CAA News Today
Affiliated Society News for January 2014
posted by CAA — January 09, 2014
American Institute for Conservation of Historic and Artistic Works
The American Institute for Conservation of Historic and Artistic Works (AIC) has recently published Ethics and Critical Thinking in Conservation, a collection of essays that brings into focus a moment in the evolution of the complex decision-making processes required when conservators consider the treatment of cultural-heritage materials. The papers presented are drawn from two consecutive years of presentations during general sessions at the AIC annual meeting. These were “Ethos Logos Pathos: Ethical Principles and Critical Thinking in Conservation” (2011) and “The Conservation Continuum: Examining the Past, Envisioning the Future” (2010). The book is available in two formats: a full-color hardcover for $30 and a black-and-white paperback for $15. The hardcover features nearly fifty full-color figures and illustrations throughout the text. Copies can be ordered at www.conservation-us.org/shop.
Art Historians of Southern California
The Art Historians of Southern California (AHSC) will host a roundtable on “The Coalition of the Art Association: California Public Education and the Promise of the Humanities,” chaired by Jane Chin Davidson of California State University, San Bernardino, at CAA’s Annual Conference in Chicago. The event will take place on Thursday, February 13, 2014, 12:30–2:00 PM in Boulevard C, 2nd Floor, Hilton Chicago. The discussion will include professors of art history, visual studies, and the humanities who have represented the California system—California Community Colleges, the California State Universities (CSUs), and the Universities of California (UCs)—such as Amelia Jones, Catherine Cole, Jennifer Doyle, Jennifer Gonzalez, and Sandra Esslinger. This roundtable will address issues of legislation, labor, and class within the academy while finding ways to acknowledge the value of the humanities in university education. Through their membership in CAA, visual art and humanities professors have long been the organizing principle of our potential solidarity. The perpetual decline of art history and visual studies has recently led to public scrutiny of CAA’s centralized leadership (see “An Open Letter to Victoria H. F. Scott Regarding the CAA,” February 8, 2013). In light of the continuing need for political advocacy, the leadership of CAA could provide a means for organizing coalition and for affecting the status of the humanities by bringing greater representation and awareness to both academic and public spheres.
Art Libraries Society of North America
The Art Libraries Society of North America (ARLIS/NA) is pleased to announce the election of new executive board members: Kristen Regina of the Hillwood Estate, Museum, and Gardens is vice president and president elect; Mark Pompelia of the Rhode Island School of Design is treasurer; Sylvia Roberts of Simon Fraser University in Canadian member-at-large; and Holly Hatheway of Yale University is communications and publications liaison.
ARLIS/NA recently created the post of Multimedia and Technology Reviews. The first reviews will be posted on the ARLIS website in early 2014.
Save the date for the ARLIS/NA 2014 annual conference, which will be held May 1–5, 2014, in Washington, DC. For more information, please visit the conference website.
Community College Professors of Arts and Art History
The Community College Professors of Arts and Art History (CCPAAH) will hold two events at this year’s CAA Annual Conference: a business meeting on Friday, February 14, from 7:30 to 9:00 AM in the Williford C Room on the 3rd Floor of the Hilton Chicago; and the session “Starting the Conversation: Engaging Students in the Studio and Art History” at 12:30 PM in the same space. Interested in participating or any questions? Contact Susan Altman.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) is pleased to announce the election of two new members to its executive board. Sussan Babaie has been elected president-elect, and Abigail Balbale is secretary. Each will serve a three-year term beginning in January 2014; both will be officially welcomed to the board at its 2014 members and business meeting on February 14, 2014, in conjunction with the CAA Annual Conference in Chicago. At that time, Sheila Canby will succeed Marianna Shreve Simpson as president. Preparations also continue for HIAA’s fourth biennial symposium, which will be hosted by the new Aga Khan Museum in Toronto, Ontario, in October 2014.
Historians of Netherlandish Art
The Historians of Netherlandish Art (HNA) will hold its quadrennial conference in Boston, Massachusetts, from June 5 to 7, 2014, in cooperation with the American Association for Netherlandic Studies. Please refer to the HNA website for further information. Additionally, HNA is pleased to announce the publication of the Summer 2013 issue of the open-access, refereed ejournal Journal of Historians of Netherlandish Art (JHNA). This special issue of the journal is dedicated to Egbert Haverkamp-Begemann. In addition to excerpts from an interview with Begemann discussing his life as a scholar, curator, and teacher, the issue includes essays by his former students. The next formal deadline for submissions to JHNA is March 1, 2014; please send correspondence to the editor in chief, Alison Kettering.
International Sculpture Center
Each year the International Sculpture Center (ISC) presents an award competition to its member colleges and universities as a means of supporting, encouraging, and recognizing the work of young sculptors and their supporting schools’ faculty and art program. The Student Award winners participate in an exhibition at Grounds for Sculpture, as well as a traveling exhibition hosted by arts organizations across the country. Winners’ work is also featured in Sculpture magazine. Each winner receives a one-year ISC membership; all winners are eligible to apply for a fully sponsored residency to study in Switzerland. To nominate students for this competition, the nominees’ university must first be an ISC university-level member. University membership costs $200 for universities in the United States, Canada, and Mexico ($220 for international universities) and includes a number of benefits. Students who are interested should talk to their professors about getting involved. To find out more about the program, please visit www.sculpture.org/StudentAwards/2014 or email studentawards@sculpture.org. Nominations open: January 1, 2014; University membership registration: March 17, 2014; online student nomination form: March 24, 2014; online student submission form: April 14, 2014.
