CAA News Today
Affiliated Society News for November 2011
posted by CAA — November 09, 2011
American Institute for Conservation
The American Institute for Conservation Collections Emergency Response Team (AIC-CERT) has begun receiving calls for assistance from those affected by Hurricane Irene. The team’s efforts follow several years of specially trained members responding to local and national emergencies across the United States. In partnership with the Smithsonian Institution and the US Committee of the Blue Shield, AIC-CERT and other AIC members have been working in Haiti over the past year and a half to help preserve art damaged by the January 2010 earthquake—AIC’s first international response effort. If you know of institutions in need of advice or onsite assistance following a disaster—with collections affected by everything from a broken water pipe to roof damage—encourage them to contact AIC-CERT at its twenty-four-hour assistance line, 202-661-8068.
Art Historians Interested in Pedagogy and Technology
Art Historians Interested in Pedagogy and Technology (AHPT) is sponsoring two workshops in the near future. The first event, taking place on November 9, 2011, at the annual meeting of the Southeastern College Art Conference in Savannah, Georgia, is called “Reflections on Where We Are and Where We Are Going with Technology in the Art History Classroom,” chaired by Marjorie Och of the University of Mary Washington. The second workshop, titled “Constructive Use of Technology in the Art History Classroom: A Hands-on Learning Workshop” and led by Sarah Scott of Wagner College, is scheduled for the 2012 CAA Annual Conference in Los Angeles, California. The workshop format will allow attendees to circulate among the presenters during the session or concentrate on one topic. Please bring your questions and ideas.
AHPT also announces its new website, with membership information, announcements, and resources.
Association of Art Historians
The Association of Art Historians (AAH) formed in England in 1974, born from a need to professionalize a rapidly growing subject. What prompted its formation? How did it take shape? What of its impact on the discipline, nationally and internationally, both then and now? Voices in Art History: AAH Oral Histories explores these questions through a series of audio interviews conducted with art historians involved with the organization during its early days. Participants include Francis Ames-Lewis, Charles Avery, Alan Bowness, Andrew Causey, Luke Herrmann, Martin Kemp, John Onians, Marcia Pointon, Flavia Swann, Lisa Tickner, and John White. The audio interviews offer commentary on the changing nature of higher education, and on art and culture since the 1950s. They address the interviewees’ educational background and professional lives, while reflecting on scholarly influences, debates, and practical concerns that had an impact on networks of academic art historians, educators and museum professionals. The complete recordings are accessible to researchers through the Archive of Art and Design at the Victoria and Albert Museum in London, where the organization’s written records are held. The interviews form the basis of the Voices in Art History podcast, currently in development. For further details, please write to oralhistory@aah.org.uk.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) is offering a travel grant covering expenses (up to $500) for an ABD student of historical art of the United States who is participating in the 2012 CAA Annual Conference in Los Angeles. The recipient must be an active AHAA member enrolled in a graduate program. To enter, please submit the name of the session you plan to participate in and your paper title to Melissa Dabakis, AHAA secretary, using the online form. Deadline: February 1, 2012.
AHAA seeks to sponsor a one-and-a-half hour professional session at the 2013 CAA Annual Conference, taking place in New York. Please review the guidelines for submitting proposals. Deadline: March 1, 2012.
Coalition of Women in the Arts Organization
The Coalition of Women in the Arts Organization (CWAO) seeks proposals of papers for “Eco-Feminist Issues in the Arts of US Women,” a combination studio-art and art-history panel, for CAA’s 2013 Annual Conference in New York. CWAO encourages women artists interested in ecological or ecofeminist issues to apply for this panel. Art-historian presenters must concentrate on US women artists engaging these issues. Artists could be experimenting with one or more ecological and social issues while also innovating in their mediums and techniques; works may include one or more new-media technologies. Please send your current CV, an abstract of your paper (150 words max), JPEGs of works, and/or your website address showing works representative of the proposal to kyrabelan@hotmail.com; or mail your CD to: Kyra Belan, PO Box 275, Matlacha, FL 33993.
Historians of Netherlandish Art
The Historians of Netherlandish Art (HNA) has received a generous donation from the Paul and Anne van Buren Fund of the Maine Community Foundation. The grant was awarded in memory of Anne Hagopian van Buren (1927–2008), an internationally recognized scholar of medieval art and a founding member of HNA. Her husband, the noted theologian Paul van Buren, died in 1998. The funds will be used to support HNA’s Fellowships for Scholarly Research, Publication, and Travel, and for related activities of the organization.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) is sponsoring two sessions that pay tribute to the late art historian Oleg Grabar (1929–2011) at the annual meeting of the Middle East Studies Association, to be held December 2–3, 2011, in Washington, DC.
In addition, the HIAA board and members congratulate their colleagues in the Department of Islamic Art at the Metropolitan Museum of Art in New York on the reopening of the museum’s splendid new galleries for Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia.
International Association of Art Critics
Marek Bartelik, president of the United States chapter of the International Association of Art Critics (AICA-USA), delivered the keynote speech during the forty-fourth AICA International Congress, which took place October 17–20, 2011, in Asunción, Paraguay. The theme of the congress was “Art and Criticism in Times of Crisis.” During the event, the Cuban artist Tania Bruguera presented AICA International’s first Distinguished Critics Prize to Ticio Escobar, a former president of AICA Paraguay and the current minister of culture in that country. Participants on a postcongress trip traveled to Curitiba and Porto Alegre, Brazil, during the following week, October 21–26. The group visited the Curitiba and Mercosul biennials and toured the Iberê Camargo Foundation.
