CAA News Today
Solo Exhibitions by Artist Members
posted by CAA — August 22, 2013
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Abroad
Grimanesa Amorós. Museum of China Central Academy of Fine Arts, Beijing, China, June 2–22, 2013. The Mirror Connection. Light sculptural installation.
Julie Langsam. Espai-8, Barcelona, Spain, March 20–April 17, 2013. Buildings and Blueprints. Acrylic on wall.
Stephen McClymont. Galry, Paris, France. September 15–October 15 2013. Bouquet. Painting.
Mid-Atlantic
Lee Arnold. Montclair Art Museum, Montclair, New Jersey, April 3–September 15, 2013. Works by Lee Arnold. Digital video.
Anne Massoni. Print Center, Philadelphia, Pennsylvania, January 11–March 16, 2013. Anne Massoni: Holding. Photography.
Sharon Wolpoff. Woman’s National Democratic Club, Washington, DC, May 29–September 3, 2013. In the Early Bright. Oil painting.
Northeast
Lorrie Fredette. Garrison Art Center, Garrison, New York, August 10–September 8, 2013. Implementation of Adaptation. Installation.
Kate Gilmore. Institute of Contemporary Art, Maine College of Art, Portland, Maine, July 3–August 4, 2013. Kate Gilmore. Video and performance.
Julie Langsam. 532 Gallery Thomas Jaeckel, New York, April 11–May 25, 2013. Now(here). Oil painting.
Jerry Meyer. Denise Bibro Fine Art, New York, May 16–July 6, 2013. Ordinary Unhappiness. Multimedia light boxes and installation.
John Morrell. Atlantic Gallery, New York, May 28–June 21. Domestic Landscapes. Painting and drawing.
Linda Stein. Romany Kramoris Gallery, Sag Harbor, New York, June 27–September 2, 2013. Power and Protection: Bully Proof Vests by Linda Stein. Sculpture.
Jayoung Yoon. Here Arts Center, New York, July 18–August 17, 2013. Mind Out of Time. Sculpture, video, and performance.
South
Linda Stein. Fine Arts Gallery, St. Edward’s University, Austin, Texas, September 5–27, 2013. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
West
Mara De Luca. Quint Contemporary Art, La Jolla, California, June 8–July 27, 2013. Even If the Lights Go Out. Painting.
Carol Ladewig, Slate Contemporary, Oakland, California, February 28–March 23, 2013. Year in Color/Lunar Cycles: New Work by Carol Ladewig. Acrylic and gouache on panels and on canvas and digital prints.
Sadayoshi “Sada” Omoto: In Memoriam
posted by CAA — August 21, 2013
adayoshi “Sada” Omoto: In Memoriam
The following obituary was prepared by the deceased’s wife, Kathryn B. Omoto, and his son, Loren Omoto.
Sadayoshi Omoto
Sadayoshi “Sada” Omoto, an artist and art historian, died on March 4, 2013, after a lifetime of inspiring students, artists, and friends. He was 90 years old. Omoto’s path through life brought him challenges, opportunities, and triumphs. He was a beloved husband, father, grandfather, college professor, elected official, activist and, in later years, an artist. His indomitable spirit and easygoing personality made him a friend to and role model for many. His individuality and dogged determination emerged early and were defining characteristics throughout his life.
Omoto was born at Wing Point on Bainbridge Island, Washington. The island—a short ferry ride from Seattle—was an idyllic spot to grow up. As a young man he began classes at the University of Washington, but his life was changed forever on the day Japanese forces attacked Pearl Harbor. Soon after, President Franklin Delano Roosevelt signed Executive Order 9066 authorizing the United States military to relocate American citizens of Japanese ancestry from the West Coast. The first people subject to the evacuation order were Japanese Americans living on Bainbridge Island.
Omoto’s family and more than two hundred other island residents were given just six days to collect what possessions they could carry and make arrangements for their property. On March 30, 1942, US soldiers carrying rifles with bayonets rounded them up and put them on a ferry to Seattle. Ultimately the family became some of the first residents at Manzanar War Relocation Center, an internment camp located in a remote area of the Southern Californian desert. At Manzanar, Omoto lived in communal barracks with his brother and widowed mother, surrounded by barbed wire, dogs, and guard towers, while his two older brothers served in the US military. The experience instilled a keen awareness of social injustice. He later made his forced relocation a “teachable moment” for his children and for hundreds of others who heard him speak or who viewed his highly personal art on the subject.
Omoto left the camp to join the US Army, training as a linguist at the Military Intelligence Service Language School in Minnesota. He made his first journey to Asia while in the military. After the war, Omoto resumed his quest for a higher education—but this time in the Midwest. Omoto enrolled at Oberlin College in Ohio and earned a bachelor’s degree. He also earned a master’s degree from Michigan State University and his PhD in art history from Ohio State University.
For the next forty years, Omoto taught American and Asian art history—first at Bradley College in Illinois, then at Wayne State University in Detroit, and finally at Michigan State, where he worked for thirty-three years. During his career, he served as department chair and as advisor to a minority student organization. His concern and attention to principles of justice were remembered by students long after their college careers.
Omoto was the author of numerous articles in professional journals, including “Thackeray and Architectural Taste” (1967) and “The Queen Anne Style and Architectural Criticism” (1964) in the Journal of the Society of Architectural Historians; “The Sketchbooks of Worthington Whittredge” in Art Journal (1965); and “Berkley and Whittredge at Newport” in Art Quarterly (1964). He also wrote book reviews and contributed articles to the Kresge Art Center Bulletin.

Under the auspices of the Bicentennial Inventory of American Paintings Executed before 1914, a program of the National Collection of Fine Arts (later renamed the Smithsonian American Art Museum), Omoto directed the inventory of early Michigan paintings. The collection of over one thousand works served as the basis for the Michigan Experience exhibition at Kresge Art Center Gallery at Michigan State in 1986, which traveled to venues throughout the state. He authored exhibition catalogues for The Michigan Experience (1986, with Eldon Van Liere) and Early Michigan Paintings (1976–77).
After retiring from Michigan State, Omoto returned to the northern Michigan community he had first visited as an art student during the 1950s. In Leland, he cultivated a new life focused on creativity and community service. He attended painting classes and helped to form a collective of local artists who drew inspiration from the local landscape and from each other. Omoto also helped to organize exercise classes for seniors and exhibitions of art from the past and present. With his wife Kathryn, he supported the work of the Leelanau Conservancy and other local historic-preservation efforts. Although slowed in recent years, Omoto remained a familiar sight at Leland community events, galleries, and coffee shops. His gentle humor and easy smile made him a beacon of friendliness during any season.
Omoto is survived by his wife, Kathryn Bishop Omoto; his children Allen Omoto (David Robinson) of Claremont, California, Katherine (Neal) Fortin of Okemos, Michigan, Loren (Susan) Omoto of Maitland, Florida; his granddaughter Helen Fortin of Okemos; and numerous nieces and nephews. Omoto was preceded in death by his parents Daikichi and Masa Omoto; his son Roger Omoto; his brothers Masakatsu, Setsuo, and Taketo Omoto; and his sister Kanee Omoto.
