CAA News Today
CAA Seeks Proposals and Comments on the Draft 2015–2020 Strategic Plan
posted by CAA — February 10, 2014
The Task Force on the Strategic Plan seeks member comments on the draft Strategic Plan and invites your participation at the Annual Members’ Business Meeting at the 2014 Annual Conference in Chicago on Friday, February 14, at 5:30 PM.
CAA Comment on George Bellows Painting Sold by Randolph College
posted by CAA — February 10, 2014
The College Art Association endorses the deaccessioning policies of the American Association of Museums and Association of Art Museum Directors. These mandate that once a museum approves the serious step of a sale of works from its holdings, those proceeds be put toward the collection and not toward institutional operating costs. The recent sale of the George Bellows painting Men of the Docks from the Maier Museum at Randolph College violates these principles. CAA supports the AAMD censure of the Maier Museum at Randolph College and expresses its regret that Randolph College has compromised the educational and cultural mission of the museum by treating its collection as a fungible asset rather than as a vital part of the institution’s artistic heritage, held in trust for its students and the community.
Committee on Diversity Practices highlights for February 2014
posted by CAA — February 09, 2014
Each month, CAA’s Committee on Diversity Practices highlights a number of exhibitions, events, and activities that support the development of global perspectives on art and visual culture and deepen our appreciation of political and cultural heterogeneity as educational and professional values.
February 2014
As Cosmopolitans & Strangers: Mexican Art of the Jewish Diaspora from the Permanent Collection
National Museum of Mexican Art
1852 W. 19th Street, Chicago, IL 60608
January 16–August 3, 2014
This NMMA Permanent Collection exhibition explores the notion of both “insiders and outsiders” and the struggle between preservation and integration among the Jewish communities in Mexico. Furthermore, the exhibition provides a unique opportunity to challenge established notions of Mexicanidad (Mexicaness), as these artists of Jewish heritage have been integral to the evolution of a modern Mexican visual culture. The diverse experiences that have cultivated Mexican identity now raise questions of citizenship and immigration.
Ink Art: Past as Present in Contemporary China
Metropolitan Museum of Art
1000 Fifth Avenue, New York, NY 10028
December 11, 2013–April 6, 2014
The first major exhibition of Chinese contemporary art ever mounted by the Metropolitan, Ink Art explores how contemporary works from a non-Western culture may be displayed in an encyclopedic art museum. Presented in the Museum’s permanent galleries for Chinese art, the exhibition features artworks that may best be understood as part of the continuum of China’s traditional culture. These works may also be appreciated from the perspective of global art, but by examining them through the lens of Chinese historical artistic paradigms, layers of meaning and cultural significance that might otherwise go unnoticed are revealed. Ultimately, both points of view contribute to a more enriched understanding of these artists’ creative processes.
For more than two millennia, ink has been the principal medium of painting and calligraphy in China. Since the early twentieth century, however, the primacy of the “ink art” tradition has increasingly been challenged by new media and practices introduced from the West. Ink Art examines the creative output of a selection of Chinese artists from the 1980s to the present who have fundamentally altered inherited Chinese tradition while maintaining an underlying identification with the expressive language of the culture’s past.
Featuring some seventy works by thirty-five artists in various media—paintings, calligraphy, photographs, woodblock prints, video, and sculpture—created during the past three decades, the exhibition is organized thematically into four parts: The Written Word, New Landscapes, Abstraction, and Beyond the Brush. Although all of the artists have challenged, subverted, or otherwise transformed their sources through new modes of expression, Ink Art seeks to demonstrate that China’s ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path.
Fútbol: The Beautiful Game
Los Angeles County Museum of Art
5905 Wilshire Blvd, Los Angeles, CA 90036
February 2–July 20, 2014
The exhibition examines football—nicknamed “the beautiful game” by one sports commentator—and its significance in societies around the world. As a subject, football touches on issues of nationalism and identity, globalism and mass spectacle, as well as the common human experience shared by spectators from many cultures. Celebrating the sport on the eve of the 2014 World Cup in Brazil, the exhibition includes approximately thirty artists from around the world who work in video, photography, painting and sculpture. Two room-sized video installations—Zidane: A 21st Century Portrait, by the artists Philippe Parreno and Douglas Gordon, and Volta by Stephen Dean—anchor the exhibition. Other works by artists including Miguel Calderon (whose 2004 video Mexico v. Brasil represents a 17-0 victory for Mexico), Robin Rhode, Kehinde Wiley, and Andy Warhol provide a sense of the miraculous possibilities of the sport as universal conversation piece.
