CAA News Today
Exhibitions Curated by CAA Members
posted by CAA — February 15, 2011
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December.To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2011
Jean François Millet, Dandelions, 1867–68, pastel on tan wove paper, 16 x 19¾ in. Museum of Fine Arts, Boston. Gift of Quincy Adams Shaw through Quincy Adams Shaw, Jr., and Mrs. Marian Shaw Haughton (artwork in the public domain; photograph © Museum of Fine Arts, Boston)Helen Burnham. Millet and Rural France. Museum of Fine Arts, Boston, September 4, 2010–May 30, 2011.
Jill Moser, And Aenigma Was His Name, O!, page from The Introvert, 2010, I/XII, unique hand-painted collaborative artist’s book on BFK Rives paper, 13 x 19½ in. (open dimension). Poetry by Charles Bernstein and drawing by Jill Moser. Gervais Jassaud of Collectif Generation, Paris (photograph by Mary Benyo and provided by the artist)Judith Tolnick Champa. Extravagant Drawing. Dorsky Gallery Curatorial Programs, Long Island City, New York, February 6–April 10, 2011.
Vincent Raymond de Lodève, Initial ‘O’ with St. Clement I Pope and Martyr from Sistine Chapel Antiphonary, 1539, tempera and gold on parchment, 148 x 145 mm. Chazen Museum of Art, Richard R. and Jean D. McKenzie Endowment Fund purchase, 2001.30 (artwork in the public domain)Maria Saffiotti Dale. Hidden Treasures: Illuminated Manuscripts from Midwestern Collections. Chazen Museum of Art, Madison, Wisconsin, December 18, 2010–February 27, 2011.
Lucy Farley, nine-in-one sampler rug, 1980, 66 x 65 in. Work pledged to the Heard Museum (artwork © Lucy Farley; photograph provided by the Santa Fe Collection)Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Heard Museum, Phoenix, Arizona, February 5–May 22, 2011.
Judith Keller with the assistance of Alana West. Photography from New China. J. Paul Getty Museum, Los Angeles, California, December 7, 2010–April 24, 2011.
Michele White. Vija Celmins: Television and Disaster, 1964–1966. Menil Collection, Houston, Texas, November 19, 2010–February 20, 2011.
Books Published by CAA Members
posted by CAA — February 15, 2011
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December.To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2011
Maria Elena Buszek, ed. Extra/ordinary: Craft and Contemporary Art (Durham, NC: Duke University Press, 2011).
Beatriz Colomina and Craig Buckley, eds. Clip, Stamp, Fold:
The Radical Architecture of Little Magazines 196X–197X (New York: Actar, 2010).
Elina Gertsman. The Dance of Death in the Middle Ages: Image, Text, Performance (Turnhout, Belgium: Brepols, 2010).
David J. Getsy. Rodin: Sex and the Making of Modern Sculpture (New Haven, CT: Yale University Press, 2010).
Douglas Holleley. Studying Photography: A Survival Guide (Rochester, NY: Clarellen, 2010).
Elisabeth Stevens. Sirens’ Song (Baltimore, MD: BrickHouse Books, 2011).
Thanks to Conference Sponsors and the Annual Conference Committee
posted by CAA — February 15, 2011
Support for the 99th Annual Conference and Centennial Kickoff, which took place February 9–12, 2011, in New York, was provided by: American Airlines; the American Folk Art Museum; the Art Institute of Atlanta; ARTstor; Blick Art Materials; Columbia University, Department of Art History and Archaeology; the Courtauld Institute of Art; D.A.P. Distributed Art Publishers; Design Technology and Industry; the Graduate Center, City University of New York; Hunter College, City University of New York; the Samuel H. Kress Foundation; McVicker and Higginbotham; the Metropolitan Museum of Art; the National Endowment for the Arts; the New York Center for Art and Media Studies, Bethel University; Pearson Higher Education; Prestel; the School of Visual Arts; Troy University; and the University of North Texas.
The organization is deeply grateful to Thomas P. Campbell, director of the Metropolitan Museum of Art, for hosting the Centennial Reception.
