CAA News Today
Rocco Landesman Is New NEA Chairman
posted Aug 10, 2009
On Friday, August 7, 2009, the US Senate confirmed Rocco Landesman, a Broadway theater producer, as the tenth chairman of the National Endowment for the Arts (NEA). Nominated by President Barack Obama, Landesman succeeds Dana Gioia, who resigned in January 2009. Patrice Walker Powell, the NEA’s deputy chairman for state, regions, and local arts agencies, had served as acting chairman in the interim.
Upon his confirmation Landesman said, “I am honored to receive the Senate’s vote of confirmation. I look forward to serving the nation as Chairman of the National Endowment for the Arts. I believe this is an auspicious time for the NEA and the country. Art is essential to the civic, economic, and cultural vitality of our nation. It reflects who we are and what we stand for—freedom of expression, imagination, and vision. I am eager to work with our many partners to bring quality arts programs to neighborhoods and communities across the country.”
Born and raised in St. Louis, Missouri, Landesman pursued his undergraduate education at Colby College and the University of Wisconsin, Madison, and earned a doctorate in dramatic literature at the Yale School of Drama. At the completion of his course work, he stayed at the school for four years, working as an assistant professor.
His ensuing career has been a hybrid of commercial, philanthropic, and artistic engagements. In 1977, he left Yale to start a private investment fund, which he ran until his appointment in 1987 as president of Jujamcyn, a company that owns and operates five Broadway theaters. Before and after joining Jujamcyn, Landesman produced Broadway shows, the most notable of which are Big River (1985 Tony for best musical), Angels in America, and The Producers (2001 Tony for best musical). In 2005, he bought Jujamcyn and managed it until President Obama announced his intention to nominate him to the NEA chairmanship.
Landesman has also been active on numerous boards, including the Municipal Arts Society; an advocacy organization concerned with New York City’s public spaces and preservation; the Times Square Alliance, which has radically changed the heart of the city by improving its safety, sanitation, and aesthetic; and the Educational Foundation of America. Over the years, he returned to the Yale School of Drama and Yale Rep to teach.
Photo: Michael Eastman.
Exhibitor and Advertiser Prospectus for Chicago Book and Trade Fair
posted Aug 06, 2009
CAA’s next Annual Conference—the foremost international forum for professionals in the visual arts—takes place February 10–13, 2010, in Chicago, Illinois. The Windy City’s dramatic architectural skyline, world-renowned museums and galleries, and ultracosmopolitan Michigan Avenue provide the setting for an exciting gathering of more than four thousand artists, art historians, curators, critics, educators, and students.
An exhibit booth in the Book and Trade Fair can reach this active and distinguished group. The fair, which annually hosts more than one hundred publishers, art-materials manufacturers, and providers of art-related programs and services, will be centrally located within the conference. With three days of exhibit time, the Book and Trade Fair offers high visibility and high floor traffic for exhibitors.
In addition, an advertisement in conference publications—which include the Conference Program, Abstracts, Convocation Booklet, and Directory of Attendees—can also reach a wide audience for your publications, products, and programs.
Full details are available in the Exhibitor and Advertiser Prospectus. For questions about exhibits, please email Paul Skiff, CAA assistant director for Annual Conference, or call him at 212-691-1051, ext. 213. Interested in advertising? Contact Sara Hines, CAA marketing and development assistant, by email or at 212-691-1051, ext. 216.
Louvre Launches English-Language Version of Its Online Collection Database
posted Jul 30, 2009
Today the Musée du Louvre in Paris has launched an English-language version of its online collection database, Atlas. This interactive research tool will allow visitors to access information on 22,000 artworks from the Louvre, view high-resolution images of masterpieces, and locate exhibited works and galleries throughout the museum. Previously available only in French, Atlas is accessible free-of-charge.
Users can enter via the main Louvre website, choose English at upper right, and then go to Collections –> Databases and select Atlas.
