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Solo Exhibitions by Artist Members

posted by October 22, 2010

See when and where CAA members are exhibiting their art, and view images of their work.

To learn more about submitting a listing, please see the instructions on the main Member News page.

October 2010

Abroad

Cynthia Greig. Witzenhausen Gallery, Amsterdam, the Netherlands, November 13–December 11, 2010. Nature Morte: The Matter of Life and Death. Color photography.

Midwest

Annie Feldmeier Adams. Lincoln Park Conservatory, Chicago, Illinois, September 19, 2010–January 31, 2011. Requiem. Four-channel sound installation.

Yueh-Mei Cheng. Taliesin, Frank Lloyd Wright Foundation, Spring Green, Wisconsin, July 25–September 25, 2010. Art Exhibition of Yueh-Mei Cheng. Painting.

Nicholas Hill, Miller Gallery, Otterbein University, Westerville, Ohio, October 18–November 20, 2010. The Santiago and Valparaiso Projects: New Work by Nicholas Hill. Printmaking and collage.

Nicholas Hill, Crandall Art Gallery, Mount Union College, Alliance, Ohio, November 2–December 10, 2010. The Dresden Journals. Printmaking and painting.

Jonathan W. Hils. Oklahoma City Museum of Art, Oklahoma City, Oklahoma, September 9, 2010–January 2, 2011. Intersection. Sculpture.

Vesna Jovanovic. Contemporary Art Center of Peoria, Peoria, Illinois, September 11–October 30, 2010. Vesna Jovanovic: Ceramic Sculpture and Drawings. Ceramics and drawing.

Patrick Luber. Moss-Thorns Art Gallery, Fort Hays State University, Hays, Kansas, October 22–November 19, 2010. A Beautiful Obsession. Sculpture.

Northeast

Cynthia Greig. Clark Gallery, Lincoln, Massachusetts, November 2–27, 2010. Nature Morte. Color photography.

Roger Shimomura. Flomenhaft Gallery, New York, October 28–December 11, 2010. An American Knockoff. Painting.

South

Virginia Derryberry. Nashville International Airport, Nashville, Tennessee, September 14, 2010–March 6, 2011. Lauren Flying Solo. Oil on canvas.

Virginia Derryberry. Fine Arts Gallery, ValdostaState University, Valdosta, Georgia, September 20–October 8, 2010. Alchemical Narratives. Oil on canvas.

People in the News

posted by October 17, 2010

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

To learn more about submitting a listing, please see the the instructions on main Member News page.

October 2010

Academe

John P. Bowles, associate professor of African American art in the Art Department at the University of North Carolina in Chapel Hill, has earned tenure.

Eduardo de Jesus Douglas, associate professor of colonial and modern Latin American art in the Art Department at the University of North Carolina in Chapel Hill, has been granted tenure.

Janet Marcavage, associate professor of art in the Art Department at the University of Puget Sound in Tacoma, Washington, has been awarded tenure.

Clarence Morgan has been named 2010–11 Dorothy Liskey Wampler Eminent Professor in the School of Art and Art History at James Madison University in Harrisonburg, Virginia.

Linda Williams, associate professor of art history in the Art Department at the University of Puget Sound in Tacoma, Washington, has been granted tenure.

Museums and Galleries

Margaretta Frederick, curator of the Samuel and Mary F. Bancroft Collection of Pre-Raphaelite Art at the Delaware Art Museum in Wilmington, has been appointed chief curator at the museum.

Bonnie Laing-Malcolmson, a past president of the Oregon College of Art and Craft in Portland, has been appointed curator of northwest art at the Portland Art Museum.

Kent Lydecker, who led the Education Department at the Metropolitan Museum of Art in New York for eighteen years, has been appointed director of the Museum of Fine Arts in St. Petersburg, Florida. He succeeds John Schloder, who retired in July after more than nine years.

Alexandra Schwartz, formerly coordinator of the Modern Women’s Project at the Museum of Modern Art in New York, has been appointed curator of art at the Montclair Art Museum in Montclair, New Jersey.