International Sculpture Center
The International Sculpture Center (ISC) will hold its twenty-third International Sculpture Conference, titled “Process, Patron, and Public,” in Chicago, Illinois, from October 4 to 6, 2012. This culturally vibrant city will be the perfect backdrop for ISC’s multifaceted biannual event, which brings together artists, administrators, students, collectors, and sculpture lovers for three days of education, conversation, and networking. Conference highlights will include an exciting array of keynotes, panels, workshops, and optional evening networking events throughout the city. The Chicago Cultural Center and the School of the Art Institute of Chicago will host programs by day; attendees may enjoy gallery hops, studio visits, and cocktail receptions by night. For more information, tickets, and the schedule, please visit ISC’s website or contact the Conference and Events Department at 608-689-1051, ext. 302.
Italian Art Society
The Italian Art Society (IAS) seeks papers for the third annual IAS–Kress Lecture Series, taking place in Venice, Italy, in late May or early June 2012. This series enthusiastically promotes intellectual exchanges between art historians of North America and the international community of scholars living or working in Italy. Papers should present a topic related to the host city from any period. One distinguished scholar, necessarily an active IAS member, will receive an honorarium of $700 and an additional $500 allowance for travel and other conference-related expenses. Deadline: January 4, 2012.
IAS also welcomes exhibition reviews, short articles, and announcements related to Italian art and architecture for its winter newsletter. Please send your contributions to the newsletter editor. Deadline: January 15, 2011.
Mid-America College Art Association
The James Pearson Duffy Department of Art and Art History at Wayne State University will host the next Mid-America College Art Association conference, to be held October 3–6, 2012, in downtown Detroit, Michigan. Programming will include three featured speakers and numerous panels on art, design, art history, and visual resources, as well as studio workshops, MACAA member exhibitions, and museum visits. The conference will have two areas: “Meaning and Making” and “Community and Collaboration.” The call for session proposals, and for the MACAA membership exhibition, has been announced online.
National Council of Arts Administrators
The 2011 annual meeting of the National Council of Arts Administrators (NCAA), called “Push/Pull: The Artistic Engine of Innovation,” will convene November 2–5, 2011, at the AVIA Hotel in Savannah, Georgia. The conference will spotlight current trends in arts administration; offer forums, speakers, and workshops; and create opportunities to network within a diverse community of arts professionals in higher education. You can expect top-notch speakers, timely and forward-looking sessions, an engaging administrators’ workshop, and much more. As always, NCAA gladly welcomes all current and/or aspiring academic leaders to attend. The annual meeting brings together a community of arts administrators dedicated to cultivating leadership and sharing solutions across higher education. For nearly forty years NCAA has promoted, enhanced, and maximized communication among administrators from all types of arts institutions to support each member in becoming better prepared to lead, more skilled and strategic at managing resources, knowledgeable about current practices, and adaptable, flexible, and connected.
Society for Photographic Education
The Society for Photographic Education (SPE) seeks curators, professors, gallerists, art historians, and scholars to review student and/or professional member portfolios at SPE’s forty-ninth annual conference in San Francisco, California, taking place March 22–25, 2012. Portfolio reviewers receive discounted admission in exchange for their participation. To express interest in serving as a portfolio viewer, please write to info@spenational.org.
Society of Architectural Historians
The Humanities, Arts, Science, and Technology Collaboratory (HASTAC) recently published an article, “Learned Society 2.0,” by Dianne Harris, president of the Society of Architectural Historians (SAH). Her article reflects on fundamental changes in SAH that resulted from Mellon Foundation funding to develop two online academic resources: JSAH Online, a multimedia scholarly journal; and SAHARA, a shared, member-contributed online image archive for teaching and research. SAH continues to strategize about how to empower its members to produce innovative humanities research, publications, and nontraditional projects in the digital age.
Society of North American Goldsmiths
The forty-first annual conference of the Society of North American Goldsmiths (SNAG), titled “The Heat is On!” will be held May 23–26, 2012, in Phoenix, Arizona. Hosted by Arizona Designer Craftsmen, the event will take place at the Westin Kierland Resort and Spa Registration in Scottsdale. Registration will open on January 17, 2012. The conference cochairs are Becky McDonah, Tedd McDonah, and Lynette Andreasen.
Southeastern College Arts Conference
The Southeastern College Arts Conference (SECAC) will hold its sixty-eighth annual meeting October 18–20, 2012, hosted by Meredith College in Durham, North Carolina. Headquartered at the Durham Marriott City Center, in the heart of historic city, the conference will feature extensive sessions and panels facilitating the exchange of ideas and concerns relevant to the practice and study of art. Activities will include the annual awards luncheon, the SECAC 2012 Juried Exhibition, and a rich array of tours, workshops, and evening events. The deadline for the call for sessions and panels is January 1, 2012. For more information, please write to secac@secollegeart.org or secac2012@meredith.edu.
Visual Resources Association
It was a pleasure to return this past June to the beautiful University of New Mexico campus in Albuquerque for the Summer Educational Institute 2011 (SEI), sponsored by the Art Libraries Society of North America (ARLIS/NA) and the Visual Resources Association Foundation (VRAF). The local chair, Cindy Abel Morris, graciously hosted a diverse group of participants from museums, colleges and universities, research institutes, commercial enterprises, and art and design schools for an intense three-day program. In response to feedback from SEI 2010 participants and in concert with the SEI Implementation Team, newly appointed curriculum specialists Sarah Falls and Beth Wodnick developed a comprehensive program that for the first time included tracked, hands-on sessions on beginning and advanced digitization. Participants were placed in one or the other course depending on their level of experience. Modules that have been well received in the past, such as the intellectual property and metadata sessions, were also offered. The next SEI will be held in June 2012 at the University of Michigan in Ann Arbor. Information about SEI 2012 is forthcoming.
