CAA News Today
Meet the 2020 Travel Grant Recipients
posted by CAA — January 29, 2020
CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. Meet this year’s recipients below.
CAA GRADUATE STUDENT CONFERENCE TRAVEL GRANTS
CAA awards Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to the Annual Conference.

Maureen Burdock, University of California, Davis

Josephine Lee, Parsons School of Design

Brantly Hancock Moore, University of North Carolina at Chapel Hill

Nicole Winning, University of Massachusetts at Dartmouth
CAA INTERNATIONAL MEMBER CONFERENCE TRAVEL GRANTS
CAA awards the International Member Conference Travel Grant to artists and scholars from outside the United States as partial reimbursement of travel expenses to the Annual Conference.

Alex Burchmore, Australian National University

Panos Kompatsiaris, National Research University Higher School of Economics,Moscow

Stephen Adéyemí Folárànmí, Rhodes University, South Africa
CAA TRAVEL GRANT IN MEMORY OF ARCHIBALD CASON EDWARDS, SENIOR, AND SARAH STANLEY GORDON EDWARDS
Established by Mary D. Edwards with the help of others, the CAA Travel Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards supports women who are emerging scholars at either an advanced stage of pursuing a doctoral degree or who have received their PhD within the two years prior to the submission of the application.

Kristen Nassif, University of Delaware
Paper: Seeing Through Blindness: Disability, Tactile Relief Maps, and Geography
Session: Disability in the Arts: The Active Participation of People with Disabilities in the Arts

Shirlynn Sham, Yale University
Paper: The Eighth Wonder of the World: Design and Danger in Marc and Isambard Brunel’s Thames Tunnel Project
Session: Topographical Drawing
SAMUEL H. KRESS FOUNDATION CAA CONFERENCE TRAVEL FELLOWSHIP FOR INTERNATIONAL SCHOLARS
Recognizing the value of first-hand exchanges of ideas and experience among art historians, the Kress Foundation is offering support for international scholars participating as speakers at the 2020 CAA Annual Conference. The scholarly focus of the papers must be European art before 1830.

Sophie Ong, Rutgers University
Paper: ‘I pray…that I may have sommethyng for my nekke’: Understanding Jewelry and Its Popularity in the Late Middle Ages and Today
Session: Kitsch and Craft in the Middle Ages: Making Medieval Art Popular

Bruno Ligore, Nice University, France
Paper: Embodying the Antique in the Early 19th Century: Ballet Masters’ Drawing Practices
Session: Dancing in the archives: choreographers’ drawings as resources for art historians (19th-20th centuries)

Halyna Kohut, Ivan Franko National University of Liviv, Ukraine
Paper: Is it the Rug or the ‘Other’?
Session: Different Shades of Othering: Orientalism/Occidentalism in the World of Art

Elisa Antonietta Daniele, University of Verona, Italy
Paper: Performing Bodies, Dancing Trifles: Drawing New Worlds in Il Tabacco, Commemorative Album for the Courtly Ballet Staged in Turin (1650)
Session: Early Modern Animation: Mascarades, Ballet, Automata

