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CAA wishes to thank the artists, art historians, curators, critics, and educators who generously served as mentors in two Career Services programs at the 2011 Annual Conference in New York: the Artists’ Portfolio Review and Career Development Mentoring. The organization also thanks the leaders of the Roundtable Discussions, the presenters of the Professional Development Workshops, and the speakers at Orientation.

Artists’ Portfolio Review

Pam Aloisa, US Air Force Academy; Aaron Bible, Robischon Gallery; Michael Bzdak, Johnson & Johnson; Susan Canning, College of New Rochelle; Brian Curtis, University of Miami; Les Joynes, TransContemporary; Peter Kaniaris, Anderson University; Jason Lahr, University of Notre Dame; Julie Langsam, Rutgers University; Suzanne Lemakis, Citigroup; Sharon Lippman, Art Without Walls; Craig Lloyd, College of Mt. St. Joseph; Margaret Murphy, New Jersey City University; Judith Pratt, Judith Pratt Studio; Jeannene Przyblyski, San Francisco Art Institute; Habibur Rahman, Claflin University; John Silvis, New York Center for Art and Media Studies; Katherine Smith, Agnes Scott College; Steve Teczar, Maryville University; and Midori Yoshimoto, Jersey City University.

Career Development Mentoring

Edward A. Aiken, Syracuse University; Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Roann Barris, Radford University; Ruth Bolduan, Virginia Commonwealth University; Jeffery Cote de Luna, Dominican University; Michelle Erhardt, Christopher Newport University; James Farmer, Virginia Commonwealth University; Reni Gower, Virginia Commonwealth University; Courtney Grim, Medaille College; Amy Hauft, Virginia Commonwealth University; Jim Hopfensperger, Western Michigan University; Simeon Hunter, Loyola University; Dennis Y. Ichiyama, Purdue University; Sue Johnson, St. Mary’s College of Maryland; Arthur Jones, University of North Dakota; Carol Krinsky, New York University; Seth McCormick, Western Carolina University; Heather McPherson, University of Alabama, Birmingham; Mark O’Grady, Pratt Institute; Morgan Paine, Florida Gulf Coast University; Pamela Patton, Southern Methodist University; Doralynn Pines, Metropolitan Museum of Art (emerita); Andrea Polli, University of New Mexico; David Raizman, Drexel University; Martin Rosenberg, Rutgers University; Paul Ryan, Mary Baldwin College; Betsy Schneider, Arizona State University; Gerald Silk, Tyler School of Art, Temple University; David Sokol, University of Illinois, Chicago (emeritus); Kim Theriault, Dominican University; Larry Thompson, Samford University; Ann Tsubota, Raritan Valley Community College; Jenifer K. Ward, Cornish College of the Arts; and Barbara Yontz, St. Thomas Aquinas College.

Roundtable Leaders

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; John Silvis, New York Center for Art and Media Studies; and Annie V. F. Storr, Corcoran College of Art and Design.

Professional Development Workshops

Michael Aurbach, Vanderbilt University; Barbara Bernstein, Rhode Island School of Design and Virginia Center for the Creative Arts; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Kim Potvin, Morgan Stanley Smith Barney LLC; Susan Schear, ArtIsIn; and David M. Sokol, University of Illinois, Chicago (emeritus).

Orientation

Emmanuel Lemakis, College Art Association; Sheila Pepe, Pratt Institute; Harriet Senie, Graduate Center and City College, City University of New York; and David Sokol, University of Illinois, Chicago (emeritus).

People in the News

posted Feb 17, 2011

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2011

Academe

Philip Ursprung, formerly professor of modern and contemporary art at the University of Zurich in Switzerland, has been appointed professor of the history of art and architecture at the Swiss Federal Institute of Technology (ETH) Zurich, as of February 1, 2011.

Museums and Galleries

Amanda C. Burdan has been promoted to assistant curator at the Florence Griswold Museum in Old Lyme, Connecticut. She joined the museum in July 2008 as the first Catherine Fehrer Curatorial Fellow.

