Saints.”
Cora Cohen, an artist based in Long Island City, New York, has received a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.
Huey Copeland, associate professor of art history at Northwestern University in Evanston, Illinois, has been given a 2013 ACLS Fellowship from the American Council of Learned Societies. He will use the funds to work on his project, “In the Arms of the Negress: A Brief History of Modern Artistic Practice.”
Katelyn D. Crawford, a doctoral student in the McIntire Department of Art at the University of Virginia in Charlottesville, has accepted a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship to continue work on “Transient Painters, Traveling Canvases: Portraiture and Mobility in the British Atlantic, 1750–1780.”
Elise Dodeles has been awarded a 2013 New Jersey Individual Artist’s Fellowship for Painting from the New Jersey State Council on the Arts.
Klint Ericson, a doctoral student in the Art Department at the University of North Carolina, Chapel Hill, has earned a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. He will continue working on “Sumptuous and Beautiful, As They Were: Architectural Form, Everyday Life, and Cultural Encounter in a Seventeenth-Century New Mexico Mission.”
Coco Fusco, an artist based in Brooklyn, New York, has won a 2013 fellowship in film and video from the John Simon Guggenheim Memorial Foundation.
Mary D. Garrard, professor emerita of art history at American University in Washington, DC, visited the University of Miami in Coral Gables, Florida, as Stanford Distinguished Professor in the Humanities in February 2013. While in residence, Garrard delivered the keynote address for a conference celebrating the university’s Center for the Humanities as the new publication site for Early Modern Women: An Interdisciplinary Journal; she also gave another plenary session lecture for conferees.
Ann Eden Gibson, professor emerita of art history at the University of Delaware in Newark, has won the Georgia O’Keeffe Foundation’s Research Center Book Prize for Abstract Expressionism: Other Politics (1997). The triennial $5,000 prize honors the author of a significant book on some aspect of American modernism published from the mid-1980s to 2009.
Sharon Harper, an artist and associate professor of visual and environmental studies at Harvard University in Cambridge, Massachusetts, has received a 2013 fellowship in photography from the John Simon Guggenheim Memorial Foundation.
Guy Heedren, professor of art at Williams College in Williamstown, Massachusetts, has won a 2013 fellowship in fine-arts research from the John Simon Guggenheim Memorial Foundation.
Laura Turner Igoe, a graduate student in art history at Temple University’s Tyler School of Art in Philadelphia, Pennsylvania, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. Her research project is called “The Opulent City and the Sylvan State: Art and Environmental Embodiment in Early National Philadelphia.”
Sharon Irish, an art and architectural historian, has been awarded a Colston Research Fellowship from the Institute of Advanced Study at the University of Bristol in England for spring 2014, hosted by the Department of Drama: Theatre, Film, and Television, in conjunction with the Productive Margins program. As a Benjamin Meaker Visiting Professor, Irish will continue her research on the artists Stephen Willats and Suzanne Lacy, in collaboration with the Knowle West Media Centre in Bristol. Her project is entitled “In the Margins? Local Knowledge and Self-Organization.”
Susan N. Johnson-Roehr, who recently earned her PhD in architectural history from the University of Illinois, Urbana-Champaign, has been named a New Faculty Fellow by the American Council of Learned Societies. She will take up a two-year position at the University of Virginia in Charlottesville.
Tirza True Latimer, chair of the graduate program in Visual and Critical Studies at California College of the Arts in San Francisco, has received a National Endowment for the Humanities Summer Stipend to complete research for a book, provisionally titled Eccentric Modernisms: Making Differences in the History of American Art.
Megan R. Luke, assistant professor in the Department of Art History at the University of Southern California in Los Angeles, and Sarah B. H. Hamill, assistant professor of art at Oberlin College in Oberlin, Ohio, have received a Collaborative Research Fellowship from the American Council of Learned Societies. Their project is entitled “Sculpture and Photography: The Art Object in Reproduction.”
Lyle Massey, associate professor in the Art History Department at the University of California, Irvine, has been awarded a Frederick Burkhardt Residential Fellowship from the American Council of Learned Societies. She will be in residence at the Huntington Library, Art Collections, and Botanical Gardens in Pasadena to work on her project, “Woman Inside Out: Gender, Dissection, and Representation in Early Modern Europe.”
Carrie Moyer, an artist based in Brooklyn and associate professor of art and art history at Hunter College, City University of New York, has received a 2013 fellowship in fine arts from the John Simon Guggenheim Memorial Foundation.
Jennifer Anne Norman has completed a fall 2012 artist residency at the Sam and Adele Golden Foundation for the Arts, located in New Berlin, New York.
Erin K. Pauwels, a doctoral candidate in the history of art at Indiana University in Bloomington, has received a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship. She continue working on her dissertation, “Sarony’s Living Pictures: Performance, Photography, and Gilded Age American Art.”