Dmitrii V. Sarabianov: In Memoriam
posted by CAA — August 21, 2013
Alison Hilton is Wright Family Professor of Art History at Georgetown University in Washington, DC.
Dmitrii V. Sarabianov, a Russian art historian and a specialist on nineteenth- and twentieth-century art, died in Moscow on July 19, 2013. He was 89 years old. Sarabianov was one of the great art historians of his generation, those who began their scholarly careers during and following World War II.
Born on October 10, 1923, into the family of a Marxist philosopher, Sarabianov showed an early interest in the arts, especially poetry and music, as well as camping and athletics. Soon after he began his undergraduate studies in 1941, Germany invaded the Soviet Union. He joined the army to serve as a translator, was wounded twice, and received several medals for military merit. After the war Sarabianov completed his undergraduate work at Moscow State University and was admitted into the school’s graduate program in art history, earning his candidate’s degree in 1952.
In 1954 he began work at Moscow’s prestigious Institute of Art History, first as a senior researcher and later as deputy director. From 1966 to 1996 Sarabianov taught and served as the head of the Art History Department at Moscow State University. He earned his doctorate in 1971. (In Russia this signifies substantial scholarly achievement beyond the candidate’s degree; it is roughly equivalent to full professorship.) Sarabianov became a corresponding member of the Russian Academy of Sciences in 1987 and was elected to the rank of academician five years later.
Sarabianov was an inspiring teacher and mentor whose influence guided the careers of many Russian academics and museum scholars for several generations. Even for those who did not encounter him directly, Sarabianov’s publications—numbering more than 360 books and articles—set a standard for scholarship recognized both in Russia and abroad. Subjects of his monographs, many of them translated, include important nineteenth-century artists, among them Pavel Fedotov, Orest Kiprenskii, Aleksei Venetsianov, Ilya Repin, and Valentin Serov, as well as key figures in early-twentieth-century art such as Vasilii Kandinsky, Pavel Kuznetsov, Robert Falk, Liubov Popova, and Kazimir Malevich. What distinguishes Sarabianov’s work is the scope and originality of his interpretations of Russian art movements. He was among the first to write about Russian nineteenth-century painting in relation to European art, and he published a path-breaking study of international Art Nouveau in 1989. His book Russian Art: From Neoclassicism to the Avant Garde 1800–1917 (1990) is considered the fundamental text on the subject.
Sarabianov always took his civic responsibility as an academic very seriously. He spoke up at meetings, defended intellectual freedom, and voted on policy questions. In 2005, he and colleagues in Moscow’s major museums and other art institutions created the National Organization of Art Experts (NOEXI) to monitor and cope with the unprecedented demands of the chaotic art market in Russia and to establish means of ensuring professional credibility and trust.
Regarded by his peers, his former students, and his readers as a scholar of absolute integrity, Dmitrii Sarabianov will be missed most for his immense charm and kindness. He is survived by his wife, Elena Borisovna Murina, and his sons, Andrei and Vladimir Sarabianov.
Institutional News
posted by CAA — August 17, 2013
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
California Institute of the Arts in Valencia, along with the Roy and Edna Disney/CalArts Theater (REDCAT) in Los Angeles, has received a $244,000 grant from ArtPlace America for the September 2013 edition of “Radar L.A., an International Festival of Contemporary Theater” and a related series of performing artist residencies.
California State University, Stanislaus, has received a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study of the differential impacts of arts participation on California’s Central San Joaquin Valley, in particular Stanislaus County.
Christopher Newport University in Newport News, Virginia, has won a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study using the federal agency’s Survey of Public Participation in the Arts data to develop a multivariate framework for measuring arts participation.
The Fleet Library at the Rhode Island School of Design in Providence has received a $50,000 National Forum Grant from the Institute of Museum and Library Services to hold a symposium titled “Materials Education and Research in Art and Design: A New Role for Libraries,” which took place June 6–8, 2013, at the school’s museum.
The Galleries at Moore College of Art and Design in Philadelphia, Pennsylvania, has accepted a $20,000 grant from the Pew Center for Arts and Heritage for an upcoming exhibition called Strange Currencies.
The Institute of Contemporary Art at the University of Pennsylvania in Philadelphia has received a $25,000 grant from the Pew Center for Arts and Heritage for its upcoming exhibition, Barbara Kasten.
The Maine College of Art in Portland has unveiled a new institutional logo, created through a collaboration between Eddie Opara of the design company Pentagram and a group of design faculty and students.
The Museum of Modern Art in New York has combined its Department of Prints with the Department of Drawings, creating a new Department of Prints and Drawings. The change took effect on July 1, 2013.
The National Gallery in London, England, has partnered with the Getty Research Institute in Los Angeles, California, to add nearly 100,000 records of art sales from more than 1,200 British auction catalogues that were published between 1780 and 1800. The records will join the Getty Provenance Index, a free online art-historical database.
Northeastern University in Boston, Massachusetts, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of American Community Survey data to determine relationships among selections of arts majors, occupational choices, and labor-market outcomes of American college graduates, including artist job holders.
The Philadelphia Museum of Art in Pennsylvania has earned a $30,000 planning grant from the Pew Center for Arts and Heritage for a project called “The Contemporary Caucus,” which will engage staff from education, technology, marketing, communications, and exhibitions to identify and implement optimal strategies for connecting with twenty-first-century audiences.
The Philadelphia Museum of Art in Pennsylvania has received a Curatorial Travel/Internationally Collaborative Pre-exhibition Convening Grant from the Terra Foundation for American Art for an upcoming exhibition, Paul Strand: Photography and Film for the Twentieth Century.
The Rhode Island School of Design in Providence, in partnership with the design firm Project Projects, has completed a new visual identity and website for the school’s museum. Part of the initiative involved the renaming of the exhibiting institution as RISD Museum.
Saint Louis University in Missouri has accepted a $20,000 Art Works Research Grant from the National Endowment for the Arts to support a study that will examine how the growth and stability of local arts businesses have contributed to the redevelopment of downtown Saint Louis at the street and block level.
The School of the Art Institute of Chicago in Illinois has won a $20,000 grant from the National Endowment of the Arts to support a study of the characteristics, needs, and support systems of ethnically and culturally specific organizations in the United States and Canada.
The Toledo Museum of Art in Toledo, Ohio, has achieved a milestone in a twenty-year effort to reduce energy consumption. On May 21, 2013, the museum’s main building, a 101-year-old Beaux Arts structure, stopped drawing power from the electrical grid and even began returning power to the system.
The University of Iowa Museum of Art in Iowa City has received permission from its board of regents to construct a new building that will house a collection of 12,000 works. The school’s old exhibition space was destroyed by flooding in 2008.