Italian Art Society
The Italian Art Society (IAS) invites members attending the CAA Annual Conference in Chicago to its first session “Periodization Anxiety in Italian Art: Renaissance, Baroque, or Early Modern” at 9:30 AM on February 13, 2014; IAS’s business meeting at 7:30 AM on February 14; and its second session “‘Futuro Anteriore’: Cultural Self-Appropriation as Catalyst in the Art of Italy” at 12:30 PM on February 14.
The society’s website details the five IAS sessions at the Renaissance Society of America meeting (New York, March 27–29, 2014) and includes a call for submissions to IAS-sponsored sessions at the Sixteenth Century Society and Conference (New Orleans, October 2014; deadline to IAS: March 1, 2014).
Launched in July 2013, the IAS-initiated IASblog offers news and notes on Italian art and architecture as a complement to its main website. IASblog, edited by the IAS webmaster, Anne Leader, now has over nine hundred followers and two thousand unique visitors. IASblog welcomes submissions from members via the Submit button or by email.
National Art Education Association
Register now for the national convention of the National Art Education Association (NAEA), taking place March 29–31, 2014, in San Diego, California. We are visual arts educators. We are artists. We are creative leaders. Lead your professional learning experience at the 2014 NAEA national convention. Choose from more than one thousand sessions, workshops, tours, and events. Fuse creative thinking with art knowledge, skills, emerging technology, and new research to create powerful opportunities for your classroom, career, and beyond. Connect with thousands of colleagues from around the globe for the largest gathering of visual arts education in the world. Join a professional learning community and spend four art-filled days in Washington, DC, exploring permanent collections, current exhibitions, and the museum itself as a work of art.
NAEA SummerVision DC, now in its fifth year, is an annual NAEA event that partners with Washington, DC–area art museums to showcase best practices in critical response to art while enhancing creativity through visual journaling and by using a balanced, interdisciplinary “Form + Theme + Context (FTC) Palette for Museums and Works of Art” to enhance visual learning. Participating museums include the National Gallery of Art and Sculpture Garden, the Freer Gallery of Art and Arthur M. Sackler Gallery, the National Museum of African Art, the National Museum of Women in the Arts, the Phillips Collection, the National Building Museum, the Corcoran Gallery of Art, the Smithsonian American Art Museum, and the National Portrait Gallery. Registration is limited to twenty-five participants per session. Choose from two sessions: July 8–11 or July 22–25, 2014.
New NAEA publications include Michelle Kraft and Karen Keifer-Boyd’s Including Difference: A Communitarian Approach to Art Education in the Least Restrictive Environment(no. 322); and The Learner-Directed Classroom: Developing Creative Thinking Skills through Art (no. 326), edited by Diane B. Jaquith and Nan E. Hathaway.
National Council of Arts Administrators
The National Council of Arts Administrators (NCAA), a community of current and future arts administrators in higher education, announces two events for CAA’s 2014 Annual Conference in Chicago: NCAA MIXER—You’re all invited, administrators or not, grab a friend and bring ‘em along; Thursday, February 13, 5:00–8:00 PM, Hilton Chicago (room TBA); and the session “Hot Problems/Cool Solutions in Arts Leadership,” which is a fast-paced series of five-minute presentations on leadership occurring on Friday, February 14, 5:30–7:00 PM in Williford C, 3rd Floor, Hilton Chicago. NCAA members hope to see you at both events in which attendees will share conviviality and ideas.
Public Art Dialogue
Jack Becker, the 2014 recipient of Public Art Dialogue’s annual award, will make a presentation at the CAA Annual Conference in Chicago on Friday, February 14, 5:30–7:00 PM. A conference on “Monument/Anti-Monument” will be held in St. Louis in April. Stay tuned for details. There have been several changes in PAD personnel. Sarah Schrank has stepped down as cochair, and Kelly Pajek will complete her term. Sierra Rooney is now both PAD secretary and treasurer. The Fall 2013 issue of Public Art Dialogue, edited by Eli Robb, considers “Perspectives on Relational Art.” Six articles explore practices based on human interactions: Caroline Peters and Ben Bloch, “To the Quick with Paul Crik: The World’s First E-Motivator Kills It with Public Art Dialogue; Cara Jordan, “The Evolution of Social Sculpture in the United States: Joseph Beuys and the Work of Suzanne Lacy and Rick Lowe”; John Tain, “Peace Tower as Commonplace: Relational Aesthetics’ Lieux de mémoire”; Lauren Rotenberg, “The Prospects of “Freed” Time: Pierre Huyghe and L’Association des Temps Libérés”; Gediminas Gasparavičius, “How the East Saw East in 1992: NSK Embassy Moscow and Relationality in Eastern Europe”; and Dee Hibbert-Jones, “A New Band-Aid for Social Ailments? Raising Questions on Social Practice and Social Responsibilities.”
