CAA News Today
Karl Lunde: In Memoriam
posted by CAA — January 09, 2010
William A. Peniston is librarian at the Newark Museum in Newark, New Jersey.
Karle Lunde
Karl Lunde, art historian and professor emeritus at William Paterson University, died peacefully at his home in New York City on December 27, 2009. He was 78.
He was born on Staten Island on November 1, 1931, to Karl and Elisa Lunde, who had emigrated to America from Norway in the 1920s. He was educated at Columbia University, where he received his BA in 1952 and MA in 1954, in the field of art history. From 1957 to 1970 he was an instructor in the School of General Studies at Columbia.
Lunde directed the Contemporaries, an art gallery on Madison Avenue devoted to modern painting and sculpture, from 1956 to 1965. While there, he was among the first to encourage the collecting and appreciation of modern fine prints and to introduce Americans to the work of Fernando Botero, Jose de Creeft, Antonio Music, and Ricardo Martinez. He was an early champion of several young American artists, now much celebrated, including Robert Kipniss, Richard Anuszkiewicz, and Lorrie Goulet.
In 1970 Lunde received his PhD in art history from Columbia University. His dissertation on Johan Christian Dahl was the first English-language study of this influential nineteenth-century Norwegian landscape painter. That same year, Lunde became a professor of art history at William Paterson University of New Jersey, where he taught until his retirement in 1996. Over the years, Lunde developed a wide-ranging repertoire of courses, including classes on American painting and sculpture, Asian art, prehistoric art, and European Neoclassicism and Romanticism. A mesmerizing lecturer, Lunde received a university award for teaching excellence. He also assembled an impressive collection of over 30,000 personally annotated color slides, which he used in teaching and which he later donated to Columbia University’s Avery Architectural and Fine Arts Library.
A frequent contributor to professional and scholarly journals, Lunde also wrote several books devoted to the works of twentieth-century American artists, including Isabel Bishop (1975), Anuszkiewicz (1977), Robert Kipniss: The Graphic Work (1980), and John Day (1984). He also amassed a large and important collection of rare books, art objects, and antiques and donated paintings to the Smithsonian American Art Museum and the Newark Museum.
Lunde was predeceased by his partner, the artist and arts administrator Roy Moyer, and is survived by his brother, Asbjorn Lunde of New York.
December Obituaries in the Arts
posted by Christopher Howard — December 14, 2009
CAA recognizes the lives and achievements of the following artists, architects, scholars, teachers, collectors, and other important figures in the visual arts. Of note is John Carey’s text on the artist and author Robert Kaupelis, written especially for CAA.
- Samuel Bookatz, an artist who worked in many styles and media, including oil and tempera paintings and ranging from realist to abstract, died on November 16, 2009, at the age of 90
- John Craxton, a painter who also created scenery and costume designs for opera and ballet productions, died on November 17, 2009, at the age of 87
- Jeanne-Claude Denat de Guillebon, who collaborated with her husband Christo Javacheff on many environmental art projects, died on November 18, 2009. She was 74
- Luciano Emmer, a distinguished Italian cinema director best known for his many art documentaries, including a film about Pablo Picasso, died on September 16, 2009, at the age of 91
- Rachel Evans-Milne, an artist of the original YBA generation, a teacher, and a counselor of children and young adults, died in November 2009 at the age of 44
- Peter Forakis, a California-based artist known for his geometric abstract sculptures, died on November 26, 2009, at age 82. Forakis was also a founder of the Park Place Gallery in New York in the early 1960s
- Walter Grallert, an architect, architectural conservator, poet, and environmentalist, died on November 27, 2009, at the age of 79
- Claude Harrison, a painter and the author of A Portrait Painter’s Handbook, died on September 13, 2009. He was 87
- Ikuo Hirayama, a painter whose subjects involved imagery of Buddhism and the Silk Road, died on December 2, 2009, at the age of 79
- Thomas Hoving, a former director of the Metropolitan Museum of Art, died on December 10, 2009. He was 78
- Alfred Hrdlicka, an Austrian artist whose controversial works, often containing religious themes, were done in metal, paint, and pencil, died on December 5, 2009. He was 81
- Robert Kaupelis, an artist, art teacher, and author of Learning to Draw, died on June 12, 2009, at the age of 81. John Carey contributes a special text on Kaupelis for CAA.