The launch of the English version of Atlas was initiated by and funded with a €300,000 ($380,000) grant in 2004 from the American Friends of the Louvre, which was founded in 2002 to strengthen ties between the museum and its American public. The new version of the site will provide in-depth information on the Louvre’s extensive collection to the museum’s two million English-speaking visitors as well as to educators, students, researchers, and scholars.
Launched in 2003, Atlas provides quick and easy access to an exceptionally rich database of 26,000 of the 35,000 works on permanent display at the Louvre. Currently, 5,500 artists in a variety of media are represented on the site. In addition to gallery views, Atlas also provides online visitors with a virtual “Album” through which they can gather a selection of artworks and create and navigate their own personalized tour of the Louvre.
The English-language version of Atlas will include entries on 22,000 works of art, or approximately 80 percent of the original Atlas database, showcasing works most representative of the depth and scope of the Louvre’s collection.
New Lawsuit Aims to Halt Rose Museum Closing
posted Jul 28, 2009
“Guess what? The art is not yours to sell.” So says Jonathan Lee of the board of overseers of the maligned Rose Art Museum about a lawsuit filed yesterday that aims to stop Brandeis University from closing the institution and selling the art collection. Lee has joined fellow overseers Lois Foster and Meryl Rose—who is a member of the family that founded the museum—to ask the Supreme Judicial Court of Massachusetts to issue a preliminary injunction to halt the university’s plans.
Jerry Kronenberg of the Boston Herald and Tracy Jan of the Boston Globe have more on the story.
CAA Signs Anticensorship Amicus Brief for US v. Stevens
posted Jul 28, 2009
US v. Robert Stevens involves a federal statute that makes it a crime to own, possess, or display depictions of animal cruelty, if the acts portrayed are illegal in the state where someone owns, possesses, or sells them—even if the acts portrayed weren’t illegal when or where they were performed. The actual case involves a man who was convicted under the statute for a video about pit bulls that contained footage of dogfights in places where they were legal—not to promote dog fighting but to describe how the dogs have been/are used. The conviction was reversed on appeal on the ground that the prohibition on the depiction alone violates the First Amendment, and the Supreme Court has agreed to hear the case. It is important to emphasize, though, that cruelty to animals itself is illegal in most states, and CAA is not advocating for the repeal of those laws—just the law that bans any depiction of animal cruelty.
CAA has signed an amicus brief prepared by the National Coalition Against Censorship that will discuss the implications for free expression, focusing on some well-known art situations, such as Adel Abdessemed’s cancelled show at San Francisco Art Institute, Wim Delvoye’s tatooed pigs, and Hermann Nitsch’s performances. Whatever the ethical issues such work raises, we claim that pure expression—as opposed to actual acts of animal cruelty—should not be subject to criminal penalties, and that the government’s argument in favor of criminalizing speech if its “social cost” outweighs its “value” is so far-reaching that it would chill all kinds of protected expression and exhibition.
This case is relevant to not only artists but also art-history professors, as they may want to teach about ethical issues in art, including the treatment of animals in bioart, etc. The law as it stands might chill their ability to show such work.
CAA Statement
The College Art Association joins the National Coalition Against Censorship in urging the Supreme Court to uphold the decision of the United States Court of Appeals for the Third Circuit in striking down Section 48 as unconstitutional. Section 48 is unconstitutional because it could deter and punish the production, distribution, and even the simple possession of constitutionally protected speech. If the decision is reversed, not only will some lawful expression depicting animals being killed or injured be subject to criminal sanction, but the ramifications are also far-reaching: Congress and the states could outlaw the creation and possession of artworks that depict certain types of conduct simply on the basis that the conduct itself is illegal.
This would chill a wide range of expression, including, potentially, art that depicts such criminal activities as terrorist acts, drug use, and certain types of sexual behavior. Although CAA does not condone cruelty to animals or any other sort of unlawful conduct, CAA has long and firmly opposed artistic and scholarly censorship of all kinds.