Society for Photographic Education
Registration is open for the fifty-first annual national conference of the Society for Photographic Education (SPE), titled “Collaborative Exchanges: Photography in Dialogue.” In an age of interconnectedness, photographers are no longer solitary practitioners peering at the world through the singular eye of the viewfinder. Rather, photography is positioned at the heart of the discourse on contemporary art, establishing relationships with a broad array of ideas and media. This conference illuminates this new paradigm and celebrates the spirit of cooperation and social linkages. Join 1,600 artists, educators, and photographic professionals from March 6 to 9, 2014, for programming and dialogue in Baltimore, Maryland, that will fuel your creativity. The event will be a celebration of the power of community and social exchange to propel new thinking in photographic practice. Explore SPE’s exhibits fair showing the latest equipment, processes, publications, and schools with photo-related programs. Participate in one-on-one portfolio critiques and informal portfolio sharing and take advantage of student volunteer opportunities for reduced admission. Other conference highlights include a print raffle, silent auction, photo scavenger hunt, film screenings, exhibitions, tours, receptions, a dance party and more! Keynote Speakers: Joan Fontcuberta, Nicholas Kahn and Richard Selesnick, Taryn Simon, and Catherine Lord. Preview the conference schedule and register online.
Society of Historians of East European, Eurasian, and Russian Art and Architecture
The Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) will sponsor a session at the 2014 CAA annual conference in Chicago titled “Decentering Art of the Former East,” chaired by Kristen Romberg and Masha Chlenova. SHERA will also hold a business meeting that is open to both current and prospective members. In addition, the organization is pleased to welcome CAA International Travel Grant recipients from Eastern Europe and Russia to its events at the conference. Please visit the News section of the SHERA website for details as the conference approaches.
The annual conference of the Association of Slavic, East European, and Eurasian Studies (ASEEES), held in Boston, Massachusetts, in November 2013, showed a surge in activity from SHERA members, who presented their work on fourteen panels and in roundtable discussions ranging from the imperial era to the present day. The SHERA business meeting attracted over forty people, including many new members. Ballot proposals for electronic voting in January 2014 would amend SHERA’s bylaws to include the listserv administrator on the list of officers and would also replace the position of webmaster with a web news editor. Balloting will also elect a new slate of members-at-large. SHERA members will receive voting information by email in early January.
Wix.com Webinar on Creating a Strong Online Presence
posted by CAA — January 07, 2014
Creating a strong online presence is the key to a successful career. During this special workshop for CAA, to be held on Wednesday, February 5, 2014, 3:00–4:00 PM EST, representatives from Wix.com will go over the fundamentals for creating a personal online brand. They will also explain how to choose the best social channels, visual branding, and website creation with Wix.com, a no-code, visual drag-and-drop editor that uses the latest HTML5 technology to help you build the best website possible. With Wix you can have a beautiful, free website in just a few hours.
Solo Exhibitions by Artist Members
posted by CAA — December 22, 2013
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
Abroad
Sue Johnson. Salisbury and South Wiltshire Museum, Salisbury, England, February 1–May 10, 2014. Pitt Rivers: Collecting Patterns. Painting and printmaking.
Mid-Atlantic
Peter Dueker. Outer Space, Washington, DC, October 5–26, 2013. 19 Hot Biscuits. Photography.
Midwest
Michelle Grabner. Museum of Contemporary Art, Cleveland, Ohio, November 1, 2013–February 16, 2014. I Work from Home. Painting, printmaking, video, and sculpture.
Michelle Handelman. Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, Michigan, September 20, 2013–March 30, 2014. Irma Vep, the last breath. Multichannel video installation.
Amy Reidel. Meramec Contemporary Art Gallery, Saint Louis Community College, Saint Louis, Missouri, October 3–25, 2013. Relic-quarry: New Work by Amy Reidel. Painting, installation, collage, and video.
Northeast
Michele Brody. Casa Frela, New York, November 9–December 9, 2013. Harlem Roots. Environmental installation.
Sharon Louden. Morgan Lehman Gallery, New York, October 24–December 7, 2014. Community. Sculpture and video.
Josette Urso. Anthony Giordano Gallery, Dowling College, Oakdale, New York, September 4–October 12, 2013. Multiple Choice.
Michael Velliquette. DCKT, New York, October 25–December 8, 2013. Their Arising and Passing Away. Sculptural cut-paper construction.
South
Kyra Bélan. Fine Arts Gallery, Cape Coral Arts Studio, Cape Coral, Florida, December 6–26, 2013. Painting and text.
Kyra Bélan. Member Gallery, Alliance for the Arts, Fort Meyers, Florida, December 6–28, 2013. Painting, drawing, digital media, and mixed media.
Blane De St. Croix. Blue Star Contemporary Art Museum, San Antonio, Texas, December 5, 2013–February 16, 2014. Broken Landscapes III. Sculpture.
Sue Johnson. Eleanor D. Wilson Museum, Hollins University, Roanoke, Virginia. October 3–December 7, 2013. Sue Johnson: American Dreamscape. Installation.