The University of Maryland, College Park, has won a $25,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of two longitudinal data sets for information about the impact of high school arts education on college attainment, after controlling for certain preexisting differences between arts and nonarts students.
The University of Oregon in Eugene has received a $15,000 Art Works Research Grant from the National Endowment for the Arts to support the development of an online, annotated resource that identifies American prison arts programs and their histories, related research, and outcomes analyzed on a rubric to be created for this project.
The University of Southern California in Los Angeles has earned a $15,000 Art Works Research Grant from the National Endowment for the Arts to support an analysis of survey data from the National Alliance of Media Arts and Culture to map the spatial relationships of media arts organizations to local community characteristics and target audiences.
West Chester University in West Chester, Pennsylvania, has received a $25,000 Art Works Research Grant from the National Endowment for the Arts to support a study examining the physiological impacts of participation in music, dance, and the visual arts on economically disadvantaged children.
The Whitney Museum of American Art in New York has approved a new graphic identity and logo—which it calls the “responsive W”—in consultation with the design studio Experimental Jetset.
Warren Wilson College in Swannanoa, North Carolina, has received a $2.1 million grant from the Windgate Charitable Foundation to enhance its Art Department with the addition of studio craft and material arts and to foster a close partnership between it and the Center for Craft, Creativity, and Design.
The Wolfsonian–FIU at Florida International University in Miami Beach, Florida, has accepted a $5 million donation from the Knight Foundation to fund a project to make the museum’s collection digitally accessible within five years.
People in the News
posted by CAA — August 17, 2013
People in the News
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Academe
Keliy Anderson-Staley has joined the School of Art at the University of Houston in Texas as a tenure-track professor of photography.
Rebecca Parker Brienen has been named Vennerberg Professor of Art and head of the Department of Art, Graphic Design, and Art History at Oklahoma State University in Stillwater. Brienen previously served as the head of art history at the University of Miami in Coral Gables, Florida, from 2008 to 2013.
Jean M. K. Miller has joined the University of Missouri in St. Louis as dean of the College of Fine Arts and Communication and professor in the Department of Art and Art History. Miller was formerly associate dean of administrative affairs in the College of Visual Arts and Design at the University of North Texas in Denton.
Kent Minturn, a lecturer in the Department of Art History and Archaeology at Columbia University in New York, has been appointed director of the MA Program in Modern Art: Critical and Curatorial Studies.
Jennifer Raab, the first IFA/Andrew W. Mellon Foundation Postdoctoral Fellow at New York University’s Institute of Fine Arts, has joined the faculty of Yale University in New Haven, Connecticut.
Erika Schneider has been promoted to associate professor in the Art Department at Framingham State University in Framingham, Massachusetts, where she has taught since 2007.
Mark Tribe, an artist, educator, and the founder of Rhizome, has become chair of the MFA Fine Arts Department at the School of Visual Arts in New York.
Sarah Victoria Turner, a lecturer in the Department of the History of Art at the University of York in York, England, has been appointed to the new post of assistant director for research at the Paul Mellon Centre for Studies in British Art in London. Her appointment begins in November 2013.
Deborah Zlotsky, an artist who taught at the College of Saint Rose in Albany, New York, from 1996 to 2013, has accepted a teaching position at the Rhode Island School of Design in Providence.
Museums and Galleries
Gloria Groom, David and Mary Winton Green Curator in the Department of Medieval through Modern European Painting and Sculpture at the Art Institute of Chicago in Illinois, has been appointed the museum’s first senior curator.
Jennifer Gross has joined the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, as deputy director for curatorial affairs and chief curator. Gross had served as Seymour H. Knox Jr. Curator of Modern and Contemporary Art at the Yale University Art Gallery in New Haven, Connecticut, since 2000.
Sarah Schroth, Nancy Hanks Senior Curator at Duke University’s Nasher Museum of Art in Durham, North Carolina, has been named the museum’s new Mary D. B. T. and James H. Semans Director. Schroth had been serving as interim director since November 2012.
Susan Shifrin, associate director for education at the Philip and Muriel Berman Museum of Art at Ursinus College in Collegeville, Pennsylvania, has left the museum to serve as director of ARTZ Philadelphia, a newly formed chapter of ARTZ: Artists for Alzheimer’s.
Janne Gallen-Kallela-Sirén, formerly director of the Helsinki Art Museum in Finland, has become the new director of the Albright-Knox Art Gallery in Buffalo, New York.
Organizations and Publications
Maura Reilly has been appointed executive director of the Linda Pace Foundation, based in San Antonio, Texas. Most recently Reilly was professor and chair of art theory at Queensland College of Art, part of Griffith University in Nathan, Australia.
Tali Weinberg, program officer for Global Goods Partners, a nonprofit that provides economic opportunity, small grants, and training to artisans in marginalized communities around the world, has been selected to lead the Textile Society of America, based in Berkeley, California, as executive director.
Exhibitor and Advertiser Prospectus for the 2014 Annual Conference
posted by CAA — August 16, 2013
The Exhibitor and Advertiser Prospectus for the 2014 Annual Conference in Chicago is now available for download. Featuring essential details for participation in the Book and Trade Fair, the booklet also contains options for sponsorship opportunities and advertisements in conference publications and on the conference website.
The Exhibitor and Advertiser Prospectus will help you reach a core audience of artists, art historians, educators, students, and administrators, who will converge in Chicago for CAA’s 102nd Annual Conference, taking place February 12–15, 2014. With three days of exhibit time, the Book and Trade Fair will be centrally located at the Hilton Chicago Hotel, where all programs sessions and special events take place. CAA offers several options for booths and tables that can help you to connect with conference attendees in person. The priority deadline for Book and Trade Fair applications is Thursday, October 31, 2013; the final deadline for all applications and full payments is Monday, December 9, 2013.
In addition, sponsorship packages will allow you to maintain a high profile throughout the conference. Companies, organizations, and publishers may choose one of four visibility packages, sponsor specific areas and events such as the Student and Emerging Professionals Lounge, or work with CAA staff to design a custom package. Advertising possibilities include the Conference Program, distributed to approximately five thousand registrants, and the conference website, seen by tens of thousands more. The final deadline for sponsorships and advertisements in the Conference Program is Friday, December 6, 2013.
Questions about the 2014 Book and Trade Fair? Please contact Paul Skiff, CAA assistant director for Annual Conference, at 212-392-4412. For sponsorship and advertising queries, speak to Virginia Reinhart, CAA marketing and communications associate, at 212-392-4426.
Grants, Awards, and Honors
posted by CAA — August 15, 2013
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Joseph Ackley, a PhD candidate in art history at New York University’s Institute of Fine Arts, has been awarded a research grant for his participation in the Mellon Research Initiative conference, “Art History and the Art of Deception,” taking place in October 2013.
Sarah Archino, a teaching fellow in the Department of Art at Millsaps College in Jackson Mississippi, who earned her doctorate in art history from the Graduate Center, City University of New York, has accepted a 2013–15 postdoctoral teaching fellowship at the Institut National d’Histoire de l’Art in Paris, France, from the Terra Foundation for American Art.
