CAA News Today
Solo Exhibitions by Artist Members
posted by CAA — December 22, 2011
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
Abroad
Grimanesa Amoros. Galeria Aranapoveda, Centre d’art d’Alcoi, Madrid, Spain, September 22–December 4, 2011. Voyeur/Voyager. Video.
Midwest
Ellen K. Levy. Washington University School of Medicine in Saint Louis, Farrell Learning and Teaching Center, Saint Louis, Missouri, September 26–November 15, 2011. Stealing Attention. Mixed media.
Sharon Louden. Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, October 1, 2011–May 20, 2012. Merge. Installation.
Northeast
Darla Bjork. SoHo20 Chelsea Gallery, New York, November 1–26, 2011. Fire Series: Recent Paintings. Painting.
Leila Daw. A.I.R. Gallery, Gallery II, Brooklyn, New York, September 7–October 1, 2011. Ways to Find. Mixed media.
David C. Driskell. DC Moore Gallery, New York, January 5–February 4, 2012. Creative Spirit: The Art of David C. Driskell.
John McDevitt King. VanDeb Editions, New York, October 6–28, 2011. Soft Ground: Prints and Drawings. Printmaking and drawing.
Deborah Wing-Sproul. Center for Maine Contemporary Art, Gallery 3, Rockport, Maine, October 1–December 11, 2011. still/moving: Deborah Wing-Sproul. Performance, video, sculpture, printmaking, and photography.
West
Deborah Cornell. Los Angeles Center for Digital Art, Los Angeles, California, September 8–30, 2011. Biogems, Species Boundaries, and Games of Chance. Digital printmaking.
Patrick Luber. Isaac Lincoln Gallery, Northern State University, Aberdeen, South Dakota, November 10, 2011–January 4, 2012. Matter of Belief. Sculpture.
Nancy Shelby Schuller: In Memoriam
posted by CAA — December 19, 2011
Nancy Shelby Schuller, who spent thirty-four years as curator of the Visual Resources Collection in the Department of Art and Art History at the University of Texas at Austin, died on November 8, 2011, following a long illness. She was 71. Schuller had been receiving loving care at Arveda Alzheimer’s Family Care, with the support of Resolutions Hospice and her family.
Born in 1940 to Joe Aubrey Shelby and Ida Ellenora Anderson Shelby, Nancy maintained her family’s long ties to the Austin area throughout her life. She attended grade schools in the city, graduating from Stephen F. Austin High School in 1958. She also earned a BA in studio art (1963) and an MFA in art history (1969) from the University of Texas at Austin.
Schuller joined the University of Texas staff in 1963 as a teaching assistant, beginning a distinguished career at the institution that would last nearly four decades. She taught graduate seminars in Administration and Development of Fine Arts Slide and Photograph Collections through her department and through the Graduate School of Library and Information Science. She also cotaught numerous workshops, on Visual Resources Collection Fundamentals and on Advanced Studies in Visual Resources, both at her school and at the University of Oregon in Eugene. Schuller retired in December 2001. As he accepted her letter of resignation, the department chair Kenneth J. Hale described her tenure as one of “phenomenal accomplishment in the areas of teaching and administration.”
Schuller demonstrated great drive and adaptability with the change from slide and photograph collections to electronic management of visual resources, with digital scanning and cataloguing for delivery and access on the internet. She frequently participated in and delivered papers at national visual-resources and library conferences. She also led workshops on the classification of materials, and on standards and protocols for disseminating visual images in a range of settings, such as libraries, historical archives, and governmental agencies. Several generations of slide librarians and visual-resource curators were trained and mentored by Schuller. Her Management for Visual Resources Collections (1989), which evolved from her earlier edited volume, Guide for Management of Visual Resources Collections (1978), was the standard text used by professionals worldwide. Schuller was active in the Visual Resources Association (VRA) from its inception, and in 2005, she received the Art Libraries Society of North America and VRA Distinguished Service Award.
Her love of art museums, her fine seamstress skills, and her culinary creativity were all evidence of Schuller’s enduring interest in the wider artistic world. She was a member of the Episcopal Church of the Good Shepherd, where she sang in the choir for many years and served on the altar guild.
Schuller is survived by her husband, Brian Schuller of Austin; her daughter, Shelby Nicole Schuller of Alexandria, Virginia; and extended family members throughout the United States. In lieu of flowers, memorial donations may be made to one of the following: Alzheimer’s Association, 3429 Executive Center Drive, Austin, TX 78731; Resolutions Hospice, 11825 Buckner Road, Austin, TX 78726; or Visual Resources Association Foundation, c/o R. Moss, 3949 43rd Avenue South, Minneapolis, MN 55406.