Josette Urso. Maitland Art Center Galleries, Art and History Museum Maitland, Maitland, Florida, October 11–December 29, 2013. Artist-in-Residence ONE: Josette Urso. Painting.
West
Mira Schor. CB1 Gallery, Los Angeles, California, October 19–December 8, 2013. Mira Schor: Chthonic Garden. Painting.
Wanda Ewing: In Memoriam
posted by CAA — December 20, 2013
Maria Elena Buszek is associate professor of art history in the College of Arts and Media at the University of Colorado Denver.
The artist and educator Wanda Ewing died in Omaha, Nebraska, on December 8, 2013, of complications from chemotherapy. She was 43 years old.
Born on January 4, 1970, Ewing received her BFA in printmaking from the San Francisco Art Institute, and later both an MA and MFA in printmaking from the University of Iowa. She was an associate professor of art at the University of Nebraska in Omaha, where she began teaching in 2005, leading courses in foundations and senior capstones for studio majors. She was a longtime member of the College Art Association, on whose Committee on Women in the Arts she served at the time of her death, as well as the Southern Graphics Council, where she was the International Board of Directors’ secretary.
Ewing’s work ranged from traditional print media to sculpture and, most recently, fiber arts. She was influenced by folk-art aesthetics and the depiction—and lack thereof—of African American women in popular culture, often with a biting, comical edge. Ewing’s best-known series included her pin-ups Black as Pitch, Hot as Hell, voluptuous clothing from The Summer I Wore Dresses,and faux magazine covers entitled Bougie. Her work has been included in exhibitions and purchased for collections throughout the world, and was reproduced in such publications as the Paris Review.
At the time of her passing, her series of brand-new, latch-hook works, Little Deaths, was on display at the RNG Gallery in Council Bluffs, Iowa—which will remain on exhibit, with additional works, through January 2014 as a memorial. She was, perhaps, proudest of her inclusion in the 2010 exhibition A Greater Spectrum: One Hundred Years of African American Artists in Nebraska at the Museum of Nebraska Arts, where her work was included alongside that of luminaries such as Aaron Douglas. Ewing was the recipient of grants and honors from the Women’s Caucus for Art, the Pollock-Krasner Foundation, and the Nebraska Arts Council, among other accolades.
Wanda Ewing, Girl #9, from the series Black as Pitch, Hot As Hell, 2006, acrylic and latex paint on carved plywood, 48 x 48 in. (artwork © Wanda Ewing)
Ewing was also an excellent educator, beloved and respected by both colleagues and students at the University of Nebraska for her rigorous curricula, her no-nonsense critiques, and her outreach to the regional arts community. Her legacy at the school will live on in the form of the Wanda Ewing Scholarship Fund.
Wanda Ewing will be remembered by all who knew her for her larger-than-life personality, tremendous warmth, and indomitable spirit. She is survived by her mother Elouise Ewing; her siblings Mona Yaeger, Clarence Ewing III, and Annette Ewing McCann; and her nephew and niece Devlin and Kayleigh McCann.
People in the News
posted by CAA — December 17, 2013
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
Academe
Anna Collette has been appointed assistant professor in photography by the Department of Art and Art History in the College of Fine Arts at the University of Texas at Austin.
Luba Freedman, a specialist of Italian Renaissance art and professor in history of art at the Hebrew University of Jerusalem in Israel, has been named Jack Cotton Professor in Architecture and Fine Arts at her school.
Carma Gorman has joined the Department of Art and Art History in the College of Fine Arts at the University of Texas at Austin as associate professor in design.
LaToya M. Hobbs has been appointed to teach foundations at Maryland Institute College of Art in Baltimore.
Museums and Galleries
Cathleen Chaffee, assistant curator of modern and contemporary art at the Yale University Art Gallery in New Haven, Connecticut, has joined the Albright-Knox Art Gallery in Buffalo, New York, as curator.
Amy Galpin, an associate curator for the San Diego Museum of Art in California, has become the new curator for the Cornell Fine Arts Museum at Rollins College in Winter Park, Florida.
Mazie McKenna Harris, a doctoral candidate in the history of photography at Brown University in Providence, Rhode Island, has been named Linda Wyatt Gruber ’66 Curatorial Fellow in Photography by the Davis Museum at Wellesley College in Wellesley, Massachusetts.
Ronda Kasl, formerly senior curator of painting and sculpture before 1800 at the Indianapolis Museum of Art in Indiana, has become a curator of colonial Latin American art at the Metropolitan Museum of Art in New York.
Karl Kusserow, curator of American art at the Princeton University Art Museum in Princeton, New Jersey, has been named the inaugural John Wilmerding Curator of American Art at his institution.
Michael W. Maizels, most recently a research assistant and predoctoral fellow at the Smithsonian Institution’s National Portrait Gallery in Washington, DC, has been appointed Mellon New Media Curator and Lecturer by the Davis Museum at Wellesley College in Wellesley, Massachusetts.
Joanne Pillsbury, an associate director of the Getty Research Institute, has been named Andrall E. Pearson Curator in the Department of the Arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art in New York.