Wix.com Webinar on Creating a Strong Online Presence
posted by CAA — February 03, 2014
Creating a strong online presence is the key to a successful career. During this special workshop for CAA, to be held on Wednesday, February 5, 2014, 3:00–4:00 PM EST, representatives from Wix.com will go over the fundamentals for creating a personal online brand. They will also explain how to choose the best social channels, visual branding, and website creation with Wix.com, a no-code, visual drag-and-drop editor that uses the latest HTML5 technology to help you build the best website possible. With Wix you can have a beautiful, free website in just a few hours.
Join a Live Video Chat and Q&A about CAA’s Annual Conference
posted by CAA — January 23, 2014
Join CAA this Monday for a live video chat and Q&A about the upcoming Annual Conference in Chicago.
WHEN: Monday, January 27, 2014, 3:00 PM (EST)
WHERE: RSVP and watch online here
Want to learn the ins and outs of CAA’s 102nd Annual Conference in advance so you can make the most of the four-day event? Join us online this Monday for a live, interactive Google+ Hangout to get practical tips and advice, as well as answers to all your questions! Whether you’re a job seeker, a first-time attendee, or still trying to decide whether to attend, this event will be a valuable resource for anyone hoping to learn more about the Chicago conference.
In addition to covering the basics of how to register and navigate the conference, this Hangout will cover many frequently asked questions, including:
- How do I choose among the hundreds of great sessions and events?
- What resources are available for students and emerging professionals?
- What’s the best way to make new professional contacts?
- What is the dress code? What do I need to bring with me?
- What are this year’s “can’t miss” events and sessions?
- How can the free mobile app and social media enhance my experience?
Submit your questions in advance to conferenceqs@collegeart.org or on Twitter with the hashtag #CAAConferenceQ.
The presenters will be:
- Emmanuel Lemakis, Director of Programs, CAA
- Lauren Stark, Manager of Programs and Archivist, CAA
- Paul B. Jaskot, Professor, Art History, DePaul University; Past President, CAA
- Jacqueline Francis, Professor, Visual and Critical Studies, Painting and Drawing, California College of the Arts; Vice President for Annual Conference, CAA
- Sabina Ott, Professor, Fine Art, Columbia College Chicago; Board of Directors, CAA
- Laurel O. Peterson, Doctoral Candidate, History of Art, Yale University
Not free on Monday? Don’t worry! The conversation will be archived on CAA’s YouTube page, where you can also watch our last Hangout on CAA’s publishing grant program.
Joseph Anthony “Joe” Gatto: In Memoriam
posted by CAA — January 17, 2014
Joseph Anthony “Joe” Gatto, a noted jewelry artist and the founding visual-art dean of the Los Angeles County High School for the Arts, died on November 13, 2013. He was 78 years old.
Born on December 22, 1934, in Pueblo, Colorado, Gatto was the son of immigrants. His father was a shoveler in the steel industry, and his mother was a garment worker. The family moved west, and Gatto attended Fairfax High School in Los Angeles, California, where he aspired to attend college. He worked bagging groceries, studied, and lettered in four sports. After military service at Fort Lewis, Washington, he attended California State University, Los Angeles, and Pepperdine University in Malibu, where he earned a bachelor’s and master’s degrees in art and education. Gatto was the first in his family to graduate from college and earn advanced degrees.
An award-winning jewelry artist, painter, photographer, and author of several books on teaching art, Gatto cofounded the Los Angeles County High School for the Arts (LACHSA), where he was visual-arts dean from 1985 to 2002. He was a recipient of the California “Bravo” Teacher of the Year Award and was honored at the White House by both Presidents Ronald Reagan and George W. Bush. Always active in his church and community, Gatto supported the parish and school at Our Mother of Good Counsel Church and participated in local politics. In 2004 he fulfilled a lifelong dream, serving as delegate to the Democratic National Convention.
