CAA News Today
People in the News
posted by CAA — December 17, 2010
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
To learn more about submitting a listing, please see the the instructions on main Member News page.
December 2010
Academe
Anthony Cutler, the Evan Pugh Professor of Art History at Pennsylvania State University in University Park, has been selected by the University of Oxford in England to hold the Slade Professorship of Fine Art for 2011–12, in association with All Souls College. Cutler will present eight lectures and four seminars during Oxford’s Hilary Term, January to March 2012.
Beauvais Lyons, professor of art at the University of Tennessee in Knoxville, has been awarded a James R. Cox Professorship from 2010 to 2013. The Cox professorships honor faculty members who are outstanding teachers, who dedicate their service to the University, community, and their profession, and who model excellence in scholarship.
Bissera Pentcheva has been promoted to associate professor with tenure in the Department of Art and Art History at Stanford University in Palo Alto, California.
Museums and Galleries
Aram Moshayedi, a doctoral candidate in the Department of Art History at the University of Southern California in Los Angeles, has been appointed assistant curator at the Gallery at REDCAT, also in Los Angeles.
Klaus Ottmann, formerly Robert Lehman Curator at the Parrish Art Museum in Southampton, New York, has become the first curator at large at the Phillips Collection in Washington, DC. He will manage the Phillips Collection Center for the Study of Modern Art.
Organizations and Publications
Sandra Sider, an independent curator and critic based in New York, has been appointed president of Studio Art Quilt Associates, an international arts organization with headquarters in Storrs, Connecticut. She will serve in this capacity until 2013.
Institutional News
posted by CAA — December 17, 2010
Read about the latest news from institutional members.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
Columbus College of Art and Design in Columbus, Ohio, has established a new master of fine arts, called New Projects. The terminal-degree program prepares professional artists to become creative leaders in the community and world at large through a multidisciplinary coursework with an entrepreneurial emphasis. Students complete four semester-long projects that they propose, develop, and execute, culminating in a senior thesis with oral defense.
The Department of Art and Art Professions in the Steinhardt School of Culture, Education, and Human Development’s at New York University offers opportunities for undergraduate studio-art majors to live and work for a semester in Global ArtSites in Berlin, Germany, and Accra, Ghana. In addition, MFA students may participate in a Paris–New York studio exchange for a year and take classes in Berlin, London, and Venice, and in India, during calendar year 2011.
The Maryland Institute College of Art in Baltimore has opened its new Office of Community Engagement, which will assess, strengthen, and coordinate the college’s academically based community partnerships. The college has a strong history of engaging academic and community partners—locally and globally—and the new office will provide oversight to existing initiatives on campus, develop and coordinate new programs, facilitate collaboration with external partners, and provide visibility and support for community engagement and service-learning initiatives that advance the mission of the college.
The Rhode Island School of Design in Providence has announced two new graduate programs: a master of arts in interior architecture, a one-year program; and a master of design in interior studies (adaptive reuse), a two-year degree. Combining elements of architecture, conservation, and design, the degrees offer studies in history, theory, materials, and technology, among other areas.
The Yale Center for British Art in New Haven, Connecticut, has received two awards from the American Association of Museums in its 2009 Museum Publications Design Competition. The center’s Calendar of Events series won second prize, and the Mrs. Delany’s Flowers gallery guide received an honorable mention.
Grants, Awards, and Honors
posted by CAA — December 15, 2010
Grants, Awards, and Honors
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
James Cahill, professor emeritus at the University of California in Berkeley, has been awarded the Charles Lang Freer Medal by the Smithsonian Institution’s Freer Gallery of Art and Arthur M. Sackler Gallery. The medal recognizes Cahill’s lifetime of contributions to the history of Chinese and Japanese art.
Henry Drewal, the Evjue-Bascom Professor of African and African Diaspora Arts at the University of Wisconsin in Madison, has been awarded a senior fellowship at the Institute for Research in the Humanities at his school. During the four-year appointment he will research and write a book on art and the senses.
Nancy Feldman has received the 2010 Founding Presidents Award from the Textile Society of America for “Shipibo Textile Practices 1950–2010,” a paper written with Claire Odland and presented at the society’s twelfth biennial symposium in October.
Ruth Fine, curator of special projects in modern art at the National Gallery of Art in Washington, DC, has been honored for curatorial excellence by the Print Center in Philadelphia, Pennsylvania. The November 2010 celebration was the first of five annual events leading to the center’s one-hundredth anniversary in 2015.