Organizations and Publications

Thomas W. Lollar, a ceramicist, an instructor at Columbia University’s Teachers College, and former director of visual arts and of the List Print Program at Lincoln Center for the Performing Arts in New York, has been named director of the Brodsky Center for Innovative Editions. The Brodsky Center is housed in the Mason Gross School of the Arts at Rutgers University in New Brunswick, New Jersey.

Institutional News

posted Feb 17, 2011

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2011

CAA did not publish Institutional News in February 2011. Listings for that month appear in April.

In response to the possible sale of Jackson Pollock’s Mural (1943) by the University of Iowa and the state legislature, Barbara Nesin, president of the CAA Board of Directors, and Linda Downs, executive director, sent the following letter to editor of the Des Moines Register. While the newspaper did not publish this missive, it did print a letter from Paul B. Jaskot, a professor at DePaul University and CAA president from 2008 to 2010, on February 20. The next day, Jason Clayworth reported that the idea to sell the painting died in legislature.

Letter to the Editor

February 17, 2011

To the Editor
The Des Moines Register

When Peggy Guggenheim donated Jackson Pollock’s “Mural” to the University of Iowa in 1951 she was not donating the cash equivalent of the painting’s value. She was giving the University and the state of Iowa an iconic American painting. The purpose of the gift was to enrich the present and future members of the University community, and to benefit the citizens of Iowa as well as all Americans.

I am writing on behalf of the College Art Association, the nation’s premier visual rights organization, with 16,000 members—artists, art historians, other visual arts professionals and institutions across the country. It would be a major mistake for the Iowa Legislature to pass House Study Bill 84, which would compel the University’s Board of Regents to sell an irreplaceable part of the state’s patrimony.

As teachers, students and arts professionals, we acknowledge the urgent financial situation facing the University, and we note that the bill proposes that any funds earned be used to support scholarships for art majors. Any sale of “Mural,” however, would violate broadly accepted professional museum standards. More importantly, it would rob all Iowans of a remarkable painting, which was intended for them to enjoy and appreciate—in Iowa. We are hopeful that the legislature will reject the bill, to keep the painting in Iowa, where it rightly belongs.

Sincerely,

Barbara Nesin, MFA
President, College Art Association


Linda Downs
Executive Director, College Art Association

Grants, Awards, and Honors

posted Feb 15, 2011

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2011

Blane De St. Croix, an artist based in Brooklyn, New York, has been selected to participate in the 2011 Art and Law Residency Program, a new initiative from the Volunteer Lawyers for the Arts in New York. She will join other resident artists, writers, and curators for semimonthly seminars exploring intersections of art and law; their projects and papers will culminate in an exhibition and symposium.

Mazie McKenna Harris, a doctoral student in the Department of the History of Art and Architecture at Brown University in Providence, Rhode Island, has been selected to participate in the 2011 Art and Law Residency Program, a new initiative from the Volunteer Lawyers for the Arts in New York. She will join other resident artists, writers, and curators for semimonthly seminars exploring intersections of art and law; their projects and papers will culminate in an exhibition and symposium.

Corin Hewitt, an artist based in Richmond, Virginia, has received a $25,000 grant in the Joan Mitchell Foundation’s 2010 Painters and Sculptors Grant Program, established in 1993 to assist individual artists creating work of exceptional quality.

Darryl Lauster, an artist and assistant professor of intermedia and sculpture at the University of Texas at Arlington, has received a $25,000 grant in the Joan Mitchell Foundation’s 2010 Painters and Sculptors Grant Program, established in 1993 to assist individual artists creating work of exceptional quality.

Kamau Amu Patton has been named a winner of the 2010 SECA Art Award from the San Francisco Museum of Modern Art in California. Administrated by the Society for the Encouragement of Contemporary Art (SECA), the biennial award honors four Bay Area artists who are working independently at a high level of artistic maturity but who have not yet received substantial recognition. Artists receive a modest cash prize and will be featured in a museum exhibition, with a catalogue, in fall 2011.