Joe Gatto, Nesting Bird 3, gold, coral, pearl, and found objects (artwork © Joe Gatto)
After retiring from LACHSA, Gatto continued to teach figure drawing and art-education courses at Art Center College of Design in Pasadena, California. He exhibited and gained national acclaim for his finely crafted art jewelry shown under his brand Wear Art Now. A dedicated father and grandfather, avid gardener, collector, and world traveler, Gatto lived life to its fullest while he nurtured the creative lives of others.
Gatto is survived by brothers Don and Frank, his daughter Nicole and her husband Mark, his son Mike and his wife Danielle, his daughter Mariann and her fiancé Eric, his grandchildren Damian, Elliana, and Evangelina, and his former wife Isolde, plus countless cousins, admiring students, and loving friends.
Memorial services were held on November 22, 2013, in Los Angeles, with hundreds in attendance. The Los Angeles Police Department is continuing its investigation into Gatto’s untimely death. Donations in his memory can be made to one of his favorite charities: (1) Historic Italian Hall Foundation, 125 Paseo De la Plaza, Suite 400, Los Angeles, CA 90012; (2) Los Angeles Community Garden Council, 4470 West Sunset Boulevard, No. 381, Los Angeles, CA 90027; or (3) Tuition Magician, Joe Gatto Arts Scholarship, 4470 West Sunset Boulevard, PMB 378, Los Angeles, CA 90027.
Donald F. McCallum: In Memoriam
posted by CAA — January 17, 2014
Sherry Fowler is associate professor of Japanese art history at the University of Kansas. She earned her doctorate from the University of California, Los Angeles, in 1994.
Donald F. McCallum
Donald F. McCallum, a celebrated art historian and treasured teacher, passed away peacefully in his home on October 23, 2013, after battling sudden metastatic prostate cancer. He was 74 years old.
McCallum had a long distinguished career as a scholar of Japanese art history, over seven years of which were spent doing research and fieldwork in Japan. In June 2013, he retired from his position as professor in the Department of Art History at the University of California, Los Angeles (UCLA). He was a beloved teacher known for his serious commitment to education alongside a sharp sense of humor. Born in Vancouver, British Columbia, on May 23, 1939, McCallum earned his PhD at the Institute of Fine Arts, New York University, and his AB at University of California, Berkeley.
He began teaching at UCLA in 1969 and served as chair of its Department of Art History, interim director for the UCLA Center for Japanese Studies, director of the University of California Tokyo Study Center, Toyota Visiting Professor at the University of Michigan, Franklin D. Murphy Lecturer at the University of Kansas, and Hooker Distinguished Visiting Professor at McMaster University. His numerous awards include fellowships from the International Research Center for Japanese Studies in Kyoto, the Metropolitan Center for Far Eastern Art, the Japanese Society for the Promotion of Science, the Korean Cultural Service, the Japan Foundation, and the John D. Rockefeller III Fund.
McCallum’s research on Japanese art had a wide breadth, but his main area was Japanese Buddhist art in which he published three books: Hakuhō Sculpture (Seattle: University of Washington Press, 2012); The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan (Honolulu: University of Hawai‘i Press, 2009); and Zenkoji and Its Icon: A Study in Medieval Japanese Religious Art (Princeton: Princeton University Press, 1994). His interests expanded to Korean art, modern Japanese art, and even tattoos, as exemplified in his articles “Korean Influence on Early Japanese Buddhist Sculpture,” in Korean Culture (1982); “Three Taisho Artists: Yorozu Tetsugoro, Koide Narashige, and Kishida Ryusei,” in Paris in Japan: The Japanese Encounter with European Painting (1987); and “Historical and Cultural Dimensions of the Tattoo in Japan,” in Marks of Civilization: Artistic Transformations of the Human Body (1988). In addition to his books, McCallum’s published articles and book reviews that number over seventy will continue to have a significant impact on the field for years to come.
As a dedicated teacher at UCLA for forty-four years, McCallum shared his passion and knowledge with thousands of students and patiently served as dissertation advisor to eleven graduate students. His rigorous training style and strong, personal commitment toward his students, even after they started their own professional careers, was instrumental toward enabling some to become leaders in Japanese art history. Among them are tenured faculty members at Yale University, Portland State University, the University of Kansas, the University of Regina, Taiwan National Central University, California State Polytechnic University in Pomona, and the University of Maryland. Aside from helping his own graduate students, McCallum enthusiastically and generously supported nearly the entire next generation of younger scholars in Japanese art history with great encouragement and by writing thoroughly researched letters of support for tenure and promotion.