- Michael Kidner, an English abstract painter and sculptor whose precise and hard-edged images were often at odds with the style of the New York School, died on November 29, 2009. He was 92
- Harry C. McCray, Jr., the chairman of the board of trustees at the Nelson-Atkins Museum of Art, died on November 28, 2009, at the age of 76
- Jan Mitchell, a collector of pre-Columbian gold pieces, which he donated to the Metropolitan Museum of Art, and a founding member of the Israel Museum in Jerusalem, died on November 28, 2009. He was 96
- Daniel Rowen, a modernist architect who designed houses, apartments, and commercial spaces, died on November 17, 2009, at the age of 56
- Larry Sultan, a photographer and CalArts professor who used found images from industrial and government archives for his and Mike Mandel’s book Evidence, died on December 13, 2009. He was 63
- Anna McCullough Tyler, an art historian, teacher, and artist of abstract monoprints, died on November 29, 2009, at the age of 79
- Eddy Walker, an architect who improved housing conditions and designed and renovated community buildings in Leeds, died in November 2009. He was 59
- Harry Weinberger, a painter and collector of masks, which inspired him and appear throughout his oeuvre, died on September 10, 2009. He was 85
- Malcolm Wells, an architect, writer, and teacher whose unconventional approach included designs for earth-friendly structures, died on November 27, 2009. He was 83.
- Charis Wilson, a model and the inspiration for many of Edward Weston’s photographs, died on November 20, 2009. She was 95
Read all past obituaries in the arts on the CAA website.
Robert Kaupelis: In Memoriam
posted by CAA — December 14, 2009
John Carey, an artist and art teacher, is the editorial cartoonist for Greater Media Newspapers in central New Jersey.
First there was Kimon Nicolaïdes’s Natural Way to Draw (1941), then there was Robert Beverly Hale’s Drawing Lessons from the Great Masters (1964). Then in 1966 came Robert Kaupelis’s Learning to Draw. It was a book smart enough and egalitarian enough to employ old and modern masters’ examples along with students’ work; the point was the dynamics of application, not only the procedures of attempting realism. I discovered that book in 1972 in my high school library in Richmond, Kentucky. The book offered me and my generation what we knew but didn’t quite trust yet—the processes of mark-making, be it gentle, violent, nuanced, or bold. We had seen those applications in artworks we admired—old and new—but we hadn’t had it broken down in a philosophy with lessons before. When I saw that the author of Learning to Draw taught at New York Univeristy I knew where I wanted to go to college. Three years later I was in Kaupelis’s classroom.
Describing a great teacher is a bit like explaining a great performance. There is context, delivery, insight, and presence; there is also something else: the mark left. That mark is often as elusive as an actor’s impact, but as in theater, there are now and then a few mentors that remain definitive for us in their transformative and indelible effects. In this regard Kaupelis was a star. His energy and intelligence demanded attention, and in turn one realized that a reciprocity of that demand was expected in the presentation of one’s artwork and in the articulation of one’s efforts. It was also understood that respect came only from very hard, serious work. And it was great fun. “Change!” was something often heard in the art studio (along with Frank Sinatra, Ray Charles, and Beethoven LPs); Kaupelis would shout “Change!” to models he kept busy, finding one quick pose after another as our young tentative arms began to loosen up with quick contour and gesture drawings in our search for some beauty with our own mark-making. After a few of these energized classes a Kaupelis student never looked at art in the same way again. The lessons of Learning to Draw had met the energy of the man behind it. Change had happened.
Kaupelis, who died on June 12, 2009, began teaching at NYU in 1956. He was born in Amsterdam, New York, in 1928 and educated in Buffalo and at Columbia University. In 1975 he was the subject of a chapter in a Herbert Livesey book surveying higher education called The Professors, where he was cited as one of the nation’s outstanding art educators. In 1980 Kaupelis wrote his second Watson-Guptill drawing book, Experimental Drawing, which reinforced his exuberant amalgam of stressing the fundamentals of art along with encouraging innovative and, at times, refreshingly quirky approaches: fifty nonstop drawings in three hours, drawing from out-of-focus slides, drawing the model with eyes shut. This newer book was almost as significant as Learning to Draw because at the time it was published drawing had become a very undervalued curriculum in university programs; it was a time when drawing was considered by many as old-fashioned and nearly irrelevant.