Nicole Pietrantoni has been awarded a Fulbright grant to Iceland for the 2010–11 academic year. She has also been awarded a Leifur Eiríksson Foundation Scholarship, receiving a $25,000 grant for scholarly exchange and research between the United States and Iceland. While in Iceland, she will teach art workshops and create a new body of work, which will explore layers of narratives and histories that shape the way in which one pictures and frames the natural world, at the Icelandic Printmaker’s Association in Reykjavik.

Piotr Piotrowski, Polish art historian and theoretician, has won the 2010 Igor Zabel Award for Culture and Theory, initiated and funded by the ERSTE Foundation, based in Vienna, Austria. The biennial prize, which comes with a €40,000 cash award, acknowledges a cultural protagonist whose work is dedicated to broadening international knowledge of Central and South Eastern European visual culture.

Christine Poggi, professor of modern and contemporary art at the University of Pennsylvania in Philadelphia, has received the twenty-first Howard R. Marraro Prize from the Modern Language Association for her book, Inventing Futurism: The Art and Politics of Artificial Optimism (Princeton: Princeton University Press, 2009). The biennial prize recognizes an outstanding book in Italian literature or comparative literature involving Italian.

Liz Rodda, an artist and assistant professor of media art and video in the School of Art and Art History at the University of Oklahoma in Norman, has been chosen as one of five artists to receive the Art 365 Award from the Oklahoma Visual Arts Coalition. She will receive a $12,000 grant and one year of guidance from a guest curator, Shannon Fitzgerald, in preparation for a group exhibition to be held March 25–May 7, 2011, at Artspace at Untitled in Oklahoma City.

Allison Smith, an artist based in Oakland, California, has been named a USA Friends Fellow by United States Artists, a national grant-making and advocacy organization. As one of fifty-two artists receiving the honor, she will be given an unrestricted grant of $50,000.

Lynne Yamamoto, an artist based in Northampton, Massachusetts, has received a $25,000 grant in the Joan Mitchell Foundation’s 2010 Painters and Sculptors Grant Program, which was established in 1993 to assist individual artists creating work of exceptional quality.

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December.To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2011

Helen Burnham. Millet and Rural France. Museum of Fine Arts, Boston, September 4, 2010–May 30, 2011.

Judith Tolnick Champa. Extravagant Drawing. Dorsky Gallery Curatorial Programs, Long Island City, New York, February 6–April 10, 2011.

Maria Saffiotti Dale. Hidden Treasures: Illuminated Manuscripts from Midwestern Collections. Chazen Museum of Art, Madison, Wisconsin, December 18, 2010–February 27, 2011.

Ann Lane Hedlund. A Turning Point: Navajo Weaving in the Late Twentieth Century. Heard Museum, Phoenix, Arizona, February 5–May 22, 2011.

Judith Keller with the assistance of Alana West. Photography from New China. J. Paul Getty Museum, Los Angeles, California, December 7, 2010–April 24, 2011.

Michele White. Vija Celmins: Television and Disaster, 1964–1966. Menil Collection, Houston, Texas, November 19, 2010–February 20, 2011.

Books Published by CAA Members

posted Feb 15, 2011

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December.To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2011

Maria Elena Buszek, ed. Extra/ordinary: Craft and Contemporary Art (Durham, NC: Duke University Press, 2011).

Beatriz Colomina and Craig Buckley, eds. Clip, Stamp, Fold:
The Radical Architecture of Little Magazines 196X–197X
(New York: Actar, 2010).

Elina Gertsman. The Dance of Death in the Middle Ages: Image, Text, Performance (Turnhout, Belgium: Brepols, 2010).

David J. Getsy. Rodin: Sex and the Making of Modern Sculpture (New Haven, CT: Yale University Press, 2010).

Douglas Holleley. Studying Photography: A Survival Guide (Rochester, NY: Clarellen, 2010).

Elisabeth Stevens. Sirens’ Song (Baltimore, MD: BrickHouse Books, 2011).

Support for the 99th Annual Conference and Centennial Kickoff, which took place February 9–12, 2011, in New York, was provided by: American Airlines; the American Folk Art Museum; the Art Institute of Atlanta; ARTstor; Blick Art Materials; Columbia University, Department of Art History and Archaeology; the Courtauld Institute of Art; D.A.P. Distributed Art Publishers; Design Technology and Industry; the Graduate Center, City University of New York; Hunter College, City University of New York; the Samuel H. Kress Foundation; McVicker and Higginbotham; the Metropolitan Museum of Art; the National Endowment for the Arts; the New York Center for Art and Media Studies, Bethel University; Pearson Higher Education; Prestel; the School of Visual Arts; Troy University; and the University of North Texas.