People in the News
posted by CAA — December 17, 2011
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
Academe
Maria Ann Conelli, formerly executive director of the American Folk Art Museum in New York, has been appointed dean of the School of Visual, Media, and Performing Arts at Brooklyn College, City University of New York.
Marc Gerstein, professor of art history at the University of Toledo in Ohio, will retire at the end of the fall 2011 semester. Gerstein spent thirty-one years in Toledo, first with the Toledo Museum of Art and, since 1987, with the University of Toledo.
Martha Langford has been appointed research chair and director of the Gail and Stephen A. Jarislowsky Institute for Studies in Canadian Art at Concordia University in Montreal, Quebec. She began her five-year term on July 1, 2011.
Sandra Maxa, a graphic designer and educator, has become a faculty member at the Maryland Institute College of Art in Baltimore. She will teach during academic year 2011–12.
Aaron McIntosh has been appointed to the faculty of the Maryland Institute College of Art in Baltimore for the 2011–12 school year.
Gunalan Nadarajan, vice provost of research at the Maryland Institute College of Art in Baltimore, has been appointed to a new position at his school: vice provost of research and graduate studies.
Mark Sanders, a graphic designer and educator, has joined the Maryland Institute College of Art in Baltimore as a faculty member for academic year 2011–12.
Greg Shelnutt, professor of sculpture at Clemson University in South Carolina, has been appointed chairman of the Department of Art at his school. He succeeds Michael Vatalaro, who retired after thirty-five years.
Museums and Galleries
James Peck, most recently Robert S. and Grace B. Kerr Fellow at the University of Oklahoma’s Charles M. Russell Center for the Study of Art and the American West, has become curator of collections at the Rockwell Museum of Western Art in Corning, New York.
Will South, formerly chief curator of the Dayton Art Institute in Ohio, has been appointed chief curator of the Columbia Museum of Art in Columbia, South Carolina.
Organizations and Publications
Marcia E. Vetrocq, editor-in-chief of Art in America from 2008 to 2011, has joined the editorial team at Art + Auction.
Institutional News
posted by CAA — December 17, 2011
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
The American Academy in Rome in Italy has received a 2011 grant from the Graham Foundation, intended to help present and produce publications, exhibitions, films, initiatives in new media, and other programs.
The Art Institute of Chicago in Illinois has been awarded a 2011 grant from the Graham Foundation, intended to help present and produce publications, exhibitions, films, initiatives in new media, and other programs.
The Brooklyn Museum in New York has won a 2011 National Medal for Museum and Library Service from the Institute of Museum and Library Services, a federal agency. Four other museums and five libraries also received medals, chosen from the institute’s director, Susan Hildreth, following a call for nominations.
The California Institute of the Arts in Valencia has been named America’s Number 1 College for Students in the Arts in a report recently released by Newsweek and the Daily Beast.
The Canadian Centre for Architecture in Montreal, Quebec, has earned a 2011 grant from the Graham Foundation, intended to assist the presentation and production of publications, exhibitions, films, initiatives in new media, and other programs.
The Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, DC, has published the entire archive of past Center reports from 1980–81 to the present. These thirty-one reports contain information about the center’s fellowships, meetings, research, and publications, as well as research reports by fellows in residence for each academic year.
The Frick Art Reference Library, based at the Frick Collection in New York, has announced that research database records in its Photoarchiv created since 1996, and all future records created for the existing collection and for new acquisitions, are now accessible via the New York Art Resources Consortium’s online catalogue, Arcade. The records offer detailed historical documentation for the works of art, including basic information about the artist, title, medium, dimensions, date, and owner of the work, as well as former attributions, provenance, variant titles, records of exhibition and condition history, and biographical information about portrait subjects.
Maryland Institute College of Art in Baltimore has launched the Baltimore Art and Justice Project, the first project of its kind in the United States to identify, amplify, and connect arts-based practitioners advancing the cause of social justice in a particular city. The project, in partnership with a citywide advisory committee, kicked off with a two-year, $150,000 grant from the Open Society Foundations in New York.
Maryland Institute College of Art in Baltimore will offer two new graduate programs in 2012: an master of professional studies in information visualization and a master of arts in critical studies. In addition, the college will expand its undergraduate offerings in the fall with new concentrations in game arts, sound art, and sustainability and social practice.