Daniel Walker has become the Pritzker Chair and Curator of Asian Art and Chair and the Christa C. Mayer Thurman Curator of Textiles at the Art Institute of Chicago in Illinois.

Organizations and Publications

Anne Barlow, executive director of Art in General in New York, has been appointed curator of the fifth Bucharest International Biennale for Contemporary Art, taking place in Romania in 2012.

William Carroll, an artist, curator, and gallerist, has been chosen director of the EFA Studio Program at the Elizabeth Foundation for the Arts in New York. He succeeds Francine Affourtit, who continues at the foundation as director of program development.

Chandra L. Reedy, professor of historic preservation, art history, and Asian studies at the University of Delaware in Newark, has been appointed editor-in-chief of Studies in Conservation, the journal of the International Institute for Conservation of Historic and Artistic Works.

Institutional News

posted by October 17, 2010

Read about the latest news from institutional members.

To learn more about submitting a listing, please see the instructions on the main Member News page.

October 2010

The Amon Carter Museum of American Art in Fort Worth, Texas, has received a Museums for America grant from the Institute of Museum and Library Services. The $150,000 award supports the Access to American Photography initiative, which will allow the museum to digitize and catalogue nearly twenty-five thousand photographs from its collection.

The Corning Museum of Glass in Corning, New York has received subsequent accreditation from the American Association of Museums (AAM). The honor signifies that the museum has undergone a rigorous, lengthy process of self-examination and peer review, and has been subsequent approved by AAM’s Accreditation Commission.

Kennesaw State University (KSU) in Kennesaw, Georgia, has accepted a $2 million pledge to build an art museum that will house the school’s permanent collection. To receive a $1 million pledge from Bernard A. Zuckerman, a former carpet-industry executive, KSU must raise at least $1 million of its own in the next nine months.

The Maryland Institute College of Art in Baltimore has announced several new academic programs that have just started or will launch soon: an MFA in community arts (2010); an MPS in the business of art and design (May 2011); an MFA in curatorial practice (fall 2011); an MFA in illustration practice (fall 2011); an MA in social design (in development, fall 2011); and an integrated double-major BFA in humanistic studies and studio discipline (fall 2011).

The National Gallery of Australia in Canberra has welcomed a $7 million gift from the Melbourne philanthropist Pauline Gandel and John Gandel AO. The donation will help develop the national art collection for future generations of Australians. Further, the newly named Gandel Hall will host openings, special events, public programs, and school and educational activities.

The New Orleans Museum of Art in Louisiana has received subsequent accreditation from the American Association of Museums (AAM). This means that the institution has undergone a rigorous, lengthy process of self-examination and peer review, and was subsequent approved by AAM’s Accreditation Commission.

Grants, Awards, and Honors

posted by October 15, 2010

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

To learn more about submitting a listing, please see the instructions on the main Member News page.

October 2010

Shimon Attie, an artist based in New York, has received a 2010 Artists’ Fellowship in video from the New York Foundation for the Arts.

Caroline Bruzelius and William Tronzo have been awarded a three-year Collaborative Research Grant from the National Endowment for the Humanities (2011–14) for a study of the Kingdom of Sicily, 1130–1442. The project has two parts: a narrative text in print and a catalogue of sites and monuments using open-access technologies to provide a database of visual and textual material.

Josephine Halvorson, an artist based in Brooklyn, New York, has received a 2010 Artists’ Fellowship in painting from the New York Foundation for the Arts.

Michelle Handelman, an artist based in Brooklyn, New York, and assistant professor at the Massachusetts College of Art and Design in Boston, has received a 2010 Artists’ Fellowship in video from the New York Foundation for the Arts.

Denise Iris, an artist based in New York and visiting assistant professor in film and media studies at Swarthmore College in Swarthmore, Pennsylvania, has received a 2010 Artists’ Fellowship in video from the New York Foundation for the Arts.

Susan Maxwell, associate professor of art history at the University of Wisconsin in Oshkosh has received a 2010–11 Historians of Netherlandish Art Fellowship for her book, The Court Art of Friedrich Sustris: Patronage in Late Renaissance Bavaria, forthcoming from Ashgate.

