CAA News Today
Anne Collins Goodyear Is CAA President Elect
posted Nov 08, 2011
Anne Collins Goodyear, associate curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, has been elected president of the CAA Board of Directors for a two-year term, beginning May 2012. A member of the board since 2006, Goodyear has served as vice president for external affairs (2007–9), vice president for publications (2009–11) and vice president for Annual Conference (2011–12). She succeeds Barbara Nesin of the Art Institute of Atlanta, who has led the board since May 2010.
Goodyear writes, “CAA sets a standard for professional excellence and best practices that is not only enjoyed by our membership, but which resonates far beyond. In an era of increasing financial constraints and expanding channels for outreach, the association must continue to aspire to balancing nimbleness with the reflection that goes along with responsible judgment. These are challenges I would enjoy addressing in tandem with CAA staff, fellow board members, and the membership at large.”
Goodyear began work at the National Portrait Gallery in Washington, DC, in 2001 and was promoted from assistant to associate curator in 2009. Her recent exhibitions include Inventing Marcel Duchamp: The Dynamics of Portraiture, organized with James W. McManus (2009), and Reflections/Refractions: Self-Portraiture in the Twentieth Century, collaborating with Wendy Wick Reaves (2009). Both exhibitions were accompanied by scholarly catalogues of the same title. Goodyear has also helped organize six installations for the museum’s ongoing Portraiture Now series, initiated in 2006. Additionally, she has taught a graduate seminar in American art at George Washington University since 2008.
Goodyear earned her MA and PhD in art history from the University of Texas at Austin, after receiving a BA in the history of art and architecture and French civilization at Brown University in Providence, Rhode Island. She has published essays in the scholarly journals American Art and Leonardo and contributed chapters to several exhibition catalogues and edited volumes, including Unexpected Reflections (2010), The Political Economy of Art: Creating the Modern Nation of Culture (2008), Cold War Modern: Art and Design in a Divided World (2008), and Photography Theory (2007).
Within CAA, Goodyear served on the Museum Committee, chaired the Education Committee, and participated on the Task Force on Practical Publications, the Task Force on Editorial Safeguards, the Strategic Plan Steering Committee, and the Centennial Task Force, among other groups. Equally active outside the organization, she has chaired the Washington, DC, chapter of ArtTable since 2010 and currently leads the Smithsonian Network Review Committee, which oversees programming for the institution’s documentaries and other videos. As chair of the Smithsonian’s Material Culture Forum, she facilitated interdisciplinary programing for scholars in the nation’s capital.
Goodyear continues, “I have been a member of CAA since my years as a graduate student. During that time, I had the opportunity to see firsthand John Clarke’s clear passion for and enjoyment of his service on the CAA board and his role as president. Dr. Clarke’s enthusiasm for CAA touched each of the students with whom he worked. I would ultimately seek to bring a similar level of engagement and commitment to the role of president, and would seek to inspire future leaders to become further engaged with the organization to render it as adaptive and responsive as possible to the diverse emerging needs of emerging and established professionals in the visual arts.”
The CAA board chooses its next president from among the elected directors in the fall of the current president’s final year of service, providing a period in which the next president can learn the responsibilities of the office and prepare for his or her term. For more information on CAA and the Board of Directors, please contact Vanessa Jalet, CAA executive assistant.
A full report on the October board meeting is forthcoming later this month.
CAA Welcomes New Staff Members
posted Nov 07, 2011
CAA warmly welcomes three full-time and one part-time employees who have joined CAA since summer 2011. Two new staffers work in the Publications Department, and two more in the Membership, Development, and Marketing Department.
Hannah O’Reilly Malyn became CAA development associate, a new position, in October. Previously, she assisted the development and marketing associate at Hester Street Collaborative while completing her master’s degree in visual arts administration at New York University, where her thesis explored the advent of populist audience development tactics in art museums. Before attending NYU, she earned a dual BA in economics/business and studio art from Kalamazoo College in Michigan. As an artist, Malyn is mostly interested in the human form; her undergraduate senior solo exhibition, Re-Conceptions: Women in Art, explored the role of women in the art world through a series of watercolor figure studies. She also works in oil and charcoal.
Nancy Nguyen is CAA’s new institutional membership assistant, where she is the primary contact for all institutional members. She succeeds Helen Bayer, who was promoted to marketing and communications associate. Nguyen recently graduated from the University of Texas at Austin with a BA in history. Prior to joining CAA in October, she worked at the Museum of Modern Art in New York as a visitor assistant. During her undergraduate career, she was the public programs assistant at the Harry Ransom Center while interning in the departments of marketing and public relations at several Austin museums and arts organizations, such as the Jack S. Blanton Museum of Art, Arthouse at the Jones Center, Mexic-Arte Museum, and Landmarks Public Art Program.