The Mason Gross School of the Arts and the School of Arts and Sciences at Rutgers University in New Brunswick, New Jersey, have established an education and professional hub for filmmaking. Directed by Dena Seidel, the Rutgers Center for Digital Filmmaking will offer a seven-course certificate program, beginning in spring 2012, and will also house the Rutgers Film Bureau.
Parsons the New School for Design in New York has announced a new master of arts in design studies, to begin in fall 2012. Based in the School of Art and Design History and Theory, the program will shape a new generation of thinkers to critically address historical, philosophical, and social issues related to design practices, products, and discourses. It is geared toward those seeking to pursue a career in design research, writing, curating, consulting, or criticism, as well as designers seeking to incorporate design research into their practice.
The Philadelphia Museum of Art in Pennsylvania has received a 2011 grant from the Graham Foundation, intended to help present and produce publications, exhibitions, films, initiatives in new media, and other program.
The School of Visual Arts in New York will begin offering a master of arts in critical theory and the arts in fall 2012. Chaired by Robert Hullot-Kentor and based on the Frankfurt School of Social Research, the program will bring together leading minds in philosophy, sociology, and art criticism to examine critical theory in relation to contemporary culture and the arts.
The University of Virginia Art Museum in Charlottesville has received a four-year, $315,000 grant from the Andrew W. Mellon Foundation to fund a new, full-time academic curator who will aid and expand the museum’s curatorial and academic programming mission as a teaching museum. The curator will also play an essential role in developing initiatives that integrate the museum with innovation in the humanities across the university.
The Walters Museum of Art in Baltimore, Maryland, has been awarded a $4 million bequest from the estate of John Bourne of Santa Fe, New Mexico, to endow a center for the study, conservation, interpretation, and display of the arts of the ancient Americas. The funds accompany Bourne’s donation of seventy works of art, as well as 230 additional planned gifts.
Winterthur Museum, Garden, and Library has received the gift of $3 million from a museum trustee, John L. McGraw and his wife Marjorie, to endow its director of museum collections, a post held by Linda S. Eaton. The endowment of the position—named the John L. and Marjorie P. McGraw Director of Collections—ensures that this vital aspect of Winterthur’s operations will be funded permanently into the future and reflects the institution’s commitment to the exceptional scholarship, publications, and exhibitions for which it is known.
Grants, Awards, and Honors
posted by CAA — December 15, 2011
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
Colin B. Bailey, deputy director and Peter Jay Sharp Chief Curator of the Frick Collection in New York, has received the insignia of Officer of the Order of Arts and Letters from the French government.
Caetlynn Booth, a recent graduate in painting from Mason Gross School of the Arts Graduate Program in Visual Arts at Rutgers University in New Brunswick, New Jersey, has received a Fulbright scholarship to Berlin, Germany, for academic year 2011–12. She will conduct research for a project titled “The Work of Adam Elsheimer and the Spiritual Power of Painting.”
Andrea Bowers has received a grant from Art Matters to support a video project documenting DREAM-activist youth in California fighting the deportation of undocumented students.
Robert Gero has received a grant from Art Matters to support travel to Hungary, Romania, Bulgaria, and Slovakia for research and interviews with the Roma.
Hope Ginsburg has received a grant from Art Matters to support travel her ongoing social artwork project, called Sponge. The artist will travel to the reef atolls off the coast of Belize to study the sea sponges that grow there.
Sheila Pepe has received a grant from Art Matters to support the international iterations of Common Sense, an ongoing installation and participatory performance involving a large-scale crocheted drawing.
Margaret Samu, adjunct assistant professor in the Art History Department of Stern College for Women at Yeshiva University, has received a Swann Foundation Fellowship for Caricature and Cartoon at the Library of Congress. The fellowship will enable her to study late-nineteenth-century Russian caricatures about art from the library’s strong holdings of satirical publications. She will use this material for a chapter of her book manuscript entitled Russian Venus.
Exhibitions Curated by CAA Members
posted by CAA — December 15, 2011
Exhibitions Curated by CAA Members
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
Michael Behle. The Other Picture. Gallery FAB, University of Missouri, Saint Louis, Missouri, October 24–November 30, 2011.
Reni Gower. Papercuts. Space 301, Centre for the Living Arts, Mobile, Alabama, October 14–December 17, 2011.
Reni Gower. Papercuts. Ernest G. Welch School of Art and Design Galleries, Georgia State University, Atlanta, Georgia, January 12–February 3, 2012.
Rena Hoisington. Print by Print: Series from Dürer to Lichtenstein. Baltimore Museum of Art, Baltimore, Maryland, October 30, 2011–March 25, 2012.
