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The CAA three journals have launched special projects to coincide with the yearlong celebration of CAA’s Centennial. Each publication—The Art Bulletin, Art Journal, and caa.reviews—has created an online anthology of articles from its back archive. The editorial boards of the journals determined the shape, structure, and content of the anthologies, and the three projects are fascinating in their distinct approaches. All are available to the wider web-browsing public.

The Art Bulletin

The Art Bulletin Editorial Board chose to feature thirty-eight essays and reviews from the journal, which has been in print since 1913, for its Centennial anthology. As Natalie Kampen notes in her introduction to the project, the articles are “the ones that made a difference to us as art historians and as people.” The articles are listed chronologically, with author, title, and a link to a PDF of the full text. Among the authors are Meyer Schapiro, Ananda K. Coomaraswamy, Linda Nochlin, James S. Ackerman, and Griselda Pollock.

Art Journal

Art Journal’s project is in two parts. The first is an extended essay by Howard Singerman that traces the history and shifting identities of the journal and its predecessor titles, Parnassus and College Art Journal. The author of Art Subjects: Making Artists in the American University, Singerman is current reviews editor of Art Journal. To complement the essay, members of the editorial board selected texts and artists’ projects from past issues and wrote brief introductory texts to them. As editor-in-chief Katy Siegel writes, “Some feature familiar names attached to much-cited touchstones, while others, we hope, will come as a surprise.” Both projects can be seen at the journal’s new website.

caa.reviews

The editorial board of caa.reviews took a different tack, one that reflects the journal’s born-digital nature. Current and past editors of the journal penned texts to introduce statistically relevant reviews. For each of the dozen years of publication, the Centennial anthology includes the one review that was read the most over a three-year period. Though statistics were not available for the journal’s infancy, some early reviews had the largest overall readership. The topics of the reviews in the anthology vary from installation art to Islamic architecture and reflect the diverse range of expertise of the journal’s numerous commissioning editors.

Hosted by the New York Center for Art and Media Studies (NYCAMS) in Manhattan, the College Art Association Regional BFA Exhibition celebrates current perspectives from seventeen undergraduate student artists enrolled in seven area BFA programs. Curated by John Silvis and Brent Everett Dickinson, both professors of art at NYCAMS, the exhibition demonstrates the distinctiveness of each artist’s work and cultivates an engaging conversation among the participating programs. It will be on view for three weeks: February 7–25, 2011.

The seven schools in the College Art Association Regional BFA Exhibition are: Brooklyn College, City University of New York; the Fashion Institute of Technology, State University of New York; Long Island University, C. W. Post Campus; Pratt Institute, School of Art and Design; Purchase College, State University of New York; the School of Visual Arts; and St. John’s University.

The seventeen exhibiting artists are: Marcel Bornstein (FIT), Christina Carlsson (Brooklyn), Matthew Chavez (FIT), Theresa Daddezio (Purchase), Alexander Derwick (Purchase), Alex Gavryushenko (Pratt), Su Yeon Ihm (SVA), Saskia Kahn (Brooklyn), Elizabeth Maroney (LIU), Katherine Mias (St. John’s), Anna Niedermeyer (Pratt), Zoey B. Scheler (Pratt), Olivia Taylor (FIT), Matthew Uebbing (Pratt), Allison M. Walters (St. John’s), Samantha Wolf (SVA), and Phillip Wong (Purchase).

The opening reception for the artists, their professors, and CAA conference attendees is Friday, February 11, 6:00–9:00 PM. NYCAMS is located twenty-five blocks south of the Hilton New York, at 44 West 28th Street, 7th Floor, between Fifth and Sixth Avenues. (Take the F or M train to the 34th or 23rd Street stops.) The NYCAMS gallery is open Monday–Friday, 10:00 AM–4:00 PM or by appointment. For more information, please call Janna Dyk at 212-213-8052. CAA is also sponsoring the College Art Association New York Area MFA Exhibition, which opens on the same evening at the Hunter College/Times Square Gallery.

RSVP to the exhibition on Facebook.

About NYCAMS

Affiliated with Bethel University in St. Paul, Minnesota, NYCAMS offers a semester-long, sixteen-credit residency in art and writing for its undergraduate students. The program provides a concentrated educational experience to prepare students for an effective career in the arts. The core of its mission is to pursue excellence in all academic and artistic endeavors, and to provide a stimulating and nurturing environment that encourages the creative process. NYCAMS is committed to exploring issues in contemporary culture in a rigorous academic environment, enabling students to become astute contributors to the current cultural discourse.