Paul B. Jaskot, President, College Art Association
Professor, Department of Art and Art History, DePaul University
Linda Downs, Executive Director, College Art Association
CAA Signs Anticensorship Amicus Brief for US v. Stevens
posted Jul 28, 2009
US v. Robert Stevens involves a section of a federal statute (18 U.S.C. § 48) that makes it a crime to own, possess, or display depictions of animal cruelty if the acts portrayed are illegal in the state where someone owns, possesses, or sells them—even if the acts portrayed weren’t illegal when or where they were performed. The actual case involves a man who was convicted under the statute for a video about pit bulls that contained footage of dogfights in places where they were legal—not to promote dog fighting but to describe how the dogs have been/are used. The conviction was reversed on appeal on the ground that the prohibition on the depiction alone violates the First Amendment, and the Supreme Court has agreed to hear the case. It is important to emphasize, though, that cruelty to animals itself is illegal in most states, and CAA is not advocating for the repeal of those laws—just the law that bans any depiction of animal cruelty.
CAA has signed an amicus curiae brief prepared by the National Coalition Against Censorship that will discuss the implications for free expression, focusing on some well-known art situations, such as Adel Abdessemed’s cancelled show at San Francisco Art Institute, Wim Delvoye’s tattooed pigs, and Hermann Nitsch’s performances. Whatever the ethical issues such work raises, we claim that pure expression—as opposed to actual acts of animal cruelty—should not be subject to criminal penalties, and that the government’s argument in favor of criminalizing speech if its “social cost” outweighs its “value” is so far-reaching that it would chill all kinds of protected expression and exhibition.
This case is relevant to not only artists but also art-history professors, as they may want to teach about ethical issues in art, including the treatment of animals in bioart, etc. The law as it stands might chill their ability to show such work.
CAA Statement
The College Art Association joins the National Coalition Against Censorship in urging the Supreme Court to uphold the decision of the United States Court of Appeals for the Third Circuit in striking down Section 48 as unconstitutional. Section 48 is unconstitutional because it could deter and punish the production, distribution, and even the simple possession of constitutionally protected speech. If the decision is reversed, not only will some lawful expression depicting animals being killed or injured be subject to criminal sanction, but the ramifications are also far-reaching: Congress and the states could outlaw the creation and possession of artworks that depict certain types of conduct simply on the basis that the conduct itself is illegal.
This would chill a wide range of expression, including, potentially, art that depicts such criminal activities as terrorist acts, drug use, and certain types of sexual behavior. Although CAA does not condone cruelty to animals or any other sort of unlawful conduct, CAA has long and firmly opposed artistic and scholarly censorship of all kinds.
Paul B. Jaskot, President, College Art Association
Professor, Department of Art and Art History, DePaul University
Linda Downs, Executive Director, College Art Association
caa.reviews Seeks Field Editors
posted Jul 27, 2009
CAA invites nominations and self-nominations for two field editor positions for reviews of books and related media in caa.reviews for a four-year term, through June 30, 2013. Needed now are field editors for pre-1800 architecture and urbanism and for Egyptian and ancient Near Eastern art. This candidate may be an art historian, art critic, curator, or other art professional; institutional affiliation is not required.
Each field editor commissions reviews of books and related media for caa.reviews within an area of expertise. He or she selects books to be reviewed, commissions reviewers, determines the appropriate character of the reviews, and works with reviewers to develop manuscripts for publication. The field editor works with the caa.reviews Editorial Board as well as the caa.reviews editor-in-chief and CAA’s staff editor, and is expected to keep abreast of newly published and important books and related media in his or her field of expertise.
The Council of Field Editors meets annually at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter of interest, CV, and contact information to: Chair, caa.reviews Editorial Board, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001; caareviews@collegeart.org. Deadline: August 1, 2009.