Adrienne Klein. Mineral. Castrucci Gallery, Union College, Schenectady, New York, May 21–December 31, 2011.
N. Elizabeth Schlatter. Art=Text=Art: Works by Contemporary Artists. University of Richmond Museums, Richmond, Virginia, August 17–October 16, 2011.
Claire L. Kovacs. Posters, Fans, and Songbooks: 19th-Century Prints by Toulouse-Lautrec and His Contemporaries. Krasl Art Center, St. Joseph, Michigan, September 16–October 30, 2011.
Mariangeles Soto-Diaz, Rob Strati, and Ann Tarantino. Gifting Abstraction. SoHo20 Chelsea Gallery, New York, October 4–29, 2011.
Lili White. Another Experiment by Women Film Festival. Millennium Film Workshop, New York, November 5, 2011.
Books Published by CAA Members
posted by CAA — December 15, 2011
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2011
Samantha Baskind and Larry Silver. Jewish Art: A Modern History (London: Reaktion Books, 2011).
Susan Boynton and Diane J. Reilly. The Practice of the Bible in the Middle Ages: Production, Reception, and Performance in Western Christianity (New York: Columbia University Press, 2011).
Sheila Crane. Mediterranean Crossroads: Marseille and Modern Architecture (Minneapollis: University of Minnesota Press, 2011).
Ruth Fine and Jacqueline Francis, eds. Romare Bearden, American Modernist (Washington, DC: National Gallery of Art, 2011).
Reni Gower. Papercuts: The Art of Contemporary Paper Cutting (San Francisco: Blurb, 2011).
Martha Drexler Lynn and Diana L. Daniels. The Vase and Beyond: The Sidney Swidler Collection of the Contemporary Vessel (Sacramento, CA: Crocker Art Museum, 2010).
Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock, eds. Pacific Standard Time: Los Angeles Art, 1945–1980 (Los Angeles: Getty Research Institute and the J. Paul Getty Museum, 2011).
Judith Rodenbeck. Radical Prototypes: Allan Kaprow and the Invention of Happenings (Cambridge, MA: MIT Press, 2011).
Anna Sokolina, ed. Arkhitektura i Antroposofiia [Architecture and Anthroposophy], 2nd ed. (Moscow: KMK Scientific Press, 2010).
Committee on Women in the Arts Picks for December 2011
posted by CAA — December 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
December 2011
Henrietta de Beaulieu Dering Johnston, Henriette Charlotte Chastaigner (Mrs. Nathaniel Broughton), 1711, pastel on paper; 14 2/5 x 11 3/5 in. Gibbes Museum of Art, Gift of Victor A. Morawetz (artwork in the public domain)
Breaking Down Barriers: 300 Years of Women in Art
Gibbes Museum of Art
135 Meeting Street, Charlestown, SC 29401
October 28, 2011–January 8, 2012
This exhibition, drawn from the museum’s permanent collection, examines the challenges that women artists have faced over the past three hundred years. The oldest works are by Henrietta de Beaulieu Dering Johnston (ca. 1674–1729), who is considered the first female professional artist in America. Among the most recent contributions are those by artists who work in Charleston today.
Nan Goldin: Scopophilia
Matthew Marks Gallery
522 West 22nd Street, New York, NY 10011
October 29–December 23, 2011
Scopophilia (“the love of looking”) combines Nan Goldin’s autobiographical photographs with those taken in the Louvre Museum after hours. A video, complete with the artist’s commentary and soaring choral music, is shown in a darkened viewing room. Both the photographs and video deal with themes of love and desire.
Sarah Sze: Infinite Line
Asia Society
725 Park Avenue, New York, NY 10021
December 16, 2011–March 25, 2012
Sarah Sze: Infinite Line comprises two-dimensional works on paper and a new large-scale, site-specific installation. Sze uses everyday objects such as milk cartons, takeout cups, bars of soap, feathers, lamps, ladders, pebbles, potted plants, pens, plastic bottles, tools, and twigs, which are transformed in her installations by their associations.
Sanja Iverković: Sweet Violence
Museum of Modern Art
11 West 53rd Street, New York, NY 10019
December 18, 2011–March 25, 2012
This first US museum exhibition of the Croatian feminist, activist, and video and performance artist Sanja Iverković covers four decades of her career. Roxana Marcoci, curator in the Department of Photography, has brought together a group of videos and media installations, including Sweet Violence (1974), Personal Cuts (1982), Practice Makes a Master (1982/2009), General Alert (Soap Opera) (1995), and Rohrbach Living Memorial (2005), along with one hundred photomontages.