Estefanía López-Salas, Universidade da Coruña, Spain
Paper: Towards a Web-Based Representation of Spatial Change Over Time at San Julián de Samos
Session: Advanced Topics in Digital Art History: 3D (Geo)Spatial Networks
Elena Granuzzo, Independent Scholar, Italy
Paper: The Cicognara Library and Michelangelo Buonarroti: A Historiographical Reading through the Sources
Session: Historic Libraries and the Historiography of Art (II)
CAA-GETTY INTERNATIONAL PROGRAM
Every year since 2012, the CAA-Getty International Program has brought between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conference. This program is funded on an annual basis by the Getty Foundation. Click here to meet the CAA-Getty International Program participants.
CAA’s Services to Artists Committee Presents ARTexchange2020
posted by CAA — January 29, 2020
ARTexchange2020
Workshops • Performances • Exhibition
at Columbia College Chicago, Hokin Gallery, 623 South Wabash
February 12–February 24, 2020
Gallery Hours: Monday–Friday 9:00am–10:00pm; Saturday, 9:00am–5:00pm
Take part in workshops and performances facilitated by artists: Noah Breuer, Wendy DesChene + Jeff Schmuki, Jennifer Natalya Fink & Julie Laffin, Carol Flueckiger, Visda Goudarzi & Artemi-Maria Gioti, MiHyun Kim, Jill Odegaard, Lydia See, Christine Stiver.
View dynamic installations co-created with the public. Visitors can interact with many of the installations even when facilitating artists are not present. Come by every day to see how the space changes. Workshops and events are “drop-in” friendly. You can come and go for any time during facilitated workshops.
CAA’s Services to Artists Committee (SAC), in collaboration with the “Hokin Project,” a gallery management practicum course at Columbia College Chicago, presents ARTexchange 2020 as an opportunity for artists to share their work and build affinities with other artists, historians, curators, cultural producers, and the public.
The exhibition will remain on view through February 24, 2020.
For a full listing of all SAC programming at the 108th CAA conference, see here.
And don’t forget the ARTexchange Reception, Friday, February 14, 7:00pm–8:30pm.

Black Lunch Table — Wikipedia Edit-a-thon
Join us for a Wikipedia edit-a-thon hosted by the Black Lunch Table. Their initiative creates and improves articles about Black visual artists. Celebrating artists of color, women artists, and artists with disabilities, this program supports inclusion and recognition of intersectionality. No prior experience necessary. Bring a computer and a friend!
This programming is partially funded by the Office of Academic Diversity, Equity, and Inclusion, Columbia College Chicago.
Workshop times: Thursday, 10:30am–1:30pm; Friday, 10:30am–1:30pm in the Media Lounge

Noah Breuer – CB&S Rubbings and Print Project
Noah Breuer leads a printmaking workshop, utilizing engraved designs inspired by CB&S, his great-great-grandfather’s textile factory that was seized along with all Jewish-owned property in German-occupied areas during WWII. Participants leave with their own book and contribute one copy for visual materials to be built upon by the next participants.
Workshop times: Wednesday, 4:00pm–6:00pm; Thursday, 4:00pm–6:00pm; Friday, 12:00pm–2:00pm

Wendy DesChene + Jeff Schmuki – Ostraka
Join DesChene and Schmuki in celebration of our fundamental right to vote through Ostraka, a collaborative installation that mirrors a 5th-century BC Athenian tradition, where citizens would inscribe the name of a person they wanted to politically neutralize on a shard of broken pottery called an ostrakon.
Workshop times: Wednesday, 2:00pm–4:00pm; Friday, 12:00pm–2:00pm

Jennifer Natalya Fink & Julie Laffin – UNDERBELLY
Join artists Fink and Laffin in a performance and “modern suffragette” march, retracing the steps of historical suffrage parades. Airing some dirty laundry to expose the underbelly of the movement, participants will wear two-sided sashes imprinted with both positive and negative statements related to the suffragette movement and voting rights.
Performance time: Thursday, 4:00pm–6:00pm
If you want to be a modern suffragette and participate in the march, sign up here to be contacted by the artists. Meet at the Hokin Gallery at 3:40 pm. Don’t forget to dress weather appropriate.

Carol Flueckiger – Solitude of Selfie
Flueckiger’s project explores Elizabeth Cady Stanton’s 19th century women’s suffrage address “Solitude of Self”. Participants will be prompted to engage with Stanton’s speech and make response drawings. Works will be pinned to the wall and later scanned and integrated into a book honoring the 100th anniversary of the 19th amendment.
Workshop times: Wednesday, 9:00am–11:00am; Friday, 9:00am–11:00am

Visda Goudarzi & Artemi-Maria Gioti – Soundsourcing
Soundsourcing is a participatory performance orchestrated by artists Goudarzi and Gioti. In this collaborative sound performance, audience members contribute vocal sounds (words, phonemes and noises) which are picked up by two condenser microphones and processed by laptop performers in real-time. The artists invite participation in this unique sound creation process.
Performance time: Friday, 7:00pm–8:00pm