Chris Barnard, an artist based in Los Angeles, California, has spent the month of June 2013 in residency at the Vermont Studio Center in Johnson, Vermont.
Julia Whitney Barnes, an artist based in Brooklyn, New York, has received a commission to create a permanent glass-mosaic installation, titled Coloridas Historias de México, for the Brooklyn School of Inquiry.
Sinclair Bell, associate professor of art history at Northern Illinois University in DeKalb, has been awarded a Howard Fellowship from the Howard Foundation at Brown University for 2013–14 to complete a monograph on chariot racing in ancient Rome.
Sarah Berkeley has been named a resident artist by the Artists’ Cooperative Residency and Exhibitions (ACRE) in Steuben, Wisconsin. Berkeley’s collaborator, Regin Igloria, will join her during the summer 2013 program.
Wendy Bellion, associate professor in the Department of Art History at the University of Delaware in Newark, has received an eight-week visiting professorship at the Institut National d’Histoire de l’Art in Paris, France, for spring 2015.
Steven Bleicher has been awarded a commission to produce a public art project, called Nature and Man in Rhapsody of Light at the Water Cube, in Beijing, China. His collaborators for the work were the artist Jennifer Wen Ma and the lighting designer Zheng Jianwei. Bleicher was the color specialist.
Suzanne Preston Blier, Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies in the Department of Art and Architecture at Harvard University in Cambridge, Massachusetts, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She will work on a project entitled “By Sea, Sand, and River: Africa and the West, a History in Art (1300–1800).”
Michele Brody, an artist based in New York, has completed the Emmanuel College Artist in Residence Program, where she worked with three other artists on a class called “Contemporary Art and Artistic Practice.”
Larry Busbea has won a 2013 Grant to Individuals in the category of research from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. His project is called “The Responsive Environment: Aesthetics, Design, and Ecology in the 1970s.”
Katherine Bussard, Peter C. Bunnell Curator of Photography at the Princeton University Art Museum in Princeton, New Jersey, has earned a 2013 Grant to Individuals in the publication category from the Graham Foundation for Advanced Studies in the Fine Arts. Her publication is called Unfamiliar Streets: Photographs by Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia.
Kimberly Callas, an artist based in Brooks, Maine, has received a Puffin Foundation Grant for her sculptural project Portraits of the Ecological Self. The project includes ten hand-sculpted, life-size portraits that combine a detailed likeness of an individual with natural materials chosen to reveal the unique bond an individual has with nature.
Luis M. Castañeda has won a 2013 Grant to Individuals in the publication category from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. His book is called The Exhibitionist State: Image Economies of the Mexican “Miracle.”
Sheila Crane has won a 2013 Grant to Individuals in the category of research from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. Her project is called “Inventing Informality.”
Florina Hernandez Capistrano-Baker, a consultant for the Ayala Museum in Makati City, Philippines, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. Her project is called “Routes of Exchange: Tenth–Thirteenth Century Gold from Butuan and Links to the Indian Ocean and Mediterranean Trade Network.”
Grace Chuang, a doctoral student in art history at New York University’s Institute of Fine Arts, has received the 2013–14 IFA/Centre Allemand Fellowship in Paris, France.
William Coleman, a doctoral student in the History of Art Department at the University of California, Berkeley, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. He will continue work on “Thomas Cole’s Buildings: Architecture in Painting and Practice in the Early Republic.”
Erin Corrales-Diaz, a PhD student in the Art Department at the University of North Carolina, Chapel Hill, has been named Joe and Wanda Corn Predoctoral Fellow at the Smithsonian American Art Museum in Washington, DC. Her research involves “Remembering the Veteran: Disability, Trauma, and the American Civil War, 1861–1915.”
Vanessa Frances Rhiannon Crosby, a PhD candidate in the Department of Religious Studies at Northwestern University in Evanston, Illinois, has been named a 2013–14 predoctoral fellow by the Getty Research Institute in Los Angeles, California. She will work on “Foreign Goods and Trans-Regional Identities: Commemoration as Cross Cultural Encounter.”
John J. Curley, assistant professor in the Department of Art at Wake Forest University in Winston Salem, North Carolina, has received a publication grant from the Terra Foundation for American Art for his book A Conspiracy of Images: Andy Warhol, Gerhard Richter, and Cold War Visuality, forthcoming from Yale University Press.
Melissa Dabakis, professor of art history at Kenyon College in Gambier, Ohio, has been appointed Terra Foundation Senior Fellow in American Art for 2013 at the Smithsonian American Art Museum in Washington, DC. She will work on “A Cultural History of Italo-American Relations, 1760–1900.”
Melissa Dabakis, professor of art history at Kenyon College in Gambier, Ohio, has received a publication grant from the Terra Foundation for American Art for her book The American Corinnes: Women Sculptors and the Eternal City, 1850–1876, forthcoming from Pennsylvania State University Press.
Chanchal Dadlani, assistant professor of art history in the Department of Art at Wake Forest University in Winston-Salem, North Carolina, has been awarded a 2013–14 National Endowment for the Humanities Fellowship by the Getty Research Institute in Los Angeles, California. Her project is titled “Art and Epistemology between Early Modern India and France: The Collection of Jean-Baptiste Gentil.”
Andrew Demirjian, an artist based in Palisades Park, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship in the media/digital art category from the New Jersey State Council on the Arts.
Laura DeVito, a student in the MFA program in collaborative design at Pacific Northwest College of Art in Portland, Oregon, has completed a 2013 Spring Break Residency with Signal Fire in the deserts of Southern California.
Barbara Diener has accepted a residency for summer 2013 at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.
Rob Duarte has been awarded a summer 2013 residency at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.
Sam Durant, an artist based in Los Angeles, California, has been selected to participate in the 2013 Getty Artists Program, administered by the Education Department at the J. Paul Getty Museum in Los Angeles.
Kara Fiedorek, a doctoral student in art history in the Institute of Fine Arts at New York University, has accepted a research grant for her upcoming participation in a Mellon Research Initiative conference, “Art History and the Art of Deception,” scheduled for October 4–5, 2013.
Coco Fusco, an interdisciplinary artist and writer based in Brooklyn, New York, has completed a May–June 2013 residency at the Atlantic Center for the Arts in New Smyrna Beach, Florida.
Ken Gonzales-Day, an artist and the chair of the Art Department at Scripps College in Claremont, California, has accepted a 2013 summer residency at the Terra Residency Program in Giverny, France. He will work on a project called Absence, Stasis, and Other Non-Decisive Moments.
Ellery Foutch, who completed her PhD in the History of Art Department at the University of Pennsylvania in Philadelphia, has earned a 2013–15 postdoctoral teaching fellowship at the Courtauld Institute of Art in London, England, with help from the Terra Foundation for American Art.
Carl Fuldner, a doctoral student in the Department of Art History at the University of Chicago in Illinois, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. His dissertation examines “Evolving Photography: Naturalism and American Pictorialism, 1890–1917.”