Committee on Women in the Arts Picks for November 2011
posted by CAA — November 10, 2011
Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
November 2011
Patti Smith, Walt Whitman’s Tomb, Camden, NJ, 2007, unique Polaroid, 4¼ x 3¼ in. (artwork © Patti Smith; photograph provided by the artist, Robert Miller Gallery, and the Wadsworth Atheneum)
Patti Smith: Camera Solo
Wadsworth Atheneum Museum of Art
600 Main Street, Hartford, CT 06103
October 21, 2011–February 19, 2012
With seventy photographs, one multimedia installation, and a video, Patti Smith: Camera Solo is the largest presentation of this artist, poet, and performer’s visual work in the United States in nearly ten years. The exhibition highlights the connection between Smith’s photography and her interest in poetry and literature. Actual objects that appear in the many black-and-white Polaroids will also be on view.
Patti Smith: 9.11 Babelogue
Bertha and Karl Leubsdorf Art Gallery
Hunter College, City University of New York, East 68th Street at Lexington Avenue, New York, NY 10065
September 8–December 3, 2011
Mounted in conjunction with the tenth anniversary of the destruction of the World Trade Center, Patti Smith: 9.11 Babelogue comprises twenty-six works on paper created between 2001 and 2002 as a response to the tragic event in New York. Organized by Michelle Yun, curator of the Hunter College Art Galleries, the exhibition is the first presentation of the entire series.
Second Annual Feminist Art History Conference
Katzen Arts Center
American University, 4400 Massachusetts Avenue NW, Washington, DC 20016
November 4–6, 2011
Following the success of last year’s inaugural event, the Art History Program in the Department of Art at American University has organized the second annual Feminist Art History Conference. Speakers in twelve sessions will deliver fifty-one papers that span a broad range of topics and time periods, from the medieval era to contemporary art. The presentations will also demonstrate the ways in which feminist research and interpretation have spread across the spectrum of art-historical analysis and scholarship. In her keynote address, Mary D. Sheriff, a distinguished professor of art history at the University of North Carolina in Chapel Hill who specializes in eighteenth and nineteenth-century French art and culture, will speak on “The Future of Feminist Art History: Where Have We Come From, Where Are We Going?” The conference is free and open to the public; online registration (by October 28) is recommended.
Francesca Woodman, Untitled, New York, 1979–80, chromogenic print, 3⅜ x 3½ in. (photograph © George and Betty Woodman)
Francesca Woodman
San Francisco Museum of Modern Art
151 Third Street, San Francisco, CA 94103
November 5, 2011–February 20, 2012
This survey of works by the photographer Francesca Woodman, known for her black-and-white self-portraits from the late 1970s, is the first in more than two decades and comes thirty years after her death at age twenty-two. Organized by Corey Keller, associate curator of photography at the San Francisco Museum of Modern Art, the exhibition includes prints, artist’s books, and videos.
Sherrie Levine: Mayhem
Whitney Museum of American Art
945 Madison Avenue, New York, NY 10021
November 10, 2011–January 29, 2012
Sherrie Levine has been the subject of much critical discourse for the past thirty years. This exhibition, developed as a project by the artist, includes works ranging from her well-known 1981 photograph, After Walker Evans: 1-22, to recently created objects, such as Crystal Skull: 1-12, from 2010. Levine and the curators—Johanna Burton, Elisabeth Sussman, and Carrie Springer—will juxtapose old and new works in order to provoke fresh associations and responses.
Affiliated Society News for November 2011
posted by CAA — November 09, 2011
American Institute for Conservation
The American Institute for Conservation Collections Emergency Response Team (AIC-CERT) has begun receiving calls for assistance from those affected by Hurricane Irene. The team’s efforts follow several years of specially trained members responding to local and national emergencies across the United States. In partnership with the Smithsonian Institution and the US Committee of the Blue Shield, AIC-CERT and other AIC members have been working in Haiti over the past year and a half to help preserve art damaged by the January 2010 earthquake—AIC’s first international response effort. If you know of institutions in need of advice or onsite assistance following a disaster—with collections affected by everything from a broken water pipe to roof damage—encourage them to contact AIC-CERT at its twenty-four-hour assistance line, 202-661-8068.