Claudia Sohrens, an artist and visiting professor at the New School the Parsons School of Design and at Pratt Institute, both in New York, has received a 2010 Artists’ Fellowship in photography from the New York Foundation for the Arts. Her Aufheben project explores concepts of selecting, collecting, and hoarding in contemporary culture.

Mary Ting, a New York–based artist, has received a 2010 Individual Support Grant from the Adolph and Esther Gottlieb Foundation.

Penelope Umbrico, an artist based in Brooklyn, New York, has received a 2010 Artists’ Fellowship in photography from the New York Foundation for the Arts. She is also Deutsche Bank Fellow.

Angie Waller, an artist who works in video, books, web-based applications, and installation, has recently participated in the 2010 Art and Law Residency Program, offered by Volunteer Lawyers for the Arts in New York.

Exhibitions Curated by CAA Members

posted by October 15, 2010

Check out details on recent exhibitions organized by CAA members who are also curators.

To learn more about submitting a listing, please see the instructions on the main Member News page.

October 2010

Peter Barnet, Anne Betty Weinshenker, Gail Stavitsky, and M. Teresa Lapid Rodriguez. Will Barnet. George Segal Gallery, Montclair State University, Montclair, New Jersey, September 21–December 11, 2010.

Jonathan Brown, Lisa A. Banner, and Susan Grace Galassi. The Spanish Manner: Drawings from Ribera to Goya. Frick Collection, New York, October 5, 2010–January 9, 2011.

Christine Carr and Amy G. Moorefield. The Fleeting Glimpse: Selections in Modern and Contemporary Photography from the Virginia Museum of Fine Arts. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia, September 16–December 4, 2010.

Susan Earle. Site Specifics. Spencer Museum of Art, University of Kansas, Lawrence, Kansas, August 28, 2010–January 16, 2011.

Molly S. Hutton. Beyond Realism: The Works of Kent Bellows 1970–2005. Joslyn Art Museum, Omaha, Nebraska, September 25, 2010–January 16, 2011.

Thomas Kren. Illuminated Manuscripts from Belgium and the Netherlands. J. Paul Getty Museum, Los Angeles, California, August 24–November 7, 2010, and November 9, 2010–February 6, 2011.

David E. Little. Embarrassment of Riches: Picturing Global Wealth, 2000–2010. Minneapolis Institute of Arts, Minneapolis, Minnesota, September 16, 2010–January 2, 2010.

Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de Guadalajara, Palacio del Infantado, Guadalajara, Spain, September 16–November 14, 2010.

Anthony Montoya and James Krippner. Paul Strand in Mexico. Aperture Foundation, New York, September 9–November 13, 2010.

Elizabeth Morrison and Anne D. Hedeman. Imagining the Past in France, 1250–1500. J. Paul Getty Museum, Los Angeles, California, November 16, 2010–February 6, 2011.

Micheline Nilsen. Documenting History, Charting Progress, and Exploring the World. Snite Museum of Art, Notre Dame University, Notre Dame, Indiana, September 5–October 31, 2010.

John Romanski. 402 Years Later. Nashawannuck Gallery, Easthampton, Massachusetts, October 9–November 9, 2010.

Katy Siegel. Americanana. Bertha and Karl Leubsdorf Art Gallery, Hunter College, City University of New York, New York, September 16–December 4, 2010.

Kristina Van Dyke. Objects of Devotion. Menil Collection, Houston, Texas, August 13–October 31, 2010.

Julia M. White and Andreas Marks. Flowers of the Four Seasons: Ten Centuries of Art from the Clark Center for Japanese Art and Culture. University of California Berkeley Art Museum and Pacific Film Archive, Berkeley, California, August 25–December 12, 2010.

Books Published by CAA Members

posted by October 15, 2010

Publishing a book is a major milestone for artists and scholars. Browse a list of recent titles below.

To learn more about submitting a listing, please see the instructions on the main Member News page.

