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CAA Seeks Award Nominations

posted by August 12, 2008

Recognize someone who has made extraordinary contributions to the fields of art and art history by nominating him or her for one of twelve CAA Awards for Distinction. Award juries consider your personal letters of recommendation when making their selections. In the letter, state who you are; how you know (of) the nominee; how the nominee and/or his or her work or publication has affected your practice or studies and the pursuit of your career; and why you think this person (or, in a collaboration, these people) deserves to be recognized. We also urge you to contact five to ten colleagues, students, peers, collaborators, and/or coworkers of the nominee to write letters. The different perspectives and anecdotes from multiple letters of nomination provide juries with a clearer picture of the qualities and attributes of the candidates.

The twelve Awards for Distinction are:

  • The Distinguished Feminist Award honors a person who, through his or her art, scholarship, or advocacy, has advanced the cause of equality for women in the arts
  • The Charles Rufus Morey Book Award honors an especially distinguished book in the history of art, published in the English language. (To give the jury the full opportunity to evaluate each submission fairly, please send your nomination by July 31, 2008)
  • The Alfred H. Barr, Jr., Award for museum scholarship is presented to the author or authors of an especially distinguished catalogue in the history of art, published in the English language under the auspices of a museum, library, or collection. (To give the jury the full opportunity to evaluate each submission fairly, please send your nomination by July 31, 2008)
  • The Arthur Kingsley Porter Prize is awarded for a distinguished article published in The Art Bulletin by a scholar of any nationality who is under the age of thirty-five or who has received the doctorate no more than ten years before the acceptance of the article for publication
  • The Art Journal Award is presented to the author of the most distinguished contribution (article, interview, conversation, portfolio, review, or any other text or visual project) published in Art Journal
  • The Frank Jewett Mather Award is awarded to an author of art journalism that has appeared in whole or in part in North American publications
  • The Distinguished Teaching of Art Award is presented to an individual who has been actively engaged in teaching art for most of his or her career
  • The Distinguished Teaching of Art History Award is presented to an individual who has been actively engaged in teaching art history for most of his or her career
  • The Artist Award for a Distinguished Body of Work is given to a living artist of national or international stature for exceptional work through exhibitions, presentations, or performances
  • The Distinguished Artist Award for Lifetime Achievement celebrates the career of an artist who has demonstrated particular commitment to his or her work throughout a long career and has had an impact nationally and internationally on the field
  • The CAA/Heritage Preservation Award for Distinction in Scholarship and Conservation honors outstanding contributions by one or more persons who, individual or jointly, have enhanced understanding of art through the application of knowledge and experience in conservation, art history, and art
  • The Distinguished Lifetime Achievement Award for Writing on Art celebrates the career of an author of note and includes the publication of art criticism, art history, art biography, and/or art theory

All nomination campaigns should include one copy of the nominee’s CV (limit: two pages). Nominations for book and exhibition awards should be for authors of books published or works exhibited or staged between September 1, 2007, and August 31, 2008. No more than ten letters per candidate are considered. For more information, please write to Claire Vancik, CAA programs assistant. Deadline: July 31, 2008, for the Morey and Barr awards; August 31, 2008, for all others.

CAA holds its 98th Annual Conference in Chicago, Illinois, from Wednesday, February 10, to Saturday, February 13, 2010. The Annual Conference Committee invites session proposals that cover the breadth of current thought and research in art, art and architectural history, theory and criticism, pedagogical issues, museum and curatorial practice, conservation, and developments in technology. Session proposals are accepted through an online submission process at http://conference.collegeart.org/2010.

The process of fashioning the conference program is a delicate balancing act. The 2010 program is shaped by four broad submission categories: Historical Studies, Contemporary Issues/Studio Art, Educational and Professional Practices, and Open Forms.

Also included in the mix are sessions presented by affiliated societies, CAA committees, and, for balance and programmatic equity, open sessions (which have a broad, inclusive topic or theme). Most program sessions, however, are drawn from submissions by individual members; the committee greatly depends on the participation of the CAA membership in forming the conference.