MiHyun Kim – Stories Become Data
Stories Become Data is an interactive digital environment that invites participants to add their own stories to a collective narrative. MiHyun Kim will lead a workshop utilizing iPads and projection to create a space for participants to share and to visualize their stories collectively and simultaneously through real time.
Workshop time: Friday, 2:00pm–4:00pm

Jill Odegaard – Woven Welcome
Woven Welcome is a community-based art project that utilizes the form of a woven rug as a statement of the interconnectedness of individuals. Join artist Jill Odegaard in creating this artistic metaphor, and engage in a dialogue with other conference attendees and community members.
Workshop times: Wednesday, 6:00pm–10:00pm; Friday, 9:00am–12:00pm

Lydia See – BMC Playbook
Lydia See’s BMC Playbook encourages the examination and manipulation of materials, space, and the collective spirit. This collaborative project, resulting in an installation in the Hokin Gallery, includes a series of chance operations based on a generative BMC card game, inspired by material study workshops at Black Mountain College.
Workshop time: Thursday, 4:00pm–6:00pm
Materials and instructions are available outside facilitated workshop times for the entire exhibition.

Christine Stiver – Banquet Art
Stiver’s participatory performance Banquet Art is modeled after one of Caroline Shawk Brooks’ own sculpting demonstrations in which she sculpted one face after another on the same bust of butter. Participants will sculpt a series of portraits, starting with Napoleon and George Washington, a litany of “great leaders” will follow.
Workshop time: Friday, 4:00pm–8:00pm
Ongoing

Graduate Student Screenings
A curated selection of current MA/MFA videos/digital artworks, premieres at the Media Lounge Wednesday. Participating artists: ANDiLAND, Jorge Bañales, Andrea Bagdon, Jacklyn Brickman/Heather Taylor, Christian Casas, Danielle Damico, Jesse Egner, Caleb Engstrom, Mary Gring, Selena Ingram, Bibiana Medkova, Carolina Montejo, Strange Lens, Maria V, F. C. Zuke
Meet the 2020 Student Scholarship Winners
posted by CAA — January 28, 2020
with support from


For the fourth year in a row, CAA is proud to partner with our sponsors, multinational publisher, Routledge, Taylor & Francis, and art materials specialist, Blick Art Materials, on student scholarships to assist CAA student members with conference costs.
Routledge, Taylor & Francis Student Scholarship
CAA Annual Conference Premier Sponsor, Routledge, Taylor & Francis supports four CAA student members with a $250 scholarship. The 2020 winners are:
Samara Johnson
Samara Johnson holds a BFA in Painting and Drawing, BA in French from Sonoma State University, and in May 2020 will complete her MFA in Painting and Drawing from University of Colorado at Boulder. She was born and raised in Moose Pass, Alaska. Her upbringing has inspired her to create artworks that involve use of organic materials and synthetic skins, which brings backwoods aesthetic into a contemporary setting through abstracted dimensional wall works. The artist also volunteers as a horse handler for equine assisted psychotherapy in Boulder, Colorado, which has allowed her to explore, in her work, how systems and relationships of the non-human can help humans better understand their nervous systems and emotions.

Jordan Reznick
Jordan Reznick is an artist and PhD candidate in Visual Studies at University of California Santa Cruz. Their dissertation, “Settler Modernism: Alfred Stieglitz’s The Steerage and the Vicissitudes of American Whiteness, 1890-1930″ traces how one iconic photograph came to be known as the first modernist American photograph and how, at each stage of its trajectory into the modernist canon, it was interpreted through narratives that served to modernize settler colonial myths. Reznick’s Gallery of Illustrious Queers explores transgender identity and life experiences through portrait photography. Their work has been widely exhibited in the United States, including at Aperture Gallery in New York and the Portland Museum of Art in Oregon. Reznick teaches Photography and Art History at San Francisco Art Institute and California College of the Arts. They earned an MFA in Photography and an MA in Visual & Critical Studies from California College of the Arts, and a BFA in Photography from New York University.