Hal Foster, the Townsend Martin ’17 Professor of Art and Archaeology at Princeton University in Princeton, New Jersey, has received the 2010 Clark Prize for Excellence in Arts Writing by the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Established in 2006 and awarded every two years, the Clark Prize recognizes individuals whose critical or art-historical writing has had a significant impact on public understanding and appreciation of the visual arts.
William R. Levin,
professor emeritus of art history
at Centre College in
Danville, Kentucky, has received two prestigious award from the Southeastern College Art Conference (SECAC) at its October meeting: the Award for Excellence in Teaching, granted each year to a member “who demonstrates an exceptional command of his or her discipline through the ability to teach effectively, impart knowledge, and inspire students”; and the occasionally bestowed Award for Exemplary Achievement, “the organization’s most prestigious award, given in recognition of personal and professional development as well as long-standing service to SECAC.”
Beili Liu, an artist based in Austin, Texas, has received third place in the 2010 ArtPrize, an annual competition established last year, for her installation Lure/Wave, Grand Rapids at the Urban Institute of Contemporary Arts in Grand Rapids, Michigan. Her award includes a $50,000 prize.
Jules Prown, the Paul Mellon Professor Emeritus of the History of Art at Yale University in New Haven, Connecticut, has been recognized by the Bookbuilders of Boston for his book, The Architecture of the Yale Center for British Art (New Haven: Yale Center for British Art, 2009). The title won Best of Category in Professional Illustrated Books at the fifty-third annual New England Book Show, which recognizes outstanding work by New England publishers, printers, and graphic designers.
Shelley Rice, Arts Professor in the Department of Art History and in Department of Photography and Imaging at the Tisch School of the Arts, both at New York University, has been named a Chevalier of the Order of Arts and Letters by the French government.
Alicia Weisberg-Roberts, assistant curator of eighteenth- and nineteenth-century art at the Walters Art Museum in Baltimore, Maryland, has received the thirtieth annual George Wittenborn Memorial Book Award from the Art Libraries Society of North America for Mrs. Delany and Her Circle (New Haven: Yale University Press, 2009), an exhibition catalogue coedited with Mark Laird.
The Creative Capital | Warhol Foundation Arts Writers Grant Program has announced the recipients of its 2010 grant cycle. Among the winners are these CAA members and their projects: Douglas Crimp, for his book Before Pictures; Clare Davies, for short-form writing; Matthew Jesse Jackson, for his blog Our Literal Speed; Raphael Rubinstein, for his blog The Silo; Irene Small, for her book Hélio Oiticica: Folding the Frame; and Sandra Zalman, for her article “Whose Modern Art? Huntington Hartford, MoMA, and the Fight for Modern Art’s Legacy.” Participating in the program’s 2010 Writing Workshop, which pairs a practicing writer with an established critic through the International Association of Art Critics/USA Section, are Colin Edgington of New Brunswick, New Jersey, and Christina Schmid of Minneapolis, Minnesota.
The National Academy Museum and School in New York has elected eighteen American artists and architects as members of the 185-year-old institution. Two are CAA members: Garth Evans, an abstract sculptor; and Nancy Friese, a landscape painter and printmaker.
The Skowhegan School of Painting and Sculpture, a nine-week summer-residency program for emerging visual artists in Skowhegan, Maine, hosted the following CAA members in 2010: Yui Kugimiya, for video and film; Anna Chiaretta Lavatelli, for installation; Abraham Storer, for painting; and Cullen Washington Jr., for drawing.
The Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, has named its 2010–11 fellows. Among the recipients are these CAA members: Adrienne Childs, University of Maryland, College Park; Dario Gamboni, Université de Genève; Michèle Hannoosh, University of Michigan, Ann Arbor; Mark Ledbury, Power Institute, University of Sydney; Griselda Pollock, University of Leeds; Susan Siegfried, University of Michigan, Ann Arbor; and Adrian Sudhalter, independent scholar.
Exhibitions Curated by CAA Members
posted by CAA — December 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
Scott Allan and Mary Morton. The Spectacular Art of Jean-Léon Gérôme. J. Paul Getty Museum, Los Angeles, California, June 15–September 12, 2010.
Leslie K. Brown. Traces: Daniel Ranalli, Cape Work 1987–2007. Provincetown Art Association and Museum, Provincetown, Massachusetts, October 15, 2010–January 16, 2011.
