CAA News Today
Solo Exhibitions by Artist Members
posted by CAA — June 22, 2011
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
Abroad
Kent Christensen. Eleven Fine Art, London, England, April 1–May 14, 2011. Sensory Overload. Oil on linen and panel.
Cora Cohen. Field Institute Hombroich, Raketenstation Museum Insel Hombroich, Neuss, Germany, June 7–26, 2011. Cora Cohen – Altered X Rays. Installation of paintings on exposed x-ray film.
Nicole Pietrantoni. Icelandic Printmakers’ Association (Íslensk Grafík), Reykjavik, Iceland, May 14–29, 2011. Know Your Place. Mixed media.
Mid-Atlantic
Pat Adams. National Association of Women Artists, New York, June 7–29, 2011. Pat Adams. Painting and mixed media.
Virginia Maksymowicz. Memorial Hall, Basilica of the National Shrine of the Immaculate Conception, Washington, DC, March 9–April 25, 2011. The Stations of the Cross. Sculptural relief.
Midwest
Les Barta. Galesburg Civic Art Center Gallery, Galesburg, Illinois, May 20–June 18, 2011. Les Barta. Photoconstruction.
Northeast
Susan Bee. A.I.R. Gallery, Brooklyn, New York, May 25–June 19, 2011. Recalculating: New Paintings. Oil on linen.
Monica Bock. SoHo20 Gallery, New York, May 31–June 25, 2011. Home Sick. Sculpture.
Elisabeth Condon. Lesley Heller Workspace, New York, April 13–May 15, 2011. Climb the Black Mountain. Acrylic and oil on linen.
Jen P. Harris. Daniel Cooney Fine Art, New York, June 9–30, 2011. American Kiss. Painting and work on paper.
Elizabeth Keithline. Danforth Museum, Framingham, Massachusetts, May 4–June 5, 2011. Smarter/Faster/Higher. Wire sculpture.
Joan Marie Kelly. Blue Mountain Gallery, New York, July 12–30, 2011. Zones of Contact: The Public Art of Joan Marie Kelly. Oil on canvas.
Annie Shaver-Crandell. Paula Barr Chelsea, New York, May 5–14, 2011. Speaking Likenesses: Portraits of Cats and Dogs. Acrylic on canvas.
South
Curtis Bartone. Telfair Art Museum, Savannah, Georgia, February 4–June 26, 2011. Domain: Drawings, Etchings, and Lithographs by Curtis Bartone. Charcoal on paper, lithography, etching, and aquatint.
Dennis Joyce. B.I.G. (Barrier Island Group) Arts, Sanibel, Florida, April 2–30, 2011. Expressive, Energetic, Explorative Exhibit. Sculpture and painting.
Vesna Pavlović. Gordon Contemporary Artists Project Gallery, Frist Center for the Visual Arts, Nashville, Tennessee, June 24–September 11, 2011. Vesna Pavlović: Projected Histories. Photography.
West
Sarah Hurwitz. Eye Lounge, Phoenix, Arizona, May 20–June 11, 2011. Hurwitz Meat Market. Installation.
People in the News
posted by CAA — June 17, 2011
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
Academe
Michaël J. Amy has been promoted to professor of the history of art in the College of Imaging Arts and Sciences at Rochester Institute of Technology in Rochester, New York.
Mary D. Garrard, professor emerita of American University in Washington, DC, was the William Fleming Distinguished Visiting Professor at Syracuse University in Syracuse, New York, in April 2011.
Beauvais Lyons, James R. Cox Professor of Art at the University of Tennessee in Knoxville, has been appointed a Chancellor Professor at his school. The honor comes with a $20,000 research stipend.
Museums and Galleries
Amy Brandt, formerly assistant curator at American Federation of Arts in New York, has been named McKinnon Curator of Modern and Contemporary Art at the Chrysler Museum of Art in Norfolk, Virginia.
Cosmin Costinas will join Para/Site, a contemporary art space in Hong Kong, China, as executive director and curator in September 2011. He was previously curator at Basis voor actuele kunst in Utrecht, the Netherlands.
Olivier Meslay, curator of European and American art at the Dallas Museum of Art in Texas, has been appointed interim director of his institution, following the resignation of Bonnie Pitman.
Joel Smith, curator of photography at the Princeton University Art Museum in Princeton, New Jersey, has been named Peter C. Bunnell Curator of Photography, a newly endowed position.