Tamara Toledo
Tamara Toledo is a PhD Art History and Visual Culture candidate at York University. Toledo is a Chilean-born Toronto-based scholar, curator and artist, graduate of OCAD University and holds an MFA from York University. Toledo is co-founder of the Allende Arts Festival and of Latin American Canadian Art Projects – LACAP. For over a decade, she has curated numerous exhibitions offering spaces and opportunities to artists of Latin American descent to showcase their work. She designed and has been curating the Latin American Speakers Series for which she has invited internationally renowned contemporary artists and curators to Toronto such as Gerardo Mosquera, Luis Camnitzer, Tania Bruguera, Alfredo Jaar, among many others to articulate and discuss issues of identity and intercultural dynamics in contemporary art. Toledo has presented her work at various conferences in Montreal, New York, Vancouver and Toronto. Her writing has appeared in ARM Journal, C Magazine, Fuse and Canadian Art. Her practice often follows an interdisciplinary approach and touches on notions of memory, identity, Latin American diasporas, transnationalism, issues of power, representation and international artistic-cultural interaction. Toledo is presently the Curator of Sur Gallery, the only space dedicated to contemporary Latin American art in Canada.

Jessica Zeglin
Jessica Zeglin uses sound, drawing, textiles, and installation to engage skills of attentiveness, listening, and care for ourselves, our human, and our other-than-human kin. Her work is field and research-based, combining perspectives from ecology, biology, fine art, craft art, and decolonial critique of these fields, with emphasis on the nuances of everyday life. She has shown work at the Weisman Art Museum, the Tamarind Institute, the University of New Mexico Art Museum, and in parks, plazas, city, and country, to audiences of many and audiences of one. Originally from rural and small-town Wisconsin, she is currently a candidate for the MFA in Art and Ecology at the University of New Mexico. You can see more of her work at www.jessicazeglin.com.
Blick Art Materials Student Scholarship
CAA Annual Conference Advocate Sponsor, Blick Art Materials supports four CAA student members with a $250 scholarship. The 2020 winners are:

Noah Cox
Noah Cox is a third year, Art History student studying at New College of Florida. He has recently begun research for his baccalaureate thesis focusing on the art, architecture, and landscape of Bok Tower Gardens in Lake Wales, Florida. His undergraduate research in the past has focused on public art around the New College campus with a focus on student mural work. He currently works as an intern at the Sarasota Art Museum and is planning on furthering his career in the museum field.

Amanda Kendrick
Amanda Kendrick is from Michigan where she received her BFA in Studio Art from Albion College in 2017. She is currently a second year Painting MFA student at Purdue University, where she teaches Foundations Drawing. Her work is rooted in familial relationships and childhood memories. She lives with her fiancé in Lafayette, Indiana.

Defne Kırmızı
Defne Kırmızı is a PhD candidate Boston University in the History of Art & Architecture Department. Her dissertation focuses on the conceptual art practices and exhibition histories in Turkey between the years 1974-1994.

Anna Paluch
Anna (Ania) Paluch is a Polish-Canadian PhD student in Cultural Mediations at Carleton University, situated on unceded Algonquin territory in Ottawa, Canada. Her research focus is on Indigenous and Slavic Futurism, spaces of cultural hybridity, and post-memory in the diaspora, specifically around diasporic and mixed identity. She is a curator, mixed-media artist and co-director of the Indigenous+Diasporic Friendship Festival in Ottawa, connecting diasporic/immigrant communities with local Indigenous communities through art, academia and culture.
Criteria for the Scholarship
Awardees were chosen at random and fulfilled the following criteria:
- Individuals were registered for the Annual Conference by the Early Registration deadline
- Individuals are current CAA members with proof of student status
- Individuals did not receive conference registration or travel reimbursement from their institution or employer
We look forward to seeing you in Chicago next month! The 108th Annual Conference is February 12-15, 2020. Click here to explore the conference program.
Deadlines extended! Serve on a CAA Committee or Editorial Board
posted by CAA — January 27, 2020