Rachel Epp Buller. Mothers. Woman Made Gallery, Chicago, Illinois. November 5–December 23, 2010.
Dina Deitsch. Southern Exposure: Artadia Awardees 2009 Atlanta. Mills Gallery, Boston Center for the Arts, Boston, Massachusetts, November 19, 2010–January 2, 2011.
Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Cooper Gallery, Morrill Hall, University of Nebraska State Museum, Lincoln, Nebraska, October 1–November 30, 2010.
Robyn G. Peterson. Eye for an Eye: Photographs of Modern Artists by Modern Artists from the Collection of John W. Green. Yellowstone Art Museum, Billings, Montana, October 7, 2010–January 9, 2011.
Valerie Steele. Japan Fashion Now. Museum at FIT, Fashion Institute of Technology, State University of New York, New York, September 17, 2010–April 2, 2011.
Margaret Rose Vendryes. Richmond Barthé: The Seeker. Ohr-O’Keefe Museum of Art, Biloxi, Mississippi, November 6, 2010–June 12, 2011.
Books Published by CAA Members
posted by CAA — December 15, 2010
Publishing a book is a major milestone for artists and scholars. Browse a list of recent titles below.
To learn more about submitting a listing, please see the instructions on the main Member News page.
December 2010
Scott Allan and Mary Morton, eds. Reconsidering Gérôme (Los Angeles: J. Paul Getty Museum, 2010).
Diane E. Booton. Manuscripts, Market, and the Transition to Print in Late Medieval Brittany (Burlington, VT: Ashgate, 2010).
Blake de Maria. Becoming Venetian: Immigrants and the Arts in Early Modern Venice (New Haven, CT: Yale University Press, 2010).
Henry John Drewal. Dynasty and Divinity: Ife Art in Ancient Nigeria (Long Island City, NY: Museum for African Art, 2009).
Ann Lane Hedlund. Gloria F. Ross and Modern Tapestry (New Haven, CT: Yale University Press, in association with the Arizona State Museum, University of Arizona, 2010).
Andreas Luescher. The Architect’s Portfolio: Planning, Design, Production (New York: Routledge, 2010).
Pamela Pecchio. 509 (Carrboro, NC: Daniel 13 Press, 2010).
Valerie Steele, with Patricia Mears, Yuniya Kawamura, and Hiroshi Narumi. Japan Fashion Now (New Haven, CT: Yale University Press, in association with the Museum at the Fashion Institute of Technology, 2010).
Michael Yonan. Empress Maria Theresa and the Politics of Habsburg Imperial Art (University Park: Pennsylvania State University Press, 2011).
Solo Exhibitions by Artist Members
posted by CAA — November 22, 2010
See when and where CAA members are exhibiting their art, and view images of their work.
To learn more about submitting a listing, please see the instructions on the main Member News page.
November 2010
Abroad
Brit Bunkley. Mary Newton Gallery, Wellington, New Zealand, August 18–September 11, 2010. Don’t Worry, Be Happy. Sculpture, digital C-type prints, and video.
Mid-Atlantic
Patricia Villalobos Echeverría. Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania, September 10–November 7, 2010. Outbreak. Installation, sculpture, and video.
Midwest
Pete Driessen. They Won’t Find Us Here Gallery, Minneapolis, Minnesota, October 8–22, 2010. Nauticalia Tentacalus: YeOldeSe(a)menShoppe. Mixed-media installation.
Northeast
Robert Berlind. David Findlay Jr. Fine Art, New York, November 4–27, 2010. Recent Paintings. Oil on linen and board.
Adrienne Der Marderosian. Belmont Public Library, Belmont, Massachusetts, October 1–30, 2010. New Works. Collage.
Daniel Hill. Painting Center, New York, November 2–27, 2010. From Paint to Print. Acrylic painting and archival pigment prints.
Daniel Ranalli. Provincetown Art Association and Museum, Provincetown, Massachusetts, October 15, 2010–January 16, 2011. Traces: Cape Work 1987–2007. Installation and documentation.
South
Christopher McNulty. Blue Star Contemporary Art Center, San Antonio, Texas, September 30–October 30, 2010. Days. Work on paper.
Jeff Whipple. Museum of Florida Art, DeLand, Florida, September 3–November 21, 2010. Seizing the Day. Painting, drawing, sculpture, photography, and video.
West
Kay Kang. Alumni Hall Gallery, San Francisco State University, San Francisco, California, August 20–December 10, 2010. Conversation with My Father. Sumi ink on rice paper and acrylic mounted on canvas.