Image: Alexander Derwick, Temporary Tattoos, 2011, etching, 17½ x 24 in. (artwork © Alexander Derwick)

CAA has invited a diverse group of artists, scholars, teachers, and students to contribute to the 2011 Annual Conference Blog, with the hope of capturing the full and exciting range of experiences, points of view, and opinions that is expected in New York in 2011.

Since the Boston conference in 2006, CAA has sponsored a team blog to accompany the organization’s main event. From longtime members to first-time attendees, past writers for each year have chronicled all aspects of the conference: sessions and panels, exhibitions and parties, Career Services and the Book and Trade Fair, and more.

The seven bloggers this year are: Dwayne Butcher, an artist, teacher, and connoisseur of chicken wings who lives and works in Memphis, Tennessee; Patricia Flores, a historian of decorative arts and art history from San Francisco, California; Charlotte Frost, a UK-based academic, broadcaster, and self-described glamour puss focusing on art’s relationship with technology; Joy Garnett, a New York–based artist, writer, and blogger whose paintings explore the “apocalyptic sublime”; William T. Gassaway, who studies Precolumbian art in the doctoral program at Columbia University in Manhattan; Tempestt Hazel, a recent art-history graduate from Columbia College Chicago who cofounded a nonprofit art organization, Sixty Inches From Center; and Alisha McCurdy, an artist pursuing her MFA at Stony Brook University on Long Island, New York. Christopher Howard, CAA managing editor, will also post during the week.

Filed under: Annual Conference, Blogs, Centennial

Jessica Jones Irons, executive director of the National Humanities Alliance (NHA), emailed the following Humanities Action Alert on February 7, 2011. Founded in 1981, NHA is a nonprofit organization that works to advance national humanities policy in the areas of research, education, preservation, and public programs.

Humanities Action Alert

Dear Colleague,

As you know, we face a tough fight this year to defend federal funding for the humanities. President Obama has announced that he will release the FY 2012 budget proposal the week of February 14th, with significant reductions expected for many agencies and programs to meet the Administration’s deficit-reduction goals. In Congress, leaders of the House Republican Study Committee and Senate Steering Committee have introduced legislation calling for the elimination of the National Endowment for the Humanities (among other programs), in order to reduce discretionary spending by more than $2.5 billion over the next ten years. Meanwhile, the House is expected to vote soon on a measure that would roll-back non-security funding in the current year (FY 2011) to 2008 budget levels.

Members of the new Congress need to hear from humanities advocates now. Please take a few minutes to ask your elected representatives to support continued funding for the National Endowment for the Humanities. Click here to send a brief, customizable electronic message from the Alliance’s online action center.

We need to let Congress know that continued federal investment in the humanities has never been more important. As one of the largest funders of humanities programs in the US, NEH provides critical support for research, education, preservation, and public programs in the humanities through grants to a wide range of educational institutions, non-profit organizations, and scholars nationwide. NEH grants help support the nation’s education and research infrastructure for a broad range of fields, including history, languages, literature, law, government, philosophy, cultural anthropology, the study of religion, and other subjects. The knowledge and competencies represented by these fields are critical to a broad range of US interests, including: fostering a globally competitive workforce, strengthening civic engagement and understanding, preserving our cultural heritage, and developing expertise to meet local, national, and global challenges.

Thank you for making your voice heard. Working together, the humanities community can make a difference.

Sincerely,
Jessica Jones Irons
Executive Director
National Humanities Alliance

The Executive Committee of the CAA Board of Directors has reviewed and approved the support of the following statement, published on February 2, 2011, under the aegis of the Association of Art Museum Directors. You may download a PDF of the letter.

Statement regarding Egypt

New York, NY—February 2, 2011—Recent news reports about the turmoil in Egypt have varyingly reported that some damage was done to works of ancient art in Egyptian museums—and that those who attempted to do harm were stopped. Just as we worry about the safety of Egypt’s citizens in this time of civil unrest, so, too, do we worry about the safety of the country’s cultural heritage—works of art and material culture crucial to our understanding of world civilization and humanity.

We, the representatives of the leading American museums and university art and art history departments, stand with the people of Egypt in their determination to protect 5,000 years of history, including those objects from history that remain unexcavated. Our members—more than 21,000 institutions and individuals—stand ready to assist in any way possible to secure the art and artifacts of Egypt.