Attendees at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo
Each spring, members have the opportunity to provide crucial service to the field and gain an inside view by volunteering to work on a CAA committee or editorial board.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.
CURRENT OPPORTUNITIES
Art Journal—Editor-In-Chief
Deadline (extended): June 1, 2020
caa.reviews—Field Editor for East Asian Art
Deadline (extended): June 1, 2020
Publications Committee—Two Members
Deadline (extended): June 1, 2020
PAST OPPORTUNITIES
Art Journal / Art Journal Open (AJO) Editorial Board—Three Members
Deadline: April 15, 2020
The Art Bulletin Editorial Board—One Member
Deadline: April 15, 2020
The Art Bulletin—One Reviews Editor or Coeditor Team
Deadline: April 15, 2020
caa.reviews Editorial Board—Three Members (One an Emerging Professional)
Deadline: April 15, 2020
caa.reviews—Eight Field Editors
African Art, African Diaspora/African American Art, Architecture and Urban Planning, Asian Art, Contemporary Art, Exhibitions: East Coast, Exhibitions: Midwest, Exhibitions: West Coast
Deadline: April 15, 2020
Sign Up for Mock Interviews at CAA 2020
posted by CAA — January 06, 2020

Interview booths at the 2018 Annual Conference in Los Angeles. Photo: Rafael Cardenas
Each year at CAA, the Students and Emerging Professionals Committee (SEPC) offers 30-minute mock interviews for those looking to develop and refine interviewing skills, including job-seekers. Participants practice one-on-one with a seasoned interviewer and receive candid feedback.
SEPC makes every effort to accommodate all applicants, however, space is limited. Interviews are available by appointment via the pre-conference Google Registration Form. Registration is Monday, January 6 to Friday, January 31. Participants will be notified of their slot by e-mail. With confirmation, we’ll request a CV and cover letter for your interviewer. On-site registration will be available at the conference, but pre-registering is strongly recommended for those whose conference plans are confirmed to get more tailored training and feedback.
Free of charge, CAA members only. Sign up via the pre-conference Google Registration Form.
Announcing Pay-as-You-Wish Day for CAA 2020
posted by CAA — December 13, 2019

Attendees at the 2019 Annual Conference in New York. Photo: Ben Fractenberg
We’re looking forward to seeing everyone in Chicago, February 12-15, 2020 for the Annual Conference.