Naomi Ruth Pitamber, a doctoral student in art history at the University of California, Santa Barbara, has earned a Mellon/ACLS Dissertation Completion Fellowship from the American Council of Learned Societies. She will continue work on her research project, “Re-Placing Byzantium: Laskarid Urban Environments and the Landscape of Loss, 1204–1261.”
D. Jacob Rabinowitz, a PhD student in the Institute of Fine Arts at New York University, has been awarded a 2013 Henry Luce Foundation/American Council of Learned Societies Dissertation Fellowship to continue his project, “Public Construction: Christo and Jeanne-Claude’s Running Fence.”
Yael Rice, an art historian who teaches at Amherst College in Amherst, Massachusetts, has received a Rare Book School Mellon Fellowship in Critical Bibliography to attend the University of Virginia’s Rare Book School, a three-year program for early-career scholars that seeks to reinvigorate bibliographic studies in the humanities.
Conrad Rudolph, professor of medieval art history at the University of California, Riverside (UCR), has won a 2012–13 Digital Humanities Grant from the National Endowment for the Humanities for a project, “FACES: Faces, Art, and Computerized Evaluation Systems,” that he is researching with his UCR colleagues, Amit Roy-Chowdhury (electrical engineering) and Jeanette Kohl (art history).
D. Fairchild Ruggles, a professor of landscape architecture at the University of Illinois, Urbana-Champaign, has won a 2013 fellowship from the American Council of Learned Societies. The award, which supports individual scholars working in the humanities and related social sciences, will sustain her project, “Shajar al-Durr: The Extraordinary Architectural Patronage of a Thirteenth-Century Egyptian Slave-Queen.”
Gary Schneider, an artist based in Brookhaven, New York, and assistant professor of visual arts in the Mason Gross School of the Arts at Rutgers University in New Brunswick, New Jersey, has received a 2013 fellowship in photography from the John Simon Guggenheim Memorial Foundation.
William Tronzo of the University of California, San Diego, and an affiliate of Università degli Studi Roma Tre has been awarded a multiyear grant from the Getty Foundation for a project he has been working on with Kimberly Bowes of the University of Pennsylvania and Mellon Professor at the American Academy in Rome. Called “Framing the Medieval Mediterranean: Museums and Archaeology in National Discourse,” the project will bring together scholars and museum professionals from North Africa, the Middle East, Europe, and America to discuss their common and divergent aims, methodologies, approaches, and techniques regarding the collection and display of medieval material culture, as well as the influence of national narratives on shaping field- and institution-specific goals. The grant is part of the Getty Foundation’s Connecting Art Histories initiative, which aims to increase scholarly exchange among individuals in key international regions whose economic or political realities have prevented previous collaboration.
Edward Vazquez, assistant professor of the history of art and architecture at Middlebury College in Middlebury, Vermont, has earned a 2013 ACLS Fellowship from the American Council of Learned Societies for his research on “Aspects: Fred Sandback’s Sculpture.”
Fotini Vurgaropulou, an artist based in Brooklyn, New York, has been commissioned by the Backyard Garden and New York’s GreenThumb program to install a 9-foot-tall mixed-media sculpture (steel, paint, copper, and cast resin) in a public garden in the neighborhood of Red Hook. The piece is on view from April 21 to August 4, 2013.
Nancy L. Wicker, professor of art history at the University of Mississippi in Oxford, has been named a recipient of a Digital Humanities Start-Up Grant by the National Endowment for the Humanities to initiate “Project Andvari: A Digital Portal to the Visual World of Early Medieval Northern Europe” with a codirector, Lilla Kopár of the Catholic University and the Institute for Advanced Technology in the Humanities at the University of Virginia.
Alice Pixley Young has accepted a fellowship for a summer residency at the Jentel Artist Residency Program. She will spend the month of July living and working in Banner, Wyoming.
Gregory A. Zinman, who recently earned a doctorate in cinema studies from New York University, has been appointed by the American Council of Learned Societies as a two-year New Faculty Fellow in film at Columbia University in New York.
Exhibitions Curated by CAA Members
posted by CAA — June 15, 2013
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2013
Patricia G. Berman and Pari Stave. MUNCH | WARHOL and the Multiple Image. Scandinavia House, Nordic Center in America, New York, April 27–July 27, 2013.
June Blum. A Celebration of Women’s Art. Cocoa Beach Library, Cocoa Beach, Florida, April 1–19, 2013.
Bruce Boucher. Corot to Cézanne: French Drawings from the Collection of Mr. and Mrs. Paul Mellon at the Virginia Museum of Fine Arts. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–June 2, 2013.