John R. Stomberg, currently deputy director and chief curator of the Williams College Museum of Art in Williamstown, Massachusetts, has been chosen to lead the Mount Holyoke College Art Museum in South Hadley, Massachusetts, as director. He begins the new job on August 1, 2011.
Michael Taylor, curator of modern art and department head of modern and contemporary art at the Philadelphia Museum of Art in Pennsylvania, has become director of the Hood Museum of Art in Hanover, New Hampshire.
Organizations and Publications
Heath Fox, assistant dean of arts and humanities at the University of California, San Diego, since 2006, has been appointed deputy director of operations at the Broad Museum in Los Angeles, California.
Anne Helmreich, formerly director of the Baker-Nord Center for the Humanities and associate professor of art history at Case Western Reserve University in Cleveland, Ohio, has been appointed senior program officer at the Getty Foundation in Los Angeles, California.
Institutional News
posted by CAA — June 17, 2011
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
The Archives of American Art at the Smithsonian Institution, based in New York and Washington, DC, has received a $3 million grant from the Terra Foundation for American Art to support another five years of the archives’ digitization project and to fund a new position that will create and oversee related online scholarly and educational outreach initiatives. This second grant brings the Terra’s total gift to the archives to $6.6 million over a ten-year period.
The Currier Museum of Art in Manchester, New Hampshire, has received a grant from the National Endowment for the Arts to support the exhibition Jon Brooks: Bringing Art and Nature to Children and Families. A comprehensive selection of educational and community outreach activities will accompany the retrospective exhibition of works by Brooks, a New Hampshire artist who is a leading member of the American studio furniture movement.
The Honolulu Academy of Arts and the Contemporary Museum, both in Hawai‘i, have announced that the two institutions will merge, effective July 1, 2011. Under the agreement, the latter museum will gift its collection and assets to the former one.
The Philadelphia Museum of Art in Pennsylvania has been approved for reaccreditation by the Accreditation Commission of the Association of American Museums, a nonprofit organization based in Washington, DC.
Rutgers University’s Visual Arts Department has received a $3.4 million gift from Marlene A. and David A. Tepper to endow a faculty chair position at the Mason Gross School of the Arts and to fund scholarships in the painting program.
The Virginia Museum of Fine Arts in Richmond has received reaccreditation from the Accreditation Commission of the American Association of Museum, based in Washington, DC.
The Whitney Museum of American Art in New York has been reaccredited by the Accreditation Commission of the Washington, DC–based Association of American Museums.
Grants, Awards, and Honors
posted by CAA — June 15, 2011
Grants, Awards, and Honors
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
Elizabeth Bolman, associate professor of art history in the Tyler School of Art at Temple University in Philadelphia, Pennsylvania, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine-arts research. She will study magnificence and asceticism in Upper Egypt via the Red Monastery Church.
Michele Brody, an artist based in New York, has been awarded a summer residency at Quimby Colony in Portland, Maine, where she will focus on her Drawing Roots series.
Carissa Carman, an MFA student in fibers at Concordia University in Montreal, Quebec, has received a $2,000 Textile Society of America Travel Grant to attend and participate in the International Symposium and Exhibition on Natural Dyes, which took place April 24–30, 2011, in La Rochelle, France.
Mary D. Garrard, professor emerita of American University in Washington, DC, has received a Lifetime Achievement Award from the Mississippi Institute of Arts and Letters.
Charles Goldman, an artist based in Brooklyn, New York, has been award a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine arts.
Michelle Handelman has been awarded a 2011 John Simon Guggenheim Memorial Foundation Fellowship in film and video. She will spend the fellowship period working on her new project, Irma Vep, the last breath, a three-channel video installation based on the life of the actress and film director Musidora, and the silent-film character she was best known for, Irma Vep, from Les Vampires (1915, directed by Louis Feuillade).
Jen P. Harris, a New York–based artist, has been awarded a $2,500 grant from the Astraea Visual Arts Fund, which promotes the work of contemporary lesbian visual artists.
Anne D. Hedeman, professor of art and medieval studies at the University of Illinois, Urbana-Champaign, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in medieval history.
Corin Hewitt, an artist and assistant professor of sculpture and extended media at Virginia Commonwealth University in Richmond, has been awarded a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine arts.
Alison Luchs has been tapped by the Italian Art Society to deliver the 2011 Italian Art Society–Kress Foundation Lecture in Florence, Italy, taking place on June 8, 2011.
Billie Grace Lynn has received the 2011 West Grand Prize. A $25,000 award will assist her project, called Mad Cow Motorcycle, in which she will develop a biodiesel motorcycle to raise awareness for greenhouses gases coming from commercial cattle farms.