Members of the 2011 SEI Implementation Team included: Kathe Hicks Albrecht, American University, VRA senior cochair and acting VRAF board liaison; Elizabeth Schaub, University of Texas at Austin, ARLIS/NA junior cochair; Betha Whitlow, Washington University in Saint Louis, incoming VRA cochair and faculty liaison; Cindy Abel Morris, University of New Mexico, local chair; Sarah Falls, New York School of Interior Design, ARLIS/NA-appointed curriculum specialist; Chris Hilker, University of Arkansas, webmaster; Trudy Jacoby, Princeton University, development; Tony White, Indiana University, ARLIS/NA board liaison (Sarah Carter, Ringling Museum of Art, as of March 2011); Beth Wodnick, Princeton University, VRAF-appointed curriculum specialist.
Solo Exhibitions by Artist Members
posted by CAA — October 22, 2011
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Abroad
David Holt. Loop Gallery, Toronto, Ontario, Canada, October 12–November 6, 2011. Landscapes and Subjects from Natural History. Painting.
Reynolds. Museum MAN, Berlin, Germany, August 4–13, 2011. Antiquarian Adventurers: Dreamers of a New Day. Intaglio etching.
Patricia Villalobos-Echeverría. Museo de Arte de El Salvador, San Salvador, El Salvador, July 22–September 25, 2011. mesoparasitio <12˚41’33"N 89˚14’30"W>. Installation, sculpture, and audio.
Mid-Atlantic
Lisa Blas. Schmucker Art Gallery, Gettysburg College, Gettysburg, Pennsylvania, August 31–October 7, 2011. Meet Me at the Mason Dixon Line. Painting, photography, and installation.
David C. Driskell. David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD, September 15–December 16, 2011. Creative Spirit: The Art of David C. Driskell. Sculpture, drawing, painting, and mixed media.
Midwest
Les Barta. Novak Gallery, Butler Institute of American Art, Youngstown, Ohio, November 27, 2011–January 29, 2012. Digital Constructions. Photographic collage.
Northeast
Jean Bundy. Pleiades Gallery, New York, September 6–October 1, 2011. Portraiture of People and Dwellings. Painting.
Sharyn Finnegan. Blue Mountain Gallery, New York, September 6–October 1, 2011. Evolution: Self-Portrait Retrospective 1973–2010 and Recent Work. Painting and drawing.
Barbara McPhail. Lightner Gallery, Keuka College, Keuka Park, New York, August 19–October 6, 2011. Shadows in the Water. Monoprint and collage.
Michael Rich. Old Spouter Gallery, Nantucket, Massachusetts, August 12–26, 2011. Before Summer Rain. Painting.
Linda Stein. Martin Art Gallery, Muhlenberg College, Allentown, Pennsylvania, November 21–December 17, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
South
Heather Deyling. Gallery S.P.A.C.E., Savannah, Georgia, August 5–September 16, 2011. Symbiosis. Painting, collage, and installation.
Linda Stein. GCSU Museum, Georgia College and State University, Milledgeville, Georgia, October 3–November 4, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Mary Ting. Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, North Carolina, August 29–October 4, 2011. Installations and Drawings. Installation and drawing.
West
Jan Wurm. Kolligian Library, University of California, Merced, California, August 25–December 16, 2011. Paintings and Drawings. Painting and drawing.
People in the News
posted by CAA — October 17, 2011
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications. sftp://caaorg:@64.49.219.228/includes/membernews/bookspublished-2011-10.inc.php
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Academe
Alan C. Braddock, an art historian specializing in American art, has been promoted to the rank of associate professor in the Department of Art History at Temple University’s Tyler School of Art in Philadelphia, Pennsylvania.
Christopher M. Cassidy, an artist and associate professor of design at the University of North Carolina in Greensboro, has been awarded tenure in his school’s Department of Art.
Jeff McMahon, a performance artist and writer, has received tenure and been promoted to associate professor in the School of Theatre and Film at the Herberger of for Design and the Arts at Arizona State University in Tempe. He will be on sabbatical for the 2011–12 academic year.
Adele E. Nelson, a writer and art historian specializing in the modern and contemporary art of Brazil, has been appointed a visiting assistant professor of art history at Southern Methodist University in Dallas, Texas, for the 2011–12 academic year.
Museums and Galleries
Margarita Aguilar, a senior specialist in Latin American art at Christie’s, has been appointed the director of El Museo del Barrio in New York. Aguilar worked in the curatorial department at El Museo from 1998 to 2006.
Wassan Al-Khudhairi, a specialist on contemporary art from the Arab world with an emphasis on Iraq and chief curator of Mathaf: Arab Museum of Modern Art in Doha, Qatar, has been named one of six joint artistic directors of the ninth Gwangju Biennal, taking place in 2012 in South Korea.
Elizabeth Brown has stepped down from her position as chief curator and director of exhibitions and collections of the Henry Art Gallery at the University of Washington in Seattle. She was responsible for many innovative exhibitions over her ten-year tenure, including solo shows of work by Lari Pittman, Brian Jungen, Kiki Smith, Eirik Johnson, and William Kentridge.
Douglas Druick, a curator and department chair at the Art Institute of Chicago in Illinois, has been named president and Eloise W. Martin Director of the museum. A member of the Department of Prints and Drawings since 1985, he joined the Department of Medieval to Modern European Painting and Sculpture in 2006, leading both departments.