CAA also extends special thanks to the Annual Conference Committee, whose members were responsible for the 2011 program: Sue Gollifer, University of Brighton, chair and vice president for Annual Conference; Sharon Matt Atkins, Brooklyn Museum; Brian Bishop, Framingham State University; Connie Cortez, Texas Tech University; Ken Gonzales-Day, Scripps College and CAA board; Randall Griffin, Southern Methodist University and CAA board; Norie Sato, independent artist, Seattle; Judith Thorpe, University of Connecticut and CAA board; and William Wallace, Washington University in St. Louis and CAA board. Regional representatives for the committee were: Nicola M. Courtright, Amherst College; and Sheila Pepe, Pratt Institute.
CAA also thanks all volunteers and staff members who made the conference possible. Additional acknowledgments for those serving as mentors in Conference Mentoring Sessions, as well as participants in other programs and events, are forthcoming.
Americans for the Arts Urges You to Help Support NEA Funding
posted by CAA — February 11, 2011
Americans for the Arts sent the following email on February 10, 2011. CAA urges you to join the fight to save funding for the National Endowment for the Arts.
Americans for the Arts Email
Next week, the U.S. House of Representatives will bring to the House floor, a Continuing Resolution (CR) appropriations package that proposes to cut dozens of federal agencies and programs for the balance of the current 2011 fiscal year (March 5 through September 30). Yesterday, the House Appropriations Committee revealed details of what some of the cuts will be in this CR package and they include cutting the National Endowment for the Arts (NEA) budget to $155 million this year. That’s a substantial cut from its currently funded level of $167.5 million.
The battle begins next week when the House CR appropriations package comes to the floor. Each and every one of your Representatives will be voting on possible amendments attempting to make even deeper cuts to the NEA’s budget, beyond the $155 million level. It is quite possible members of the Republican Study Committee will offer amendments to fully eliminate the NEA during floor consideration. We need you to send a message to your Members to vote against any amendments to further cut the NEA.
Because of these threats in the House, we are simultaneously working on the Senate strategy; where there may be a better chance to approve a higher funding level for the NEA and counter the cuts in the House version of this bill. By taking two minutes today to send a customizable message via our E-Advocacy Center, we will automatically send letters on your behalf to both your Senators and your House Representative. This will ensure that your voice will be heard by Members of Congress (especially freshmen members), who are now assessing their constituents’ viewpoints on these budget cuts.
Also be on the lookout for our alert on President Obama’s official FY 2012 budget submission to Congress on Monday, February 14. While that budget is for a different fiscal year than the CR that we’ll be dealing with next week, it will signal to the House and Senate the President’s funding intentions for the very same agencies that Congress is considering cutting.
Help us continue this important work by becoming an official member of the Arts Action Fund. If you are not already a member play your part by joining the Arts Action Fund today—it’s free and simple.
Committee on Women in the Arts Picks for February 2011
posted by CAA — February 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following panels and exhibitions should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
February 2011
Lorna Simpson: Gathered
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238
January 28–August 14, 2011
Lorna Simpson first received critical recognition in the mid-1980s for a series of large-scale works using photography and text to confront and challenge conventional interpretations of gender, identity, culture, history, and memory. Her most recent museum show, Lorna Simpson: Gathered, continues this approach with a series of photographs and a photographic installation created since her retrospective at the Whitney Museum of American Art in 2007.
TFAP@CAA Day of Panels
Feminist Art Project
Museum of Arts and Design, 2 Columbus Circle, New York, NY 10019
February 12, 2011
For the sixth year in a row, the Feminist Art Project has organized a series of special events in conjunction with CAA’s Annual Conference. Free and open to the public, the TFAP@CAA Day of Panels will bring together artists, art historians, curators, and critics for dialogues on four topics: “The Problem of Feminist Form,” “Institutions and their Feminist Discontents,” “The Erotics of Feminism,” and “Feminism, Art, and War.” Also on the agenda are two conversations: the artist Zoe Leonard talks to Huey Copeland of Northwestern University; and Ayreen Anastas of Pratt Institute will converse with Jaleh Mansoor of Ohio University.