Christine Eva Göttler, a professor and chair of the Institut für Kunstgeschichte at Universität in Bern, Switzerland, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She will work on “Inventing Newness: Art, Local History, and ‘World Knowledge’ in Early Modern Antwerp (Mid-Sixteenth to Mid-Seventeenth Centuries).”
Jennifer Greenhill, associate professor of art history in the School of Art and Design at the University of Illinois, Urbana-Champaign, has been awarded an eight-week visiting professorship at the Institut National d’Histoire de l’Art in Paris, France, for spring 2014, thanks to the Terra Foundation for American Art.
Kenneth Haltman, H. Russell Pitman Professor of Art History in the School of Art and Art History at the University of Oklahoma in Norman, has accepted a visiting professorship in the John F. Kennedy Institute at Freie Universität in Berlin, Germany, for spring–summer 2014, with assistance from the Terra Foundation for American Art.
Adam Han, an MFA student in fiber and material studies at the School of the Art Institute of Chicago in Illinois, has been chosen as a 2013 Windgate Museum Intern by the Center for Craft, Creativity, and Design. He will contribute to a digital exhibition at the Smithsonian Institution’s Archives of American Art in Washington, DC, that tells the story of studio craft in the United States through primary-source material.
Mazie Harris, a doctoral student in the Department of the History of Art and Architecture at Brown University in Providence, Rhode Island, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on “The Portraits and Proprietary Claims of New York Photography Studios on Broadway 1853–1884.”
Andrew Hemingway, emeritus professor of history of art in the Department of History of Art at University College London in England, has accepted a visiting professorship in the John F. Kennedy Institute at Freie Universität in Berlin, Germany, for fall–winter 2013, courtesy the Terra Foundation of American Art.
Christopher Heuer, assistant professor in the Department of Art History and Archaeology at Princeton University in Princeton, New Jersey, has accepted a 2013 Grant to Individuals in the category of public program from the Graham Foundation for Advanced Studies in the Fine Arts. He will work on a project called “7 March 1965” with his collaborators, Abbey Dubin and Matthew Jesse Jackson, in a collective called Our Literal Speed.
Patricia Hills, professor in the Department of History of Art and Architecture at Boston University in Massachusetts, has been selected as a guest lecturer for 2013 at the Terra Summer Residency in Giverny, France. She will present “Whatever Happened to the ‘New Art History’? Reflections on Theoretical and Methodological Approaches since the 1970s.
Jessica L. Horton, an independent scholar who earned her doctorate in the Graduate Program in Visual and Cultural Studies at the University of Rochester in Rochester, New York, has been appointed a 2013–14 postdoctoral fellow at the Smithsonian American Art Museum in Washington, DC. She will work on “Diplomatic Choreographies: The Travels of Native American Dance Paintings during the Cold War.”
Kellie Jones, associate professor in the Department of Art History and Archaeology at Columbia University in New York, has been named a senior scholar for the 2013 Terra Summer Residency in Giverny, France. Her project is titled “Crisscrossing the World: Los Angeles Artists and the Global Imagination, 1960–1980.”
Wendy Katz, an associate professor in the Department of Art and Art History at the University of Nebraska in Lincoln, has been appointed a 2013–14 senior fellow at the Smithsonian American Art Museum in Washington, DC. Her project is “The Politics of Art Criticism in the Penny Press, 1833–61.”
Miri Kim, a PhD student in the Department of Art and Archaeology at Princeton University in Princeton, New Jersey, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on “‘Right Matter in the Right Place’: The Paintings of Albert Pinkham Ryder.”
Kristina Renee Kleutghen, assistant professor in the Department of Art History and Archaeology at Washington University in Saint Louis, Missouri, has been awarded a 2013–14 National Endowment for the Humanities fellowship by the Getty Research Institute in Los Angeles, California. She will continue her work on “Visions of the West: Rediscovering Eighteenth-Century Chinese Perspective Prints and Viewing Devices.”
Marina Kliger, a PhD student in art history in the Institute of Fine Arts at New York University, has accepted a nine-week summer internship at the National Gallery of Art in Washington, DC. She will catalogue and digitize rare French and Belgian reproductive prints.
Ethan W. Lasser, Margaret S. Winthrop Associate Curator of American Art at the Harvard Art Museums in Cambridge, Massachusetts, has received the ninth annual Patricia and Phillip Frost Essay Award from the editorial board of the journal American Art, published by the Smithsonian American Art Museum, based in Washington, DC. His article, “Selling Silver: The Business of Copley’s Paul Revere,” appeared in the Fall 2012 issue of the journal.
Dimitrios Latsis, a PhD candidate in the School of Art and Art History at the University of Iowa in Iowa City, has been named Committee on Institutional Cooperation–Smithsonian Predoctoral Fellow by the Smithsonian American Art Museum in Washington, DC. In a position jointly hosted with the National Museum of American History, Latsis will research “Nature, Nation, Narrative: The Discourse of Landscape in Pre–World War II American Cinema.”
Tirza T. Latimer, chair of the Graduate Program in Visual and Critical Studies at California College of the Arts in Oakland, has been appointed a guest lecturer at the 2013 Terra Summer Residency in Giverny, France. She will give a talk on “The Making of Modernism’s Origin Myths.”
Craig Lee, a doctoral candidate in the Department of Art History at the University of Delaware in Newark, has taken a nine-week summer internship at the National Gallery of Art in Washington, DC. He will review files, construction plans, and progress photographs to produce materials showing the development and evolution of the museum’s master facilities plan projects.
Sara Lees, along with her coauthors Richard Tand and Sandra L. Webber, has won the thirty-third annual George Wittenborn Memorial Book Award from the Art Libraries Society of North America. Their publication is called Nineteenth-Century European Paintings at the Sterling and Francine Clark Art Institute (Williamstown, MA: Sterling and Francine Clark Art Institute, 2012).
Lihong Liu, who recently earned her doctorate in art history from the Institute of Fine Arts at New York University, has received a 2013–14 postdoctoral fellowship from the Getty Research Institute in Los Angeles, California. She will work on “Artistic Exchange between China and Europe during the Eighteenth Century.”
Michael Lobel, professor of art history at Purchase College, State University of New York, in Purchase, New York, has received a 2012–13 Chancellor’s Award for Excellence from his institution. The award recognizes his work in the category of scholarship and creative activities.
Stéphane Loire, chief curator in the Paintings Department at the Musée du Louvre in Paris, France, has been named a 2013–14 museum guest scholar by the Getty Research Institute in Los Angeles, California. His host at the J. Paul Getty Museum will be the Department of Paintings.
Joe Madura, a doctorial student in the Art History Department at Emory University in Atlanta, Georgia, has been appointed a 2013–14 predoctoral fellow at the Smithsonian American Art Museum in Washington, DC. His dissertation topic is “Revising Minimal Art in the AIDS Crisis, 1984–98.”