Janet Marcavage. University Gallery, Pacific Lutheran University, Tacoma, Washington, October 13–November 10, 2010. Such Fancies. Serial prints and cutout.
FIELD REPORT
posted by CAA — November 18, 2010
October SECAC/MACAA and Arts Education Conferences
Cover of the SECAC-MACAA conference program
It is a perennial pleasure to return to my native South for the Southeastern College Art Conference (SECAC). This year’s meeting, held in scenic Richmond, Virginia, was a joint venture with the Mid America College Art Association (MACAA), both CAA affiliated societies. Hosted by Virginia Commonwealth University (VCU), the conference took place October 20–23, 2010, in the beautiful Jefferson Hotel, a Beaux Arts masterpiece operating since 1895.
With his VCU colleagues, the artist, printmaking teacher, and freelance art critic Andrew Kozlowski cleverly branded the conference with the title “Curiouser: Where Cerebellum Meets Antebellum,” and planned some very sexy aesthetics and materials to go along. Sessions featured—if you can believe it—representations of the penis in modern and postmodern culture among familiar discussions on curriculum development and connections between memory and art.
On Thursday evening, after the first day of sessions from artists, historians, and curators, we were treated to the genius that is Pablo Helguera, who delivered the keynote address. Born in Mexico City, Helguera is a New York–based artist working with installation, sculpture, photography, drawing, and performance. His focus on a variety of topics such as history, pedagogy, sociolinguistics, ethnography, memory and the absurd takes the form of lecture, museum display, musical performance, and written fiction—tailored made for a memorable public speech. Helguera, who is also director of adult education programs at the Museum of Modern Art, sagely pointed out that he has spent many an evening sitting in the back of a darkened auditorium listening to people bloviate on all manner of topics. Through a performance that reflected on the act of performing that is any lecture, Helguera teased insight from the five elements of classical oration, culminating in a cacophonous delivery of a talk presented in alternating voices for four different hypothetical audiences: postmodernists and theorists (defined as people who read October), art-world insiders, arts administrators and educators, and the Facebook generation. His take was an incisive remonstrance of the expectations we carry to these types of events, and he exploded the notion that an art-history conference should be serious, dry, humorless, and devoid of careful calibration of character.
Following Helguera was a reception for the annual members’ juried exhibition held at 1708 Gallery. Founded in 1978, this artist-run alt space plays a leading role in connecting Richmond’s diverse community with the work of exceptional, innovative artists from Virginia and beyond. With fifty-six participants, the show was packed with work in every medium imaginable. Congratulations to these three CAA members for receiving top honors from Joe Seipel, the curator and juror: photographers Antonio Martinez of Southern Illinois University Carbondale and Allyson Klutenkamper of Shawnee State University, and the painter Matthew Kolodziej of the University of Akron.
Philip Reinagle, Portrait of an Extraordinary Musical Dog, 1805, oil on canvas, 18¼ by 36½ in. Virginia Museum of Fine Arts, Richmond (artwork in the public domain; photograph by Ron Jennings)
On Friday the Virginia Museum of Fine Arts hosted a reception for SECAC and MACAA. Newly reopened after a $150-million expansion that boosted gallery space nearly 50 percent, the museum is perhaps best known for its stunning collection of Art Nouveau masterpieces, where I found this bed that, to me, looked more like a set piece from Paul Thomas Anderson’s film Boogie Nights than a product of French modernism. Amongst wings of amazing Faberge cloisonné, French drawings, and superb holdings in modern and contemporary American art, I most enjoyed the rooms of British sporting art. Donated by Paul Mellon, who was also the establishing patron of the Yale Center for British Art, this profuse collection of painting and sculpture is the largest display of horses, dogs, pheasants, and guns that I’ve ever seen all in one place.
A street arts festival on Friday called “InLight Richmond,” organized by the folks at 1708 Gallery, was a really fun way to get us out-of-towners to Shockoe Bottom, a major nightlife and dining district. On my way back to the hotel, I walked past the Virginia State Capitol. An incredibly ghostly lighting design courtesy of a major restoration project rendered the building a spectral vision in white, glowing, nearly pulsing, with the principles of the Enlightenment. This was a particularly arresting, inspiring experience to have within a fortnight of an important midterm election.
