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CAA News Today

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Midwest

Jane Alden Stevens. Alice F. and Harris K. Weston Art Gallery, Cincinnati, Ohio, February 10–April 2, 2017. The Thread in the River. Photography.

West

Alfred J. Quiroz. University of Arizona Museum of Art, Tucson, Arizona, October 22, 2016–January 22, 2017. The Presidential Series. Painting.

 

People in the News

posted Feb 15, 2017

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Academe

Deborah Bright has retired from her position as chair of the Department of Fine Arts at Pratt Institute in Brooklyn, New York, to pursue her art practice. Bright previously served as interim dean of fine arts at the Rhode Island School of Design in Providence, where she also chaired the Photography Department and was a tenured professor.

Museums and Galleries

Camille Ann Brewer, formerly executive director of the Black Metropolis Research Consortium at the University of Chicago in Illinois, has been appointed curator of contemporary textile art at the George Washington University Museum and the Textile Museum, both in Washington, DC.

Heather Campbell Coyle, curator of American art for the Delaware Art Museum in Wilmington, has been promoted to chief curator at her institution.

Betsy Fahlman has become adjunct curator of American art at the Phoenix Art Museum in Arizona. She will divide her time between the museum and Arizona State University’s Herberger Institute for Design and the Arts in Tempe, where she has served as a professor of art history for more than twenty-eight years.

Organizations and Publications

Robin Veder, formerly associate professor of humanities, art history, and visual culture at Pennsylvania State University in Harrisburg, has been appointed executive editor of American Art, the journal of the Smithsonian American Art Museum in Washington, DC.

 

Institutional News

posted Feb 15, 2017

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

The Getty Research Institute in Los Angeles, California, has acquired the archive of the artist, writer, curator, and scholar Harmony Hammond. The donation includes correspondence, photographs, original source material for her art, professional papers, publication drafts, editioned prints, original artwork, files, and a slide registry devoted to lesbian artists.

The Harvard Art Museums in Cambridge, Massachusetts, have been awarded a $506,000 grant from the Andrew W. Mellon Foundation to establish a new Summer Institute for Technical Studies in Art. The program, designed for graduate students from art-history programs across North America who are interested in broadening their experience with object-focused technical inquiry, methodologies, and instruction, will begin in June 2017.

The Harvard Art Museums in Cambridge, Massachusetts, have received a $1 million gift from a Harvard Business School alumnus, Ken Hakuta, to establish the Hakuta Family Endowment Fund, enabling the creation of the Nam June Paik Fellowship at the Harvard Art Museums. Hakuta is the nephew of the pioneering artist Nam June Paik.

John Cabot University in Rome, Italy, has inaugurated a new MA program in art history to begin in fall 2017. Accredited by the Middle States Commission on Higher Education, the degree is the first US-accredited master’s degree in the history of art based entirely in Rome. The program can be completed in approximately fifteen months of full-time study.

The Pennsylvania Academy of the Fine Arts in Philadelphia has received a generous $500,000 gift from Julie Jensen Bryan and Robert Bryan to name the PAFA Printmaking Shop. This transformative commitment ensures that printmaking will remain one of the school’s core artistic disciplines.

The Princeton University Art Museum in Princeton, New Jersey, has posted to its website more than five thousand images and related photographic material by the seminal American modernist Minor White. The two-year digitization and cataloging project, funded in part by the Institute of Museum and Library Services, provides online access for the first time to the most significant photographic content of the Minor White Archive, which includes finished prints, artist’s proof cards, and bibliographic history.

The Smithsonian American Art Museum in Washington, DC, has surpassed its campaign goals for both financial gifts and significant art gifts, amassing a combined total of $105 million with more than one year remaining in the campaign. The $65 million cash goal was exceeded by $3 million, funds supporting the Renwick Gallery renovation, an education center for the museum’s National Historic Landmark building, and the museum’s endowments. The campaign will continue through 2017 with a focus on additional artworks and endowments to support curatorial, technology, and education initiatives.

 

Grants, Awards, and Honors

posted Feb 15, 2017

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Tatiana Flores, associate professor in the Department of Art History at Rutgers University in New Brunswick, New Jersey, with a joint appointment in the Department of Latino and Caribbean Studies, has won a 2016 award from the Arts Writers Grant Program, coordinated by Creative Capital and the Andy Warhol Foundation for the Visual Arts. Her grant will support a book, titled Art and Visual Culture under Chávez.

Marina Kassianidou, an artist and writer based in Boulder, Colorado, has received a $25,000 award from the Joan Mitchell Foundation’s 2016 Painters and Sculptors Grant Program.

Beili Liu, an artist based in Austin, Texas, has accepted a $25,000 grant from the Joan Mitchell Foundation through the 2016 Painters and Sculptors Grant Program.