As an artist Kaupelis emerged as the New York School rose to prominence, and when nonobjective American art found its place on the world stage. His own work reflected that influence in its vibrancy and spontaneity. He was, as the critic John Canaday wrote, a seductive colorist. Eventually geometry and sharp, taped edges also merged and interacted with the wetter, looser applications. While the paintings of Kaupelis represented some of his philosophies about aesthetics, I never felt they fully matched his ability to illuminate and celebrate the art of others—the art in galleries and museums and the work of his students. He wrote and spoke of art the way Martin Scorsese speaks of movies—with a compulsive, obsessive, comprehensive insight. He thought and taught art like a man intoxicated with the anticipation of romance—that ineffable state of mind where joy and passion merge with love.
Kaupelis asked a lot from his readers and students. His main demand was: “LOOK!”—look at this: at this sepia wash Constable landscape; this Sheeler charcoal still life; this De Kooning gouache; this pen-and-ink Manet portrait; this Rauschenberg collage; this Pontormo red-chalk figure dancing off the page with a gesture line of astonishing confidence, speed, and grace! Look at this form, this line, this shade, this figure, this edge, this space! Look at your assimilation of them all! How many future artists, curators, art historians, cartoonists, animators, illustrators and teachers were asked to LOOK by Kaupelis during his thirty years at NYU and in his two important drawing books, Learning to Draw and Experimental Drawing? Thousands.
Kaupelis said drawing was anything intended as art which left a mark. He left his.
November Obituaries in the Arts
posted by Christopher Howard — November 23, 2009
CAA recognizes the lives and achievements of the following artists, photographers, scholars, curators, critics, dealers, collectors, and other professionals and important figures in the visual arts. Of special note is Zena Pearlstone’s text on the Native American artist Michael Kabotie.
- Sarane Alexandrian, an art historian, poet, writer, and founder of the literary magazine Supérieur Inconnu, which was dedicated to Surrealism, died on September 11, 2009, at the age of 82
- Frances L. Brody, an arts advocate, collector, and benefactor of the Los Angeles County Museum of Art and the Huntington Library, Art Collections, and Gardens, died on November 12, 2009, at the age of 93
- José Cisneros, a self-taught artist best known for his pen-and-ink sketches of history and life in the southwestern United States, died on November 14, 2009, at the age of 99. He was awarded a National Humanities Medal in 2002.
- Roy DeCarava, a photographer and professor of art who sought creative expression, rather than social documentary, through his photography of life in Harlem, died on October 27, 2009. He was 89
- Evelyn Hofer, a photographer of both human and architectural subjects who excelled at still, composed portraits and scenes, died on November 2, 2009. She was 87
- Michael Kabotie, a Hopi artist, muralist, jeweler, poet, and printmaker whose work promoted understanding of traditional Hopi teachings, died on October 23, at the age of 67. Read Zena Pearlstone’s text, written especially for CAA
- Wolfgang Ketterer, a German art dealer whose gallery in Stuttgart and Munich specialized in modern art, died on October 14, 2009. He was 89
- Irving Kriesberg, a figurative expressionist painter praised for his bold forms and intense colors, died on November 11, 2009, at the age of 90
- Robert Lautman, an architectural photographer whose work focuses on the use of light to capture architectural design, died on October 20, 2009, at the age of 85
- Claude Lévi-Strauss, a preeminent anthropologist whose structuralist approach influenced many writers, theorists, and art historians worldwide, died on October 30, 2009. He was 100
- A. John Poole, an architectural sculptor, letter cutter, restorer of sculpture, and teacher whose often-ecclesiastical work can be found throughout Britain, died on September 2, 2009. He was 83
- Meir “Mike” Ronnen, an art critic for the Jerusalem Post and a cartoonist known for his satirical commentary about life in Israel, died on August 30, 3009, at the age of 83
- Robert Taylor, a former chief art and book critic for the Boston Globe, died on October 25, 2009, at the age of 84
- Nick Waterlow, an art curator and the director of three Sydney Biennales whose exhibitions sought to challenge Australian and international views of contemporary art, died on November 9, 2009. He was 68
- Albert York, a reclusive artist who painted intimate landscapes and still lifes with a quiet sense of the mysterious, died on October 27, 2009, at the age of 80
Read all past obituaries in the arts on the CAA website.
Michael Kabotie: In Memoriam
posted by CAA — November 23, 2009
Zena Pearlstone is emeritus professor of art history at California State University, Fullerton.
Michael Kabotie with his work at the Del Rio Gallery in Flagstaff, Arizona
Michael Kabotie (Lomawywesa), a Hopi painter, jeweler, poet, and printmaker, died in Flagstaff, Arizona, on October 23, 2009, of complications from H1N1 influenza. He was 67.