We are excited to announce that we will offer Pay-as-You-Wish for one day, Friday, February 14, thanks to generous support from the Carl & Marilynn Thoma Art Foundation.
On Wednesday, Thursday, and Saturday, we will offer a variety of onsite registration options including:
- Single-session timeslot ticket— $20
- Book & Trade Fair only pass— $20
- One Day Pass (includes sessions and Book & Trade Fair)— $100
- Full conference registration— prices vary depending on membership tier
In addition, we have extended Early Registration until 11:59 PM (EST), Wednesday, December 18! Take advantage of early registration, the lowest rates for the full conference, and don’t forget to grab a ticket for our Opening Reception, hosted by Columbia College Chicago.
Apply for a Childcare Grant for CAA 2020
posted by CAA — December 06, 2019
Thanks for your interest! As of January 2, 2020, childcare grants are at capacity and the application portal is closed.
CAA recognizes the need among members for childcare support during the Annual Conference. In our effort to better meet these needs, CAA now offers grants of up to $250 per family.
Grants are available for CAA members who are registered for the conference and will bring their child to the conference, or who will incur extra care-giving expenses while away from their dependents.
Deadline to apply: January 5, 2020
Grant funding is limited and grants will be filled on a first-come, first-served basis. (If you signed up for the now-canceled onsite care with Kiddie Corp, you will be given priority.) The grants will be given as a reimbursement for expenses up to $250 upon submission of receipts or invoices.
Examples of allowable expenses
- Childcare expenses incurred on-site at the conference.
- Daycare above and beyond what is normally scheduled because member is attending the conference (for example, overtime at a daycare center, cost of a sitter, etc.)
- Travel expenses incurred in bringing a caregiver/family member to supervise your child at the conference or at your home.
- Travel expenses incurred in bringing a child to a caregiver/family member.
Note: Care must occur during the conference dates. Attendees are responsible for making their own arrangements. CAA does not sanction or recommend childcare providers and does not assume responsibility or liability for childcare services of any sort. It is the responsibility of the parent(s) to thoroughly investigate all childcare providers.
Expenses not eligible for reimbursement
- Normally scheduled childcare expenses in your home city.
- Toys, and tickets to museums, amusement parks, etc.
- Travel or other expenses related to the attendee’s participation in the meeting, conference registration, meals, or other expenses the attendee would already be incurring by attending the meeting.
Reimbursement procedure
- Reimbursement forms will be distributed to grantees upon notification, the completed PDF must accompany a scan of receipts.
- Recipients of a grant must submit receipts for reimbursable expenses by email to Mira Friedlaender, mfriedlaender@collegeart.org with the subject line “Child Care Reimbursement”, by March 5, 2020
- Reimbursements will be distributed within 3-4 weeks of CAA’s receipt of complete documentation.
Grants will be awarded on a rolling basis. The deadline to apply for the grant is January 5, 2020.
Questions about childcare grants for the Annual Conference? Email mfriedlaender@collegeart.org
The following Chicago-based childcare services are available for attendees seeking childcare during conference. CAA has no contract with these service providers, and this list should not be considered an endorsement of any companies listed.
American Childcare
207 East Ohio Street, 121, Chicago, IL 60611
Phone: 312-644-7300
Website: http://www.americanchildcare.com/hotel_babysitting.htm
College Sitters
1000 West Diversey Parkway, 234, Chicago, IL 60614
Phone: 773-697-9326
E-mail: lincolnparkil@collegenannies.com
Website: http://www.collegenanniesandtutors.com/nechicagoil
Sitters Studio
Phone: 312-890-8194
E-mail: bookchicago@sittersstudio.com
Website: http://www.sittersstudio.com/hotel-care/
Apply to Join the CAA Council of Readers
posted by CAA — November 26, 2019
In preparation for the spring submission cycle for the 2021 Annual Conference in New York, the Annual Conference Committee will appoint up to 22 new members to the Council of Readers. Council members read and rate session and presentation proposals and serve a crucial role in the review process for the Annual Conference.
Over 950 proposals are submitted for review each year for selection to the conference program. Each proposal is read by three Council members. By providing their time, knowledge, and expertise of their fields, the council helps to shape the conference program. Each member of the Council reviews up to 60 proposals per year from across CAA’s fields of study and as much as possible from within their self-identified scholarly focus and knowledge. Most proposals include one 250-word abstract, while complete session submissions can include 4-5 abstracts (1250 words). Each reader receives a similar amount of content.
Requirements for Readers
- Current CAA membership
- Time commitment to read and review no more than 60 proposals online in May 2020
- Ability to participate as a Council of Readers member for up to three years
- Readers are required to read and abide by CAA’s Statement on Conflict of Interest and Confidentiality
- Abbreviated CV uploaded to online form
- Completed online form
Application deadline: January 14, 2020
More details:
- The Council of Readers is a group of 50 to 75 CAA members from Professional Committees, Affiliated Societies, and general membership overseen by the Annual Conference chair.
- Readers will be asked to review proposals from across CAA’s fields of study, and as much as possible from within their self-identified scholarly focus. Readers with broad areas of interest are encouraged to participate.
- The proposals will be distributed by May 11 and must be completed by June 8, 2020.
- Readers will access abstracts and complete their reviews in our online system, with orientation and support from the Annual Conference Committee and CAA staff members.
- Each proposal is read and reviewed in the online portal by three different Council members.
- The majority of proposals include a single 250-word abstract, while complete session submissions can include 4-5 abstracts (1250 words).
- Readers will review no more than 60 proposals each, with proportional share of abstracts.
- For each proposal, Readers will use a scale of 1-5 to answer five questions and also enter a short comment for the Annual Conference Committee’s review.
- Members of the Council of Readers serve a three-year term on a rotation so that each year, one third of the council is new.
- The Council of Readers does not meet together in person or electronically.
- After proposals are read and reviewed by the Council, the chair reports to the Annual Conference Committee on session topics, including identifying possible areas of content that are missing from the submissions received.
- The chair finalizes the conference content based on the reviewed submissions.
Pleas email Mira Friedlaender, Manager of Annual Conference, mfriedlaender@collegeart.org, or Tiffany Dugan, Director of Programs and Publications, tdugan@collegeart.org, with any questions.
Apply to be a Mentor or Mentee at CAA 2020
posted by CAA — November 25, 2019