But really, SECAC is such a wonderful affair each year. As a three time attendee, I’m not sure if it’s because Rachel Frew, the central nervous system of the conference, is so freaking awesome, or if it’s because the month of October in any Southeastern state is so beautiful, or if it’s because I can gorge myself on fried green tomatoes and Hoppin’ John. One thing I know for sure is that I am consistently amazed by the quality of scholarship and camaraderie of experience at this particular conference. Start planning now for the next one, “Text/Texture,” hosted by the Savannah College of Art and Design, November 9–12, 2011.
A couple of days later, back in New York, I attended the twenty-fourth annual National Conference on Liberal Arts and the Education of Artists, organized by the Humanities and Sciences Department of the School of Visual Arts. The event provides a forum for the exchange of ideas and information about the role of the liberal arts in the education of artists, and this year’s theme was “Green, Greener, Greenest: Romancing Nature Again.” Taking place October 27–29, 2010, the conference is truly impressive for its interdisciplinarity. The first session I attended, on the topic of “Nature Study and Interdisciplinary Learning,” included papers by a biologist, a mathematician, an art professor, and a director of student outcomes, and I ate lunch with a journalism professor who presented a body of research on the visualization of the “truly American” landscape vis-à-vis illustrated editorial spreads in early Life magazines. One panel asked if we can pique people’s moral and ethical responsibilities to the environment by heightening aesthetic appreciation through depiction in art. Another session explored the dual metaphor of nature as both sublime and accessible through literature, Hindu myth, and Gerhard Richter’s paintings based on photos.
“Green, Greener, Greenest” was an intimate gathering presided over by the dark-cherry interior of the Algonquin Hotel, and as such our conversations could have a personal, more lasting effect. Each year the organizers seek proposals on diverse topics relating to an annual theme and on other interdisciplinary issues. Check out the conference history or contact the conference director, Maryhelen Hendricks, for more information on presenting and attending.
People in the News
posted by CAA — November 17, 2010
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.
To learn more about submitting a listing, please see the the instructions on main Member News page.
November 2010
Academe
David Cloutier, a painter who earned his MFA in 2005 at the Maryland Institute College of Art in Baltimore, has returned to his school to teach in the foundations program.
Olivia Robinson, a multimedia fiber artist who has lectured, taught, and exhibited across the United States, has joined the Maryland Institute College of Art in Baltimore to teach fiber art.
Gerry Snyder, a painter and chair of the Art Department at Santa Fe University of Art and Design in New Mexico, has been named vice president for academic affairs at his institution.
Jonathan Thomas, a printmaker and lecturer in print media at the University of Miami in Florida since 2004, has begun teaching printmaking at the Maryland Institute College of Art in Baltimore.
Museums and Galleries
Elizabeth Kathleen Mitchell has been named the Burton and Deedee McMurtry Curator of Drawings, Prints, and Photographs at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University in Stanford, California.
Eric Segal, formerly assistant professor of art history at the University of Florida in Gainesville, has been appointed curator of academic programs at the school’s Samuel P. Harn Museum of Art, a newly created position.
Elizabeth Wyckoff, assistant director for curatorial affairs and education at the Davis Museum and Cultural Center at Wellesley College in Wellesley, Massachusetts, will assume the role of curator of prints, drawings, and photographs at the Saint Louis Art Museum in Missouri on December 1, 2010.
Organizations and Publications
Patricia Cronin, an artist and associate professor of art at Brooklyn College, City University of New York, has been appointed to the board of directors of Civitella Ranieri Foundation, a residency fellowship program for artists, composers, and writers in Umbertide, Italy.
Madeleine C. Viljoen has become curator of prints at the New York Public Library. She was previously director and chief curator of the La Salle University Art Museum in Philadelphia, Pennsylvania.
Grants, Awards, and Honors
posted by CAA — November 15, 2010
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
To learn more about submitting a listing, please see the instructions on the main Member News page.
November 2010
Pamela Allara, associate professor emerita of contemporary art at Brandeis University in Waltham, Massachusetts, has been appointed visiting researcher at the African Studies Center at Boston University from 2010 to 2012. Her research topic is “The Politics of Whiteness in South Africa’s Globalized Art World.”
Adrienne Der Marderosian, an artist based in Belmont, Massachusetts, has received a 2010 grant from the Belmont Cultural Council. The grant funded a recent exhibition of collage, New Works, that explores her fascination with found or existing imagery. By combining art-historical references with contemporary ones, Der Marderosian merges differing time frames to create a novel viewpoint.