October 2010

Julia Ballerini. The Stillness of Hajj Ishmael: Maxime Du Camp’s 1850 Photographic Encounters (New York and Bloomington, IN: iUniverse Publishers, 2010).

Anne Burkus-Chasson. Through a Forest of Chancellors: Fugitive Histories in Liu Yuan’s Lingyan ge, an Illustrated Book from Seventeenth-Century Suzhou (Cambridge, MA: Harvard University Asia Center, 2010).

Carol G. Duncan. A Matter of Class: John Cotton Dana, Progressive Reform, and the Newark Museum (Pittsburgh, PA: Gutenberg Periscope Publishing, 2010).

Aldona Jonaitis and Aaron Glass. The Totem Pole: An Intercultural History (Seattle: University of Washington Press, 2010).

Andreas Marks. Japanese Woodblock Prints: Artists, Publishers, and Masterworks, 1680–1900 (Rutland, VT: Tuttle, 2010).

Andreas Marks and Sonya Rhie Quintanilla, eds. Dreams and Diversions: Essays on Japanese Woodblock Prints from the San Diego Museum of Art (San Diego, CA: San Diego Museum of Art, 2010).

Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions, panel discussion, and academic conference should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view.

October 2010

Lee Krasner

Lee Krasner, Self-Portrait, ca. 1930, oil on linen, 30 1/8 x 25 1/8 in. The Jewish Museum, New York. Purchase: Esther Leah Ritz Bequest; B. Gerald Cantor, Lady Kathleen Epstein, and Louis E. and Rosalyn M. Shecter Gifts, by exchange; Fine Arts Acquisitions Committee Fund; and Miriam Handler Fund, 2008-32 (photograph © The Pollock-Krasner Foundation/Artists Rights Society [ARS], New York)

Shifting the Gaze: Painting and Feminism
Jewish Museum
1109 Fifth Avenue, New York, NY 10129
September 12, 2010–January 30, 2011

In Shifting the Gaze: Painting and Feminism, such established twentieth-century figures as Louise Nevelson, Eva Hesse, Leon Golub, and Audrey Flack take the stage with more recent practitioners, among them Amy Sillman, Nicole Eisenman, and Dana Schutz. Curated by Daniel Belasco and drawn primarily from the Jewish Museum’s permanent collection, the show presents works from twenty-seven American artists that demonstrate the undeniable influence of feminism on painting from the last fifty years. Relatedly, Anna-Sophia Zingarelli’s essay “A Dynamic Presence: Women Artists at The Jewish Museum, New York, 1947–2010” provides an overview of research into the exhibition history of women at the Jewish Museum since 1947, and an online index catalogues these findings. And don’t miss upcoming talks by Belasco (October 18) and two of the included artists, Deborah Kass (October 25) and Robert Kushner (November 1).

American People, Black Light: Faith Ringgold’s Paintings of the 1960s
Neuberger Museum of Art
Purchase College, State University of New York, 735 Anderson Hill Road, Purchase, NY 10577
September 11–December 19, 2010

Faith Ringgold is best known for starting the African American story quilt revival in the late 1970s, sometimes at the expense of her earlier, more politically charged art. American People, Black Light: Faith Ringgold’s Paintings of the 1960s offers another look at her important output from the previous decade. Curated by Thom Collins and Tracy Fitzpatrick with Purchase College students, the exhibition includes Ringgold’s landmark American People paintings (1963–67), which she describes as “super realism,” and her Black Light (1967–71) series, originally shown at Spectrum Gallery in New York. Along with related murals and political posters, American People, Black Light gives a fuller picture of Ringgold’s powerful artistic explorations of race, gender, and class during one of America’s most tumultuous decades.