Kelly Taxter, a cofounder of Taxter and Spengeman Gallery in New York and a curatorial consultant for the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has joined the Jewish Museum in New York as assistant curator.
Mary M. Tinti, formerly a curatorial fellow for the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, has been appointed associate curator of the Fitchburg Art Museum in Fitchburg, Massachusetts.
Institutional News
posted by CAA — December 17, 2013
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
Grants, Awards, and Honors
posted by CAA — December 15, 2013
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
Karen Barzman from Harvard University’s Center for Italian Renaissance Studies in Cambridge, Massachusetts, has been appointed visiting professor at Villa I Tatti in Florence, Italy, for the fall 2013 semester. She will work on a book project called “The Limits of Identity: Venice, Dalmatia, and the Representations of Difference.”
Elisabeth Agro, Nancy M. McNeil Associate Curator of American Modern and Contemporary Crafts and Decorative Arts for the Philadelphia Museum of Art in Pennsylvania, has accepted a 2013 award from the Craft Research Fund by the Center for Craft, Creativity, and Design, based in Asheville, North Carolina. The $7,000 in funds will help expand, envision, and prototype innovative structures for disseminating craft knowledge and fostering scholarly social networking through her project with Namita Gupta Wiggers, called Critical Craft Forum.
Sonya Clark, chair of craft/material studies in the School of the Arts at Virginia Commonwealth University in Richmond, has received a 2013 award from the Craft Research Fund by the Center for Craft, Creativity, and Design, based in Asheville, North Carolina. The $14,955 award will support Clark’s The Hair Craft Project, which investigates the relationship between textile arts and the craftsmanship of contemporary African American hair braiders within the localized intercultural context of Richmond.
Jessica Cochran, curator of exhibitions and acting assistant director of the Center for Book and Paper Arts at Columbia College Chicago in Illinois, and Melissa Potter, associate professor in the Interdisciplinary Arts Department at Columbia College Chicago, have been named 2013 Craft Research Fund recipients by the Center for Craft, Creativity, and Design, based in Asheville, North Carolina. Their $7,642 award will support research for Social Paper, an exhibition and its accompanying catalogue charting the evolution of the art of hand papermaking in relation to the discourse on socially engaged art, with special attention to craft, labor, community, and site-specificity.
William L. Coleman, a PhD candidate in the history of art at the University of California, Berkeley, has been awarded the second annual Sir Denis Mahon Essay Prize for unpublished work on an early modern topic by a scholar under 30. The award comes with a £1,000 prize and the invitation to present the winning project, “‘To live in accord with nature’: Rubens’s Houses and the Construction of Neostoic Leisure,” as a lecture at the Ashmolean Museum in Oxford, England.
Jane Fine has completed an artist’s residency at the Sam and Adele Golden Foundation for the Arts. She was at the foundation’s studio center in Berlin, New York, from September 15 to October 12, 2013.
Lindsay Henry, a doctoral student in the Institute of Fine Arts at New York University, has been accepted as a participant in the 2014 Art & Law Program, a semester-long seminar series to he held in New York that has a theoretical and philosophical focus on the effects of law and jurisprudence on cultural production and reception.
Michael Iauch, an artist based in Durham, North Carolina, has been named a 2013–14 recipient of the Franklin Furnace Fund. Since 1985 the fund has helped artists to prepare major works of performance art.
Sue Johnson, professor of art at St. Mary’s College of Maryland in St. Mary’s City, has been awarded two residency fellowships in 2014: one for the Frans Masereel Centrum in Kasterlee, Belgium, and the other for the Tyrone Guthrie Centre in Annaghmakerrig, Ireland.
Thomas DaCosta Kaufmann, Frederick Marquand Professor of Art and Archaeology at Princeton University in Princeton, New Jersey, has received a doctor honoris causa in art history from Masaryk University in Brno, Czech Republic.
Joyce Yu-Jean Lee, an artist who lives and works in Baltimore, Maryland, has received a 2013–14 award from the Franklin Furnace Fund. Since 1985 the fund has helped artists to prepare major works of performance art.
Elizabeth Perrill, assistant professor of art history at the University of North Carolina, Greensboro, has accepted a 2013 award from the Craft Research Fund, administered by the Center for Craft, Creativity, and Design, based in Asheville, North Carolina. She will work on “Burnished by History: The Legacies of Maria Martinez and Nesta Nala in Dialogue,” a scholarly article and companion artists’ interview focused on the legacies of two ceramists, Maria Marinez from the United States and Nasta Nala from South Africa.
Richard J. Powell, John Spencer Bassett Professor of Art and Art History at Duke University in Durham, North Carolina, has been awarded the Smithsonian Institution’s Lawrence A. Fleischman Award for Scholarly Excellence in the Field of American Art History.
Marion Wilson has completed an artist’s residency at the Sam and Adele Golden Foundation for the Arts. She was at the foundation’s studio center in Berlin, New York, from September 15 to October 12, 2013.
Alice Pixley Young has participated in a 2013 residency at the Jentel Artist Residency Program, located in Banner, Wyoming.