Christopher Manzione, an artist based in Vernon, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship in the category of media/digital art from the New Jersey State Council on the Arts.
Lee Mazow, associate professor of art history in the Department of Art at the University of Arkansas in Fayetteville, has been awarded the twenty-fifth annual Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum, based in Washington, DC. The prize recognizes his latest book, Thomas Hart Benton and the American Sound (University Park: Pennsylvania State University Press, 2012).
Kori Newkirk, an artist based in Los Angeles, California, has won a 2013 fellowship from the Fellows of Contemporary Art. The award comes with a $10,000 prize.
Laura Hart Newlon has accepted a residency at the Artists’ Cooperative Residency and Exhibitions (ACRE) in Steuben, Wisconsin. Newlon’s collaborator, Kate O’Neill, will join her at the summer 2013 program.
Kasia Ozga has been awarded a summer 2013 residency at the Artists’ Cooperative Residency and Exhibitions (ACRE), based in Steuben, Wisconsin.
Laure Poupard, a doctoral student at Université Paris IV—Sorbonne in Paris, France, has earned a research travel grant to the United States from the Terra Foundation for American Art. He/she will work on “The Artistic Sources of Propaganda Photographs: Official Photographic Exhibitions in America, 1935–1946.”
Meha Priyadarshini, a doctoral candidate in the Department of History at Columbia University in New York, has been named a 2013–14 predoctoral fellow by the Getty Research Institute in Los Angeles, California, to work on “From Jingdezhen to Puebla: Cultural and Artistic Exchange across the Pacific.”
Jennifer Quick, a graduate student in the Department of History of Art and Architecture at Harvard University in Cambridge, Massachusetts, has been accepted the 2013 Phillip and Patricia Frost Predoctoral Fellowship at the Smithsonian American Art Museum in Washington, DC. Her project is called “The Dynamics of Deskilling: Ed Ruscha 1956–70.”
Leslie Reinhardt, an independent scholar based in Maryland, has been appointed a 2013–14 senior fellow at the Smithsonian American Art Museum in Washington, DC. She will explore “Copley’s Death of Major Peirson” in a joint position with the National Portrait Gallery
Steve Rowell, an artist, curator, and researchers, has won a 2013 Grant to Individuals in the film category from the Graham Foundation for Advanced Studies in the Fine Arts. His project is called Parallelograms.
Casey Ruble, an artist based in Clinton, New Jersey, has been awarded a 2013 New Jersey Individual Artist’s Fellowship for her works on paper from the New Jersey State Council on the Arts.
Sofia Sanabrais, an independent scholar based in Los Angeles, California, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles. Her research project is called “The Globalization of Taste: The Influence of Asia on Artistic Production in Colonial Latin America.”
Emily Schlemowitz, an MA student in art history at Hunter College, City University of New York, has been selected as a 2013 Windgate Museum Intern by the Center for Craft, Creativity, and Design. She will work closely with curatorial and exhibitions staff at the John Michael Kohler Arts Center in Sheboygan, Wisconsin, to assist with research in preparation for the 2014 Arts/Industry exhibition and publication.
Ileana Selejan, a PhD student in art history in the Institute of Fine Arts at New York University, has been awarded a research grant to participate in a Mellon Research Initiative conference, “Art History and the Art of Deception,” that will take place October 4–5, 2013.
Yoshiaki Shimizu, Frederick Marquand Professor of Art and Archaeology (emeritus) at Princeton University in Princeton, New Jersey, has been named a 2013–14 guest scholar by the Getty Research Institute in Los Angeles, California. His topic is “Transmission and Transformation: The China–Japan Interface in Arts and Other Things.”
Elizabeth Simmons, a graduate student on the PhD curatorial track in the Department of Art History at the University of Delaware in Newark, has accepted a nine-week summer internship at the National Gallery of Art in Washington, DC. She will assist in updating collections records according to recent catalogues raisonnés and other art-historical research.
Xiao Situ, a PhD student in the Department of the History of Art at Yale University in New Haven, Connecticut, has accepted a 2013–14 predoctoral fellowship from the Wyeth Foundation for American Art. Situ will continue research and writing for “Emily Dickinson’s Window Culture, 1830–86” at the Smithsonian American Art Museum in Washington, DC.
Marie M. Sivak, an artist based in Portland, Oregon, has received the 2013 Margo Harris Hammerschlag Direct Carving Award, which comes with a $10,000 prize.
Deborah Stratman, an artist and filmmaker based in Chicago, Illinois, has won a 2013 Grant to Individuals in the exhibition category from the Graham Foundation for Advanced Studies in the Fine Arts. Her project is titled Subsurface Voids.
Edward J. Sullivan, Helen Gould Sheppard Professor in the History of Art at New York University’s Institute of Fine Arts, has received a publication grant from the Terra Foundation for American Art. His book, forthcoming from Yale University Press, is called From San Juan to Paris and Back: Francisco Oller, Caribbean Artist in the Age of Impressionism.
Tina Tahir, an artist based in Chicago, Illinois, has been selected a winner of the 2013 ARTslanT Prize for her mixed-media sculpture Thirty (2012).
Ellen Tani, a doctoral candidate in the Department of Art and Art History at Stanford University in Stanford, California, has received a 2013–15 predoctoral dissertation fellowship from the Carter Woodson Institute for African and African-American Studies at the University of Virginia in Charlottesville. Her dissertation is entitled “Black Conceptualism and the Atmospheric Turn, 1968–2008.”
Alex Taylor a doctoral student in the Department of History of Art at Oxford University in Oxford, England, has accepted a fellowship to attend the 2013 Terra Summer Residency in Giverny, France. She will work on Forms of Persuasion: Art and Corporate Enterprise in the 1960s.”
Nancy Um, associate professor in the Department of Art History at Binghamton University, State University of New York, in Binghamton, New York, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. Um will continue working on “The Material World of the Overseas Merchant in Yemen: Ceremonies, Gifts, and the Social Protocols of Trade, 1700-1750.”
Luis Vargas-Santiago, a graduate student in the Department of Art and Art History at the University of Texas at Austin, has been named Terra Foundation Predoctoral Fellow in American Art for 2013–14 by the Smithsonian American Art Museum in Washington, DC. His dissertation is called “The Diaspora of Emiliano Zapata: From the Mexican Revolution to the American Imagination.”
Charlene Villaseñor-Black, associate professor in the Department of Art History at the University of California, Los Angeles, has been named a 2013–14 Getty scholar by the Getty Research Institute in Los Angeles, California. She is researching “Itinerant Artists in the Global Early Modern World.”
Emily Warner, a PhD candidate in the History of Art Department at the University of Pennsylvania in Philadelphia, has accepted a 2013–14 predoctoral fellowship from the Smithsonian American Art Museum in Washington, DC. Her dissertation is entitled “Crafting the Abstract Environment: The Abstract Mural in New York, 1935–60.”