Kabotie is known among Hopi artists as one who commanded several media and constantly pushed his iconographic and technical skills. His work was always powerful and often mystical. Kabotie worked with the mythology and sentiments of his people, but he described his art as pushing back in time in an attempt to arrive at the roots or basics of Hopi teachings that would promote a common understanding. His intelligence was far reaching. Some people think outside the box, but for him there never was a box.
Kabotie was born in 1942 at Songoopovi, Second Mesa, Hopi, a member of the Snow-Water clan and the son of the artist Fred Kabotie and Alice Kabotie. He attended Hopi High School, where he studied art with his father, and in 1961 graduated from the Haskell Institute in Lawrence, Kansas. He began studies in engineering but did not complete the program, preferring to devote his full attention to his art. He lived at Hopi and also, for many years, in Flagstaff and New Mexico.
During the sixties and into the seventies Kabotie’s work was influenced by ancestral Pueblo art and European modernism. In the 1960 and 1961 Southwest Indian Art Project summer program at the University of Arizona, he studied with the Cochiti artist Joe Herrera, who introduced him to the kiva murals at the Hopi site of Awotovi. Herrera, Kabotie said, opened his eyes to the art of his people. The murals and the related Sikyatki pottery images remained a reference for Kabotie throughout his career. At his 1967 initiation into the Wuwtsim (a priesthood society) Kabotie received the name Lomawywesa, “Walking in Harmony.” The ceremony led him to consider the art of his ancestors as more central than modern art.
Still it was important to Kabotie to work with other artists in a modernist style that extracted elements from ancient sources. In 1973 he was a founding member of Artist Hopid, a group of five contemporary Hopi artists who felt the need to communicate their cultural and artistic experiences. Speaking for the group Kabotie said, “We hoped that from the presentation of our traditions and from the interpretations of the Hopi way in our art and paintings a new direction would come for American spirituality.” In 1996, he continued his search for basic truths when he began sharing canvases with Jack Dauben, who is of Celtic ancestry.
Michael Kabotie, silver pendant, 2004
Kabotie began silversmithing seriously in the late 1970s. His unique work modified Hopi overlay into three-dimensional pieces, a process most Hopi jewelers would never attempt. One stunning 2001 bracelet with Awotovi designs is built like a box, squared and hollow, an astounding construction feat.
Kabotie’s painting and jewelry were incorporated into large public works, including murals at Sunset Crater Visitors Center in Arizona; a large mural, Journey of the Human Spirit, made with Delbridge Honanie and now in the Kiva Gallery at the Museum of Northern Arizona in Flagstaff; and a gate at the Heard Museum in Phoenix designed to look like a piece of overlay jewelry.
Kabotie was a Southwestern force and in all his endeavors an ambassador for Hopi while absorbing the ideas of other cultures. In a career of almost fifty years, he was involved, as either participant or consultant, in myriad projects concerning Southwest and Californian art and culture. He worked with indigenous artists in New Zealand, Brazil and Mexico; had exhibitions in fourteen US states, South America, Europe, and New Zealand; and served as an advisor to the Heard Museum, the Southwest Museum in Los Angeles, and the Idyllwild California Summer Arts program at the Idyllwild Arts Foundation. At the latter Kabotie taught Hopi overlay jewelry techniques for almost twenty years. His work is held by museums in the United States and Europe. In 2003 he received the Arizona Indian Living Treasure Award.
He was a warm and caring person and a wonderful friend. His thoughtfulness and his humor went hand in hand. He was a quick wit and always the trickster. “Come have Thanksgiving with us,” he asked one year. “We have too many Indians and not enough Pilgrims.”
Kabotie leaves a monumental body of work that will be admired and influential for many years. He leaves a large family and a multitude of friends, all of whom adored and respected him.
Recent Deaths in the Arts
posted by Christopher Howard — October 27, 2009
CAA recognizes the lives and achievements of the following artists, scholars, curators, photographers, collectors, architects, museum directors, and other professionals and important figures in the visual arts.