Art Historians Interested in Pedagogy and Technology
Art Historians Interested in Pedagogy and Technology (AHPT) is sponsoring two workshops in the near future. The first event, taking place on November 9, 2011, at the annual meeting of the Southeastern College Art Conference in Savannah, Georgia, is called “Reflections on Where We Are and Where We Are Going with Technology in the Art History Classroom,” chaired by Marjorie Och of the University of Mary Washington. The second workshop, titled “Constructive Use of Technology in the Art History Classroom: A Hands-on Learning Workshop” and led by Sarah Scott of Wagner College, is scheduled for the 2012 CAA Annual Conference in Los Angeles, California. The workshop format will allow attendees to circulate among the presenters during the session or concentrate on one topic. Please bring your questions and ideas.
AHPT also announces its new website, with membership information, announcements, and resources.
Association of Art Historians
The Association of Art Historians (AAH) formed in England in 1974, born from a need to professionalize a rapidly growing subject. What prompted its formation? How did it take shape? What of its impact on the discipline, nationally and internationally, both then and now? Voices in Art History: AAH Oral Histories explores these questions through a series of audio interviews conducted with art historians involved with the organization during its early days. Participants include Francis Ames-Lewis, Charles Avery, Alan Bowness, Andrew Causey, Luke Herrmann, Martin Kemp, John Onians, Marcia Pointon, Flavia Swann, Lisa Tickner, and John White. The audio interviews offer commentary on the changing nature of higher education, and on art and culture since the 1950s. They address the interviewees’ educational background and professional lives, while reflecting on scholarly influences, debates, and practical concerns that had an impact on networks of academic art historians, educators and museum professionals. The complete recordings are accessible to researchers through the Archive of Art and Design at the Victoria and Albert Museum in London, where the organization’s written records are held. The interviews form the basis of the Voices in Art History podcast, currently in development. For further details, please write to oralhistory@aah.org.uk.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) is offering a travel grant covering expenses (up to $500) for an ABD student of historical art of the United States who is participating in the 2012 CAA Annual Conference in Los Angeles. The recipient must be an active AHAA member enrolled in a graduate program. To enter, please submit the name of the session you plan to participate in and your paper title to Melissa Dabakis, AHAA secretary, using the online form. Deadline: February 1, 2012.
AHAA seeks to sponsor a one-and-a-half hour professional session at the 2013 CAA Annual Conference, taking place in New York. Please review the guidelines for submitting proposals. Deadline: March 1, 2012.
Coalition of Women in the Arts Organization
The Coalition of Women in the Arts Organization (CWAO) seeks proposals of papers for “Eco-Feminist Issues in the Arts of US Women,” a combination studio-art and art-history panel, for CAA’s 2013 Annual Conference in New York. CWAO encourages women artists interested in ecological or ecofeminist issues to apply for this panel. Art-historian presenters must concentrate on US women artists engaging these issues. Artists could be experimenting with one or more ecological and social issues while also innovating in their mediums and techniques; works may include one or more new-media technologies. Please send your current CV, an abstract of your paper (150 words max), JPEGs of works, and/or your website address showing works representative of the proposal to kyrabelan@hotmail.com; or mail your CD to: Kyra Belan, PO Box 275, Matlacha, FL 33993.
Historians of Netherlandish Art
The Historians of Netherlandish Art (HNA) has received a generous donation from the Paul and Anne van Buren Fund of the Maine Community Foundation. The grant was awarded in memory of Anne Hagopian van Buren (1927–2008), an internationally recognized scholar of medieval art and a founding member of HNA. Her husband, the noted theologian Paul van Buren, died in 1998. The funds will be used to support HNA’s Fellowships for Scholarly Research, Publication, and Travel, and for related activities of the organization.
Historians of Islamic Art Association
The Historians of Islamic Art Association (HIAA) is sponsoring two sessions that pay tribute to the late art historian Oleg Grabar (1929–2011) at the annual meeting of the Middle East Studies Association, to be held December 2–3, 2011, in Washington, DC.
In addition, the HIAA board and members congratulate their colleagues in the Department of Islamic Art at the Metropolitan Museum of Art in New York on the reopening of the museum’s splendid new galleries for Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia.
International Association of Art Critics
Marek Bartelik, president of the United States chapter of the International Association of Art Critics (AICA-USA), delivered the keynote speech during the forty-fourth AICA International Congress, which took place October 17–20, 2011, in Asunción, Paraguay. The theme of the congress was “Art and Criticism in Times of Crisis.” During the event, the Cuban artist Tania Bruguera presented AICA International’s first Distinguished Critics Prize to Ticio Escobar, a former president of AICA Paraguay and the current minister of culture in that country. Participants on a postcongress trip traveled to Curitiba and Porto Alegre, Brazil, during the following week, October 21–26. The group visited the Curitiba and Mercosul biennials and toured the Iberê Camargo Foundation.