Sarah Warren, assistant professor of art history at Purchase College, State University of New York, in Purchase, New York, has been named James Renwick Senior Fellow in American Craft at the Smithsonian American Art Museum in Washington, DC. The name of her research project is “Craft between Modernism and Counterculture: Rhinebeck and the Studio Craft Movement.”
Spencer Wigmore, a doctoral student in the Department of Art History at the University of Delaware in Newark, has taken a nine-week summer internship at the National Gallery of Art in Washington, DC. He will assist in research and organization for a forthcoming exhibition on nineteenth-century American landscape photography.
Tatsiana Zhurauliova, a PhD candidate in the Department of the History of Art at Yale University in New Haven, Connecticut, has accepted a 2013 fellowship for the Terra Summer Residency in Giverny, France. She will work on “Arcadia Americana: American Landscape in the Art of Arshile Gorky, Pavel Tchelitchew, and Yasuo Kuniyoshi during World War II.”
Claire Zimmerman, assistant professor of art history and architecture at the University of Michigan in Ann Arbor, has won a 2013 Grant to Individuals for a publication from the Graham Foundation for Advanced Studies in the Fine Arts, based in Chicago, Illinois. Her book project is called Photographic Modern Architecture.
Exhibitions Curated by CAA Members
posted by CAA — August 15, 2013
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
David Anfam, Clyfford Still: Memory, Myth, and Magic. Clyfford Still Museum, Denver, Colorado, May 24–September 29, 2013.
Reni Gower. Radiant: Contemporary Encaustic. Slocumb Galleries, Eastern Tennessee State University, Johnson City, Tennessee, August 19–September 20, 2013.
Reni Gower. Shadow and Light. Tinney Contemporary, Nashville, Tennessee, May 18–June 29, 2013.
Alice Ming Wai Jim. Yam Lau: A World Is a Model of the World. Darling Foundry, Montreal, Quebec, Canada, June 6–August 25, 2013.
Aaron Krach and Courtney Childress. No Name. On Stellar Rays, New York, June 20–July 31, 2013.
Birgit Rathsmann. October 18, 1977. Klemens Gasser and Tanja Grunert, New York, June 20–July 19, 2013.
Books Published by CAA Members
posted by CAA — August 15, 2013
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2013
Matthew Biro. Anselm Kiefer (New York: Phaidon, 2013).
Jane Block and Claude Sorgeloos, eds. Homage to Adrienne Fontainas: Passionate Pilgrim for the Arts (New York: Peter Lang, 2013).
Francesco Freddolini. Giovanni Baratta 1670–1747: Scultura e industria del marmo tra la Toscana e le corti d’Europa (Rome: L’Erma di Bretschneider, 2013).
Joni M. Hand. Women, Manuscripts, and Identity in Northern Europe, 1350–1550 (Burlington, VT: Ashgate, 2013).
Katie Grace McGowan, ed. Post-Industrial Complex (Detroit: Museum of Contemporary Art Detroit, 2013).
Anita Fiderer Moskowitz. Forging Authenticity: Giovanni Bastianini and the Neo-Renaissance in Nineteenth-Century Florence(Florence: Leo S. Olschki, 2013).
Richard Taws. The Politics of the Provisional: Art and Ephemera in Revolutionary France (University Park: Pennsylvania State University Press, 2013).
Xin Wu. Patricia Johanson and the Re-Invention of Public Environmental Art, 1958–2010 (Burlington, VT: Ashgate, 2013).
Committee on Women in the Arts Picks for July 2013
posted by CAA — August 10, 2013
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
August 2013
Linder’s artwork for the Buzzcocks’ first single, “Orgasm Addict”
Linder: Woman/Object
Kestnergesellscahft Hanover
Goseriede 11, 30159 Hanover, Germany
June 7–August 4, 2013
The first major survey in Germany of the oeuvre of a leading protagonist of the late-1970s punk scene, Linder: Woman/Object brings together more than two hundred selections that capture the diversity of an artistic practice that cuts across music, dance, and fashion and transcends all types of visual media, from collage and photography to video and performance. The exhibition also highlights the feminist politics that underpin the artist’s work and self-staging.
Linder Sterling—known simply as Linder—was born in Liverpool as Linda Mulvey in 1954. By the end of the 1970s, she had become a key figure in the culturally explosive period of punk and postpunk, developing her art alongside bands such as the Buzzcocks, Magazine, Joy Division, and the Smiths. One of her best-known works is the cover of the Buzzcocks’ single “Orgasm Addict,” which shows a naked woman with grinning mouths on her breasts and an iron replacing her head. In 1978 Linder cofounded the postpunk group Ludus, whose singer she remained until the band split up in 1983. She caused a furor in 1982 by appearing—a quarter of a century before Lady Gaga—in a dress made of scraps of poultry. Linder’s work has become internationally known in recent years through presentations at important institutions such as the Institute of Contemporary Arts and Tate, both in London, and with a solo exhibition at MoMA PS1 in New York.

Mother Armenia
Armenian Center for Contemporary Experimental Art
1/3 Pavstos Biuzand Boulevard, Yerevan, Armenia
July 3–August 17, 2013
Organized by the 4Plus Documentary Center in Armenia and curated by Svetlana Bachevanova, this exhibition brings together the work of ten female documentary photographers: Mery Aghakhanyan, Sara Anjargolian, Nazik Armenakyan, Anush Babajanyan, Knar Babayan, Anahit Hayrapetyan, Hasmik Hayrapetyan, Piruza Khalapyan, Inna Mkhitaryan, and Nelli Shishmanyan. Addressing the role of women in modern Armenia as well as broader social injustices, their work captures several aspects of Armenian life from a female point of view that remains rarely voiced in the region. “Women in Armenia still battle to establish a career,” the curator says. “Women are still expected to be full time mothers and housekeepers. But these ten documentarians broke the rules and found a way to pursue careers and create powerful bodies of work.”
Installation view of Sturtevant: LEAPS JUMPS AND BUMPS at the Serpentine Gallery (photograph © 2013 Jerry Hardman-Jones)
Sturtevant: LEAPS JUMPS AND BUMPS
Serpentine Gallery
Kensington Gardens, London, W2 3XA, United Kingdom
June 28–August 26, 2013
The first solo exhibition of Sturtevant in a public institution in the United Kingdom, LEAPS JUMPS AND BUMPS showcases work created since the 1970s by this Paris-based American artist, illuminating her groundbreaking exploration of the relationship between repetition and difference while demonstrating the wide variety of media she has embraced. The exhibition includes a large-scale video work, Finite Infinite (2010), and a piece comprising garlands of light bulbs, Gonzalez-Torres Untitled (America) from 2004, that is a later version of a work shown at the Serpentine Gallery in 2000 in the Félix González-Torres exhibition.