Natasha Egan, associate director and curator of the Museum of Contemporary Photography at Columbia College in Chicago, Illinois, has been promoted to director. An eleven-year veteran of the museum, Egan hopes to amplify the visibility of the institution in her new position and to continue supporting international dialogue.
Paul Ha, director of the Contemporary Art Museum St. Louis in Missouri since 2002, has been appointed as the new director of the Massachusetts Institute of Technology’s List Visual Arts Center in Cambridge, Massachusetts, effective December 1, 2011.
Russell Lord, a scholar, curator, and writer, has been named the Freeman Family Curator of Photography at the New Orleans Museum of Art in Louisiana. He will begin work on October 17, 2011.
Will South, chief curator of the Dayton Art Institute in Ohio, has been appointed the chief curator at the Columbia Museum of Art in South Carolina. He succeeds Todd Herman, who has become executive director of the Arkansas Arts Center in Little Rock.
John R. Stomberg, formerly deputy director and chief curator at the Williams College Museum of Art in Williamstown, Massachusetts, has become the next Florence Finch Abbott Director of the Mount Holyoke College Art Museum in South Hadley, Massachusetts.
Kristina Van Dyke, curator for collections and research at the Menil Collection in Houston, Texas, has been named director of the Pulitzer Foundation for the Arts in Saint Louis, Missouri, succeeding Matthias Waschek. She begins her new position on November 7, 2011.
Organizations and Publications
Holland Cotter, an insightful writer and recipient of the 2009 Pulitzer Prize in criticism, has been named the co–chief art critic for the New York Times. He will share the position with his fellow critic at the newspaper, Roberta Smith.
Ofelia Garcia, an artist and professor of art at William Paterson University in Wayne, New Jersey, has been appointed chair of the New Jersey State Council on the Arts, succeeding Sharon Burton Turner.
Deborah Solon, a renowned scholar, educator, and curator, has been named the West Coast director of American art at Heritage Auctions. A specialist in American Impressionism, she will work in the auction house’s office in Beverly Hills, California.
Institutional News
posted by CAA — October 17, 2011
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Maryland Institute College of Art in Baltimore has received a $10 million endowment gift from a longtime trustee, George L. Bunting Jr., and his wife, Anne Bunting, which will help expand the school’s graduate studies by providing scholarships, supporting the creation of art, and acquiring technological resources for research. The gift will also fund robust programs of visiting artists, faculty–student research collaborations, and engagement with community partners.
The Morgan Library and Museum in New York has created a new Drawing Institute, which will present exhibitions, sponsor annual fellowships, host seminars, and organize public and academic programs. It will also collaborate with other institutions, sharing artworks and resources with the Menil Drawing Institute and Study Center in Houston, Texas, and the International Museum and Art Foundation Center for Drawings at the Courtauld Gallery in London, England. A Morgan trustee, Eugene V. Thaw, donated $5 million to begin the project.
The Smithsonian American Art Museum in Washington, DC, has received a gift from Fleur Bersler, an art patron and collector of textiles and objects of turned wood, to create an endowment to support a curatorial position at the museum. Nicholas R. Bell, curator at the museum’s Renwick Gallery, has been named the Fleur and Charles Bresler Curator of American Craft and Decorative Art.
Southern Methodist University has launched a new PhD program in the rhetoric of art, space, and culture, supervised by the Department of Art History in the Meadows School of the Arts. The new doctorate, which emphasizes historical and new media, race, gender, performance, and technology used for visual communication, will have a particular focus on the art of Latin America, Iberia, and the Americas, facilitated by the Meadows Museum, the Bridwell Library, and the DeGolyer Library.
The Toledo Museum of Art in Ohio has received a $500,000 grant from the Andrew W. Mellon Foundation to design and facilitate postdoctoral fellowships targeted at cultivating museum leaders of the future. The program will combine interdisciplinary methods with curatorial studies. The program will accept three fellows, who will start each January from 2012 through 2014, for two-year terms that include annual pay, benefits, and compensated travel for research.
The Walters Art Museum in Baltimore, Maryland, has signed an international memorandum of cooperation with the Roemer and Pelizaeus Museum in Hildesheim, Germany. The agreement will include exhibition exchanges, professional-development opportunities for staff members, long terms loans of art, and discussions of best practices for museums.
Grants, Awards, and Honors
posted by CAA — October 15, 2011
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Michael Beitz, an artist based in Attica, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
Sinclair Bell, assistant professor of art history in the School of Art at Northern Illinois University in DeKalb, has been awarded a research fellowship from the German Archaeological Institute (Deutsches Archäologisches Institut) and the Archaeological Institute of America. He will conduct research in Berlin this fall.
Rachel Federman of New York University has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Seth Alexander Feman of the College of William and Mary in Williamsburg, Virginia, has earned a $1,500 library research grant from the Getty Foundation in Los Angeles.
Aglaya Glebova of the University of California, Berkeley, has won the Dedalus Foundation’s 2011 Dissertation Fellowship Award, given annually to a PhD candidate at an American university who is working on a dissertation related to modern art and modernism. The $20,000 award will help support Glebova’s work on her dissertation, “Wilderness and Construction: Three Case Studies of Russian Landscape Representation,” which investigates representations of Russia’s Northern wilderness from the mid-nineteenth century to present.
Wendy Ann Grossman of the University of Maryland in University Park has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Sonali Gulati, a faculty member teaching photography and film in the School of the Arts at Virginia Commonwealth University in Richmond, has been awarded the Mary Lyon Award from her alma mater, Mount Holyoke College. The award honors a young alumna (no more than fifteen years after graduation) who demonstrates promise or sustained achievement in her life, profession, or community.