Lois Mailou Jones

Loïs Mailou Jones, Ubi Girl from Tai Region, 1972, acrylic on canvas, 60 x 43¾ in. Museum of Fine Arts, Boston. The Hayden Collection—Charles Hayden Fund (artwork © Loïs Mailou Jones Pierre-Noël Trust; photograph provided by the Museum of Fine Arts, Boston)

Loïs Mailou Jones: A Life in Vibrant Color
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
October 9, 2010–January 9, 2011

The African American artist and teacher Loïs Mailou Jones (1905–1998) spent seventy-five years producing a diverse body of work in painting, drawing, and textile design. Organized by Carla M. Hanzal of the Mint Museum of Art, Loïs Mailou Jones: A Life in Vibrant Color gathers more than seventy works for a touring show with a current stop in Washington, DC, the city in which she lived and worked. A professor at Howard University for nearly fifty years, Jones had David Driskell, Elizabeth Catlett, and Robert Freeman as students, and she contributed to several Corcoran Gallery of Art biennials and had a solo exhibition at the Museum of Fine Arts, Boston. To read more about the artist, download a companion guide to A Life in Vibrant Color, which includes her biography, images of work, and more.

Books without Words: The Visual Poetry of Elisabetta Gut
National Museum of Women in the Arts
1250 New York Avenue NW, Washington, DC 20005
September 10, 2010–January 16, 2011

The first solo exhibition in the United States of the artist Elisabetta Gut, born in Rome in 1934, presents twenty-two mixed-media works from 1979 to 2000, with a particular focus on the 1980s. Using humble materials such as thread, sheet music, dried seeds, wood, wire, and wax, Gut creates sculptural collages—or collaged sculptures—inspired by dreams, memories, and her love of music and poetry. Krystyna Wasserman, curator of book arts at the National Museum of Women in the Arts, explains, “Her visual poetry is accessible, and her books do not require reading and the time consumed by reading. Their messages are compressed and universal, expressing love for nature or another person, fascination with music, or a sense of loss.”

Marjorie Strider

Marjorie Strider, Green Triptych, 1963, acrylic paint and laminated pine on masonite panels, 72 x 105 in. Collection of Michael T Chutko (artwork © Marjorie Strider; photograph by Randal Bye)

“So Different, So Appealing: Women and the Pop Art Movement”
Brooklyn Museum
Iris and B. Gerald Cantor Auditorium, Third Floor, 200 Eastern Parkway, Brooklyn, NY 11238
October 30, 2010, 2:00–4:00 PM

The cleverly titled “So Different, So Appealing: Women and the Pop Art Movement” is a panel discussion to be held in conjunction with the traveling exhibition Seductive Subversion: Women Pop Artists, 1958–1968, which lands this month at the Brooklyn Museum (see September’s CWA Picks). Moderated by Catherine Morris, curator of the museum’s Elizabeth A. Sackler Center for Feminist Art, the discussion will feature artists from the show as well as the original cocurators, Sid Sachs and Kalliopi Minioudaki of University of the Arts in Philadelphia.

Feminist Art History Conference 2010
Katzen Arts Center
American University, 4400 Massachusetts Avenue NW, Washington, DC 20016
November 5–6, 2010

It’s been nearly ten years since the last major academic gathering dedicated to feminist research in the discipline, and the first annual Feminist Art History Conference picks up where the Barnard College Feminist Art History Conference—a crucial forum for scholars in the 1990s—left off. Titled “Continuing the Legacy: Honoring the Work of Norma Broude and Mary D. Garrard,” the event also celebrates over four decades of work by two pioneering feminist art historians who are both professors at American University. Forty speakers in ten sessions will explore topics ranging from antiquity to contemporary art, and Anna Chave will deliver the keynote address, evocatively called “High Tide: Deploying Fluids in Women’s Art Practice.” The conference is free and open to the public, but advance registration by 5:00 PM on Friday, October 22, is recommended. Download the conference program for a peek at all the events.

Filed under: CWA Picks, Uncategorized — Tags:

Affiliated Society News for October 2010

posted by October 09, 2010

American Society for Hispanic Art Historical Studies

The American Society for Hispanic Art Historical Studies (ASHAHS) has partnered with ARTES, a group based in the United Kingdom and Ireland dedicated to Iberian and Latin American art, to produce an annual issue of Hispanic Research Journal on the visual arts. To be released in December 2010, the issue will feature studies on Spanish and Latin American topics by Hilary Macartney, Jesusa Vega, Mercedes Cerón, and Rosemarie Mulcahy, plus a tribute to Nigel Glendinning by Marjorie Trusted.