Autoritratti: Iscrizioni del femminile nell’arte italiana contemporanea
Museo d’Arte Moderna di Bologna
Via Don Giovanni Minzoni 14, 40121, Bologna, Italy
May 12–September 1, 2013
Autoritratti features old and new works—including some made specifically for the show—by a large number of female Italian artists. Exploring inscriptions of difference in contemporary Italian art, this exhibition, first proposed initially by Uliana Zanetti, is part of an inter- and extramuseum collective initiative that is investigating the role of gender in the work of contemporary women artists in a country in which second-wave feminism was not influential in the arts. That said, the positions and practices of several women artists clearly demonstrate intriguing negotiations of gender difference.
The title of the show merges references to two important feminist thinkers: the British Griselda Pollock and the Italian Carla Lonzi. The artists in the show are: Alessandra Andrini, Paola Anziché, Marion Baruch, Valentina Berardinone, Enrica Borghi, Anna Valeria Borsari, Chiara Camoni, Annalisa Cattani, Alice Cattaneo, Daniela Comani, Daniela De Lorenzo, Marta Dell’Angelo, Elisabetta Di Maggio, Silvia Giambrone, goldiechiari, Alice Guareschi, Maria Lai, Christiane Löhr, Claudia Losi, Anna Maria Maiolino, Eva Marisaldi, Sabrina Mezzaqui, Marzia Migliora, Ottonella Mocellin and Nicola Pellegrini, Maria Morganti, Margherita Morgantin, Liliana Moro, Chiara Pergola, Letizia Renzini, Moira Ricci, Mili Romano, Anna Rossi, Elisa Sighicelli, Alessandra Spranzi, Grazia Toderi, Sabrina Torelli, Traslochi Emotivi, Tatiana Trouvé, Marcella Vanzo, and Grazia Varisco.
Dame Laura Knight, Ruby Loftus Screwing a Breech-ring, 1943. Imperial War Museum, London (artwork © Estate of Dame Laura Knight DBE RA)
Laura Knight: Portraits
National Portrait Gallery
Saint Martin’s Place, London, WC2H 0HE, United Kingdom
July 11–October 13, 2013
With over thirty portraits, this exhibition revisits the work and exceptionally successful career (for a woman of her time) of Dame Laura Knight, among the most popular British artists of twentieth century and the first official female member of the Royal Academy of Arts (since 1936). Knight studied art at the Notthingham Art School, encouraged by her mother, an amateur artist herself, who is remembered setting such ambitious goal for her daughter by saying “one day you will be elected in the Academy.” Knight eventually became so successful that she was featured as a role model in books for careers aimed at women in England.
Knight rejected modernism but focused on capturing modern life and culture through portraiture. She was recognized for her commissioned work as an official war painter, creating propagandistic portraits of female factory workers and heroines of wartime bravery. Yet it is her portraits of theater, ballet, and circus performers, English gypsies, and the segregated black patients of Baltimore’s Johns Hopkins Memorial Hospital that illuminate the diversity of the works’ backgrounds, vividness of their style, and the immersive method of their production.
Platform: Josephine Meckseper
Parrish Art Museum
279 Montauk Highway, Water Mill, NY 11976
July 4–October 14, 2013
Josephine Meckseper is known for the cool, seductive conflation of art objects and commodities in her installations, films, and photographs that unmask the political implications of consumer culture. As this year’s Platform guest at the Parrish, she has responded to the museum’s site, using it as “a perfect display platform” that resonates with the use of commercial displays and everyday items in her work. Two vitrines near the museum’s entrance, containing original sculptures and mass-produced objects, introduce visitors to Meckseper’s signature approach, while other works referencing automobile culture engage the museum’s collection and the world outside it. Alluding to both Jean-Luc Godard’s driving-centric film Weekend and the nearby car dealerships, Sabotage Auto Assembly Line to Slow It Down (2009) incorporates car tires, a conveyer belt, two of the artist’s videos on stacked monitors, and mirrored tiles that cinematically reflect the vehicles in transit along Montauk Highway. With its prominent Jeep insignia, Crow (2011) is placed adjacent to John Chamberlain’s crushed car sculpture



Grimanesa Amorós, The Mirror Connection, 2013, light-emitting diodes, diffusion material, reflective material, custom lighting sequence, and electrical hardware, 30 x 20 x 33 ft. (artwork © Grimanesa Amorós)
Julie Langsam, Sert Floorplan: Spanish Pavilion, Color Determined by Chance, 2013, acrylic on wall, 7 x 8 ft. (artwork © Julie Langsam)
Stephen McClymont, Bouquet, 2013, oil on two linen panels, 77 x 102 in. (artwork © Stephen McClymont)
Lee Arnold, The Wanderer, 2013, digital color video, 3 min.; and The Swim, 2013, digital color video, 3:32 min. (artworks © Lee Arnold)
Anne Massoni, My Castle Striped Misery, 2010, archival digital print and hand-drawn painted line, 13 x 26 in. (artwork © Anne Massoni))
Sharon Wolpoff, Going Home, 2012, oil on linen, 34 x 34 in. (artwork © Sharon Wolpoff)
Lorrie Fredette, detail of Implementation of Adaptation, 2013, beeswax, tree resin, muslin, brass, nylon line, and wood, 288 sq. ft. (artwork © Lorrie Fredette)
Julie Langsam, Le Corbusier Landscape (Villa Stein), 2013, oil on canvas, 72 x 96 in. (artwork © Julie Langsam)
Jerry Meyer, Ordinary Unhappiness, 2011, mixed media, 20¼ x 17¾ x 12 in. (artwork © Jerry Meyer)
Invitation card for John Morrell’s Domestic Landscapes
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Carol Ladewig, Year in Color: Lunar Phases, (52 Weeks and a Day), 2012, acrylic and gouache on 365 five-inch-square wood panels, 70 x 135 in. (artwork © Carol Ladewig; photograph by Phil Cohen)
Keliy Anderson-Staley (photograph by Andrej Tur)
Jean M. K. Miller
Erika Schneider
Mark Tribe (photograph by Collier Schorr)
Gloria Groom
Jennifer Gross
Sarah Schroth
Maura Reilly
Tali Weinberg
Sarah Archino
Sinclair Bell
Steven Bleicher, Jennifer Wen Ma, and Zheng Jianwei, Nature and Man in Rhapsody of Light at the Water Cube, 2013
Suzanne Preston Blier
Kimberly Callas, Birch Bark Breathing (artwork © Kimberly Callas)
Sam Durant (photograph by Sarah Waldorf and © J. Paul Getty Trust)
Patricia Hills (photograph by Michael Hamilton)
Jessica L. Horton
John Singleton Copley, Paul Revere, 1678, oil on canvas, 35⅛ x 28½ in. Museum of Fine Arts, Boston (artwork in the public domain)L. Horton

Marie Sivak, Lacing Atropos: Pneuma, carved alabaster, video, stainless steel, silk organza, and salt, 40 x 30 x 27 in. (artwork © Marie Sivak; photograph by Bill Bachhuber)
Invitation card for Yam Lau: A World Is a Model of the World
Daniel Rich, Zelle, 2013, acrylic on board, 29 x 29 in. (artwork © Daniel Rich)