Christina Michelon, a doctoral candidate in art history at the University of Minnesota, Twin Cities, has received a $8,500 project grant via the 2016–17 Craft Research Fund, supervised by the Center for Craft, Creativity, and Design. The funds will support a dissertation focused on print’s relationship to domestic craft and interior design from 1830 to 1890.

Anya Montiel, a PhD student in American studies at Yale University in New Haven, Connecticut, has accepted a $4,500 project grant from the Center for Craft, Creativity, and Design through the 2016–17 Craft Research Fund. The funds will support dissertation research on government-funded basketry, pottery, and woodworking craft workshops in the 1960s and 1970s among the Florida Seminole, Mississippi Choctaw, and North Carolina Cherokee.

Klaus Ottmann, deputy director for curatorial and academic affairs at the Phillips Collection in Washington, DC, has been conferred the insignia of chevalier of the Order of Arts and Letters by Bénédicte de Montlaur, cultural counselor of the French Embassy in New York, on behalf of the French government.

Betsy Redelman, a student pursuing an MFA in craft studies at the Oregon College of Art and Craft in Portland, has received a $3,705 graduate research grant from the Center for Craft, Creativity, and Design through the 2016–17 Craft Research Fund. The award will support thesis research on the neglected history of indigenous women potters in San Marcos Tlapaola, a small pueblo in Oaxaca, Mexico.

Margaret Samu, a freelance art historian based in New York, has been awarded the 2016 Mary Zirin Prize for independent scholarship from the Association for Women in Slavic Studies.

Maureen G. Shanahan, professor of history of art for the School of Art, Design, and Art History at James Madison University in Harrisonburg, Virginia, has received a Fulbright Award for research in France from March to June 2017. The grant, entitled “World War I and the Colonial Legacy: Sites of Memory, Traces of Forgetting,” will support two projects: planning for a conference on the representation of the colonial subject during and after WWI; and archival research on a monograph, tentatively entitled Silence, Surveillance, and Psychiatry: Gaëtan Gatian de Clérambault and the French Colonial Subject (1914–34).

Andrew Uroskie, director of graduate studies for the MA/PhD program in art history and criticism at Stony Brook University in Stony Brook, New York, has won a 2016 award from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The grant will support his book, titled The Kinetic Imaginary: Robert Breer and the Animation of Postwar Art.

Laura A. L. Wellen, a writer and curator based in Houston, Texas, has earned a 2016 award from the Arts Writers Grant Program, coordinated by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The grant will support a blog called Piedrín.

Soyoung Yoon, program director and assistant professor of art history and visual studies in the Department of the Arts at the New School’s Eugene Lang College of Liberal Arts in New York, has received a 2016 awards via the Arts Writers Grant Program, supervised by Creative Capital and the Andy Warhol Foundation for the Visual Arts. The funds will support an article titled “The Evidence of Things Not Heard: On Mendi + Keith Obadike’s Numbers Station.”

 

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

 

Books Published by CAA Members

posted Feb 15, 2017

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2017

Mónica Amor. Theories of the Nonobject: Argentina, Brazil, Venezuela 1944–1969 (Oakland: University of California Press, 2016).

Robert Craig Bunch. The Art of Found Objects: Interviews with Texas Artists (College Station: Texas A&M University Press, 2016).

Tal Dekel. Transnational Identities: Women, Art, and Migration in Contemporary Israel (Detroit: Wayne State University Press, 2016).

Georgina G. GluzmanTrazos invisibles. Mujeres artistas en Buenos Aires (1890–1923) (Buenos Aires: Editorial Biblos, 2016).

Sabine T. Kriebel and Andrés Mario Zervigón, eds. Photography and Doubt (New York: Routledge, 2017).

John LearPicturing the Proletariat: Artists and Labor in Revolutionary Mexico, 1908–1940 (Austin: University of Texas Press, 2017).

Jeff RosenJulia Margaret Cameron’s “Fancy Subjects”: Photographic Allegories of Victorian Identity and Empire (Manchester: Manchester University Press, 2016).

Maureen G. Shanahan and Ana María Reyes, eds. Simón Bolívar: Travels and Transformations of a Cultural Icon (Gainesville: University Press of Florida, 2016).

Lawrence WaldronHandbook of Ceramic Animal Symbols in the Ancient Lesser Antilles (Gainesville: University Press of Florida, 2016).

 

Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Art under Threat in 2016: Presenting the Figures

Freemuse registered 1,028 attacks on artists and violations of their rights in 2016 across 78 countries, continuing a worrying trend of artistic freedom increasingly coming under threat. The number of cases registered in 2016 more than doubled the amount in 2015, increasing by 119 percent, rising from 469 attacks. (Read more from Freemuse.)