“Sonic Art and Activism: Exploring the Ties between Feminist Art and Popular Music”
Feminist Art Project
Soho20 Chelsea Gallery, 547 West 27th Street, Suite 301, New York, NY 10001
February 13, 2011
Taking place on Sunday afternoon, 1:00–3:00 PM, this Feminist Art Project–sponsored panel comprises artists and musicians who will discuss the myriad connections between contemporary feminist art and popular music. Organized and moderated by Kat Griefen and Maria Elena Buszek, member of CAA’ Committee on Women in the Arts, the panel features Damali Abrams, Kathleen Hanna, Lorraine O’Grady, and Shizu Saldamando.
Invitation card for Joan Snyder/Intimate Works showing Study for Ancient Night Sounds (1984–85) and Lovers (1989)
Joan Snyder/Intimate Works
Mabel Smith Douglass Library Galleries
Rutgers University, 8 Chapel Drive, New Brunswick, NJ 08901
January 17, 2011–June 5, 2011
As the 2010–11 Estelle Lebowitz Visiting Artist in Residence, Joan Snyder has spent the last few months at Rutgers University giving classes and public lectures. The forty-five small paintings in this exhibition, mounted in the Rutgers University Library, show how her work has developed over the past four decades. The New Jersey State Council on the Arts has selected Joan Snyder/Intimate Works as part of the American Masterpieces Series in New Jersey. The exhibition also runs concurrently with Dancing with the Dark: Joan Snyder Prints 1963–2010 (January 29–May 29, 2011) at the Zimmerli Art Museum at Rutgers.
Off the Beaten Path: Violence, Women, and Art
Chicago Cultural Center
78 East Washington Street, Chicago, IL 60602
January 22–April 13, 2011
Organized by Art Works for Change and curated by Randy Jayne Rosenberg, Off the Beaten Path contains works by thirty-two artists—including Marina Abramović, Laylah Ali, and Yoko Ono—that address violence against women and the right of girls and women to have safe and secure lives. The exhibition was first shown in 2009 in Oslo, Norway, and will travel internationally through 2014
National Humanities Alliance Issues Action Alert
posted by CAA — February 07, 2011
Jessica Jones Irons, executive director of the National Humanities Alliance (NHA), emailed the following Humanities Action Alert on February 7, 2011. Founded in 1981, NHA is a nonprofit organization that works to advance national humanities policy in the areas of research, education, preservation, and public programs.
Humanities Action Alert
Dear Colleague,
As you know, we face a tough fight this year to defend federal funding for the humanities. President Obama has announced that he will release the FY 2012 budget proposal the week of February 14th, with significant reductions expected for many agencies and programs to meet the Administration’s deficit-reduction goals. In Congress, leaders of the House Republican Study Committee and Senate Steering Committee have introduced legislation calling for the elimination of the National Endowment for the Humanities (among other programs), in order to reduce discretionary spending by more than $2.5 billion over the next ten years. Meanwhile, the House is expected to vote soon on a measure that would roll-back non-security funding in the current year (FY 2011) to 2008 budget levels.
Members of the new Congress need to hear from humanities advocates now. Please take a few minutes to ask your elected representatives to support continued funding for the National Endowment for the Humanities. Click here to send a brief, customizable electronic message from the Alliance’s online action center.
We need to let Congress know that continued federal investment in the humanities has never been more important. As one of the largest funders of humanities programs in the US, NEH provides critical support for research, education, preservation, and public programs in the humanities through grants to a wide range of educational institutions, non-profit organizations, and scholars nationwide. NEH grants help support the nation’s education and research infrastructure for a broad range of fields, including history, languages, literature, law, government, philosophy, cultural anthropology, the study of religion, and other subjects. The knowledge and competencies represented by these fields are critical to a broad range of US interests, including: fostering a globally competitive workforce, strengthening civic engagement and understanding, preserving our cultural heritage, and developing expertise to meet local, national, and global challenges.
