CAA News Today
Shaun Leonardo in Conversation with Dawit L. Petros During CAA114 Annual Artist Interviews
posted by CAA — January 22, 2026
Photograph by Argenis Apolinario
Shaun Leonardo will be in conversation with Dawit L. Petros during the CAA 114th Annual Conference Annual Artist Interviews!
Shaun Leonardo’s multidisciplinary work negotiates societal expectations of manhood, usually through the definitions surrounding black and brown masculinities, along with its notions of achievement, collective identity, and experience of failure. His performance practice is participatory and invested in a process of embodiment.
Leonardo’s fifteen-plus-year career as an artist and arts administrator has centered on community engagement, public programming, and experimental pedagogy. From 2016 to 2024, Leonardo played a pivotal role at Recess, co-directing its evolution as a socially engaged arts organization and launching the Assembly diversion program. Based in Brooklyn, Leonardo received his MFA from the San Francisco Art Institute and is a recipient of support from Creative Capital, Guggenheim Social Practice, Art for Justice, and A Blade of Grass. His work has been shown at the Guggenheim Museum, the High Line, the New Museum, and Four Freedoms Park Conservancy, and has been profiled in The New York Times and on CNN. He is Executive Director of Socrates Sculpture Park in Queens.
The CAA114 Annual Artist Interviews featuring Shaun Leonardo and Joyce Kozloff will be held on Friday, February 20, 4:30–7:00 p.m. CT at the Hilton Chicago. This event will also be livestreamed via YouTube.
Register now for the CAA 114th Annual Conference, February 18–21 in Chicago!
Call For Respondents: CAA Copyright + Fair Use Survey
posted by CAA — January 22, 2026
Ten years ago, CAA published the Code of Best Practices in Fair Use for the Visual Arts, providing our community with clear, practical guidance on invoking fair use in scholarship, teaching, artmaking, museum practice, and archival access. This groundbreaking resource emerged from extensive research funded by the Andrew W. Mellon Foundation and the Samuel H. Kress Foundation, and it has been widely endorsed by organizations across the visual arts and cultural heritage fields. The Code of Best Practices has empowered countless scholars, educators, artists, curators, and archivists to confidently make fair use of copyrighted materials in their work—advancing knowledge, creativity, and public access to visual culture.
A decade later, the landscape has shifted dramatically. New technologies, evolving institutional practices, and emerging legal questions—particularly around artificial intelligence and digital platforms—demand that we revisit and refresh this vital resource. The CAA Committee on Intellectual Property is committed to ensuring that an updated publication reflects the real-world experiences, challenges, and needs of the association’s members working across all sectors of the visual arts. Your responses to this survey will directly inform the revision process, will help the committee identify where the current Code of Best Practices has been most useful, where gaps exist, and what new guidance our community needs. Fair use remains essential to the work we do—and your participation ensures that the next iteration will serve our community as effectively as the first.
CAA114 Badge Benefits: Access Local Chicago Museums During the Conference!
posted by CAA — January 21, 2026
CAA has partnered with select Chicago museums to offer Annual Conference attendees complimentary admission between February 18 and 21. Register now to enjoy these benefits!
ART INSTITUTE CHICAGO
Present your conference badge at the admissions desk during museum hours: Wednesday, 11 a.m.–5:00 p.m., Thursday, 11:00 a.m.–8:00 p.m., Friday–Sunday, 11:00 a.m.–5:00 p.m.
On view:
Bruce Goff: Materials Worlds
Raqib Shaw: Paradise Lost
On Loss and Absence: Textiles of Mourning and Survival
DRIEHAUS MUSEUM
Present your conference badge at the admissions desk during museum hours: Wednesday, 11:00 a.m.–7:00 p.m., Thursday–Sunday, 11:00 a.m.–5:00 p.m.
On view:
Tiffany Lamps: Beyond the Shade
The Land of Oz: Beyond the Page
INTUIT ART MUSEUM
Present your conference badge at the admissions desk during museum hours: Wednesday–Sunday, 11:00 a.m.–6:00 p.m.