- Maurice Agis, a London-born sculptor and creator of Dreamspace, an inflatable, interactive sculpture that explores color, form, movement, light and sound, died on October 12, 2009, at the age of 77
- Maryanne Amacher, a composer of site-specific sound installations that explore psychoacoustic properties, died on October 22, 2009. She was 66
- Ruth Duckworth, a modernist sculptor of abstract ceramic forms, a muralist, and a ceramics teacher at the University of Chicago, died on October 18, 2009, at the age of 90
- Amos Ferguson, a Bahamian folk artist known for his depictions of biblical scenes and of the landscape and culture of his country, died on October 19, 2009. He was 89.
- Gerald Ferguson, an artist who established the Nova Scotia College of Art and Design, where he taught for thirty-eight years, as a major international center of conceptual art, died on October 8, 2009, at the age of 72
- Suzanne Fiol, the founder of Issue Project Room, an art and performance space in Brooklyn, died on October 5, 2009. She was 49
- Nat Finkelstein, the house photographer for Andy Warhol’s Factory for three years in the mid-1960s, died on October 2, 2009. He was 76
- Donald Fisher, a cofounder of the Gap who collected modern art and supported the arts and civic culture in San Francisco, died on September 27, 2009, at the age of 81
- Anne Friedberg, an art historian, theorist, and teacher whose work combined media and film studies, art history, and architecture, died on October 9, 2009, at the age of 57
- Bernard Leo Fuchs, an illustrator whose works for Cosmopolitan, Sports Illustrated, and TV Guide combined realism with avant-garde techniques, died on September 17, 2009. He was 76
- Lawrence Halprin, a landscape architect whose best-known works include the Franklin Delano Roosevelt Memorial in Washington, DC, and Ghirardelli Square in San Francisco, died on October 25, 2009 at the age of 93
- Jenelsie Walden Holloway, an artist, advocate for African American art, and a teacher at Spelman College for thirty-eight years, died on October 15, 2009, at the age of 89
- Henry T. Hopkins, former director of the San Francisco Museum of Modern Art and the Hammer Museum, founder of the Huysman Gallery in Los Angeles, and professor and chair of the Department of Art at UCLA, died on September 27, 2009, at the age of 81
- Barry Horn, executive director of the Brownsville Museum of Fine Art in Brownsville, Texas, died on October 24, 2009. He was 59
- Michael Komechak, a teacher of English and art and a curator at Benedictine University in Illinois, where he helped to acquire over 3,700 works of art from around the world, died on August 19, 2009. He was 77
- Barbara Morris, a curator at the Victoria and Albert Museum who was one of the first scholars to treat the study of Victorian art and design as an academic discipline, died on July 15, 2009, at the age of 90
- Robert M. Murdock, an independent curator and scholar of modern and contemporary art who was also a museum director and curator, died on October 8, 2009, at the age of 67
- Emile Norman, an artist and sculptor whose best-known works are the glass mosaic window and sculptural reliefs created for a Masonic temple in San Francisco, died on September 24, 2009. He was 91
- Irving Penn, a fashion photographer whose elegant, minimal works appeared in the pages of Vogue and on the walls of museums, died on October 7, 2009, at the age of 92
- Monica Pidgeon, an editor at Architectural Design who promoted the work of major modernist architects, died on September 17, 2009. She was 95
- Don Ivan Punchatz, an illustrator of novels, magazines, and the first Star Wars film poster, died on October 22, 2009, at the age of 73
- Richard Robbins, a painter, etcher, and sculptor who was the head of fine art at Middlesex University in London, died on July 28, 2009, at the age of 82
- George Sample, an architect who founded the nonprofit Chicago Architectural Assistance Center, which provided design and construction support to inner-city neighborhoods, died on October 4, 2009. He was 90
- Harry Sefarbi, a painter and teacher at the Barnes Foundation whose colorful paintings can be found in many museum collections, died on September 28, 2009. He was 92
- Charles Seliger, an Abstract Expressionist painter whose small works of imaginary forms were influenced by Surrealism and automatism, died on October 1, 2009, at the age of 83
- Nancy Spero, an artist and feminist who combined drawing, painting, collage, and printmaking to create politicized work, died on October 18, 2009 at the age of 83. She was a member of Women Artists in Revolution and a founding member of A.I.R. Gallery, which promotes women’s art
- Alfred Brockie Stevenson, an American realist painter known for his nostalgic images of American life, died on September 1, 2009. He was 89
- Dietrich von Bothmer, curator emeritus of Greek and Roman antiquities at the Metropolitan Museum of Art and a professor at the Institute of Fine Art at New York University, died on October 12, 2009, at the age of 91. He helped to develop the museum’s collection of Greek vases into one of the largest in the world
Read all past obituaries in the arts on the CAA website.