McCallum will be dearly missed by many, both in and outside academia. He is survived by his wife Toshiko, his son Kenneth and his daughter-in-law Takayo, his daughter Sumako and his son-in-law James Turner, and his grandchildren Ella Sachiko and Jackson James Turner. Anyone who has ever talked with him or heard him lecture knows how devoted he was to his family and was more than likely treated to many humorous tales about his cherished grandchildren.
The Donald F. McCallum Memorial Fund has been established to support the Department of Art History and the UCLA Terasaki Center for Japanese Studies. Memorial gifts to support the fund can be made out to the UCLA Foundation and sent to: Alexa Almazán, UCLA College Development, Division of Humanities, 1309 Murphy Hall, Box 951413, Los Angeles, CA 90095-1413.
NHA Memo to Members
posted by CAA — January 16, 2014
Stephen Kidd, executive director of the National Humanities Alliance (NHA), sent the following email on January 15, 2014.
NHA Memo to Members
Dear NHA Member Representatives,
Please click here for a new Memo to Members. This edition features:
- Capitol Hill news, including an overview of humanities funding in the proposed omnibus spending bill
- National Endowment for the Humanities news
- Studies, reports, and initiatives
- A compendium of humanities news articles and essays
- Federal grant opportunities
We encourage you to share this memo with your colleagues. If you have information to suggest for a future edition, please contact Erin Mosley at emosley@nhalliance.org.
Arts Victory in Congress!
posted by CAA — January 15, 2014
Nina Ozlu Tunceli, executive director of Americans for the Arts, sent the following email on January 14, 2014.
Arts Victory in Congress!
Victory – your voice was heard on Capitol Hill.
Late last night, Congress released the details of its massive FY 2014 Omnibus spending bill. I am pleased to share that the online petition that you and 40,000 other arts advocates signed this fall helped lead the way to the National Endowment for the Arts (NEA) being allocated $146 million for the year. We cannot thank you enough for taking the time to sign and share our petition.
Because of members like you, arts advocates successfully prevented a proposed 49% budget cut from taking place!
In fact, this new funding level is, in effect, an increase over last year’s since Congress is suspending the automatic sequester cuts that began last year. NEA will now have the full spending power of $146 million to invest in community-based arts programs across the country.
Together, we provided a strong voice for the arts. We now need your support to continue this momentum with the 2014 midterm elections right around the corner. With so many Members of Congress retiring, please consider contributing today to help us educate the next generation of elected leaders.
Live Video Chat and Q&A about CAA’s Publishing Grants
posted by CAA — January 13, 2014
WHEN: Wednesday, January 15, 3:00 PM (EST)
WHERE: RSVP and watch online here
Whether you’re in the middle of a grant application or just thinking about applying, this live Google Hangout will be a valuable resource for you.
The College Art Association offers a robust program of publishing grants to authors and publishers of scholarly books in art history, visual studies, and related subjects. Join CAA’s director of publications Betty Leigh Hutcheson and editorial manager Alex Gershuny to get practical tips and advice about CAA’s grants, as well as answers to all your questions! You’ll also hear from former juror Susan Higman Larsen (Director of Publishing and Collections Information, Detroit Institute of Arts) about how the awards committee evaluates proposals, and from past grant recipient Karl Whittington (Assistant Professor, Ohio State University) about his experience of the application process.
Submit your questions in advance to caabook@collegeart.org or on Twitter with the hashtag #caapubgrants. Meiss/Mellon Author’s Book Award, the Millard Meiss Publication Fund, and the Wyeth Foundation for American Art Publication Grant.
Learn more about CAA’s publishing grants at www.collegeart.org/publications/pgrants. The spring deadline for the Meiss/Mellon Author’s Book Award and the Millard Meiss Publication Fund is March 15, 2014. The deadline for the Wyeth Foundation for American Art Publication Grant is September 15, 2014. This event will cover all three grants.