Thank you for making your voice heard. Working together, the humanities community can make a difference.
Sincerely,
Jessica Jones Irons
Executive Director
National Humanities Alliance
The Art Bulletin Seeks Reviews Editor and Two Editorial-Board Members
posted by CAA — February 01, 2011
The Art Bulletin is the leading quarterly journal in the English language of scholarship in all areas of art history and visual studies.
Art Bulletin Reviews Editor
The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for a three-year term: July 1, 2012–June 30, 2015, with service as incoming reviews editor designate in 2011–12. Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. They should also be published authors of at least one book.
The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s codirectors of publications in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in art history, criticism, theory, visual studies, and museum publishing. This three-year term includes membership on the journal’s editorial board.
The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held twice in New York in the spring and fall and once at the CAA Annual Conference in February—and submits an annual report to CAA’s Publications Committee. CAA reimburses the reviews editor for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but he or she pays these expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and at least one letter of recommendation to: Director of Publications, Art Bulletin Reviews Editor Search, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline extended: April 11, 2011; finalists will be interviewed on Friday, April 29, 2011, in New York.
Art Bulletin Editorial Board
CAA invites nominations and self-nominations for two individuals to serve on the Art Bulletin Editorial Board for a four-year term: July 1, 2011–June 30, 2015. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required.
The editorial board advises the editor-in-chief of The Art Bulletin and assists him or her to seek authors, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.
The Art Bulletin Editorial Board meets three times a year: twice in New York in the spring and fall and once at the CAA Annual Conference in February. CAA reimburses members for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but members pay their own expenses for the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: April 15, 2011.
Updated on February 24 and March 30, 2011.
Art Journal Seeks Editor-in-Chief and Two Editorial-Board Members
posted by CAA — February 01, 2011
Art Journal, issued quarterly by CAA, publishes informed discussion about issues across disciplines in twentieth- and twenty-first-century art, nationally and internationally.
Art Journal Editor-in-Chief
CAA invites nominations and self-nominations for the next editor-in-chief of Art Journal, to serve a three-year term: July 1, 2012–June 30, 2015, with service on the Art Journal Editorial Board in 2011–12 as editor designate and in 2015–16 as past editor. A candidate may be an artist, art historian, art critic, art educator, curator, or other art professional; institutional affiliation is not required.
Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she solicits content, reads all submitted manuscripts, sends submissions to peer reviewers, and provides guidance to authors concerning the form and content of submissions. The editor-in-chief also develops projects, makes final decisions regarding content, and may support fundraising efforts on the journal’s behalf. He or she works closely with CAA’s staff in New York.
The editor-in-chief attends the three annual meetings of the Art Journal Editorial Board—held twice in New York in the spring and fall and once at the Annual Conference in February—and submits an annual report to CAA’s Publications Committee. CAA reimburses the editor for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but the editor pays his or her own expenses for the Annual Conference.
The position usually requires one-half of a person’s working time. CAA provides financial compensation for course release, usually to an editor’s employer.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and at least one letter of recommendation to: Art Journal Editor-in-Chief Search, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: March 25, 2011; finalists will be interviewed on Thursday, April 28, 2011, in New York.
Art Journal Editorial Board
CAA invites nominations and self-nominations for two individuals to serve on the Art Journal Editorial Board for a four-year term: July 1, 2011–June 30, 2015. Candidates are individuals with a broad knowledge of modern and contemporary art; institutional affiliation is not required.
The editorial board advises the editor-in-chief of Art Journal and assists him or her to seek authors, articles, artist’s projects, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.
The Art Journal Editorial Board meets three times a year: twice in New York in the spring and fall and once at the CAA Annual Conference in February. CAA reimburses members for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but members pay their own expenses for the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Journal Editorial Board, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: April 15, 2011.