Richard Minsky has received the 2011 Worldwide Books Award for Publications for The Art of American Book Covers, 1875–1930 (New York: George Braziller, 2010). The Art Libraries Society of North America awarded him a certificate and a $1,000 prize for his book at its recent annual conference, held jointly with the Visual Resources Association.
Linda Nochlin, Lila Acheson Wallace Professor of Modern Art at the Institute of Fine Arts, New York University, has received a 2011 Icon Award in the Arts from the Bruce Museum in Greenwich, Connecticut.
Jennifer Ellen Robertson, professor of anthropology at the University of Michigan, Ann Arbor, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in East Asian studies.
Allison Smith, a sculptor based in Oakland, California, has been awarded a $50,000 USA Fellowship for artistic excellence from United States Artists.
Susan Webster, Jane Williams Mahoney Professor of Art History and American Studies at the College of William and Mary in Williamsburg, Virginia, has received a 2011 John Simon Guggenheim Memorial Foundation Fellowship in fine-arts research. She will study European architecture and Andean masters in colonial Quito, Ecuador.
Bradley Wester, an artist based in New York, has been awarded two residencies. From September to November 2011, he will be a resident artist at AIR Antwerpen in Belgium. In February 2012, he will take part in the Hermitage Artist Retreat, based in Englewood, Florida, and comprised of writers, painters, composers, playwrights, poets, choreographers, performance artists, sculptors, and other artists whose work defies categorization. (He was also a resident there in March 2011).
Kristina Wilson, associate professor of art history at Clark University in Worcester, Massachusetts, has received the twenty-third Charles C. Eldredge Prize for Distinguished Scholarship in American Art, awarded by the Smithsonian American Art Museum in Washington, DC, for her book, The Modern Eye: Stieglitz, MoMA, and the Art of the Exhibition, 1925–1934 (New Haven: Yale University Press, 2009).
Exhibitions Curated by CAA Members
posted by CAA — June 15, 2011
Exhibitions Curated by CAA Members
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
John Chaich. Mixed Messages: A(I)DS, Art + Words. La MaMa La Galleria, New York, June 2–July 3, 2011.
Wanda M. Corn and Tirza True Latimer. Seeing Gertrude Stein: Five Stories. Contemporary Jewish Museum, San Francisco, California, May 12–September 6, 2011.
Heather Gibson. Patterns of Consumption. Atrium Gallery, Tyler School of Art, Temple University, Philadelphia, Pennsylvania, April 2–15, 2011.
Elizabeth Keithline. A Tool Is a Mirror. Danforth Museum of Art, Framingham, Massachusetts, May 4–June 5, 2011.
John Silvis and Brett Dickinson. Theodolite. New York Center for Art and Media Studies, New York, April 6–21, 2011.
Robert Storr and Francesca Pietropaolo. North by New York: New Nordic Art. Third Floor Galleries, Scandinavia House, Nordic Center in America, American-Scandinavian Foundation, New York, April 14–August 19, 2011.
Virginia-Lee Webb. Ancestors of the Lake: Art of Lake Sentani and Humboldt Bay, New Guinea. Menil Collection, Houston, Texas, May 6–August 28, 2011.
Books Published by CAA Members
posted by CAA — June 15, 2011
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
June 2011
Patricia Albers. Joan Mitchell, Lady Painter: A Life (New York: Alfred A. Knopf, 2011).
Andrew Arbury. About Art (Dubuque, IA: Kendall Hunt, 2011).
Lisa Beaven. An Ardent Patron: Cardinal Camillo Massimo and His Antiquarian and Artistic Circle (London: Paul Holbertson, in association with Centro de Estudios Europa Hispánica, 2010).
Wanda M. Corn and Tirza True Latimer. Seeing Gertrude Stein: Five Stories. (Berkeley: University of California Press; San Francisco: Contemporary Jewish Museum; Washington, DC, National Portrait Gallery, 2011).
Brenda Longfellow. Roman Imperialism and Civic Patronage: Form, Meaning, and Ideology in Monumental Fountain Complexes (New York: Cambridge University Press, 2010).
Andreas Marks, ed. Fukami: Purity of Form (Hanford, CA: Clark Center for Japanese Art and Culture, 2011).
John R. Senseney. The Art of Building in the Classical World: Vision, Craftsmanship, and Linear Perspective in Greek and Roman Architecture (New York: Cambridge University Press, 2011).