The organization is deeply grateful to Thomas P. Campbell, director of the Metropolitan Museum of Art, for hosting the Centennial Reception.

CAA also extends special thanks to the Annual Conference Committee, whose members were responsible for the 2011 program: Sue Gollifer, University of Brighton, chair and vice president for Annual Conference; Sharon Matt Atkins, Brooklyn Museum; Brian Bishop, Framingham State University; Connie Cortez, Texas Tech University; Ken Gonzales-Day, Scripps College and CAA board; Randall Griffin, Southern Methodist University and CAA board; Norie Sato, independent artist, Seattle; Judith Thorpe, University of Connecticut and CAA board; and William Wallace, Washington University in St. Louis and CAA board. Regional representatives for the committee were: Nicola M. Courtright, Amherst College; and Sheila Pepe, Pratt Institute.

CAA also thanks all volunteers and staff members who made the conference possible. Additional acknowledgments for those serving as mentors in Conference Mentoring Sessions, as well as participants in other programs and events, are forthcoming.

CAA has named Anne-Imelda Radice, a senior consultant for the Dilenschneider Group, to the Board of Directors as an appointed director. Radice has a strong record of public service, serving in all three federal cultural agencies: the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA).

Prior to joining the Dilenschneider Group, Radice was director of the IMLS from 2006 to 2010. Previously acting assistant chairman for programs at the NEH, she served as chief of staff to the secretary of the United States Department of Education. In the early 1990s she was acting NEA chairman and senior deputy chairman. From 1989 to 1991, Radice was chief of the Creative Arts Division of the United States Information Agency and also served as the first director of the National Museum of Women in the Arts (1983–89). Before that she worked as a curator and architectural historian for the Architect of the Capitol and as an assistant curator at the National Gallery of Art.

Radice earned a PhD in art and architectural history from the University of North Carolina, Chapel Hill, an MBA from American University in Washington, DC, and a BA in art history from Wheaton College in Norton, Massachusetts. She also holds an MA from the Villa Schifanoia in Florence, Italy.

About CAA Appointed Directors

In addition to the areas of art, art history, museums, law, and finance that currently are represented on the board, CAA seeks expertise in marketing, technology, and philanthropy, among other areas. In February 2010, CAA members approved an amendment to Article VII, Section IV, of the organizational By-laws to establish a new category of appointed director to serve this function. Read more about the amendment.

Challenges to membership societies have increased a great deal in the last decade. Even before the recent financial downturn, membership societies became more complex and expensive to operate. Fund raising, strategies to make the organization structure more efficient, and advice on offering member services in new ways, such as through digital technologies, are just some of the areas that are increasingly important to address and could aid our organization in its mission. CAA will benefit enormously from a variety of views and skills, brought by appointed directors, that will contribute to the organization’s growth and stability.

Image: photograph by Dennis Brack

The CAA Board of Directors welcomes four newly elected members, who will serve from 2011 to 2015:

  • Leslie Bellavance, Dean, School of Art and Design, New York State College of Ceramics, Alfred University
  • Denise Mullen, President, Oregon College of Art and Craft
  • Saul Ostrow, Chair, Visual Arts and Technologies, Cleveland Institute of Art
  • Georgia Strange, Director, Lamar Dodd School of Art, University of Georgia

Barbara Nesin, CAA board president, announced the election results at the conclusion of the Annual Members’ Business Meeting, held on Friday, February 11, at the 99th Annual Conference in New York.

The Board of Directors is charged with CAA’s long-term financial stability and strategic direction; it is also the association’s governing body. The board sets policy regarding all aspects of CAA’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

For the annual board election, CAA members vote for no more than four candidates; they also cast votes for write-in candidates (who must be CAA members). The four candidates receiving the most votes are elected to the board.