CAA Offers Travel Grants to Chicago Conference
posted Jul 24, 2009
Although funds are minimal, CAA will offer a limited number of Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. Travel grants are funded solely by donations from CAA members—please contribute today. Charitable contributions are 100 percent tax deductible.
Graduate Student Conference Travel Grant
This $150 grant is awarded to a limited number of advanced PhD and MFA graduate students as partial reimbursement of expenses for travel to the 2010 Annual Conference in Chicago. To qualify for the grant, students must be current CAA members. Candidates should include a completed application form, a brief statement by the student stipulating that he or she has no external support for travel to the conference, and a letter of support from the student’s adviser or head of department. For an application and more information, please contact Lauren Stark, CAA manager of programs, at 212-691-1051, ext. 248. Send application materials to: Lauren Stark, Graduate Student Conference Travel Grant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: September 25, 2009.
International Member Conference Travel Grant
CAA presents a $500 grant to a limited number of artists or scholars from outside the United States as partial reimbursement of expenses for travel to the 2010 Annual Conference in Chicago. To qualify for the grant, applicants must be current CAA members. Candidates should include a completed application form, a brief statement by the applicant stipulating that he or she has no external support for travel to the conference, and two letters of support. For an application form and additional information, please contact Lauren Stark, CAA manager of programs, at 212-691-1051, ext. 248. Send materials to: Lauren Stark, International Member Conference Travel Grant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Deadline: September 25, 2009.
Getty Posts Session Audio from 2009 CAA Conference
posted Jul 23, 2009
The J. Paul Getty Museum in Los Angeles has posted free audio recordings from eight 2009 Annual Conference sessions that took place at the Getty Center and Getty Villa. The audio can be streamed online or downloaded for playback on a computer or MP3 player. File sizes range from 41 to 142 MB.
Here are the sessions:
- “That Captured Instant of Time: Realism and Drama in Baroque Sculpture,” chaired by Catherine Hess
- “Luxury Devotional Books and Their Female Owners,” chaired by Thomas Kren and Richard Leson
- “What We Talk about When We Talk about Artist’s Books,” chaired by Marcia Reed
- “European Drawings, 1400–1900,” chaired by Lee Hendrix and Stephanie Schrader
- “Networks and Boundaries,” chaired by Thomas Gaehtgens
- “Cabinet Pictures in Seventeenth-Century Europe,” chaired by Andreas Henning
- “The Medieval Manuscript Transformed,” chaired by Kristen Collins and Christine Sciacca
- “The Art and Archaeology of Ancient Greece, Rome, and Etruria,” chaired by Karol Wight
The sessions are among several Highlights of Past Programs, which also include videos of interviews with the artists Jim Dine and Robert Irwin. The Getty’s Museum Symposia section makes available papers from a 2006 symposium, “Looking at the Landscapes: Courbet and Modernism.”
CAA offers audio recordings from many other 2009 conference sessions, as well as from other recent conferences. Please visit CAA’s Conference Audio Recordings for more information.
Download the July Issue of CAA News
posted Jul 22, 2009
The July CAA News has just been published and posted to the CAA website. All individual and institutional members can download a PDF of it now.
With this issue, CAA News returns to a digital-only format. The layout of the newsletter has changed to better fit your computer screen, and all images are now in color. If you prefer to read a hard copy, the printout pages are clear and readable.
Inside, CAA talks to Heather Darcy Bhandari and Jonathan Melber about their new book, Art/Work: Everything You Need to Know (and Do) As You Pursue Your Art Career (see pages 4–7). You can also read early details about the upcoming 2010 Annual Conference in Chicago: registration prices have just been announced (see page 16), and applications for a limited number of conference travel grants are available (pages 17–18).
Be sure to visit CAA News on the web on a regular basis. CAA will also continue using other forms of electronic communication—Facebook, Twitter, email blasts, and more—to get important organizational information to you.