Apply for a Meiss or Wyeth Publishing Grant
posted by CAA — June 13, 2011
CAA is offering two publishing-grant opportunities this fall—through the Millard Meiss Publication Fund and the Wyeth Foundation for American Art Publication Grant—that support new books in art history and related subjects. The publisher must submit the application to either grant or to both funds, though only one award can be given per title. Awards are made at the discretion of each jury and vary according to merit, need, and number of applications. Both programs have a deadline of October 1, 2011. CAA will announce the recipients of the Meiss and Wyeth grants in late November or early December 2011.
Millard Meiss Publication Fund
CAA awards grants from the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. For complete guidelines, application forms, and a grant description, please visit www.collegeart.org/meiss or write to nyoffice@collegeart.org. Deadline: October 1, 2011.
Wyeth Foundation for American Art Publication Grant
Thanks to generous funding from the Wyeth Foundation for American Art, CAA awards a publication grant to support book-length scholarly manuscripts in the history of American art and related subjects. For purposes of this program, “American art” is defined as art created in the United States, Canada, and Mexico prior to 1970. Books eligible for the Wyeth Grant have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. For complete guidelines, application forms, and a grant description, please visit www.collegeart.org/wyeth or write to nyoffice@collegeart.org. Deadline: October 1, 2011.
Committee on Women in the Arts Picks for June 2011
posted by CAA — June 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
June 2011
“Women and the Arts: Dialogues in Female Creativity in the U.S. and Beyond”
June 15–17, 2011
University of Lisbon Centre for English Studies
Centro de Saúde de Sete Rios, Lisbon, Portugal 1600-214
This three-day international gathering, organized by the American Studies Group of the University of Lisbon Centre for English Studies, will promote a reflection on women’s artistic production, contrasting the US context with other cultures. Featured sessions address such topics as “Dreaming, Doing, Being, & Seeing: The Woman Artist as Seen, Invisible, Witnessed and Observer”; “Women and the Crafts”; “Performance Arts”; “Art and Gender Politics”; “Portraits of the Artist as Woman”; “Women in Contemporary Art in the U.S. and Beyond”; and “Boundaries and Crossings in Theory and Art.”
!Women Art Revolution
Various locations across the United States
This eight-three-minute documentary film, directed by Lynn Hershman Leeson (and a CWA Pick in January 2011), relates the feminist art movement to the 1960s antiwar and civil rights causes and explains how historical events sparked feminist actions against major cultural institutions. Detailing major developments in women’s art of the 1970s, the film looks at early feminist art-education programs, political organizations and protests, and alternative art spaces such as A.I.R. Gallery and Franklin Furnace in New York and the Women’s Building in Los Angeles. Leeson also turns her attention to publications such as Chrysalis and Heresies and to landmark exhibitions, performances, and installations of public art that changed the direction of contemporary art.
In June, the following theaters and cultural institutions will screen the film:
- June 1–8: IFC Center, 323 Avenue of the Americas, New York, NY 10014
- June 2: Manhasset Cinemas, Gold Coast International Film Festival, 430 Plandome Road, Manhasset, NY 11030
- June 2–9: West End Cinema, 1 M Street NW, Washington, DC
- June 3: New Hyde Park Cinemas, Gold Coast International Film Festival, 3324 Hillside Avenue, New Hyde Park, NY 11040
- June 10: Institute of Contemporary Art, 100 Northern Avenue, Boston, MA 02210
- June 10: The Screen, Santa Fe University of Art and Design, 100 Saint Michaels Drive, Santa Fe, NM 87505
- June 14: Billy Wilder Theater, Hammer Museum, 10899 Wilshire Boulevard, Los Angeles, CA 90024
- June 15–19: Museum of Fine Arts, 100 Huntington Avenue, Boston, MA 02116
- June 17–23: Laemmle’s Music Hall 3, 9036 Wilshire Boulevard, Beverly Hills, CA 90211
- June 17–23: Northwest Film Forum, 1515 Twelfth Avenue, Seattle, WA 98122
- June 23–26: Noble Theater, Oklahoma City Museum of Art, 415 Couch Drive, Oklahoma City, OK 73102
- June 24–27: Northwest Film Center, 1119 Southwest Park Avenue, Portland, OR 97205
- June 24–30: Denver FilmCenter, Denver Film Society, 2601 Blake Street, Denver, CO 80205
- June 24–30: Real Art Ways, 56 Arbor Street, Hartford, CT 67401
- June 24–30: Salina Art Center, 150 South Santa Fe, Salina, KS 67401
Talks by the director and guest speakers—such as Howardena Pindell and Carey Lovelace in New York, Carrie Brownstein in Portland—and other special events will accompany selected screenings.