The Annual Conference Committee welcomes session proposals that include the work of established artists and scholars, along with that of younger scholars, emerging and midcareer artists, and graduate students. Particularly welcome are those sessions that highlight interdisciplinary work. Artists are especially encouraged to propose sessions appropriate to dialogue and information exchange relevant to artists.

The committee considers proposals from CAA members only. Once selected, session chairs must remain current members through 2010. No one may chair a session more than once in a three-year period. (That is, individuals who chaired sessions in 2008 or 2009 may not chair a session in 2010.)

Sessions may bring together scholars and participants in a wide range of fields, including but not limited to: anthropology, history, economics, philosophy, religion, literary theory, and new media. In addition, the committee seeks topics that have not been addressed in recent conferences or areas that have traditionally been underrepresented.

Proposals need not conform to traditional panel formats; indeed, experimentation is highly desirable. To this end, CAA presents Open Forms, a session category that encourages the submission of experimental and nontraditional formats (e.g., roundtables, performances, forums, conversations, multimedia presentations, and workshops). Open Forms sessions may be preformed, with participants chosen in advance by session chairs. Please note that these sessions require advance planning by the session chair; apply only if you have the time required to attend to such tasks.

Sessions selected by the Annual Conference Committee for the 2010 conference are considered regular program sessions; that is, they are 2½-hours long, are scheduled during the eight regular program time slots during the four days of the conference, and require a conference badge for admission. With the exception of the Open Forms category, CAA session proposals may not be submitted as preformed panels with a list of speakers. Proposals for papers for the 2010 sessions are solicited through the 2010 Call for Participation, published in February 2009.

Each CAA affiliated society and CAA committee may submit one proposal that follows the guidelines outlined above. A letter of support from the society or committee must accompany the submission. The Annual Conference Committee considers it, along with the other submissions, on the basis of merit.

Session Categories
Below are descriptions of the four general submission categories.

  • Historical Studies: This category broadly embraces all art-historical proposals up to the third quarter of the twentieth century
  • Contemporary Issues/Studio Art: This category is intended for studio-art proposals, as well as those concerned with contemporary art and theory, criticism, and visual culture
  • Educational and Professional Practices: This category pertains to session proposals that develop along more practical lines and address the educational and professional concerns of CAA members as teachers, practicing artists and critics, or museum curators
  • Open Forms: This category encourages experimental and alternative formats that transcend the traditional panel, with presentations whose content extends to serve the areas of contemporary issues, studio art, historical studies, and educational and professional practices

Proposal Submission Guidelines
For the 2010 conference, all session proposals are completed online. Please visit http://conference.collegeart.org/2010 to begin your application. Prospective chairs must include the following in their proposal:

  • Top sheet: a completed session-proposal form, which must be filled out online and then printed. Please size your hard copy to fit an 8½ x 11 inch sheet of paper
  • Second sheet: if you have prior approval of one of CAA’s affiliated societies or a CAA committee to submit an application for a sponsored session, you must include an official letter of support from the society or committee. If you are not submitting an application for a sponsored session, please skip this step
  • Third sheet: your CV and, if applicable, the CV of your cochair; no more than two pages in length each

Please mail eighteen (18) collated and stapled copies of your entire session-proposal application to the CAA manager of programs (mailing address appears at the end of the article). Do not use paper clips.

The Annual Conference Committee makes its selection solely on the basis of merit. Where proposals overlap, CAA reserves the right to select the most considered version or, in some cases, to suggest a fusion of two or more versions from among the proposals submitted.

The submission process must be completed online. Eighteen printed, stapled, and collated copies of your completed application must be sent by mail to: Manager of Programs, Sessions 2010, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: September 1, 2008; no late applications are accepted.

For questions, please contact Susan DeSeyn-Lodise, CAA sessions coordinator.

Filed under: Annual Conference