Rachel Epp Buller. Postpartum. Erman B. White Gallery of Art, Butler Community Collece, El Dorado, Kansas, March 1–April 5, 2013.
Rachel Epp Buller. Working on the Bias. Stiefel Watson Gallery, Stiefel Theater for the Performing Arts, Salina, Kansas, February 21–April 22, 2013.
Virginia Fabbri Butera. Persona: Externalizing the Psychological Self. Therese A. Maloney Art Gallery, Annunciation Center, College of Saint Elizabeth, Morristown, New Jersey, January 22–April 14, 2013.
Tyrus R. Clutter. Out of Abstraction: Divergent Directions in Late 20th Century Art. Appleton Museum of Art, Ocala, Florida, April 5–June 2, 2013.
Jennifer Farrell. STrAY: Found Poems from a Lost Time. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.
Lawrence O. Goedde. Traces of the Hand: Master Drawings from the Collection of Frederick and Lucy S. Herman. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–May 26, 2013.
Reni Gower. Papercuts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, May 31–September 14, 2013.
Reni Gower. Heated Exchange: Contemporary Encaustic. Elizabeth Stone Harper Gallery, Harper Center for the Arts, Presbyterian College, Clinton, South Carolina, January 17–February 23, 2013.
Emilie Johnson. Becoming the Butterfly: Landscapes of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, January 25–April 28, 2013.
Emilie Johnson. Becoming the Butterfly: Portraits of James McNeill Whistler. Fralin Museum of Art, University of Virginia, Charlottesville, Virginia, April 30–August 4, 2013.
Julian Kreimer. Part of the Story. Lower East Side Printshop, New York, March 20–May 12, 2013.
Preston Thayer. La Florida: 500 Years of Florida Art. Thomas H. Jacobsen Gallery of American Art, Cummer Museum of Art and Gardens, Jacksonville, Florida, January 15–October 6, 2013.
Books Published by CAA Members
posted by CAA — June 15, 2013
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2013
Dora Apel. War Culture and the Contest of Images (New Brunswick, NJ: Rutgers University Press, 2012).
Jonathan Fineberg. Alice Aycock: Drawings; Some Stories Are Worth Repeating (Southampton, NY: Parrish Art Museum, 2013).
Wayne Franits. The Paintings of Dirck van Baburen, ca. 1592/93–1624: Catalogue Raisonné (Philadelphia: John Benjamins, 2013).
Jennifer A. Greenhill. Playing It Straight: Art and Humor in the Gilded Age (Berkeley: University of California Press, 2012).
Ellen G. Landau. Mexico and American Modernism (New Haven, CT: Yale University Press, 2013).
William Marotti. Money, Trains, and Guillotines: Art and Revolution in 1960s Japan (Durham, NC: Duke University Press, 2013).
Julie Wosk. Breaking Frame: Technology, Art, and Design in the Nineteenth Century (New York: An Authors Guild Backinprint.com Edition, 2013).
Andrés Mario Zervigón. John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (Chicago: University of Chicago Press, 2012).



Luca Buvoli (photograph by Keke Keukelaar)
Jean Robertson
Rachel Schreiber
Peter Barnet
Ugochukwu-Smooth Nzewi
Linda and William Custard of Dallas, Texas
Dora Apel
Cora Cohen, R 77, 2011, acrylic, Flashe, and tape on roentgenograph, 15⅝ x 11¾ in. (artwork © Cora Cohen)
Elise Dodeles, San Francisco Area Fighter A885 in Profile, 2012 (artwork © Elise Dodeles)
Mary D. Garrard
Ann Eden Gibson
Sharon Irish
Tirza True Latimer
Carrie Moyer, Hook, Line & Sinker, 2012, acrylic, graphite, and glitter on canvas, 72 x 60 in. Collection of the artist (artwork © Carrie Moyer)
Fotini Vurgaropulou, Red Hook Mama, 2013, steel, paint, copper, and cast resin (artwork © Fotini Vurgaropulou)
Nancy L. Wicker
Richard Anuszkiewicz, New Glory, 1975, screen print, 26 x 19½ in. (artwork © Richard Anuszkiewicz)
Suzanne McClelland, Soft Partition, 2012, ink and graphite on Yupo paper, 9 x 12 in. (artwork © Suzanne McClelland)
Jean-Baptiste Isabey, Jeanne Justine Laurice de Salienne (The Artist’s Wife), ca. 1789, pencil and grey wash, 7 x 5⅛ in. Fralin Museum of Art, University of Virginia, Charlottesville (artwork in the public domain)
James McNeill Whistler, Nocturne, 1878, lithotint on blue laid chine collé, second state, 6¾ x 10⅛ in. Fralin Museum of Art, University of Virginia, Charlottesville (artwork in the public domain)
Installation view of La Florida: 500 Years of Florida Art






