CAA News Today
Mentoring Sessions Deadline Extended
posted by Lauren Stark — January 08, 2013

As a CAA member, you have access to a diverse range of mentors at Career Services during the 101st Annual Conference, taking place February 13–16, 2013, in New York. All emerging, midcareer, and even advanced art professionals can benefit from one-on-one discussions with dedicated mentors about artists’ portfolios, career-management skills, and professional strategies.
You may enroll in either the Artists’ Portfolio Review or Career Development Mentoring—please choose one. Participants are chosen by a lottery of applications received by the deadline; all applicants are notified of their scheduled date and time slot by email in early 2013. Both sessions are offered free of charge. Conference registration, while encouraged, is not necessary to participate. All applicants must be current CAA members.
Artists’ Portfolio Review
The Artists’ Portfolio Review offers CAA members the opportunity to have digital images or DVDs of their work reviewed by artists, critics, curators, and educators in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. You may bring battery-powered laptops; wireless internet, however, is not available in the room. Sessions are filled by appointment only and are scheduled for Thursday, February 14, and Friday, February 15, 2013, 8:00 AM–NOON and 1:00–5:00 PM each day.
To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2013 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2012. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Artists’ Portfolio Review, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 18, 2013.
Career Development Mentoring
Artists, art historians, art educators, and museum professionals at all stages of their careers may apply for one-on-one consultations with veterans in their fields. Through personal twenty-minute consultations, Career Development Mentoring offers a unique opportunity for participants to receive candid advice on how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on medium or discipline. Sessions are filled by appointment only and are scheduled for Thursday, February 14, and Friday, February 15, 2013, 8:00 AM–NOON and 1:00–5:00 PM each day.
To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2013 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2012. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Career Development Mentoring, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 18, 2013.
Image: A mentoring session at the CAA Annual Conference (photograph by James Rexroad)
Vote Online in the 2013–17 Board of Directors Election
posted by Vanessa Jalet — January 07, 2013
The annual CAA Board of Directors election has begun. To participate, all you need is your CAA member ID number and password. Visit the board-election page or click the candidates’ names below to read their statements, biographies, and endorsements—and to watch their video presentations—before casting your vote.
- Elizabeth Conner, Artist and Instructor, University of Washington Tacoma
- Constance Cortez, Associate Professor of Art History, Texas Tech University
- Jennifer Milam, Professor of Art History, University of Sydney
- Debra Riley Parr, Chair of the Fashion Studies Department, Columbia College Chicago
- Sheila Pepe, Artist and Acting Assistant Dean for Academic Affairs, School of Art and Design, Pratt Institute
- John Richardson, Professor and Chair of the Department of Art and Art History, Wayne State University
How to Vote
Log into your CAA account with your CAA User ID# and password. Then click the Vote Now image at the center of your screen to begin the process. If you are already logged in, click the Home link at left, and then the Vote Now link.
You may vote for up to four candidates, including one write-in candidate if you wish. Ballots that indicate more than four candidates will be voided. The election ends at 5:00 PM (EST) on Friday, February 15, 2013.
Send your Proxy
CAA encourages you to attend the Annual Members’ Business Meeting at the 2013 Annual Conference in New York. If you cannot attend, please check the box appointing a proxy. By doing so, you appoint the CAA board officers named thereon—Anne Collins Goodyear, Patricia McDonnell, DeWitt Godfrey, Jacqueline Francis, Randall C. Griffin, and Maria Ann Conelli—to vote, in their discretion, on such matters as may properly come before such a meeting.
A quorum of one hundred members is needed to hold the meeting; therefore CAA kindly requests your proxy to ensure the meeting can take place. Please send your proxy by 5:00 PM EST on Friday, February 15, 2013. Thank you.
New Editions of Graduate Programs in the Arts
posted by Betty Leigh Hutcheson — January 04, 2013
CAA has updated its directories of graduate programs in the arts, revising current entries and adding new ones. CAA’s comprehensive guides—listing 650 programs across five countries—provide prospective graduate students with the information they need to begin the application process. Graduate Programs in Art History covers four program types: History of Art and Architecture, Arts Administration, Curatorial and Museum Studies, and Library Science. Graduate Programs in the Visual Arts presents program listings in Studio Art and Design, Art Education, Film Production, and Conservation and Historic Preservation.
Organized alphabetically by school name within each program type, entries describe curricula, class size, faculty and specializations, admission and degree requirements, library and studio facilities, opportunities for fellowships and assistantships, and the availability of health insurance. To get a better sense of the content, look at these sample entries.
Individual programs types can be purchased separately as ebook or print volumes. You can also purchase individual entries in two ways: search the directories by program type, faculty specialization, awarded degrees, country, region, state, availability of health insurance, and whether or not part-time students are admitted, or browse by institution name to download individual entries as PDF files.
The directories also serve as key professional references for career-services representatives, department chairs, graduate and undergraduate advisors, librarians, professional-practices educators, and professors interested in helping emerging generations of artists and scholars find success.
For more details and to order the directories, please contact Roberta Lawson at 212-392-4404.
December 2012–January 2013 Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — January 03, 2013
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
The CWA Picks for December 2012–January 2013 include several important exhibitions in the United States, England, and Sweden. In New York, Lehman Maupin Gallery is hosting a two-part presentation of new work by Mickalene Thomas, whose traveling survey at the Brooklyn Museum was a November pick. Other events in the city include a temporary performance and installation work by Ann Hamilton at the Park Avenue Armory and sculpture, painting, and drawing by Caroline Burton at Accola Griefen Gallery.