Bernard Hanson: In Memoriam
posted by CAA — September 22, 2009
Jay Garfield is Doris Silbert Professor in the Humanities, professor of philosophy, and director of the Logic Program and of the Five College Tibetan Studies in India Program at Smith College in Northampton, Massachusetts. He is also professor in the graduate faculty of philosophy at the University of Massachusetts, professor of philosophy at Melbourne University, and adjunct professor of philosophy at the Central Institute of Higher Tibetan Studies.
Bernard Allen Hanson, an art historian, critic, professor, and administrator, died on June 21, 2009, after a short illness. He was 86. For years he was recognized around New Haven, Connecticut, by his blue pickup truck with its elegantly lettered moniker, “Bernard Hanson. Art Critic.”
The youngest of five children, Hanson was born to Stephen Bernard (Bert) Hanson and Stella Cook Hanson on October 11, 1922, in Williamsburg, Iowa. He graduated from the University of Iowa in 1944 with a degree in English. While at the university he was a two-time Big Ten gymnastics champion, performing on the side horse, and was a member of the Scottish Highlanders. He earned his MA in art history at the same school and pursued doctoral research at New York University and the University of Pennsylvania.
Hanson enjoyed a distinguished career in art history. His research, teaching, and public lectures addressed the history of Indian art, the nature of public art, the history of architecture, and film theory. Hanson was not only a noted scholar, but also an eminent academic leader and a public intellectual. His teaching career spanned four decades, and included appointments at Northwestern University, the Philadelphia College of Art, and the Hartford Art School at the University of Hartford. Hanson served as director of the Humanities Division at the Philadelphia College of Art and as dean at the Hartford School of Art from 1970 to 1979 before returning to the teaching faculty until his retirement in 1987.
Hanson said once in an interview, “Before people are anything, they are human beings, and education in an art school should be basically humanistic,” and his approach to teaching, to academic leadership, and to public comment on the arts reflected this sentiment. His tenure as dean at Hartford was notable for the steady stream of distinguished artists he invited to visit the school, for the installations and happenings he initiated, for the vibrancy of the community under his leadership, and for his curricular innovations, encouraging broader academic study by art students. The Hartford Art School recently recognized his contributions by endowing the Bernard Hanson Scholarship for promising artists with financial need.
Hanson was a noted New England art critic, contributing for over two decades to the West Hartford News, the Hartford Courant (where he received an honorable mention in a national art criticism competition sponsored by Art/World Magazine), and the Middletown Press. His columns were noteworthy for their ability to bring serious erudition to bear in commentary accessible to ordinary readers.
After retiring from the University of Hartford, Hanson volunteered in Literacy Volunteers of America and as a teacher’s aide in Miss DeNuzzo’s second-grade class at the East Rock School in New Haven. He derived as much joy from contributing in these contexts as he did from his academic career.
Hanson was preceded in death by his wife and fellow art historian, Anne Coffin Hanson. He is survived by his daughter, Bridget, his stepchildren Robert, James, and Blaine Garson, his nephew Stephen, and their families, as well as his beloved dog, Sheldon.
Memorial contributions can be made to the Bernard Hanson Endowed Scholarship at the University of Hartford or the SPCA of Connecticut.
Recent Deaths in the Arts
posted by Christopher Howard — September 22, 2009
CAA recognizes the lives and achievements of the following artists, scholars, curators, photographers, and other professionals and important figures in the visual arts. Of special note is an obituary written especially for CAA: Jay Garfield on Bernard Hanson.