Association of Art Museum Directors, Kaywin Feldman, President
American Association of Museums, Ford Bell, President
Association of Art Museum Curators, John Ravenal, President
Association of Academic Museums and Galleries, David Alan Robertson, President
College Art Association, Barbara Nesin, President

Contact

Janet Landay and Christine Anagnos
Association of Art Museum Directors
212-754-8084

Sascha Freudenheim and Elizabeth Chapman
Resnicow Schroeder Associates
212-671-5172 and 212-671-5159

The Executive Committee of the CAA Board of Directors has reviewed and approved the support of the following statement, published on February 2, 2011, under the aegis of the Association of Art Museum Directors. You may download a PDF of the letter.

Statement regarding Egypt

New York, NY—February 2, 2011—Recent news reports about the turmoil in Egypt have varyingly reported that some damage was done to works of ancient art in Egyptian museums—and that those who attempted to do harm were stopped. Just as we worry about the safety of Egypt’s citizens in this time of civil unrest, so, too, do we worry about the safety of the country’s cultural heritage—works of art and material culture crucial to our understanding of world civilization and humanity.

We, the representatives of the leading American museums and university art and art history departments, stand with the people of Egypt in their determination to protect 5,000 years of history, including those objects from history that remain unexcavated. Our members—more than 21,000 institutions and individuals—stand ready to assist in any way possible to secure the art and artifacts of Egypt.

Association of Art Museum Directors, Kaywin Feldman, President
American Association of Museums, Ford Bell, President
Association of Art Museum Curators, John Ravenal, President
Association of Academic Museums and Galleries, David Alan Robertson, President
College Art Association, Barbara Nesin, President

Contact

Janet Landay and Christine Anagnos
Association of Art Museum Directors
212-754-8084

Sascha Freudenheim and Elizabeth Chapman
Resnicow Schroeder Associates
212-671-5172 and 212-671-5159

Wi-Fi at the Annual Conference

posted Feb 02, 2011

Connecting to the internet at the CAA Annual Conference is essential, whether you are searching for a job, contacting friends in New York, or communicating with your school or institution back home. From the conference hotels to the ever-reliable Starbucks, CAA has researched the various ways to get Wi-Fi quickly, easily, and at low or no cost. The information below may be subject to change but should be reliable.

Hilton New York

The Hilton New York offers three types of wireless internet service to its guests and thus has three prices: $14.99 per twenty-four hours for a 1 MB download speed; $16.99 for 2 MB; and $18.99 for 4 MB. The Hilton also allows nonguests to log onto its network in the lobby areas on a pay-per-use basis, at $5.99 an hour. No connection speed is specified. Users must pay by credit card upon opening a browser on their laptop. For full details in advance, please contact the Hilton, not CAA. While onsite, ask a hotel representative from the concierge or check-in desk for more information.

Sheraton New York

The Sheraton New York is generously offering free internet access—both in rooms and in the lobby—to all guests who are attending the conference. When you check in, tell the hotel representative that you are here for CAA and need an access code. The Sheraton also provides free wireless connection to anyone inside the hotel—you need not be a guest (so be nice). To gain access, simply request the log-in information from the check-in desk, as you cannot automatically connect just by opening a browser. For full details in advance, please contact the Sheraton, not CAA. While onsite, ask a hotel representative from the concierge or check-in desk for more information.

The Sheraton has graciously extended its special room-reservation rates for CAA conference attendees to February 6, 2011. To reserve a room by phone, call 800-325-3535 and mention “College Art Association Annual Conference.” Please be sure to request a confirmation number, email, or fax.

Park Central Hotel

The Park Central Hotel, the conference hotel for students, charges $15 a day for a wireless connection that can be used by guests throughout the building. For full details in advance, please contact the Park Central, not CAA. While onsite, ask a hotel representative at the concierge or check-in desk for more information.

SEP Lounge

Thanks to a generous contribution from the Courtauld Institute of Art, the SEP Lounge provides free wireless internet during its opening hours: Wednesday–Friday, 9:00 AM–8:00 PM; and Saturday, 9:00 AM–5:00 PM. The lounge is located on Concourse B, Concourse Level, Hilton New York.

Hosted by CAA’s Student and Emerging Professionals Committee, the SEP Lounge is a space that allows its constituents to convene and converse freely, away from the conference hustle and bustle. On several days, the committee will present special interactive programming, where you can practice your interviewing skills, talk candidly about completing your thesis or dissertation, or get advice on what to do after earning your degree.

Candidate Center

As part of the conference’s Career Services, the Candidate Center—located in Concourse A, Concourse Level, Hilton New York—houses a bank of computers that CAA members may use only for the Online Career Center. No other internet use is allowed. Hours are Wednesday, February 9–Friday, February 11, 9:00 AM–7:00 PM. You must have a CAA membership card to enter the Candidate Center.