Arts Council of the African Studies Association

The Arts Council of the African Studies Association (ACASA) is currently seeking three new board members. If interested, please contact Karen Milbourne. Current issues of the new ACASA newsletter will now only be available to members; past issues are archived online. Please visit the website for more information on the upcoming 2011 triennial conference in Los Angeles.

Association of Academic Museums and Galleries

Association of Academic Museums and Galleries

The University of Houston will host the 2011 AAMG annual conference. Clockwise from top left: the Blaffer Art Museum, the Moores Opera House, and the Roy G. Cullen Building (photographs provided by the University of Houston)

The Association of Academic Museums and Galleries (AAMG) will hold its next annual conference, “Who’s Muse? Challenges to the Curatorial Profession in Academic Museums,” on May 21, 2011, at the University of Houston’s Blaffer Art Museum in Texas. Curatorial practices in academic museums and galleries are sometimes highly experimental. Faculty members from a wide variety of fields and with limited curatorial experience periodically recommend and help lead exhibition projects. The organization of exhibitions likewise engages both graduate and undergraduate students, museum-education professionals, librarians, and even area school classes in project leadership roles. Exhibitions thus generated offer unorthodox approaches to curatorial planning and execution. Appropriate to our scholarly mission, they can stretch disciplinary boundaries, cross-fertilize disciplinary methodologies, and generate wholly new paradigms for knowledge. Our academic museums and galleries thus become vital centers of original research, interdisciplinary dialogue, and participatory learning. While this democratic and laboratory approach to curatorial practice contributes in significant ways to the groundbreaking research and all-important teaching missions of our universities and colleges, it can also challenge conventional standards of the curatorial profession. Through the presentation of outstanding case studies and lively roundtable discussions, the 2011 conference will explore the pros and cons of the broad curatorial approaches found in academic museums and galleries. This year, AAMG will include a late-morning, lunch-period session, called HOT TOPICS, on current issues in academic museums and galleries. Submit your ideas for this session with your conference registration, vote, and select a HOT TOPICS table for lunchtime conversation.

Association of Historians of American Art

The Association of Historians of American Art (AHAA) is offering a travel grant to cover CAA Annual Conference expenses up to $500 for an ABD student of historical art of the United States who will travel to the 2011 meeting in New York to participate in the program. The successful recipient must be enrolled in a graduate program and an AHAA member. Deadline: February 1, 2011.

AHAA is seeking to sponsor a 1½-hour professional session at the CAA Annual Conference in Los Angeles in 2012. Submission guidelines for session proposals are located online. Deadline: March 1, 2011.

Association of Historians of Nineteenth-Century Art

Starting in September 2010, the Association of Historians of Nineteenth-Century Art (AHNCA) will send its membership directory electronically as a searchable PDF. Members who do not have email will continue to receive a hardcopy by mail.

At the CAA Annual Conference in New York in 2011, AHNCA members are invited to a free, private visit to the New York Public Library Prints and Photographs Study Room on Wednesday, February 9, 2011, 11:00 AM–12:30 PM. Curators Stephen Pinson and David Christie will introduce members to highlights and rarely exhibited holdings in the library’s extensive collection of prints and photographs. There is no cost for AHNCA members, but space is limited. Please contact Elizabeth Mansfield before January 15, 2011, to reserve your place.

Historians of Islamic Art Association

The Historians of Islamic Art Association (HIAA) will hold its second biennial symposium on the theme of “Objects, Collections and Cultures” at the Freer and Sackler Galleries in Washington, DC. Taking place October 21–23, 2010, the program features an opening address by Julian Raby, director of the Freer and Sackler; thematic sessions with formal presentations; seminar-style workshops on art objects in the museums’ collections; and a roundtable discussion on the arts of the object in Islamic art history today. The complete program and registration information are available online.