Reni Gower has been recognized with the Distinguished Award in Painting for her work Pivot.6, which was included in Virginia Artists 2010 at the Charles H. Taylor Arts Center in Hampton, Virginia. The exhibition was held July 18–August 29, 2010.
Leslie Hewitt, an artist based in New York, has been awarded the fifth annual Joyce Alexander Wein Artist Prize by the Studio Museum in Harlem. The prize, which includes a $50,000 award, recognizes and honors the achievements of an African American artist who demonstrates great innovation.
Nina F. Martino has won the Audubon Artists Silver Medal of Honor at the Annual Exhibition 2010 for her oil painting Full Moon over Philadelphia. The exhibition took place September 13–October 1 at the Salmagundi Art Club Gallery in New York.
Lucy Freeman Sandler, the Helen Gould Sheppard Professor of Art History (emerita) at New York University, has been awarded a Mellon Foundation Emeritus Professor Fellowship for 2010 in order to complete a book, The Psalter and Hours of Humphrey de Bohun in the British Library: The Manuscript Patronage of a Fourteenth-Century Noble Family, to be published by the British Library.
Exhibitions Curated by CAA Members
posted by CAA — November 15, 2010
Check out details on recent exhibitions organized by CAA members who are also curators.
To learn more about submitting a listing, please see the instructions on the main Member News page.
November 2010
Maryan Ainsworth. Man, Myth, and Sensual Pleasures: Jan Gossart’s Renaissance. Metropolitan Museum of Art, New York, October 6, 2010–January 17, 2011.
Heather Campbell Coyle. Leonard Baskin: Art from the Gift of Alfred Appel, Jr. Delaware Art Museum, Wilmington, Delaware, September 26, 2010–January 9, 2011.
Emily Joyce Evans and Kasper König. Suchan Kinoshita: In 10 Minutes. Museum Ludwig, Cologne, Germany, October 9, 2010–January 30, 2011.
Wendy A. Grossman. Man Ray, African Art, and the Modernist Lens. Museum of Anthropology, University of British Columbia, Vancouver, British Columbia, Canada, October 29, 2010–January 23, 2011.
Tom Huhn and Isabel Taube. Between Picture and Viewer: The Image in Contemporary Painting. Visual Arts Gallery, School of Visual Arts, New York, November 23–December 22, 2010.
Kasper König, Emily Joyce Evans, and Falk Wolf. Remembering Forward: Australian Aboriginal Painting since 1960. Museum Ludwig, Cologne, Germany, November 20, 2010–March 20, 2011.
Sumru Belger Krody. Colors of the Oasis: Central Asian Ikats. Textile Museum, Washington, DC, October 16, 2010–March 13, 2011.
Fernando Marías and María Cruz de Carlos Varona. El Greco: Los Apóstoles, santos y “locos de Dios.” Museo de la Merced, Ciudad Real, Spain, November 20, 2010–January 20, 2011.
Robert Ousterhout and Renata Holod. Archaeologists and Travelers in Ottoman Lands. University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia, Pennsylvania, September 26, 2010–February 6, 2011.



Anthony Cutler at work in the Cappella Palatina at Palermo, Sicily
Beauvais Lyons
Klaus Ottmann
Sandra Sider
James Cahill
Beili Liu, Lure/Wave, Grand Rapids, 2010, thread and sewing needles, dimensions variable (artwork © Beili Liu; photograph by Brian Kelly)
Shelley Rice and Kenneth Silver (who was also named a chevalier) celebrate with their “horses,” compliments of their fellow NYU professor Finbarr Barry Flood (photograph by Miriam Basilio)
Jean-Léon Gérôme, The Snake Charmer, ca. 1870, oil on canvas, 83.8 x 122.1 cm (artwork in the public domain)
Fahamu Pecou, POP, 2010, acrylic and gold leaf on canvas, 66 x 49½ in. (artwork © Fahamu Pecou; photograph provided by Artadia and Lyons Wier Gallery, New York)
Installation view of A Turning Point (photograph by Ann Lane Hedlund)