Updated on February 24 and March 30, 2011.
caa.reviews Seeks One Editorial-Board Member
posted by CAA — February 01, 2011
An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.
caa.reviews Editorial Board
CAA invites nominations and self-nominations for one individual to serve on the caa.reviews Editorial Board for a four-year term, July 1, 2011–June 30, 2015. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience in writing or editing book and/or exhibition reviews; institutional affiliation is not required. The journal also seeks candidates with a strong record of scholarship and at least one published book or the equivalent who is committed to the imaginative development of caa.reviews.
The editorial board advises the editor-in-chief of and field editors for caa.reviews and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.
The caa.reviews Editorial Board meets three times a year: twice in New York in the spring and fall and once at the CAA Annual Conference in February. CAA reimburses members for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but members pay these expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: caa.reviews Editorial Board, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: April 15, 2011.
Updated on March 30, 2011.
Committee on Women in the Arts Picks for January 2011
posted by CAA — January 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following symposium, conference sessions, and exhibitions should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view.
January 2011
Women and the Word: Muslim Women Artists Explore Spirit, Form, and Text
Islamic Cultural Center of Northern California
1433 Madison Street, Oakland CA 94612
January 3–March 30, 2011
The art gallery of the Islamic Cultural Center of Northern California is the first San Francisco Bay Area space to specialize in Muslim artists and Islamic art. From January to March 2011, the gallery will mount three one-woman shows of work by local artists who explore the Islamic tradition of calligraphy and abstract forms. The artists’s names and dates of presentations are: Rubina Kaz, January 3–February 2; Rabea Chaudhry, February 4–March 2; and Salma Arastu, March 4–30.
!Women Art Revolution
New Frontier at the Sundance Film Festival
Historic Miners Hospital, 1354 Park Avenue, Park City, UT 84060; and Salt Lake Art Center, 20 South West Temple, Salt Lake City, UT 84101
January 20–30, 2011
!Women Art Revolution is a documentary film exploring the feminist art movement in the United States from 1968 to the present. The filmmaker Lynn Hershman Leeson includes interviews with artists, innovators, art historians, and critics taken over a forty-year period, asking why so many female artists are little known and why museums fill their walls with the works of men. Accompanying the film is RAW/WAR, an interactive, community-curated video collection that allows users to access archival footage about the achievements and practices of women artists and to share their own stories through text, images, video clips, and links.
Hand, Voice & Vision: Artists’ Books from Women’s Studio Workshop
Grollier Club
47 East 60th Street, New York, NY 10022
December 8, 2010–February 5, 2011
Curated by Kathleen Walkup, Hand, Voice & Vision: Artists’ Books from Women’s Studio Workshop features forty books by thirty-six artists created over a thirty-year period. The four artists who founded the workshop—Ann Kalmbach, Tatana Kellner, Anita Wetzel, and Barbara Leoff Burge—wanted to operate and maintain a workspace that would encourage the visions of individual women artists, provide professional opportunities for them, and promote programs designed to stimulate public involvement with and support for the visual arts.
The Grollier Club also presents two tandem events. On Tuesday, January 25, three of the exhibition’s artists (Clarissa Sligh, Susan Mills, and Emily Speed) will talk about their work from 2:00 to 4:00 PM. Jae Jennifer Rossman, assistant director for special collections at Yale University, will moderate the panel. On the following day, Walkup will speak on “Women Making Art: Artists’ Books from Women’s Studio Workshop” from 2:00 to 3:00 PM.
Graphic Details: Confessional Comics by Jewish Women
Cartoon Art Museum
655 Mission Street, San Francisco CA 94105
October 1, 2010–January 30, 2011
The history of women in comics is well documented, and the Jewish contribution to the art form is widely acknowledged. Curated by Michael Kaminer and Sarah Lightman, Graphic Details: Confessional Comics by Jewish Women is the first museum exhibition to combine both groups in a single exhibition. Many of the original artworks on display have never before been shown in public. Among the eighteen American, European, and Israeli artists are Sharon Rudahl of Wimmen’s Comix and Aline Kominsky-Crumb and Diane Noomin of Twisted Sisters—all pioneers from the 1970s and 1980s—alongside younger artists. The exhibition catalogue was designed and published as an eight-page newspaper broadsheet.