Exhibitions Curated by CAA Members
posted by CAA — December 15, 2013
Exhibitions Curated by CAA Members
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
David S. Areford. The Art of Empathy: The Cummer “Mother of Sorrows” in Context. Cummer Museum of Art and Gardens, Jacksonville, Florida, November 26, 2013–February 16, 2014.
Donna Gustafson and Susan Sidlauskas. Striking Resemblance: The Changing Art of Portraiture. Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey, January 25–July 13, 2014.
Daniel G. Hill. Raisonnement circulaire (Circular Reasoning). ParisCONCRET, Paris, France, June 16–July 7, 2012
Andrea Kantrowitz. Tracing Experience: Morgan O’Hara, Bill Sayles, Josette Urso, and Jen Wright. Macy Gallery, Teachers College, Columbia University, New York, October 7–November 1, 2013.
Katarina Lanfranco. Poetry Slam: damali abrams, Jessica Campbell, Samuel Jablon, and Mwamba-Salim Wilson. Rhombus Space, Brooklyn, New York, September 20–October 13, 2013.
Katarina Lanfranco. Fine Lines: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, October 18–November 17, 2013.
Katarina Lanfranco and MaDora Frey. A-Side/B-Side: Helen Dennis, Nils Folke Anderson, Jason Peters, and Ann Stewart. Rhombus Space, Brooklyn, New York, December 13, 2013–January 19, 2014.
Lee Ann Paynter. Process : Effect : Reconsider. Spot 5 Art Center and Gallery, Louisville, Kentucky, September 23–November 2, 2013.
Perri Lee Roberts. The Material of Culture: Medals and Textiles from the Ulrich A. Middeldorf Collection. Georgia Museum of Art, University of Georgia, Athens, Georgia, October 26, 2013–January 12, 2014.
Books Published by CAA Members
posted by CAA — December 15, 2013
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2013
David S. Areford. The Art of Empathy: The Mother of Sorrows in Northern Renaissance Art and Devotion (London: D. Giles, 2013).
Kathryn Brown, ed. The Art Book Tradition in Twentieth-Century Europe (Burlington, VT: Ashgate, 2013).
Donna Gustafson and Susan Sidlauskas. Striking Resemblance: The Changing Art of Portraiture (New York: DelMonico/Prestel; New Brunswick, NJ: Zimmerli Art Museum, Rutgers University, 2014).
Marsha Meskimmon and Dorothy C. Rowe, eds. Women, the Arts, and Globalization: Eccentric Experience (Manchester, UK: Manchester University Press, 2013).
Griselda Pollock, ed. Visual Politics of Psychoanalysis: Art in Post-Traumatic Cultures (London: I. B. Tauris, 2013).
Perri Lee Roberts. The Material of Culture: Medals and Textiles from the Ulrich A. Middeldorf Collection (Athens: Georgia Museum of Art, University of Georgia, 2013).
Dorothy C. Rowe. After Dada: Marta Hegemann and the Cologne Avant-Garde (Manchester, UK: Manchester University Press, 2013).
Deanna Sirlin. She’s Got What It Takes: American Women Artists in Dialogue (Milan, Italy: Charta, 2013).
Rosanne Somerson and Mara Hermano, eds. The Art of Critical Making: Rhode Island School of Design on Creative Practice (Hoboken, NJ: Wiley, 2013).
Mónica Domínguez Torres. Military Ethos and Visual Culture in Post-Conquest Mexico (Burlington, VT: Ashgate, 2013).
Dennis Wardleworth. William Reid Dick, Sculptor (Burlington, VT: Ashgate, 2013).
Letter Urging Secretary John Kerry to Restore Funding for Title VIII
posted by CAA — December 12, 2013
Anne Collins Goodyear, president of CAA’s Board of Directors, and Linda Downs, the organization’s executive director, signed the following letter. You may wish to view a list of programs that have been eliminated by the government that have been supported by Title VIII: http://aseees.org/new/title8-alert.php.
Letter Urging Secretary John Kerry to Restore Funding for Title VIII
December 11, 2013
The Honorable John Kerry
Secretary of State
United States Department of State
2201 C Street NW
Washington, DC 20520
Dear Secretary Kerry:
The undersigned individuals and organizations share with the Department of State the fundamental goal of creating a peaceful, secure, and prosperous global future. To achieve such an end in an increasingly complex world, the U.S. needs accurate analyses by well-trained specialists both in and outside the government.
For the region of Russia, Eastern Europe, and Central Asia, the Department of State has for thirty years trained future leaders and scholars through the Research and Training for Eastern Europe and the New Independent States of the Former Soviet Union Act (PL 90-164, Title VIII). Title VIII has played a significant part in the education of many prominent American policymakers and specialists in the region, including former Secretaries of State Madeleine Albright and Condoleezza Rice, and US Ambassador to Russia Michael McFaul. We are writing to you today to urge you to restore funding for the Title VIII program and to include funding for the Title VIII program as part of your fiscal year 2015 budget request.
Title VIII programs in fiscal year 2012 were administered by the Bureau of Intelligence and Research and supported by the Department of State at a level of $3.5 million. Despite its low cost, Title VIII is a program that continues to have a significant impact on the analytic and diplomatic capacities of the Department of State and on the research base in the academic sector.