International Sculpture Center

The International Sculpture Center (ISC) is celebrating its fiftieth anniversary at the Metropolitan Pavilion in New York on October 22, 2010. The evening’s festivities will include a cocktail reception, entertainment, and an art sale featuring works by Fletcher Benton, Chakaia Booker, Mark di Suvero, John Clement, Carole Feuerman, John Henry, Jun Kaneko, Donald Lipski, Jesús Moroles, Manuel Neri, Tom Otterness, Albert Paley, Joel Perlman, Judy Pfaff, Kenneth Snelson, Stretch, James Surls, Boaz Vaadia, and Mia Westerlund, among others to be announced. Also taking place are a raffle—with top prize being a one-week vacation in Saint Martin—and a Chinese auction with fabulous prizes. Honorary hosts for the evening include di Suvero, Snelson, and Joyce Pomeroy Schwartz. Space is limited. Tickets are $350 per person, and tables are available for $3,000 and $5,000. Cocktails start at 6:00 PM with dinner at 7:30 PM. For questions or more information, please write to events@sculpture.org.

Japan Art History Forum

The Japan Art History Forum (JAHF) has awarded its the eight annual Chino Kaori Memorial Book Prize, which honors excellence in graduate-student scholarship in Japanese art history, to Christina Striker, a student in the PhD Program in Visual Studies at the University of California, Irvine. Striker’s winning essay is titled “Creating an Origin, Preserving a Past: Arnold Genthe’s 1908 Ainu Photography.”

Pacific Arts Association

The Pacific Arts Association (PAA) will present its affiliated-society session at the CAA Annual Conference in February 2011. Called “Documenting Oceania after the Twentieth Century,” the session focuses on how artists and scholars document Pacific identities in the first decade of the twenty-first century through expressive forms such as social documentary film, the internet, the museum, and poetry. The panel redefines the form and purpose of the “documentary” as a point of reference for current and future scholarship about Oceanic art. Chaired by Bernida Anne Webb-Binder, PhD candidate in the history of art and visual studies at Cornell University, the session includes presentations from: Ursula-Ann Aneriueta Siataga, MA candidate in social documentation, University of California, Santa Cruz; Julie Risser, director and curator at the American Museum of Asmat Art, University of St. Thomas; Luseane Nina Kinahoi Tonga, PhD candidate in art history, University of Auckland; and Craig Santos Perez, PhD candidate in comparative ethnic studies, University of California, Berkeley.

Radical Art Caucus

The Radical Art Caucus (RAC) is gearing up to celebrate its tenth birthday at the upcoming CAA Annual Conference in New York. Benj Gerdes and Nate Harrison are cochairing the 2½-hour session, “Video Art as Mass Medium,” and Travis Nygard is organizing the 1½-hour panel, “Environmental Sustainability in Art History, Theory, and Practice.” Plan now to join us for a birthday toast on Friday, February 11, 5:30–7:00 PM; see the Conference Program for location in the Hilton New York. Contact Joanna Gardner-Huggett, RAC secretary, if you have additional questions or news to share.

Society for Photographic Education

Student members of the Society for Photographic Education (SPE) can apply online for scholarships to offset the cost of attending the 2011 national conference in Atlanta, Georgia, to be held March 10–13, 2011. Ten SPE Student Awards and the SPE Award for Innovations in Imaging in Honor of Jeannie Pearce feature a $500 travel stipend to attend the conference, one-year SPE memberships, and complimentary 2011 national conference passes. The Freestyle Crystal Apple Award for Outstanding Achievement in Black and White Photography offers a $5,000 cash prize, a one-year membership to SPE, and complimentary 2011 national conference pass. Download the form for complete rules and regulations. Direct questions to membership@spenational.org. Deadline: November 1, 2010.

Society of North American Goldsmiths

The Society of North American Goldsmiths (SNAG) and Hoover and Strong have joined to create the Harmony Jewelry Design Competition, named after Harmony Metals, the environmentally sustainable metals from Hoover and Strong. Professional jewelry makers and students will compete in separate categories. The top-winning piece will be manufactured and distributed nationally by Hoover and Strong, with profits from sales benefiting the Nature Conservancy. Student winners will receive scholarships, and winners will receive a national award and have their names publicized nationwide; they will also be a part of a remarkable shift to environmentally sustainable materials in the industry. Visit the SNAG website or call 541-345-5689 for more information. Deadline: January 15, 2011.