- David K. Anderson, a contemporary art dealer from Buffalo, NY, who donated his art gallery and part of his collection to the University at Buffalo, died on August 15, 2009, at the age of 74
- Hyman Bloom, a Latvian-born American artist whose pre–Abstract Expressionist paintings were influenced by his interest in mysticism and spirituality, died on August 26, 2009. He was 96
- Humphrey Case, an English prehistorian and archaeologist who specialized in Neolithic Beaker culture, died on June 13, 2009, at the age of 91
- Michael Dailey, a teacher and abstract painter from Seattle who continued to paint while living with multiple sclerosis, died on August 9, 2009, at age 71
- John Edwards, a British abstract painter, sculptor, and teacher whose later work was influenced by his time spent in India, died on August 22, 2009. He was 71
- Barry Flanagan, a sculptor and printmaker whose interdisciplinary interests in dance, poetry, and literature influenced his work, died on August 31, 2009, at the age of 68. He experimented with Minimalism and land art but is best known for his bronze hares
- Donald Hamilton Fraser, a British artist and journalist for Arts Review who, at different times, employed both abstraction and figuration in his painting, died on September 2, 2009, at the age of 80
- Robinson Fredenthal, a sculptor from Philadelphia whose work was influenced by his struggle with Parkinson’s disease, died on August 31, 2009, at age 69
- Frederick Gore, an English art teacher, author, and plein-air painter of landscapes and cityscapes, died on August 31, 2009, at the age of 95
- Max Gurvich, a Seattle arts patron who supported the Seattle Art Museum and the Cornish College of the Arts, died on June 15, 2009, at age 91
- Bernard Hanson, a New England-based art historian, art critic, and professor, died on June 21, 2009. He was 86. Jay Garfield of Smith College has written a special text for CAA
- Charles Harrison, an art historian, critic, and former editor of Art-Language and Studio International, died on August 6, 2009, at age 67. He also taught, organized exhibitions, and was instrumental in creating the anthology Art in Theory 1900–1990, with Paul Wood
- James Krenov, a Russian-born woodworker, teacher, and writer whose furniture designs are responsive to the unique characteristics of the wood he used, died on September 9, 2009, at the age of 88
- James Lord, a memoirist and biographer of Pablo Picasso and Alberto Giacometti, died on August 23, 2009. He was 86
- Janet MacLeod, a British sculptor of bronze, marble, and silver who focused on the theme of regeneration, died in summer 2009 at the age of 72
- Michael Mazur, a teacher, painter, printmaker, and illustrator who specialized in monotypes, died on August 18, 2009. He was 73
- Richard Merkin, a teacher, painter, and illustrator whose colorful images appeared in various publications, including the New Yorker, died on September 5, 2009, at age 70. His extravagant and flamboyant style not only influenced his art, but also led him to write a style column for GQ
- Milo M. Naeve, a former curator of American art at the Art Institute of Chicago, died on August 10, 2009. He was 77
- Mario Cravo Neto, a Brazilian photographer whose work, often spiritual, documented the people of the Bahia region where he was from, died on August 9, 2009, at age 62
- Alexander Podlashuc, a South African artist, teacher, and cofounder, with his wife, of the Bloemfontein Group, died on September 5, 2009, at the age of 79
- Willy Ronis, a French photographer and former photojournalist who documented street scenes in Paris, died on September 12, 2009. He was 99
- Buky Schwartz, an Israeli sculptor and video artist, died on September 2, 2009, at the age of 77
- Paul Shanley, a former publisher of the magazines Art in America and Arts, died on September 2, 2009. He was 83
- David Thomson, a British writer on art and architecture of the Renaissance and a lecturer on art history, died in summer 2009, at age 57
- Maurizio Valenzi, a Tunisian-born painter and a communist politician, died on June 23, 2009. He was 99
- Christina Von Hassell, an art critic and auction reporter in New York, died on August 15, 2009, at the age of 85
- Leslie Worth, an English watercolor artist, teacher, former president of the Royal Watercolour Society, and author of The Practice of Watercolour Painting, died on July 21, 2009, at age 86
Read all past obituaries in the arts on the CAA website.
Summer Obituaries in the Arts
posted by Christopher Howard — August 12, 2009
CAA recognizes the lives and achievements of the following artists, art historians, curators, photographers, architects, and other professionals and important figures in the visual arts.