Midcareer retrospectives are trending: the Andy Warhol Museum in Pittsburgh is offering a look at painting by Deborah Kass in relation to the Pope of Pop, and the New Museum of Contemporary Art in New York is showcasing Rosemarie Trockel’s mixed-media work. Across the Atlantic, Kate Davis has produced work in dialogue with Jo Spence at Drawing Room in London, and Tensta Konsthall in Stockholm is highlighting the full painting and film career of Marie-Louise Ekman.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Deborah Kass, Before and Happily Ever After, 1991, oil and acrylic on canvas, 72 x 60 in. (artwork © Deborah Kass)
Career Services Guide for the 2013 Annual Conference
posted by Lauren Stark — January 02, 2013
CAA has designed the Career Services Guide to inform job seekers and employers about placement activities at the 2013 Annual Conference in New York. The publication, available as a PDF, will help you navigate Career Services events and provides answers to frequently asked questions. Study this guide carefully so that you will know what to expect from conference interviewing and how best to prepare for a successful experience.
Job candidates can review the basics of the conference employment search. Read about the Candidate Center, your home base at the conference, as well as Orientation, an introduction to Career Services where you can ask questions. In addition, learn more about the Online Career Center, where you can search for position listings, post application materials, and arrange interviews. The publication includes tips for improving your CV, portfolio, and supplemental application materials.
Employers will find details in the guide for renting interview booths and tables as well as recommendations for posting jobs and conducting interviews at the conference. You can begin preparations now for Career Services through the Online Career Center or onsite at the Interviewer Center.
Printed copies of the Career Services Guide will be distributed onsite at Orientation and in the Candidate Center. All conference Career Services will take place at the Hilton New York. For more information about job searching, professional-development workshops, and more, visit the Career Services section of the conference website.
News from the Art and Academic Worlds
posted by Christopher Howard — January 02, 2013
Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Art Insurance Losses from Hurricane Sandy May Reach $500 Million
Two months after Hurricane Sandy caused severe flooding in many Chelsea galleries, the bill for the art world’s recovery is shaping up to be hefty. By mid-November, AXA Art Insurance, one of the largest art insurers, estimated that it would be paying out $40 million, and a recent Reuters report quoted industry estimates suggesting that insurance losses for flooded galleries and ruined art may come to as much as $500 million—or the rough equivalent of what the art insurance business takes in each year. (Read more from the New York Times.)
Sistine Chapel Tourists to Be Vacuumed and Cooled to Protect Frescoes
The five million tourists who visit the Sistine Chapel every year are to be vacuum cleaned and cooled down before entry in an effort to reduce the pollution damaging Michelangelo’s frescoes, the director of the Vatican museums said. Visitors who traipse sweat, dust, skin flakes, and hair into the sixteenth-century chapel will be “dusted, cleaned, and chilled,” Antonio Paolucci told the Italian daily Corriere della Sera. The heat and dirt generated by twenty thousand tourists pouring into the chapel every day has been blamed for the layers of grime accumulating on the paintings, which include Michelangelo’s depiction of God giving life to Adam. (Read more from the Guardian.)
Wondrous Horrors
Almost exactly a century ago, tens of thousands of New Yorkers converged on the 69th Regiment Armory at Lexington Avenue at 25th Street, eager to experience a dose of shock and loathing. Many more lapped up eyewitness accounts of grotesque paintings and sculpture shipped over from Europe, an art bursting with “eccentricities, whimsicalities, distortions, crudities, puerilities, and madness,” in one critic’s gleeful description. “The exploitation of a theory of discords, puzzles, ugliness, and clinical details, is to art what anarchy is to society.” (Read more from the Financial Times.)
Learning from Others’ CVs
While much of academe can be a black box (Why did a particular person get that prestigious fellowship? Why did the search committee decide to interview certain candidates? What explains an applicant’s successful outcome?), there is some information available for viewing about others’ career trajectories that is usually there for easy consulting. It is the curriculum vitae, a document that is now often readily accessible through an online search. Even if a traditional CV is not available for a particular person of interest, bits and pieces of information from here and there can help develop a sense of a person’s career path. (Read more from Inside Higher Ed.)
What Search Committees Wish You Knew
While faculty search committees tend to be fairly homogenous, made up of academics in the same field as the new hire, administrative search committees are often an odd amalgam of people with varied expertise and often-competing views. Understanding the dynamics at play within search committees and the constraints under which they exist can help candidates navigate the hiring process more effectively. Having served on my fair share of committees inside and outside academe, I thought I would let you in on their inner workings and share a few things that search committees wish you knew, but will never actually reveal. (Read more from the Chronicle of Higher Education.)
Geneva’s Art Storage Boom in Uncertain Times
It may contain a treasure trove of Picassos, but few have ever explored the riches in the Geneva free port art storage site. In difficult economic times, investors are turning to more unusual commodities to protect their money. Gold may be a tried and tested safe haven, but in recent years fine art has been attracting increasing amounts of cash. Last year global sales of art were estimated at more than $64 billion, and traders watching the market say art has consistently outperformed equities in the years between 2001 and 2011. (Read more from BBC News.)
Modern Art Notes’ 2012 Top Ten List
Tyler Green of Modern Art Notes offers his list of top ten exhibitions for 2012, which includes Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 at the J. Paul Getty Museum, Zoe Strauss: Ten Years at the Philadelphia Museum of Art, and A Strange Magic: Gustave Moreau’s “Salome” at the Hammer Museum. (Read more from Modern Art Notes.)
From Etta James to Ravi Shankar: Notable Arts Deaths of 2012
The art world has been rocked by a series of high profile deaths this year. From Whitney and Etta to Maeve, Gore, and Ravi, the shocks kept coming. Here we round up the obituaries of some of the most-celebrated and greatly missed artists, musicians, writers, and filmmakers who died in 2012. (Read more from the Independent.)