Matthew Jesse Jackson has won the Dedalus Foundation’s tenth annual Robert Motherwell Book Award for his The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes (Chicago: University of Chicago Press, 2010). The award, which carries a $20,000 prize, honors an outstanding publication in the history and criticism of modernism in the arts. The Experimental Group documents the life and work of the Russian artist Ilya Kabakov and, through him, the milieu of the Moscow Conceptualists: the “unofficial artists” who worked without state sanction in the post-Stalinist Soviet Union.
Sue Johnson, professor of art at Saint Mary’s College of Maryland in Saint Mary’s City, has been awarded a residency at the Centre d’Art Marnay Art Centre in Marnay-sur-Seine, France. Her residency also includes a grant from the Tenot Fondation. In addition, Johnson was selected as a visiting artist by the American Academy in Rome for June 2011. In 2010–11 she has been a visiting scholar in residence at the Centre for Medieval and Renaissance Studies in Oxford, England.
Holger A. Klein, associate professor and director of graduate studies in the Department of Art History and Archaeology at Columbia University in New York, has been honored with the fiftieth annual Mark Van Doren Award for Teaching, which honors a Columbia professor for commitment to undergraduate instruction and for humanity, devotion to truth, and inspiring leadership. The recipient of the award is selected by the student members of the Academic Awards Subcommittee of the Columbia College Student Council, with administrative support and guidance from the Academic Affairs staff of the college.
JC Lenochan, an artist based in Orange, New Jersey, has received a $6,000 grant from the 2011–12 Franklin Furnace Fund for Decolonizing the Mind, an installation and performance with public interaction that addresses how pedagogy relates to issues of sex, race, and class stratification. For the gallery-based work, Lenochan will hang chalkboards with text and images opposite blank chalkboards for the public’s response. Simultaneously, four high school students will pile of old school desks in the middle of the space and also play sound and audio from Ngugi wa Thiong’o’s book, Decolonizing the Mind.
Margaret Lindauer, an art historian at Virginia Commonwealth University in Richmond, has been recently honored twice, receiving a VCUarts Faculty Achievement Award for 2010–11 and a VCUarts Faculty Award for Distinguished Achievement in Teaching.
Christina Lindholm, associate dean of undergraduate studies in the School of the Arts at Virginia Commonwealth University in Richmond, has earned a 2011 Spirit of Martha Award, which recognizes University of Missouri women who have distinguished themselves in their chosen profession and exemplify the spirit of leadership, particularly in the furtherance of women.
China Marks, an artist based in Long Island City, New York, has been named a Gregory Millard Fellow by the New York Foundation for the Arts. She has also received a 2011 grant in the category for printmaking, drawing, and book arts.
Saloni Mathur, associate professor in the Department of Art History at the University of California, Los Angeles, has received a $44,000 residential grant from the Getty Foundation. As a Getty Scholar, she will work on “Divided Objects: Indian Partition and the Politics of Display.”
Jennifer Ann McComas of Indiana University in Bloomington has accepted a $1,500 library research grant from the Getty Foundation in Los Angeles.
Kristine Nielsen of the University of Illinois, Urbana-Champaign, has received a $661 library research grant from the Getty Foundation in Los Angeles.
Kristina Berrill Paulsen of Ohio State University in Columbus has received a $1,000 library research grant from the Getty Foundation in Los Angeles.
Scott William Perkins of the Bard Graduate Center in New York has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Corey Piper, curatorial assistant for the Mellon Collections at the Virginia Museum of Fine Arts in Richmond, has received a 2011–12 John H. Daniels Fellowship from the National Sporting Library and Museum. She will work on “The Cast and Characters of the British Sporting Ring,” a scholarly essay for the catalogue of an upcoming exhibition, Catching Sight: The World of the British Sporting Print, at her museum.
Anne J. Regan, an artist who earned her MFA last year at the University of Houston in Texas, has become a resident artist at the Lawndale at Center in Houston. The residency comes with nine months of studio space, $1,500 for materials, and a $500 per month stipend; it will also culminate in an exhibition with two other resident artists in May 2012.
Barbara Smith, an artist based in Rosendale, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
Jaune Quick-to-See Smith, a highly acclaimed American Indian artist based in New Mexico, has been honored with a 2011 Visionary Woman Award by Moore College of Art and Design in Philadelphia, Pennsylvania, for her outstanding contributions to the arts. Elaborating on her heritage and worldview, Smith’s richly layered juxtapositions of text and image in large-scale prints and canvases address today’s tribal politics, human rights, and environmental issues with a sophisticated combination of humor and wit.
Juana Valdes, an artist based in New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
James Alan Van Dyke of the University of Missouri in Columbia has accepted a $1,500 library research grant from the Getty Foundation in Los Angeles.
P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas, has received a $200,000 grant from National Endowment for the Humanities to work with the Community College Humanities Organization on a 2012 NEH Summer Institute, called “The Legacy of Ancient Italy: The Etruscan and Early Roman City.” As project director, Warden will lead a group of community college teachers in Italy in June of next year.
Corina Alexandra Weidinger of the University of Delaware in Newark has earned a $1,500 library research grant from the Getty Foundation in Los Angeles.
Deborah Wing-Sproul, an interdisciplinary artist and a faculty member at Maine College of Art in Portland, has been named a Maine Arts Commission Media and Performing Arts Fellow for 2011. The recognition comes with a $13,000 grant award.
Brian Scott Winkenweder of Linfield College in McMinnville, Oregon, has received a $1,000 library research grant from the Getty Foundation in Los Angeles.