On View:
Catalyst: Im/migration and Self-Taught Art in Chicago
Henry Darger: The Room Revealed
LOCAL CHICAGO MUSEUMS FREE TO THE PUBLIC
THE BLOCK MUSEUM OF ART
Hours: Wednesday–Friday, 12:00 p.m.–8:00 p.m.
On view:
Teresa Montoya’s Tó Łitso (Yellow Water): Ten Years after the Gold King Mine Spill
Hamdia Traoré’s “Des marabouts de Djenné” and Muslim Portraiture in Mali
CHICAGO CULTURAL CENTER
Hours: Daily, 10:00 a.m.–5:00 p.m.
On view:
Chicago Architecture Biennial
Not a Soft Thing: A Group Exhibition by Artist Mothers
Uncertain Histories
DEPAUL ART MUSEUM
Hours: Wednesday–Thursday, 11:00 a.m.–7:00 p.m., Friday–Sunday, 11:00 a.m.–5:00 p.m.
On view:
Tengo Lincoln Park en mi corazón: Young Lords in Chicago
Iñigo Manglano-Ovalle: A Want for Nothing
HYDE PARK ART CENTER
Hours: Monday–Thursday, 10:00 a.m.–7:00 p.m., Friday–Saturday, 10:00 a.m.–4:00 p.m., Sunday, 11:00 a.m.–4:00 p.m.
On view:
Yoonshin Park: Prompt and Prompted
Mutuality: The Center Program Biennial Exhibition
MUSEUM OF CONTEMPORARY PHOTOGRAPHY
Hours: Monday–Wednesday, 10:00 a.m.–5:00 p.m., Thursday, 10:00 a.m.–8:00 p.m., Friday–Saturday, 10:00 a.m.–5:00 p.m.
On view:
MoCP at Fifty: Collecting Through the Decades
If Emmett Till Lived: Freedom on American Ground
NATIONAL MUSEUM OF MEXICAN ART
Hours: Tuesday–Sunday, 10:00 a.m.–5:00 p.m.
On view:
Hay cultura en nuestra comunidad: Ray Patlán in Chicago, 1968–1975
Rieles y Raíces: Traqueros in Chicago and the Midwest
Nuestras Historias: Stories of Mexican Identity from the Permanent Collection
THE RENAISSANCE SOCIETY
Hours: Wednesday–Friday, 12:00 p.m.–6:00 p.m., Saturday–Sunday, 10:00 a.m.–6:00 p.m.
On view:
Leah Ke Yi ZhengChange, I Ching (64 Paintings)
RIVERSIDE ARTS CENTER
Hours: Thursday–Saturday, 1:00–5:00 p.m.
On view:
Ross Sawyers: The Future Still Isn’t What It Used to Be
SMART MUSEUM OF ART
Hours: Tuesday–Sunday, 10:00 a.m.–4:30 p.m.
On view:
Theaster Gates: Unto Thee
Smart to the Core: Wise to Power
The Art Bulletin Seeks Editorial Board Members
posted by CAA — January 21, 2026
CAA invites nominations and self-nominations individuals to serve on The Art Bulletin Editorial Board for a four-year term, July 1, 2026–June 30, 2030. We are currently seeking to fill two positions on the board; current members are listed on the CAA website.
The ideal candidate has published substantially in the field and may be an academic, museum-based, or an independent scholar (institutional affiliation is not required). The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.
The Editorial Board plays an active role in advising The Art Bulletin Editors-in-Chief by suggesting authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; advising books for review and potential book reviewers; may propose new initiatives for the journal, including roundtable content; and may support fundraising efforts on the journal’s behalf. Members also assist the Editors-in-Chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.
The Art Bulletin Editorial Board meets three times per year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are held remotely over Microsoft Teams. Members pay travel and lodging expenses to attend the conference in February. Members of all Editorial Boards volunteer their services to CAA without compensation.
Candidates must be current CAA members in good standing and should not be serving on the Editorial Board of a competing journal or on a CAA committee. Members may not publish their own work in the journal during the term of service. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on The Art Bulletin Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access.
Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are welcome. Interested applicants—both self-nominated or nominated by someone else—should submit a CV and a cover letter as one PDF document to Eugenia Bell, CAA Editorial Director.