Attendee at the 2019 Annual Conference in New York. Photo: Ben Fractenberg
We invite you to participate in CAA’s mentorship program during the 108th Annual Conference, taking place February 12-15, 2020 in Chicago.
Mentoring appointments offer support for current CAA members at any stage of their career, regarding professional development and portfolio review. Applicants are paired in one-on-one meetings with an experienced professional from within the membership for individual twenty-minute consultations. Topics are open and may include: how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on medium or discipline.
Conference registration, while encouraged, is not necessary to participate. Meetings are made by appointment only, in advance of the conference. Participants are chosen by a lottery and are notified of their scheduled date and time slot by email in early 2020. Limited slots may be available during the conference. Visit the CAA Information booth in Registration during the conference for more information.
As part of a pilot to expand CAA mentorship, CAA will support pairs that choose to continue their dialog for the following six months after meeting at the conference. Please consider if you might be able to commit to a minimum of three check-ins and to give feedback via online form at the end of September 2020.
To sign up for an appointment, complete this form:
To volunteer to mentor, please complete this form:
Call for Submissions: CAA 2020 MFA Screening
posted by CAA — November 20, 2019
CAA’s Services to Artists Committee (SAC) invites MFA students to submit video work for consideration for the upcoming CAA 108th Annual Conference in Chicago in February 2020.
Selected works will be premiered during the conference in the Media Lounge on Wednesday, February 12, 12:15–1:45 PM, and screened during the conference at the ARTexchange exhibition, which will be presented at the Hokin Gallery at Columbia College (623 South Wabash), a half block north of the conference hotel.
Through this screening and exhibition initiative, SAC aims to welcome the next generation of artists and practitioners into our midst. Our annual MFA Screening celebrates the hard work of MFA students across the nation and world, while exposing their artworks to a broad audience. We look forward to reviewing your submissions.
Please use the form here or the button below to submit your entry (a maximum of three per participant).
Deadline: December 10, 2019
Submission for consideration is free, and membership with CAA is not required (we are collecting that information for statistical purposes).
Jurors: Joan Giroux, Richard Serrano, and Vagner Mendonça-Whitehead
Submissions should include the following:
- A short bio (50 words or less)
- A short artist statement (100 words or less)
- A link to 1–3 videos
- Personal website (optional)
Specifics for your submissions:
- 5 minutes in maximum length (excerpts accepted)
- mpeg 4
- 720p
- Slate/Title cards: 5 seconds, with your name, title of work, date of completion, name of school/program
- uploaded onto Vimeo.com (upload your link, allow it to be download-able)
Deadline: December 10, 2019
Acknowledgment: January 15, 2020
In collaboration with the Committee on Women in the Arts, CAA offers 50 percent of the 2020 conference’s content in celebration of the Centennial of Women’s Suffrage in the United States, while also acknowledging the discriminatory practices that limited voting rights for Indigenous women and women of color, even after the passage of the 19th amendment in 1920. The Services to Artists Committee encourages applicants to embrace the spirit of the 2020 conference by engaging issues of inclusivity and intersectional discourses in the arts.
About us: The Services to Artists Committee (SAC) was formed by the CAA Board of Directors to seek broader participation by artists and designers in the organization and the Annual Conference. SAC identifies and addresses concerns facing artists and designers; creates and implements programs and events at the conference and beyond; explores ways to encourage greater participation and leadership in CAA; and identifies ways to establish closer ties with other arts professionals and institutions. To this end, committee members are responsible for the programming of ARTspace and its related events.