The 2011 SNAG conference takes place May 26–29, 2011, in Seattle, Washington. Hosted by the Seattle Metals Guild and sponsored by Rio Grande, the exciting program of twelve speakers, exhibitions, and special events will address the theme of “FLUX.” Internationally recognized participants include: the keynote speaker Glenn Adamson; Valeria Vallarta Siemelink, cofounder of Otro Diseño Foundation for Cultural Cooperation and Development; the artist and sculptor John Grade; and Damian Skinner, an art historian, curator, and editor. Rising stars in the field—David Clemons, Masako Onodera, Miel-Margarita Paredes, Sarah Troper, and Stacey Lee Webber—will give talks on their work. Registration opens in mid-January 2011, and student and educator registration grants and discounts are available. For more information, please write to conference@snagmetalsmith.org.

SNAG seeks submissions of work for exhibitions held in conjunction with the Seattle conference. The Art Jewelry Forum will produce an exhibition onsite at the SNAG 2011 conference hotel in Seattle, curated by Susan Cummins and Mike Holmes. Additional exhibitions include Dual at Traver Gallery in Seattle and Co:Operation Tableware, an exhibition featuring work by pairs of artists who cooperatively create a set of tableware (functional or nonfunctional).

Southeastern College Art Conference

From November 9 to 12, 2011, the Southeastern College Art Conference (SECAC) will hold its sixty-seventh annual meeting, hosted by the Savannah College of Art and Design (SCAD) in Georgia. The conference headquarters will be the DeSoto Hilton Hotel, located in the heart of historic Savannah. Featuring extensive panels and sessions for the exchange of ideas and concerns relevant to the practice and study of art, the conference will include the annual awards luncheon and the fourteenth annual members’ exhibition, as well as a rich array of tours, workshops, and evening events. The curator Dan Cameron will jury the SECAC members’ exhibition, to be held at one of SCAD’s premier venues, and present the plenary address. For more information, contact secac@secollegeart.org or secac2011@scad.edu.

Filed under: Affiliated Societies

2011 Annual Conference Website Goes Live

posted by October 05, 2010

The website for the 99th Annual Conference and Centennial Kickoff goes live today. The upcoming conference, taking place February 9–12, 2011, at the Hilton New York in midtown Manhattan, begins the celebration of CAA’s one-hundredth anniversary.

Online registration is now open, and hotel reservations can be made. Register before the early deadline, December 10, to get the lowest rate and to ensure your place in the Directory of Attendees. You may also purchase tickets for special events, such as the reception at the Metropolitan Museum of Art following the presentation of the annual Awards for Distinction, as well as for professional-development workshops on a variety of topics for artists and scholars.

CAA will regularly update the conference website over the next few months, with additional details on the program, awards, tours, and more. Session titles and chairs’ names are available now, and all presenters’ names and papers will follow in the coming weeks.

The CAA Annual Conference is the world’s largest international forum for professionals in the visual arts, offering more than two hundred stimulating sessions, panel discussions, roundtables, and meetings. CAA anticipates more than five thousand artists, art historians, students, curators, critics, educators, art administrators, and museum professionals to attend the Centennial event.

Filed under: Annual Conference, Centennial

Dissertation titles in art history and visual studies from United States and Canadian institutions, both completed and in progress, are published annually in caa.reviews, making them available through web searches. Dissertations formerly appeared in the June issue of The Art Bulletin and on the main CAA website.

PhD-granting institutions may send a list of doctoral students’ dissertation titles to dissertations@collegeart.org. Complete Dissertation Submission Guidelines regarding the format of listings are now available. CAA does not accept listings from individuals. Improperly formatted lists will be returned to sender. For more information, please write to the above email address. Deadline: January 15, 2011.