International Sculpture Center
The International Sculpture Center (ISC) will hold its twenty-third International Sculpture Conference, titled “Process, Patron, and Public,” in Chicago, Illinois, from October 4 to 6, 2012. This culturally vibrant city will be the perfect backdrop for ISC’s multifaceted biannual event, which brings together artists, administrators, students, collectors, and sculpture lovers for three days of education, conversation, and networking. Conference highlights will include an exciting array of keynotes, panels, workshops, and optional evening networking events throughout the city. The Chicago Cultural Center and the School of the Art Institute of Chicago will host programs by day; attendees may enjoy gallery hops, studio visits, and cocktail receptions by night. For more information, tickets, and the schedule, please visit ISC’s website or contact the Conference and Events Department at 608-689-1051, ext. 302.
Italian Art Society
The Italian Art Society (IAS) seeks papers for the third annual IAS–Kress Lecture Series, taking place in Venice, Italy, in late May or early June 2012. This series enthusiastically promotes intellectual exchanges between art historians of North America and the international community of scholars living or working in Italy. Papers should present a topic related to the host city from any period. One distinguished scholar, necessarily an active IAS member, will receive an honorarium of $700 and an additional $500 allowance for travel and other conference-related expenses. Deadline: January 4, 2012.
IAS also welcomes exhibition reviews, short articles, and announcements related to Italian art and architecture for its winter newsletter. Please send your contributions to the newsletter editor. Deadline: January 15, 2011.
Mid-America College Art Association
The James Pearson Duffy Department of Art and Art History at Wayne State University will host the next Mid-America College Art Association conference, to be held October 3–6, 2012, in downtown Detroit, Michigan. Programming will include three featured speakers and numerous panels on art, design, art history, and visual resources, as well as studio workshops, MACAA member exhibitions, and museum visits. The conference will have two areas: “Meaning and Making” and “Community and Collaboration.” The call for session proposals, and for the MACAA membership exhibition, has been announced online.
National Council of Arts Administrators
The 2011 annual meeting of the National Council of Arts Administrators (NCAA), called “Push/Pull: The Artistic Engine of Innovation,” will convene November 2–5, 2011, at the AVIA Hotel in Savannah, Georgia. The conference will spotlight current trends in arts administration; offer forums, speakers, and workshops; and create opportunities to network within a diverse community of arts professionals in higher education. You can expect top-notch speakers, timely and forward-looking sessions, an engaging administrators’ workshop, and much more. As always, NCAA gladly welcomes all current and/or aspiring academic leaders to attend. The annual meeting brings together a community of arts administrators dedicated to cultivating leadership and sharing solutions across higher education. For nearly forty years NCAA has promoted, enhanced, and maximized communication among administrators from all types of arts institutions to support each member in becoming better prepared to lead, more skilled and strategic at managing resources, knowledgeable about current practices, and adaptable, flexible, and connected.
Society for Photographic Education
The Society for Photographic Education (SPE) seeks curators, professors, gallerists, art historians, and scholars to review student and/or professional member portfolios at SPE’s forty-ninth annual conference in San Francisco, California, taking place March 22–25, 2012. Portfolio reviewers receive discounted admission in exchange for their participation. To express interest in serving as a portfolio viewer, please write to info@spenational.org.
Society of Architectural Historians
The Humanities, Arts, Science, and Technology Collaboratory (HASTAC) recently published an article, “Learned Society 2.0,” by Dianne Harris, president of the Society of Architectural Historians (SAH). Her article reflects on fundamental changes in SAH that resulted from Mellon Foundation funding to develop two online academic resources: JSAH Online, a multimedia scholarly journal; and SAHARA, a shared, member-contributed online image archive for teaching and research. SAH continues to strategize about how to empower its members to produce innovative humanities research, publications, and nontraditional projects in the digital age.
Society of North American Goldsmiths
The forty-first annual conference of the Society of North American Goldsmiths (SNAG), titled “The Heat is On!” will be held May 23–26, 2012, in Phoenix, Arizona. Hosted by Arizona Designer Craftsmen, the event will take place at the Westin Kierland Resort and Spa Registration in Scottsdale. Registration will open on January 17, 2012. The conference cochairs are Becky McDonah, Tedd McDonah, and Lynette Andreasen.