Sandy Winters, an artist based in New York, has received a 2011 fellowship from the New York Foundation for the Arts in the printmaking, drawing, and book arts category.
Reva Wolf, professor of art history at the State University of New York at New Paltz, has received a 2010–11 State University of New York Chancellor’s Award for Excellence in Teaching, which recognizes consistently superior teaching and sound scholarship.
Karla Wozniak, an artist based in Brooklyn, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the category for printmaking, drawing, and book arts.
Exhibitions Curated by CAA Members
posted by CAA — October 15, 2011
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Jacqueline Baas. Fluxus and the Essential Questions of Life. Grey Art Gallery, New York University, September 9–December 3, 2011.
Laura Bardier. Richard Garet: Espacios No-Euclídeos. Espacio Arte Contemporáneo, Montevideo, Uruguay, August 11–October 30, 2011.
Susan Grace Galassi, Marilyn McCully, and Andrew Robison. Picasso’s Drawings, 1890–1921: Reinventing Tradition. Frick Collection, New York, October 4, 2011–January 8, 2012.
Maribeth Graybill. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum.Portland Art Museum, Portland, Oregon, October 1, 2011–January 22, 2012.
Andrew Hottle. Groundbreaking: The Women of the Sylvia Sleigh Collection. Rowan University Art Gallery, Rowan University, Glassboro, New Jersey, August 29–October 1, 2011.
Robert G. La France. Jerusalem Saved! Inness and the Spiritual Landscape. Krannert Art Museum and Kinkead Pavilion, University of Illinois, Urbana-Champaign, Illinois, August 26, 2011–May 12, 2012.
Sue Maberry and Meg Linton. Doin’ It in Public: Feminism and Art at the Woman’s Building. Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, California, October 1, 2011–January 28, 2012.
Julia Robinson and Ellen Swieskowski. Fluxus at NYU: Before and Beyond. Grey Art Gallery and Tracey/Barry Gallery, Bobst Library, New York University, September 9–December 3, 2011.
Terezita Romo. Art along the Hyphen: The Mexican-American Generation. Autry National Center, Los Angeles, California, October 14, 2011–January 8, 2012.
Susanne Slavick. Out of Rubble. SPACE, Pittsburgh, Pennsylvania, December 2, 2011–February 5, 2012.
Esther Tornai Thyssen. Willie Marlowe: Paintings of Singular Delights. HallSpace Art Gallery, Boston, Massachusetts, September 3–October 8, 2011.
Books Published by CAA Members
posted by CAA — October 15, 2011
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Colin Bailey. Fragonard’s Progress of Love at the Frick Collection (New York: Frick Collection, in association with D. Giles, 2011).
Susan Best. Visualizing Feeling: Affect and the Feminine Avant-Garde (London: I. B. Tauris, 2011).
Robert Randolf Coleman. The Ambrosiana Drawings of Giambettino Cignaroli (1706–1770): A Critical Catalogue (Rome: Bulzoni; Milan: Biblioteca Ambrosiana, 2011).
Karen Fraser. Photography and Japan (London: Reaktion Books, 2011).
Luba Freedman. The Classical Myths in Italian Renaissance Painting (New York: Cambridge University Press, 2011).
Maribeth Graybill, ed. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum (Portland, OR: Portland Art Museum, 2011).
Rebecca Peabody, ed. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Los Angeles: Getty Publications, 2011).
Kristin Phillips-Court. The Perfect Genre: Drama and Painting in Renaissance Italy (Burlington, VT: Ashgate, 2011).
Terezita Romo. Malaquias Montoya (Los Angeles: UCLA Chicano Studies Research Center Press, 2011).
Magda Salvesen, Exploring Gardens and Green Spaces from Connecticut to the Delaware Valley (New York: W. W. Norton, 2011).
Susanne Slavick, ed. Out of Rubble (Milan, Italy: Charta, 2011).
Thomas A. Walters. The Arts: A Comparative Approach to the Arts of Painting, Sculpture, Architecture, Music, and Drama (Bloomington, IN: Xlibris, 2011).
William Wroth and Robin Farwell Gavin, eds. Converging Streams: Art of the Hispanic and Native American Southwest (Santa Fe, NM: Museum of Spanish Colonial Art, 2010).
Committee on Women in the Arts Picks for October 2011
posted by CAA — October 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
October 2011
Wendy Stayman, Chairs, 2007, Swiss pear, macassor ebony, bent laminated plywood, and chrome-tanned calfskin (photograph by David Stansbury and provided by the artist and the Fuller Craft Museum)
Furniture Divas: Recent Work by Contemporary Makers
Fuller Craft Museum
455 Oak Street, Brockton, MA 02301
February 19–October 30, 2011
This exhibition celebrates the contributions of fifteen women—Vivian Beer, Polly Cassel, Gail Fredell, Jenna Goldberg, Barbara Holmes, Kristina Madsen, Sarah Martin, Wendy Maruyama, Judy Kensley McKie, Alison McLennan, Sylvie Rosenthal, Rosanne Somerson, Wendy Stayman, Leah Woods, and Yoko Zeltserman-Miyaji—to studio furniture and provides a snapshot of contemporary developments in the field.
Call and Response: From Artemisia to Frida
Koehnline Museum of Art
Oakton Community College, 1600 East Golf Road, Des Plaines, IL 60016
October 6–28, 2011
This annual juried exhibition of works by artists who identify themselves as women is sponsored by the Women’s and Gender Studies Program of Oakton Community College and the Koehnline Museum of Art. The artists in Call and Response have created works that honor, critique, or expand on the techniques and/or content of a groundbreaking female artist.
