CAA News Today
New in caa.reviews
posted by CAA — May 31, 2019
Michele Valerie Ronnick reviews Posing Modernity: The Black Model from Manet and Matisse to Today by Denise Murrell. Read the full review at caa.reviews.
Jason Nguyen writes about Stones to Stains: The Drawings of Victor Hugo, edited by Cynthia Burlingham and Allegra Pesenti. Read the full review at caa.reviews.
Elizabeth Benjamin explores Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 by Michael Marrinan. Read the full review at caa.reviews.
Hazel Clark reviews Pink: The History of a Punk, Pretty, Powerful Color by Valerie Steele. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 24, 2019
Lisa Claypool reviews Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925–1937 by William Schaefer. Read the full review at caa.reviews.
Katherine Shingler writes about Matisse’s Poets: Critical Performance in the Artist’s Book by Kathryn Brown. Read the full review at caa.reviews.
Yang Wang discusses The Art of Resistance: Painting by Candlelight in Mao’s China by Shelley Drake Hawks. Read the full review at caa.reviews.
Frances Blythe reviews Edvard Munch: Between the Clock and the Bed, edited by Gary Garrels, Jon-Ove Steihaug, and Sheena Wagstaff. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 17, 2019
Katie Knowles reviews the exhibition Dior: From Paris to the World. Read the full review at caa.reviews.
Deborah Ziska writes about Intentional Practice for Museums: A Guide for Maximizing Impact by Randi Korn. Read the full review at caa.reviews.
Katie Geha discusses Al Taylor: What Are You Looking At? by Michael Rooks. Read the full review at caa.reviews.
Amy Bryzgel explores Left Performance Histories: Recollecting Artistic Practices in Eastern Europe, edited by Judit Bodor, Adam Czirak, Astrid Hackel, Beata Hock, Andrej Mircev, and Angelika Richter. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 10, 2019
Thomas Crow reviews Andy Warhol: From A to B and Back Again by Donna De Salvo. Read the full review at caa.reviews.
Mary Thomas writes about La Raza by Colin Gunckel. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 03, 2019
Constanze Graml reviews The Art of Libation in Classical Athens by Milette Gaifman. Read the full review at caa.reviews.
Katie MJ Larson writes about Drawn to Purpose: American Women Illustrators and Cartoonists by Martha H. Kennedy. Read the full review at caa.reviews.
Nancy Demerdash-Fatemi explores Technologies of the Image: Art in 19th-Century Iran, edited by David J. Roxburgh and Mary McWilliams. Read the full review at caa.reviews.
Debra Schmidt Bach discusses Chippendale’s “Director”: The Designs and Legacy of a Furniture Maker at the Metropolitan Museum of Art, and Chippendale’s “Director”: A Manifesto of Furniture Design by Morrison H. Heckscher. Read the full review at caa.reviews.
Jonathan P. Ribner reviews Delacroix by Sébastien Allard, Côme Fabre, Dominique de Font-Réaulx, Michèle Hannoosh, Mehdi Korchane, and Asher Miller. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — April 26, 2019
Rebekah Compton writes about Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy by James Grantham Turner. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — April 05, 2019
Nancy Kellar discusses Real Fake: The Story of a Zapotec Urn, edited by Justin Jennings and Adam T. Sellen. Read the full review at caa.reviews.
Carl Lounsbury writes about Building Reputations: Architecture and the Artisan, 1750–1830 by Conor Lucey. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 29, 2019
Meredith Gamer reviews Colouring the Caribbean: Race and the Art of Agostino Brunias by Mia L. Bagneris. Read the full review at caa.reviews.
Christine Giviskos reviews The Power of Prints: The Legacy of William M. Ivins and A. Hyatt Mayor by Freyda Spira and Peter Parshall. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — March 22, 2019
Ginger Elliott Smith reviews Mary Corse: A Survey in Light, edited by Kim Conaty. Read the full review at caa.reviews.
Caroline Levitt writes about A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture by Sharon Hecker. Read the full review at caa.reviews.
Serve on a CAA Editorial Board, Committee, or Jury
posted by CAA — March 20, 2019
Attendees at the 2019 Annual Conference in New York. Photo: Ben Fractenberg
Each spring, members have the opportunity to provide critical service to the field and gain an inside view by volunteering to work on a CAA editorial board, committee, or jury.
Any member may self-nominate for the following positions or (after ascertaining interest) nominate another member. For more information, please click on the links below.
CURRENT OPPORTUNITIES
All deadlines for 2019 have passed.
CLOSED OPPORTUNITIES
Art Journal Open—Editor-in-Chief
Deadline: April 1
caa.reviews—Editor-in-Chief
Deadline: April 1
caa.reviews—Four Field Editors
Design History, Eighteenth-Century Art, Architecture and Urbanism, Theory and Historiography
Deadline: April 15
The Art Bulletin—Editorial Board Members
Deadline: April 15
Annual Conference—CAA Council of Readers
New this year, we’re asking members to serve a crucial role in shaping conference content.
Deadline: April 18
Annual Conference—Annual Conference Chair
Deadline: April 29
Annual Conference—Awards for Distinction Juries
Deadline: May 13
Millard Meiss Publication Fund—Jury Members
Deadline: May 13
Professional Development Fellowships in Art History and Visual Art—Jury Members
Deadline: May 13
Professional Committees—Seeking New Members
Committees: Design, Diversity Practices, Intellectual Property, Women in the Arts, Education, International, Museum, Professional Practices, Services to Artists, Student and Emerging Professionals
Deadline: September 18