Southeastern College Arts Conference
The Southeastern College Arts Conference (SECAC) will hold its sixty-eighth annual meeting October 18–20, 2012, hosted by Meredith College in Durham, North Carolina. Headquartered at the Durham Marriott City Center, in the heart of historic city, the conference will feature extensive sessions and panels facilitating the exchange of ideas and concerns relevant to the practice and study of art. Activities will include the annual awards luncheon, the SECAC 2012 Juried Exhibition, and a rich array of tours, workshops, and evening events. The deadline for the call for sessions and panels is January 1, 2012. For more information, please write to secac@secollegeart.org or secac2012@meredith.edu.
Visual Resources Association
It was a pleasure to return this past June to the beautiful University of New Mexico campus in Albuquerque for the Summer Educational Institute 2011 (SEI), sponsored by the Art Libraries Society of North America (ARLIS/NA) and the Visual Resources Association Foundation (VRAF). The local chair, Cindy Abel Morris, graciously hosted a diverse group of participants from museums, colleges and universities, research institutes, commercial enterprises, and art and design schools for an intense three-day program. In response to feedback from SEI 2010 participants and in concert with the SEI Implementation Team, newly appointed curriculum specialists Sarah Falls and Beth Wodnick developed a comprehensive program that for the first time included tracked, hands-on sessions on beginning and advanced digitization. Participants were placed in one or the other course depending on their level of experience. Modules that have been well received in the past, such as the intellectual property and metadata sessions, were also offered. The next SEI will be held in June 2012 at the University of Michigan in Ann Arbor. Information about SEI 2012 is forthcoming.
Members of the 2011 SEI Implementation Team included: Kathe Hicks Albrecht, American University, VRA senior cochair and acting VRAF board liaison; Elizabeth Schaub, University of Texas at Austin, ARLIS/NA junior cochair; Betha Whitlow, Washington University in Saint Louis, incoming VRA cochair and faculty liaison; Cindy Abel Morris, University of New Mexico, local chair; Sarah Falls, New York School of Interior Design, ARLIS/NA-appointed curriculum specialist; Chris Hilker, University of Arkansas, webmaster; Trudy Jacoby, Princeton University, development; Tony White, Indiana University, ARLIS/NA board liaison (Sarah Carter, Ringling Museum of Art, as of March 2011); Beth Wodnick, Princeton University, VRAF-appointed curriculum specialist.





Installation view of Sharon Louden’s Merge at the Weisman Art Museum (artwork © Sharon Louden)
Darla Bjork, Fire on the Mountain, 2010, encaustic and oil stick, 16 x 16 in. (artwork © Darla Bjork)
Leila Daw, Flow (artwork © Leila Daw)
John McDevitt King, The Next Yesterday, 2011, softground, 23½ x 22 in. (artwork © John McDevitt King)
Patrick Luber, Picture Window, 2010, mixed media with digital picture frame, 21 x 28 x 10 in. (artwork © Patrick Luber)
Maria Ann Conelli
Martha Langford
Gunalan Nadarajan
Greg Shelnutt (photograph provided by Clemson University)
South view of the Michigan Avenue façade of the Art Institute of Chicago (photograph provided by the Art Institute of Chicago)
Dana Seidel has been named director of the the Rutgers Center for Digital Filmmaking (photograph by Enrique Alvarez Fanjul)
Anonymous (Mexican), Mother and Child, 100 BC–AD 200, earthenware, white slip with black and red paint, 37.2 x 30.9 x 23.2 cm. Walters Art Museum, Baltimore, gift of John G. Bourne, 2009 (photograph provided by the Walters Art Museum)
Colin Bailey (photograph by Michael Bodycomb)
Caetlynn Booth
Margaret Samu

William Hogarth, plate 2 of The Harlot’s Progress, 1732 (printed 1744), etching and engraving, image: 8 7/16 x 6⅛, sheet: 17⅛ x 22 1/16 in. (artwork in the public domain)
An electron micrograph of basalt moon lava by Kurt Hollocher of the Union College Department of Geology, displayed as a Duratrans print on an LED light box
Mel Bochner, If the Color Changes…, 2003, monoprint with engraving and embossment on hand-dyed Twinrocker handmade paper, 2¾ x 3¾ in. Collection of Sally and Wynn Kramarsky (artwork © Mel Bochner; photograph by Laura Mitchell)
Fernand Toussaint, Grand Magasins de nouveautes, 1895, lithographic promotional fan, 12 x 7⅞ in. Robert L. Hoskins and Erwin A. Raible Collection of Fin de Siècle French Prints, a gift to Grand Valley State University from Elaine Rutowski Shay