Charline von Heyl
Institute of Contemporary Art
University of Pennsylvania, 118 South 36th Street, Philadelphia, PA 19104
September 7, 2011–February 19, 2012
This exhibition is a survey of a decade of productivity by Charline von Heyl, a German-born, New York–based painter of vibrant, enigmatic works. Organized by Jenelle Porter, senior curator at the Institute of Contemporary Art in Boston, the presentation includes collage-based works on paper and eighteen paintings.
Real Time
Douglass Library Galleries
Rutgers University, 8 Chapel Drive, New Brunswick, NJ 08901
September 1–December 9, 2011
The Brainstormers art collective was formed in 2005 by a group of women who chose to use public performance, exhibitions, publications, the internet, and video as a means of forcing a discussion about gender inequities in the contemporary New York art world. For Real Time, the group invited artists from across the country to anonymously share intimate details of their daily lives through whatever format they preferred.
Cecil Beaton, Gertrude Stein, 1935, gelatin-silver print. Cecil Beaton Studio Archive at Sotheby’s. CM3794 (photograph provided by the Contemporary Jewish Museum)
Seeing Gertrude Stein: Five Stories
National Portrait Gallery, Smithsonian Institution
Eighth and F Streets NW, Washington, DC 20001
October 14, 2011–January 22, 2012
With more than fifty artifacts from Gertrude Stein’s life and one hundred works by artists from Europe and the United States, the exhibition focuses on her life and work as an artist, collector, and style maker. The exhibition was previously mounted at the Contemporary Jewish Museum in San Francisco, California, and was a CWA Pick in July–August 2011.
Dana Schutz: If the Face Had Wheels
Neuberger Museum of Art
Purchase College, State University of New York, 735 Anderson Hill Road, Purchase, NY 10577
September 25–December 18, 2011
As the recipient of the 2011 Roy R. Neuberger Exhibition Prize, the Brooklyn-based artist Dana Schutz was awarded an early career survey and monographic catalogue at the Neuberger Museum of Art. The show includes thirty paintings and twelve drawings created since 2001.
Doin’ It in Public: Feminism and Art at the Woman’s Building
Ben Maltz Gallery
Otis College of Art and Design, 9045 Lincoln Boulevard, Los Angeles, CA 90045
October 1, 2011–January 28, 2012
As part of the sweeping Pacific Standard Time, a series of exhibitions and events that surveys the history of art in southern California since the end of World War II, Doin’ It in Public focuses on the contributions of feminist artists who came from the women’s liberation movement to found the Woman’s Building, which in the 1970s and 1980s was the center of feminist art and activism in southern California. Otis College of Art and Design is also sponsoring a symposium, “Still Doin’ It: Fanning the Flames of the Woman’s Building,” on October 15–16, which will bring together participants from the Woman’s Building and emerging feminists to instigate dialogue concerning its history and influence.
A Different Temporality: Aspects of Feminist Art Practice in Australia, 1975–1985
Monash University Museum of Art
Monash University, Caulfield Campus, 900 Dandenong Road, Building F, Ground Floor, Caulfield East, VIC 3145, Australia
October 13–December 17, 2011
This exhibition, curated by Kyra McFarlane, revisits the recent history of Australian feminism to focus on dominant modes of creative practice among a generation of feminist artists. Presented in association with the Melbourne Festival, A Different Temporality is organized around the principle of feminist “forms and ideas which continue to resonate in the present.”
Harmony Hammond: Against Seamlessness
Dwight Hackett Projects
2879 All Trades Road, Santa Fe, NM 87507
October 15–November 26, 2011
The legendary artist Harmony Hammond shows her latest work, a series of monumental abstract paintings that explore in new ways what many consider her signature, sculptural sensuality. An accompanying catalogue with essays by Tirza True Latimer and Julia Bryan-Wilson addresses the artist’s relationship with Minimalism, abstraction, feminism, craft, and process.
2012 Annual Conference Registration Opens
posted by CAA — October 05, 2011
Registration is now open for the 100th Annual Conference, taking place February 22–25, 2012, in Los Angeles. Register before the early deadline, December 16, 2011, to ensure the lowest rate and your place in the Directory of Attendees.
Registration includes access to all conference sessions and to the Book and Trade Fair. Each registrant will receive a copy of the Conference Program and the Directory of Attendees, along with online access to Abstracts 2012 and free admission to selected museums and galleries in southern California during the conference.
Those interested in Career Services should sign up now to secure a place in several high-demand activities. Register for a variety of Professional Development Workshops covering topics ranging from grant writing to tenure issues to marketing your art. Sign up for Mentoring Sessions that include the Artists’ Portfolio Review and Career Development Mentoring. Employers can rent a booth or table in the Interview Hall or post an ad in the Online Career Center.
You may also purchase tickets for a variety of Special Events taking place in southern California, including:
- Centennial Reception at the Los Angeles County Museum of Art
- An Evening at UCLA, which includes an open house at the Hammer Museum, followed by a reception at the Fowler Museum
- Santa Monica and Venice Art Tour
- Tour to the Getty Villa
- Tour to the Getty Center
Space is limited, so please register early.
In honor of the host city, a new Art in LA section on the conference website will provide a window on the Los Angeles art scene from now through the conference. Take a look at works recently included in Pulse Los Angeles, an art fair that took place this past weekend.
Making travel plans and hotel reservations? Check out the special discounts available to conference attendees. Students can take advantage of further reductions on accommodations at select conference hotels.
CAA will regularly update the conference website over the next few months, with additional details on the program, awards, tours, and more. A list of session names and chairs will be posted shortly.