Starbucks

Bottoms up, coffee drinkers! A smallish Starbucks—located directly across the street from the Hilton, at the northeast corner of Avenue of the Americas (Sixth Avenue) and West Fifty-third Street—offers free wireless internet to its guests. No special password is needed—just connect when you open a browser. This location may be closed on Saturday and Sunday, according to the company. Another Starbucks a few blocks north, on Sixth Avenue between West Fifty-sixth and Fifty-seventh, has free access according to the company, but this is unconfirmed (meaning I did not enter the store and ask).

Other Area Hot Spots

OpenWiFiSpots, which calls itself a comprehensive directory of free wireless hot spots, lists eighty-two free sources near the Hilton in midtown Manhattan, including hotels, cafés, and restaurants. This website, however, includes the Hilton, which we know is not free.

Revised on February 4, 2011.

Filed under: Annual Conference — Tags:

Because fifty-one new members of the United States Congress may be unfamiliar with the important contributions made by the visual arts, the humanities, and museums in their communities, now is a crucial time to join the advocacy efforts of your peers, visit the offices of your federal representatives, and make your voice heard.

Join members of the CAA staff and Board of Directors at three upcoming advocacy events in Washington, DC: Museums Advocacy Day (February 28–March 1); Humanities Advocacy Day (March 7–8); and Arts Advocacy Day (April 4–5).

On the first day of each event, advocates receive training on how best to present a concise, compelling message to congressional leaders. On the following day, advocates gather by state and make personal visits to their senators and representatives on Capitol Hill to address the specific needs, interests, and contributions of their constituents—that is to say, you, your friends and colleagues, and your schools and museums.

The nineteen new senators and thirty-two new representatives (PDF) must be updated on the crucial activities in the arts in their respective states and districts. The most effective educational tool is for advocates to meet their members of Congress and administrative staffs in person. Every state needs representation. CAA urges you to sign up today!

Attendees of the 99th Annual Conference and Centennial Kickoff will have three opportunities to meet Susan Ball, CAA executive director emerita, as well as many of the fifteen contributors to The Eye, the Hand, the Mind: 100 Years of the College Art Association, the newly published book that surveys the impressive history of the organization from 1911 to the present.

After Convocation, Ball and others will sign copies of the book at a table in the foyer outside the East Ballroom, 3rd Floor, Hilton New York. This year’s Convocation, which takes place on Wednesday, February 9, 5:30–7:00 PM, features a keynote address by the pioneering eco-artists Newton and Helen Mayer Harrison that you will not want to miss.

In the Book and Trade Fair, Rutgers University Press will host two author signings on Thursday and Friday afternoons, at a time to be announced. CAA encourages you to stop by the press’s booth (#604) near the front entrance of the Americas I Ballroom and say hello to Ball and the other authors.

The impressive 330-page book, published by CAA and Rutgers University Press, celebrates the beginning of CAA’s Centennial year. In honor of this milestone, Rutgers will offer a 50 percent discount on any other press title that is purchased during the conference when you buy a copy of The Eye, The Hand, The Mind at the booth.

The Art Bulletin is the leading quarterly journal in the English language of scholarship in all areas of art history and visual studies.

Art Bulletin Reviews Editor

The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for a three-year term: July 1, 2012–June 30, 2015, with service as incoming reviews editor designate in 2011–12. Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. They should also be published authors of at least one book.

The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s codirectors of publications in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in art history, criticism, theory, visual studies, and museum publishing. This three-year term includes membership on the journal’s editorial board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held twice in New York in the spring and fall and once at the CAA Annual Conference in February—and submits an annual report to CAA’s Publications Committee. CAA reimburses the reviews editor for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but he or she pays these expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and at least one letter of recommendation to: Director of Publications, Art Bulletin Reviews Editor Search, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline extended: April 11, 2011; finalists will be interviewed on Friday, April 29, 2011, in New York.

Art Bulletin Editorial Board

CAA invites nominations and self-nominations for two individuals to serve on the Art Bulletin Editorial Board for a four-year term: July 1, 2011–June 30, 2015. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required.

The editorial board advises the editor-in-chief of The Art Bulletin and assists him or her to seek authors, articles, and other content for the journal; guides its editorial program and may propose new initiatives for it; performs peer reviews and recommends peer reviewers; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.

The Art Bulletin Editorial Board meets three times a year: twice in New York in the spring and fall and once at the CAA Annual Conference in February. CAA reimburses members for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but members pay their own expenses for the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 275 Seventh Avenue, 18th Floor, New York, NY 10001; or email the documents to Alex Gershuny, CAA editorial associate. Deadline: April 15, 2011.

Updated on February 24 and March 30, 2011.