What You Need to Know about Hate Speech and Free Speech

Is there any way to curb speech if it discriminates against people’s identity, like race? And when does speech become punishable under the law? Here’s what you need to know about the freedom of speech and dealing with hate speech in the current political climate. (Read more from Teen Vogue.)

We Don’t Pay Visual Artists Properly—That Needs to Change

Jane is a typical artist trying to build and maintain her career. She has had reasonable success with her art thus far but needs to subsidize her income by taking on work as a graphic designer. Now she has decided to return to art school to get university qualifications and commit fully to her professional artistic practice. (Read more from the Guardian.)

Reports of the Death of Religious Art Have Been Greatly Exaggerated

When written in the same sentence, the terms “religion” and “art” tend to turn the contemporary secularized gaze back in time to Renaissance imagery. Those old, redolent, often pious pictures of Christ Child and Madonna are pleasing to look at, but these days their principal function is to confirm how religious art existed in ages past. Present-day artists can’t possibly be interested in that anymore. (Read more from the Los Angeles Review of Books.)

The Prestige Gap

Women earn 60 percent of baccalaureate degrees and 46 percent of doctoral degrees, excluding professional programs, according to 2015 data from the National Science Foundation, yet they’re still underrepresented in many disciplines. Why? A new study points to segregation by gender based on field of study and what it calls program prestige. (Read more from Inside Higher Ed.)

The Importance of Female Friendship in Graduate School

Sometime in high school, when I was sixteen, living in the suburbs, and hopelessly devoted with the latest music, I was asked whether I prefer male or female singers. As I was answering—something about how men sang more interesting songs—it dawned on me: How many female-led bands had I heard? When was the last time a radio station played a song from an all-female band? (Read more from Inside Higher Ed.)

Metropolitan Museum Puts 375,000 Public-Domain Images in Creative Commons

The Metropolitan Museum of Art in New York has placed 375,000 images of public-domain works in the Creative Commons. This major move by one of the world’s most important museums means that users can now access pictures of many of the Met’s holdings on Wikimedia, and that these images are now subject to free use, with no copyright restrictions. (Read more from ARTnews.)

The Value of Copyright: A Publisher’s Perspective

There is no one view of copyright that fits all publishers. The publisher of a poetry magazine will likely feel differently about aspects of copyright when compared to, say, the publisher of your local phone book. Indeed, even within scholarly publishing there is a range of attitudes toward copyright. (Read more from the Scholarly Kitchen.)

Filed under: CAA News

The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for the term July 1, 2018–June 30, 2021 (with service as incoming reviews editor designate 2017–18). The Art Bulletin, published quarterly by CAA, features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. Candidates should be published authors of at least one book.

The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s editorial director in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in the fields of art history, criticism, theory, visual studies, and museum publishing. This is a three-year term, which includes membership on the Art Bulletin Editorial Board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held in the spring and fall by teleconference or in New York, and in February at the CAA Annual Conference—and submits an annual report to CAA’s Board of Directors. CAA may reimburse the reviews editor for travel and lodging expenses for the meetings in New York in accordance with its travel policy, but he or she pays these expenses to attend the annual conference.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on the Art Bulletin Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, CV, and at least one letter of recommendation to: Art Bulletin Reviews Editor Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: Monday, April 3, 2017. Finalists will be interviewed on the afternoon of Friday, May 5, in New York.

Filed under: Art Bulletin, Publications, Service

CAA invites nominations and self-nominations for three individuals to serve on the Art Bulletin Editorial Board for a four-year term, July 1, 2017–June 30, 2021. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

The editorial board advises the Art Bulletin editor-in-chief and assists her or him in seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.

The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on the Art Bulletin Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: April 17, 2017.

Filed under: Art Bulletin, Publications, Service

Live-Streamed Sessions at CAA

posted Feb 13, 2017

CAA will present six 2017 Annual Conference sessions and events via live stream. The sessions will be streamed via CAA’s YouTube Channel. There is no charge to watch these sessions—they are free and open to the public.

Here is the schedule:

  • Wednesday, February 15, 5:30–7:00 PM: Convocation, the Awards for Distinction presentations, and Mary Miller’s keynote address
  • Thursday, February 16, 10:30 AM–noon: Public Art in the Era of Black Lives Matter
  • Thursday, February 16, 12:15–1:30 PM: Key Conversations: Art Criticism
  • Thursday, February 16, 5:30–7:00 PM: the Distinguished Scholar Session honoring Kaja Silverman
  • Friday, February 17, 3:30–5:30 PM: Artist Interviews: Coco Fusco with Steven Nelson and Katherine Bradford with Judith Bernstein
  • Saturday, February 18, 12:15–1:15 PM: Key Conversations: Hrag Vartanian with Amin Husain and Nitasha Dhillon of Decolonize This Place

Use the hashtags #caa2017 and #myCAA during the entire conference week!

Filed under: Annual Conference