- H. T. Cadbury-Brown, a British modernist architect, died on July 9, 2009. He was 96
- James Conlon, director of the Visual Media Center at Columbia University, died on July 17, 2009, at the age of 37
- Merce Cunningham, an avant-garde choreographer and dancer, died on July 26, 2009. He was 90
- Michael Dailey, a painter and teacher based in Seattle, died on August 9, 2009, at the age of 71
- Julian Dashper, a New Zealand artist, died on July 30, 2009. He was 49
- Heinz Edelmann, an illustrator and professor who worked on the film Yellow Submarine, died on July 21, 2009, at the age of 75
- Kenneth Garlick, a scholar and keeper of Western art at the Ashmolean Museum, died on July 22, 2009, at age 92
- Charles Gwathmey, an American modernist architect, died on August 3, 2009, at the age of 71
- Earl Haig, a British soldier and painter, died on July 9, 2009. He was 91
- Otto Heino, a Californian potter and educator, died on July 16, 2009, at the age of 94
- Francisco Hidalgo, a Spanish-born French cartoonist and photographer, died on July 25, 2009. He was 80
- Ingeborg Hunzinger, a German sculptor, died on July 19, 2009. She was 94
- Marcey Jacobson, a self-taught photographer who worked in Mexico, died on July 26, 2009, at age 97
- Bill Jay, a photographer, writer, and former editor of Creative Camera, died on May 10, 2009, at age 68
- Amos Kenan, an Israeli writer and artist, died on August 4, 2009, at the age of 82
- Tamara Krikorian, a video artist and public-art curator in Wales, died on July 11, 2009. She was 65
- John Lidzey, an English artist and teacher who was known for his watercolors, died on April 5, 2009, at age 74
- Michael Martin, a New York graffiti artist known as Iz the Wiz, died on June 17, 2009. He was 50
- Cecile McCann, a Californian artist and publisher of Artweek magazine, died on July 2, 2009. She was 91
- Tyeb Mehta, a major painter in postcolonial modern art in India, died on July 1, 2009, at the age of 84
- Leo Mol, a renowned Canadian sculptor, died on July 4, 2009, at the age of 94
- Charles Huntley Nelson, an artist and professor of art at Morehouse College, died on July 30, 2009. He was 39
- Joan O’Mara, a professor of art history at Washington and Lee University, died on May 24, 2009, at the age of 63
- Chris Plowman, a British artist and teacher, died in mid-July 2009. He was 56
- Constantine Raitzky, a former exhibition designer for the Metropolitan Museum of Art, died on June 29, 2009, at age 78
- Julius Shulman, a photographer of modernist architecture, died on July 15, 2009, at the age of 98
- Dash Snow, a New York–based artist, died on July 13, 2009. He was 27
Read all past obituaries in the arts on the CAA website.
June Obituaries in the Arts
posted by Christopher Howard — June 22, 2009
CAA recognizes the personal and professional achievements of the following artists, art historians, critics, curators, and collectors in the visual arts:
- Gilbert Alfred Bouchard, a Canadian art critic who wrote for the Edmonton Journal for nearly twenty-five years, has died. He was 47
- Robert Colescott, an American painter who represented the United States at the Venice Biennial in 1997, died on June 4, 2009, in Tucson, Arizona. He was 83
- Louise Deutschman, a curator and director of Waddell Gallery, Alex Rosenberg Gallery, and Sidney Janis Gallery, died on May 10, 2009, at the age of 92
- Ellen D’Oench, a curator for the Davison Art Center and adjunct professor of art at Wesleyan University, died on May 22, 2009, at age 78
- Johnny Donnels, a New Orleans–based photographer, died on March 19, 2009. He was 84
- Arthur Erickson, a modernist Canadian architect who designed many buildings in Vancouver, died on May 20, 2009, at age 84
- Patrick Farrow, a sculptor and gallery owner who was Mia Farrow’s brother, died on June 15, 2009, in Castleton, NH. He was 66
- Ib Geertsen, a Danish abstract painter who was associated with the Konkrete movement, died on June 3, 2009, at age 90
- Frederick Hammersley, a painter who was one of the four Los Angeles–based Abstract Classicists, died on May 31, 2009. He was 90
- William Hemmerling, a Southern folk artist based in Louisiana, died on June 15, 2009, at the age of 66
- Mary Henry, a geometric abstract painter based in the Pacific Northwest, died on May 20, 2009. She was 96
- David Ireland, a sculptor and conceptual artist based in San Francisco, died on May 17, 2009. He was 78
- Pirkle Jones, a California photographer who focused on social activism, died on March 15, 2009, at the age of 95
- Mildred Schiff Lee, an art collector and philanthropist who lived in Palm Beach, FL, died on May 7, 2009. She was 89
- Sam Maloof, a modernist furniture designer and woodworker based in southern California, died on May 21, 2009, at age 93
- Frank Herbert Mason, a painter and longtime instructor at the Art Students League in New York, died on June 16, 2009. He was 87 or 88
- Margaret Mellis, an influential figure in modern British art, died on March 17, 2009, at age 95
- John Michelini, a landscape painter from New Hampshire, died in mid-May 2009, at the age of 43
- Philip Stein, a muralist whose work appears at the Village Vanguard in New York, died on April 27, 2009. He was 90
Read all past obituaries in the arts on the CAA website.