Three unisex motorcycle uniforms (photograph © The Museum at FIT, New York)
Richmond Barthé, Self Portrait, ca. 1940, painted plaster, lifesize. Collection of Phillip H. Rubin (artwork © Richmond Barthé; photograph by Margaret Rose Vendryes)








Installation view of works in Don’t Worry, Be Happy: Castle Bravo (top); Atomic Yo Yo Trick (left); and Bricked-in TV (right) (artworks © Brit Bunkley)
Patricia Villalobos Echeverría, Outbreak, 2010, EPS foam on wall, dimensions variable (artwork © Patricia Villalobos Echeverr’a)
Pete Driessen, detail of Gorgonica Fleet (Orange/Metallic Green), 2010, mixed-media installation, dimensions variable (artwork © Pete Driessen)
Robert Berlind, Red Leaves, 2007, oil on linen, 30 x 35 in. (artwork © Robert Berlind)
Adrienne Der Marderosian, Reverie, No. 2, 2010, collage, 9 x 3 3/4in. (artwork © Adrienne Der Marderosian)
Daniel Hill, Red Gray Grid 1, 2009, archival pigment print, 22 x 33 in. (artwork © Daniel Hill)
Daniel Ranalli, Spiral Start #9, from the series Snail Drawings, 1995/2009, photographic diptych of archival inkjet prints, 20 x 28 in. (artwork © Daniel Ranalli; photograph provided by Gallery Kayafas)
Christopher McNulty, 20,249 Days, 2007, dart holes in paper, 42 x 42 in. (artwork © Christopher McNulty)
Jeff Whipple, Seizing the Day, 2009, oil on canvas, 40 x 60 in. (artwork © Jeff Whipple)
Kay Kang, Conversation with My Father, 1997, sumi ink on rice paper, with acrylic and mounted on canvas, 54 x 132 in. (artwork © Kay Kang)
Janet Marcavage, Such Fancies, 2010, cut screen prints, approx. 30 x 48 in. (artwork © Janet Marcavage)
Olivia Robinson
Gerry Snyder (photograph by Jeanne Arnold)
Jonathan Thomas
Elizabeth Kathleen Mitchell (photograph by Greg Hines)
Eric Segal
Elizabeth Wyckoff
Madeleine C. Viljoen
Pamela Allara (photograph by Patty Ketner)
Adrienne Der Marderosian, Reverie, No. 2, 2010, collage, 9 x 3 3/4 in. (artwork © Adrienne Der Marderosian)
Reni Gower, Pivot.6, 2010, acrylic on paper, mounted on canvas-covered panel, 38 1/2 x 27 in. Collection of Harry L. Davis, Leesburg, VA (artwork © Reni Gower)
Leslie Hewitt in collaboration with Bradford Young, Untitled (Level), 2010, dual-channel video projection, 35mm film transferred to digital video, 1:00 min. loop. Studio Museum in Harlem, Museum Purchase with funds provided by the Acquisition Committee 10.8.1 (artwork © Leslie Hewitt)
Nina F. Martino, Full Moon over Philadelphia (artwork © Nina F. Martino)
Lucy Freedman Sandler
Jan Gossart, Saint Luke Drawing the Virgin, ca. 1520–22, oil on panel, 43 1/8 x 32¾ in. (artwork in the public domain)
Leonard Baskin, Leonard Baskin AET 42, 1962, color woodcut on paper, 32 x 23½ in. Delaware Art Museum, Gift of Alfred Appel, Jr., 2009 (artwork © Estate of Leonard Baskin; photograph provided by Galerie St. Etienne, New York)
Suchan Kinoshita, Clock, 2010, clocks and prepared surveillance mirror (artwork © Suchan Kinoshita; photograph by Museum Ludwig/Ulrich Tillmann)
Man Ray, Noire et Blanche, 1926, gelatin-silver print, 17 15/16 x 22 15/16 in. (artwork © 2010 Man Ray Trust/SODRAC)
Ron Gorchov, Rasulka, 2008, oil on canvas, 60 x 80 x 13 in. (artwork © Ron Gorchov; photograph by Tom Powel and provided by the artist)
Ronnie Tjampitjinpa, Tingari Ceremonies at the Site of Pintjun, 1989, acrylic on canvas, 152 x 180 cm. Gabrielle Pizzi Collection, Melbourne (artwork © 2010 Ronnie Tjampitjinpa, Aboriginal Arts Agency)
Installation view of Colors of the Oasis: Central Asian Ikats (photograph provided by the Textile Museum)
Installation view of El Greco: Los Apóstoles, santos y “locos de Dios” at the Museo de Guadalajara (photograph by David Blázquez)
John Henry Haynes, Ziggurat, 1893–94, archival print. Penn Museum negative #5680 (artwork in the public domain)