At stake are programs that support policy-relevant research, advanced language training, and a specialized information clearing house and reference service related to countries in Central Asia and the Caucasus, Russia and Eastern Europe. A remarkably high percentage of US university faculty who teach about Eastern Europe and Eurasia, State Department specialists on the region, and think tank analysts who advise policymakers have conducted their field work and research and obtained advanced language proficiency thanks to programs funded by Title VIII.
Although the Department of State solicited applications for a fiscal year 2013 Title VIII program, the Department in September announced the cancellation of the program for fiscal year 2013 because it did not receive appropriations. We believe the discontinuation of this program is short-sighted and not in the national and public interest. We urge you to use existing authority to continue to fund this program under the administration of the Bureau of Intelligence and Research at least at the current funding level of $3.5 million for fiscal years 2013 and 2014. We also ask that you include at least that level of funding within the fiscal year 2015 budget request for the Title VIII program.
Title VIII is a small but impactful program that has directly supported several generations of policymakers, diplomats and scholars and indirectly supported their thousands of students and the people who depend on their analyses to make the right business, humanitarian, and foreign policy decisions about a crucial region of the world.
We respectfully draw your attention to this issue and strongly urge that the Department of State immediately take steps to restore funding for the Title VIII program.
Sincerely,
Diane P. Koenker
President, Association for Slavic, East European, and Eurasian Studies
Professor of History, University of Illinois, Urbana-Champaign
Stephen E. Hanson
Vice President, Association for Slavic, East European, and Eurasian Studies
Vice Provost for International Affairs, College of William and Mary
Lynda Park
Executive Director, Association for Slavic, East European, and Eurasian Studies
Ambassador John Beyrle (Ret.)
Former U.S. Ambassador to Russia and Bulgaria
Ambassador James F. Collins (Ret.)
Former U.S. Ambassador to Russia
Ambassador Jack Matlock (Ret.)
Former U.S. Ambassador to the Soviet Union
Ambassador Richard Miles (Ret.)
Former U.S. Ambassador to Azerbaijan, Bulgaria, and Georgia
Ambassador Thomas W. Simons, Jr. (Ret.)
Former U.S. Ambassador to Poland
Mary Thompson-Jones
Senior Foreign Service Officer (Ret.)
Michael M. Crow
President, Arizona State University
Robert A. Easter
President, University of Illinois, Urbana-Champaign
Michael McCarry
Executive Director, Alliance for International Educational and Cultural Exchange
John R. Fitzmier
Executive Director, American Academy of Religion
Edward Liebow
Executive Director, American Anthropological Association
Thomas Seifrid
President, American Association of Teachers of Slavic and East European Languages
Vitaly Chernetsky
President, American Association for Ukrainian Studies
Alexander J. Beecroft
Secretary-Treasurer, American Comparative Literature Association
Pauline Yu
President, American Council of Learned Societies
Dan Davidson
President, American Councils for International Education: ACTR/ACCELS
James Grossman
Executive Director, American Historical Association
Jonathan Rodgers
Secretary-Treasurer, American Oriental Society
Steven Rathgeb Smith
Executive Director, American Political Science Association
Douglas Richardson
Executive Director, Association for American Geographers
Cynthia Werner
President, Central Eurasian Studies Society
Anne Collins Goodyear
President, College Art Association
Linda Downs
Executive Director, College Art Association
David A. Berry
Executive Director, Community College Humanities Association
Melissa Feinberg
President, Czechoslovak Studies Association
Emese Ivan
President, Hungarian Studies Association
Ambassador W. Robert Pearson (Ret.)
President, IREX
William P. Rivers
Executive Director, Joint National Committee for Language-National Council on Language and International Studies; Chair, ASTM F43 Committee on Language Services and Products
Amy W. Newhall
Executive Director, Middle East Studies Association
David P. Patton
President, National Council for Eurasian and East European Research
Stephen Kidd
Executive Director, National Humanities Alliance
Ira Katznelson
President, Social Science Research Council
Pauline Saliga
Executive Director, Society of Architectural Historians
Kevork B. Bardakjian
President, Society for Armenian Studies
James Castonguay
Treasurer, Society for Cinema and Media Studies
Irina Livezeanu
President, Society for Romanian Studies
Olga M. Mladenova
President, South East European Studies Association
Laura Adams
Director of the Program on Central Asia and Caucasus, Harvard University
Stephen K. Batalden
Director, Melikian Center: Russian, Eurasian, & East European Studies, Arizona State University