Deadline: March 31, 2026
Apply Now for Spring 2026 Publication Grants + Grantees Announced!
posted by CAA — January 12, 2026
CAA is now accepting applications for the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant. These grants support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.
The Millard Meiss Publication Fund supports the publication of books on any period or area of art history and visual studies.
The Wyeth Foundation for American Art Publication Grant supports the publication of books on the art of the United States, Canada, and Mexico.
Application instructions and criteria can be found here.
Deadline: March 31
Millard Meiss Publication Fund Fall 2025 Grantees
Miriam Chusid, Envisioning the Afterlife: Image, Text, and Ritual in Premodern Japan, University of Washington Press
Wyeth Foundation for American Art Fall 2025 Grantees
Elise Armani and Katy Siegel, What Was America? Art and Culture at the Bicentennial, Yale University Press
Congratulations to our grantees!
Art History Travel Fund: Apply Now + Congrats to Fall 2025 Grantees!
posted by CAA — January 12, 2026

Student from 2024 grant recipient Bernida Webb-Binder’s course on Pacific Art at the Hawai’i Triennial in Honolulu.
CAA is now accepting applications for the Art History Fund for Travel to Special Exhibitions. Twice yearly this fund awards up to $10,000 to eligible undergraduate and graduate art history classes to cover travel, accommodations, and admission fees for students and instructors to attend museum exhibitions. Visit our website to learn more about application requirements and apply now for travel to Fall 2026 exhibitions!
Deadline: April 15
Congratulations to the Art History Travel Fund Fall 2025 Grantees!
In Fall 2025, CAA awarded grants via the Art History Fund for Travel to Special Exhibitions to Oklahoma State University, The University of Iowa, The University of Texas at Austin, and Rutgers University!
Oklahoma State University
Instructor: Jennifer Borland
Course: The Medieval Body
Exhibition: Spectrum of Desire: Love, Sex, and Gender in the Middle Ages
Location: The Met Cloisters, New York City
Rutgers University
Instructor: Alex Seggerman
Course: Egyptian Art: Ancient, Islamic, and Modern
Exhibition: Living Units
Location: Gezira Art Center, Cairo
The University of Texas at Austin
Instructor: Rikki Byrd
Course: Black Curatorial Thought
Exhibition: In Minor Keys: 61st Annual Venice Biennale
Location: Venice, Italy
University of Iowa
Instructor: Erin Hein
Course: Leonardo, Michelangelo, Raphael: The Rise of the Artist in the Italian Renaissance
Exhibition: Raphael: Sublime Poetry
Location: The Metropolitan Museum of Art, New York City
Joyce Kozloff in Conversation with Nancy Princenthal During CAA114 Annual Artist Interviews
posted by CAA — January 09, 2026

Photograph by Carolyn Yarnell
Joyce Kozloff will be in conversation with Nancy Princenthal during the CAA 114th Annual Conference Annual Artist Interviews!
Joyce Kozloff has been an activist in the feminist art movement on both coasts since 1970 and was a member of the Pattern and Decoration movement in the ’70s. Cartography and mapping have been important foundations of her work since 1990 and are structures through which she explores the range of human knowledge and the imposition of imperial will.After a sustained commitment to public art throughout the 1980s and ’90s, she returned to a studio practice that encompasses painting, sculpture, installations, printmaking, and photography. Two glass mosaic and ceramic tile public works—Parkside Portals (2018) for the MTA Art and Design Program, and Memory and Time (2021) for the General Services Administration (GSA). Her work is included in public collections such as the Brooklyn Museum of Art, Los Angeles County Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, National Gallery of Art, Museum of Contemporary Art Los Angeles, Jewish Museum, Brooklyn Museum and Whitney Museum of American Art. The survey Joyce Kozloff: Contested Territories is on view at the Everson Museum, Syracuse, New York, through April 2026. She has been represented by the DC Moore Gallery in New York since 1995.
The CAA114 Annual Artist Interviews will be held on Friday, February 20, 4:30–7:00 p.m. CT at the Hilton Chicago. This event will also be livestreamed via YouTube.
Register now for the CAA 114th Annual Conference, February 18–21 in Chicago!