Guerrilla Girls, Untitled, from the series Guerrilla Girls Talk Back: The First Five Years, 1985–1990, 1986, color photolithograph on paper, 17 x 22 in. National Museum of Women in the Arts, Gift of Steven Scott, Baltimore, in honor of Wilhelmina Cole Holladay (artwork © Guerrilla Girls; photograph provided by the National Museum of Women in the Arts)
The Guerrilla Girls Talk Back
June 17–October 2, 2011
National Museum of Women in the Arts
1250 New York Avenue NW, Washington DC 20005
The Guerrilla Girls—anonymous females who take the names of dead women artists and appear in public wearing gorilla masks—use humor to expose sexism and racism in the art world, film, politics, and culture at large. This exhibition presents posters and ephemera from the group, including works from two portfolios, Guerrilla Girls Talk Back: The First Five Years, 1985–1990 and Guerrilla Girls Talk Back: Portfolio 2.
Tracey Emin: Love Is What You Want
May 18–August 29, 2011
Hayward Gallery
Southbank Centre, Belvedere Road, London SE1 8XX, England
The first major survey in London of Tracey Emin’s work occupies both floors and two outdoor sculpture terraces at the Southbank Centre. Works from every period of her career and in diverse media—painting, textiles, work on paper, photography, neon, film, and sculpture—will accompany a new series of outdoor sculptures made especially for the Hayward Gallery installation.
Discounts on Magazine and Journal Subscriptions for CAA Members
posted by CAA — May 17, 2011
Every year CAA collaborates with publishers to offer special discounts on forty-seven magazines and journals covering art and culture. This longstanding member benefit encourages the exchange and dissemination of artistic and scholarly viewpoints and complements CAA’s three journals to which members have access.
Established magazines such as Artforum, Art in America, and October join more eclectic publications like Cabinet, McSweeney’s Quarterly Concern, and the Believer in a diverse stable of printed matter. CAA welcomes Critical Inquiry and History of Photography back into the fold and introduces West 86th, formerly known as Studies in the Decorative Arts. The discount program even includes a quarterly DVD series, called Wholphin.
If you are interested in starting a new subscription or renewing an existing one, please log into your CAA account and click the Member Benefits link at left. On the following page, click the link under the Subscription Discounts header to download the PDF file with the contact information and order coupon for each journal or magazine. If you have questions about this benefit, please contact Member Services at 212-691-1051, ext. 12.
Committee on Women in the Arts Picks for May 2011
posted by CAA — May 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
May 2011
Poster for a Mahalia Jackson concert in Topeka, Kansas, 1962 (photograph provided by the Rock and Roll Hall of Fame and Museum)
Women Who Rock: Vision, Passion, Power
Rock and Roll Hall of Fame and Museum
1100 Rock and Roll Boulevard, Cleveland, OH 44114
May 13, 2011–February 26, 2012
The eight sections of Women Who Rock: Vision, Passion, Power will highlight how women have driven the engines of creation and change in popular music since the early twentieth century. Blues women from the 1920s such as Ma Rainey and Bessie Smith set the stage for those who followed: Brenda Lee, the Ronettes, Janis Joplin, Carol King, Donna Summer, Siouxsie Sioux, Madonna, Bikini Kill, Queen Latifah, and Lady Gaga. In addition to displays of artifacts and memorabilia, as well as videos and listening stations, the interactive exhibition will set up a recording booth where visitors can record a short story or moment of inspiration related to women in rock.
“From Portraits to Pinups: Women in Art and Popular Culture”
Iris and B. Gerald Cantor Auditorium
Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238
May 14, 2011
On Saturday, May 14, the Brooklyn Museum will hold a daylong symposium in conjunction with the exhibition Lorna Simpson: Gathered (a CWA Pick from February). Graduate students will present their research on topics such as the implications of women artists using images of women in their work, the connections between women’s history and contemporary art, and perceptions of race and gender. In addition, Wendy Steiner, an English professor and the founding director of the Penn Humanities Forum at the University of Pennsylvania, will speak about concepts of beauty, while a panel discussion will feature the comedian Erica Watson, the drag king Shelly Mars, and the illustrator Molly Crabapple.