David Cooper
Director of the Russian, East European, and Eurasian Center, University of Illinois, Urbana-Champaign
Victor Friedman
Director, Center for East European, Russian, and Eurasian Studies, University of Chicago
Robert M. Hayden
Director, Russian & East European Studies, University of Pittsburgh
Yoshiko M. Herrera
Director, Center for Russia, East Europe and Central Asia, and Co-Director, International Institute, University of Wisconsin-Madison
Gail Kligman
Director, Center for European and Eurasian Studies, UCLA
Terry Martin
Director, Davis Center for Russian and Eurasian Studies, Harvard University
Scott Radnitz
Director, Ellison Center for Russian, East European, and Central Asian Studies, University of Washington
Also Signed are ASEEES Board and Past Presidents
Mark R. Beissinger, Princeton University
Marianna Tax Choldin, University of Illinois at Urbana-Champaign
Katerina Clark, Yale University
Megan Dixon, College of Idaho
Zsuzsa Gille, University of Illinois, Urbana-Champaign
Bruce Grant, New York University
Beth Holmgren, Duke University
Adeeb Khalid, Carleton College
Judith Deutsch Kornblatt, University of Wisconsin
Gail Lapidus, Stanford University
Susan Linz, Michigan State University
Harriet L. Murav, University of Illinois, Urbana-Champaign
Mieke Meurs, American University
Norman Naimark, Stanford University
Joan Neuberger, University of Texas at Austin
Janice T. Pilch, Rutgers University Libraries
David L. Ransel, Indiana University
Irina Reyfman, Columbia University
Douglas Rogers, Yale University
William Rosenberg, University of Michigan
Jane Sharp, Rutgers, The State University of New Jersey
Olga Shevchenko, Williams College
Valeria Sobol, University of Illinois, Urbana-Champaign
Ronald Suny, University of Michigan
William Taubman, Amherst College
Katherine Verdery, CUNY Graduate Center
Mark L. von Hagen, Arizona State University
Leslie Waters, College of William and Mary
Robert Weinberg, Swarthmore College
cc: Ambassador William Burns, Deputy Secretary of State, Office of the Deputy Secretary Daniel Rubinstein, Acting Assistant Secretary for Bureau of Intelligence and Research (INR) Ambassador Victoria Nuland, Assistant Secretary for Bureau of European and Eurasian Affairs
(EUR/FO)



Sue Johnson, Paddling Brush, 2011, gouache, watercolor, and pencil on paper (artwork © Sue Johnson; photograph by Malcolm Osman/PRM)
Peter Dueker, Untitled (#9), digital c-print, 10 x 10 in. (artwork © Peter Dueker)
Michelle Grabner, Untitled, 2013 (artwork © Michelle Grabner; photograph provided by the artist and Shane Campbell Gallery, Chicago)
Michelle Handelman, Irma Vep, the last breath, 2013, 4-channel HD video installation, 33:00 min. (artwork © Michelle Handelman; photograph by Laure Leber)
Invitation card for Michele Brody’s Harlem Roots
Sharon Louden, still from Community, 2013, digital animation, 2:35 min. (artwork © Sharon Louden)
Michael Velliquette, Working Arm, 2013, paper, ink, acrylic, foam, and glue, 52 x 36 in. (artwork © Michael Velliquette)
Invitation card for Kyra Bélan’s exhibitions
Blane De St. Croix, Broken Landscapes III, 2013 (artwork © Blane De St. Croix)
Sue Johnson, Mod-style Hearth (left) and Picture Window Looking West, from the series Ready-Made Dream, 2013 (artworks © Sue Johnson)
Josette Urso, Cloud Lily, 2013, oil on canvas, 24 x 30 in. (artwork © Josette Urso)
Mira Schor, Reversible Painting: Map, 2013, ink and oil on gesso on linen, 28 x 24 in. (artwork © Mira Schor)
Anna Collette
Carma Gorman
Cathleen Chaffee (photograph by James Sevigny)
Karl Kusserow
Kelly Taxter
Mary M. Tinti
Richard J. Powell
Master of the Stötteritz Altar, Mother of Sorrows, ca. 1480, oil on panel, 8¾ x 6½ in. Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz, AG.1984.1.1 (artwork in the public domain)
Rineke Dijkstra, Castricum aan Zee, The Netherlands, June 1992, 1992 (printed 2005), chromogenic print, 43¼ x 50 3/8 in. (artwork © Rineke Dijkstra; photograph provided by the artist and Marian Goodman Gallery, New York)
Installation view of Raisonnement circulaire. On wall from left: Mary Schiliro, Circuitous Dip, 2012, acrylic on Mylar, 25½ x 18 in. (artwork © Mary Schiliro); Mary Judge, Exotic Hex Series S10/1, 2005, powdered pigment on paper, 20 x 20 in. (artwork © Mary Judge); David Henderson, Glorieux, 2012, fiberglass and paint, 33 x 26 x 38 cm (artwork © David Henderson). On floor: Nathalie Delasalle, Force Majeure, 2011, marbre de synthèse, 90 x 90 x 40 cm (artwork © Nathalie Delasalle).
Samuel Jablon, Poet Sculpture, 2013, enamel on plywood, variable dimensions (artwork © Samuel Jablon)
Jason Peters, Untitled, silver ink on black paper, 11 x 11 x 6½ in. (artwork © Jason Peters)
Invitation card for Process : Effect : Reconsider
Dalmatic, Anonymous, Italian, ca. 1450–75, Orphreys, embroidery, silk, and metallic thread on linen plain weave, velvet, 104.1 x 111.8 cm. Detroit Institute of Arts, Gift of Mr. and Mrs. Edgar B. Whitcomb. Acc. no. 37.56 (artwork in the public domain)