The CAA Annual Conference is the world’s largest international forum for professionals in the visual arts, offering more than two hundred stimulating sessions, panel discussions, roundtables, and meetings. CAA anticipates more than five thousand artists, art historians, students, curators, critics, educators, art administrators, and museum professionals to attend the meeting, which brings CAA’s Centennial year to a close.
Karl Kilinski II: In Memoriam
posted by CAA — October 04, 2011
anis Bergman-Carton is associate professor and chair of art history in the School of the Arts at Southern Methodist University in Dallas, Texas.
Karl Kilinski II
Karl Kilinski II, University Distinguished Teaching Professor of Art History at Southern Methodist University (SMU), died on January 6, 2011, after a long and courageous battle with cancer. He was 64 years old.
Born in New Orleans, Louisiana, Kilinski came to SMU in 1976 after completing a PhD in classical art and archaeology at the University of Missouri. He taught classes on the visual culture of Egypt and Greece, informed by his experiences as a land and underwater archaeologist, as a research fellow at the American School of Classical Studies in Athens, and as board member of the Society for the Preservation of Greek Heritage. His dynamic lectures attracted students from almost every department at SMU, as well as dozens of lifelong learners from the Dallas and Fort Worth communities.
A specialist in Greek vase painting, Kilinski published widely in scholarly journals and authored several books, including The Flight of Icarus through Western Art (2002) and Boetian Black Figure Vase Painting of the Archaic Period (1990). Cambridge University Press had recently accepted The Presence of the Past: Greek Myth in Western Art, the culmination of decade-long research and a teaching project that engaged several generations of MA students in art history, for publication.
Kilinski also served as guest curator for several exhibitions at the Kimbell Art Museum and SMU’s Meadows Museum. He held visiting appointments at the Danish Institute for Study Abroad (DIS) in Copenhagen and at Kwansei Gakuin University in Japan. He was also the recipient of summer grants from the Samuel H. Kress Foundation, the National Endowment for the Humanities, and the Ford Foundation.










David Holt, Landscape with Bird, 2011, acrylic on linen, 20 x 20 in. (artwork © David Holt)
Reynolds, title not known, 2011, intaglio, dimensions not known (artwork © Reynolds)
Patricia Villalobos-Echeverría, mesoparasitio <13°41'33"N 89°14'30"W>, 2011, EPS foam on wall, audio, and custom-designed furniture, dimensions variable (artwork © Patricia Villalobos-Echeverría)
Lisa Blas, After Johnny Shiloh, Then Lincoln, 2005, chromogenic print mounted on Sintra and framed, 20¾ x 26¾ in. (artwork © Lisa Blas)
Les Barta, Rock Phenomena, 2011, computer photoconstruction (artwork © Les Barta)
Barbara McPhail, Unnatural Gas, Morning Mist, 2010, monoprint, 14 x 11 in. (artwork © Barbara McPhail)
Michael Rich, Lotus II, 2011, oil and wax on canvas, 24 x 26 in. (artwork © Michael Rich)
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Heather Deyling, Locus 5, 2011, acrylic and rice paper on canvas, 48 x 48 in. (artwork © Heather Deyling)
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Mary Ting, Snake Girl, cut-paper drawing (artwork © Mary Ting)
Jan Wurm, Game, 2011, oil on canvas, 36 x 48 in. (artwork © Jan Wurm)
Alan C. Braddock (photograph by Karen Sherry)
Margarita Aguilar
Douglas Druick
Paul Ha
Russell Lord
John R. Stomberg
Kristina Van Dyke
Holland Cotter (photograph by Bradley Marks)
Ofelia Garcia
George L. Bunting Jr., trustee emeritus (photograph by Bruce Weller)
Parmigianino, Studio Interior, pen and brown ink on paper (framing lines in pen and black ink), 5½ x 4⅞ in. Purchased by Pierpont Morgan, 1910; IV, 46 (artwork in the public domain)
Jusepe de Ribera, Portrait of a Knight of Santiago, 1630–38, oil on canvas, 57½ x 42 in. Meadows Museum, Algur H. Meadows Collection, 77.02 (artwork in the public domain)
Kitagawa Utamaro, Three Beauties of the Present Day, ca. 1793, color woodblock print with mica dust, 15¼ x 10 5/16 in. Toledo Museum of Art, Carrie L. Brown Bequest Fund, 1951.290 (artwork in the public domain)
Maulana Jalal al-Din Rumi, folio from Walters manuscript W.626 depicting a battle scene, 1663, ink and pigments on thin laid paper (probably Kashmiri), 5⅞ x 10 7/16 in. Walters Museum of Art, Baltimore, W.626.54A (artwork in the public domain)
Sinclair Bell

Sue Johnson, Birds without Feathers, 2010, watercolor and pencil on paper, 30 x 22 in. (artwork © Sue Johnson)
Jaune Quick-to-See Smith
P. Gregory Warden
Richard Garet, still from Image Blur, 2011, video, 35:59 min. (artwork © Richard Garet)
Kate Millet’s Great Lady Rising Event, in which her sculpture created while a resident artist at the Women’s Building in Los Angeles in 1977 was hoisted to the roof and installed there for the fifth anniversary celebration in 1978 (photographer unknown; photograph from the Women’s Building Archive at Otis College of Art and Design and © the Women’s Building)
Andrew Ellis Johnson, Formal Graffiti Series: p.34 (Ha’) Insulation, archival digital print on Hahnemühle paper, 20 x 15 in. (artwork © Andrew Ellis Johnson)
Announcement card for Willie Marlowe: Paintings of Singular Delights