Uta Barth
Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL 60603
May 14–September 14, 2011
The photographer Uta Barth once intriguingly said that her contemplative images of domestic scenes devoid of action “are really not of anything in that sense, they register only that which is incidental and peripheral implied.” Curated by Elizabeth Siegel of the Art Institute of Chicago, this exhibition presents her latest series, called … and to draw a bright white line with light, alongside two earlier bodies of work: white blind (bright red) from 2002 and Sundial from 2007.

“Illustrated Lecture and Book Signing: Dr. Gail Levin”
Elizabeth A. Sackler Center for Feminist Art
Brooklyn Museum, 200 Eastern Parkway, Brooklyn, NY 11238
May 15, 2011
On Sunday, May 15, the art historian Gail Levin, who teaches at Baruch College and the Graduate Center in New York, will discuss her most recent book, Lee Krasner: A Biography (New York: William Morrow, 2011), which looks beyond Krasner’s relationship with her husband Jackson Pollock to detail her own brilliant career as a painter in New York. A book signing will follow the 2:00 PM talk.
Loïs Mailou Jones: A Life in Vibrant Color
Women’s Museum
3800 Parry Avenue, Dallas, TX 75226
May 21–July 23, 2011
This traveling exhibition surveys Loïs Mailou Jones’s seventy-five years as a painter, tracing the development of her work from her early career into her signature mixture of African, Caribbean, American, and African American iconography, design, and thematic elements. Comprised of over sixty paintings, drawings, and textile designs from public and private collections, Loïs Mailou Jones: A Life in Vibrant Color also includes, for the first time, major holdings from the late artist’s estate for public presentation. A CWA Pick in October 2010, the exhibition originated at the National Museum of Women in the Arts in Washington, DC.



Kent Christensen, Three Graces, 2011, oil on linen, diptych, 58 x 36 in. (artwork © Kent Christensen)
Cora Cohen, R 77, 2011, acrylic, Flashe, and tape on roentgenograph, 15⅝ x 11¾ in. (artwork © Cora Cohen)
Nicole Pietrantoni, If you take a picture it will last longer, 2011, site-specific installation, white flour and hand-cut stencil, 4 x 28 ft. (artwork © Nicole Pietrantoni)
Pat Adams, Coming From II, 2005, oil, acrylic, and isobutyl methacrylate with sand on paper on wood, 14⅝ x 22 in. (artwork © Pat Adams)
Virginia Maksymowicz, Station I, 2005, Hydrocal FGR 95, 24 x 24 x 6 in. (artwork © Virginia Maksymowicz; photograph by the artist)
Les Barta, Scotty’s Palette, 2008, computer photoconstruction (artwork © Les Barta)
Susan Bee, Autumn Fantasy, 2011, oil on linen, 18 x 14 in. Collection of Leslee Smoke (artwork © Susan Bee)
Monica Bock, Home Sick (artwork © Monica Bock)
Elisabeth Condon, I’d Like to Try This Perfect Life, 2011, acrylic on linen, 44½ x 72 in. (artwork © Elisabeth Condon)
Jen P. Harris, Pacific, 2009, oil on linen, 60 x 80 in. (artwork © Jen P. Harris; photograph by Susan Alzner)
Elizabeth Keithline, Two Figures, wire, 96 x 72 x 24 in. (artwork © Elizabeth Keithline)
Joan Marie Kelly, Zones of Contact, oil on canvas, 188 x 115 cm (artwork © Joan Marie Kelly)
Annie Shaver-Crandell, Colby at Her Ease: Homage to Olympia, 2011, acrylic on canvas, 12 x 24 in. (artwork © Annie Shaver-Crandell)
Curtis Bartone, Lode, 2011, charcoal on paper, 40 x 30 in. (artwork © Curtis Bartone)
Dennis Joyce, The Steakeater, 2009, ceramic, wood, and steak knives, 16 x 10 x 10 in. (artwork © Dennis Joyce; photograph by the artist) 
Sarah Hurwitz, invitation card for Hurwitz Meat Market (artwork © Sarah Hurwitz)
Mary D. Garrard
Beauvais Lyons
Anne Helmreich
Elizabeth Bolman
Michelle Handelman, still from Dorian, 2009, 4-channel HD video, 63 min. (artwork © Michelle Handelman)
Jen P. Harris
Richard Minsky (photograph by Richard Grosbard)
Bradley Wester
George Platt Lynes, Gertrude Stein, Bilignin, 1931, toned gelatin-silver print. Baltimore Museum of Art, Cone Collection, Gift of Adelyn D. Breeskin, BMA 1985.3 (artwork © Estate of George Platt Lynes)
Promotional image for Patterns of Consumption
Promotional image for Theodolite