Joining CAA as editorial assistant is Alyssa Pavley, who graduated with a BA from New York University this past May, majoring in art history with a minor in creative writing, concentrating in fiction. Before coming to CAA in August, Pavley served as an intern at two magazines, Art in America and Art + Auction, and at the Judd Foundation and Nicole Klagsbrun Gallery, all in New York. Her writings and reviews have been published at thefanzine.com and Artinfo.com and in Art + Auction.
Erika Nelson has been directories data collections coordinator since June, succeeding Cecilia Juan, who departed in the spring. Nelson earned a BA in art history and communication at the College of Saint Benedict in Saint Joseph, Minnesota, and will receive her MA in art history from Brooklyn College, City University of New York, in February. Her thesis, “You Are What You Eat: Catholic Cannibalism and Cultural Consumption in the Codex Espangliensis.” examines the influence of both martyrs and Mickey Mouse on contemporary Mexican society. Nelson hopes to pursue her PhD in modern Latin American art in the coming year. Previously, Nelson perfected her data-entry skills through positions at Fordham University and Mutualart.com and developed her communication skills through a teaching assistantship at Brooklyn College and an internship at the Hill Museum and Manuscript Library in Collegeville, Minnesota.
November Picks from CAA’s Committee on Women in the Arts
posted Oct 27, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
Leading off the CWA Picks for November 2011 are two concurrent but unique exhibitions—at the Wadsworth Atheneum Museum of Art in Connecticut and the Leubsdorf Gallery at Hunter College in New York—by the artist, poet, and performer Patti Smith, known for her 1975 album Horses and her collaborations and friendship with the late Robert Mapplethorpe. Next, the committee highlights the second annual Feminist Art History Conference, taking place November 4–6 at American University in Washington, DC. Papers will cover a wide range of topics in art history, from medieval times to the present. Surveys of work by Francesca Woodman and Sherri Levine round out the November selections.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Patti Smith, Arthur Rimbaud’s Utensils, Musée Rimbaud, Charleville, 2005, unique Polaroid, 4¼ x 3¼ in. (artwork © Patti Smith; photograph provided by the artist, Robert Miller Gallery, and the Wadsworth Atheneum)
Conference Information and Registration Is in the Mail
posted Oct 25, 2011
This week CAA will begin mailing Conference Information and Registration, which provides important details, deadlines, and directions for attending the 100th Annual Conference in Los Angeles, to all individual and institutional CAA members. Nonmembers and those wanting a digital file now can download a PDF of the booklet. The conference, taking place February 22–25, 2012, concludes CAA’s Centennial year.
Following sections on registration and CAA membership, Conference Information and Registration describes travel, lodging, and transportation and explains the basic processes for candidates seeking jobs and employers placing classifieds and renting interview booths. In addition, the publication lists topics for nine professional-development workshops. If you want to connect with former and current professors and students, consult the Reunions and Receptions page. The booklet includes paper forms for CAA membership, conference registration, workshops, special events, and mentoring enrollment.
The contents of Conference Information and Registration also appear on the conference website, which is being updated regularly between now and the February meeting. You may also choose to join CAA and register online.
Solo Exhibitions by Artist Members
posted Oct 22, 2011
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Abroad
David Holt. Loop Gallery, Toronto, Ontario, Canada, October 12–November 6, 2011. Landscapes and Subjects from Natural History. Painting.
Reynolds. Museum MAN, Berlin, Germany, August 4–13, 2011. Antiquarian Adventurers: Dreamers of a New Day. Intaglio etching.
Patricia Villalobos-Echeverría. Museo de Arte de El Salvador, San Salvador, El Salvador, July 22–September 25, 2011. mesoparasitio <12˚41’33"N 89˚14’30"W>. Installation, sculpture, and audio.
Mid-Atlantic
Lisa Blas. Schmucker Art Gallery, Gettysburg College, Gettysburg, Pennsylvania, August 31–October 7, 2011. Meet Me at the Mason Dixon Line. Painting, photography, and installation.
David C. Driskell. David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD, September 15–December 16, 2011. Creative Spirit: The Art of David C. Driskell. Sculpture, drawing, painting, and mixed media.
Midwest
Les Barta. Novak Gallery, Butler Institute of American Art, Youngstown, Ohio, November 27, 2011–January 29, 2012. Digital Constructions. Photographic collage.
Northeast
Jean Bundy. Pleiades Gallery, New York, September 6–October 1, 2011. Portraiture of People and Dwellings. Painting.
Sharyn Finnegan. Blue Mountain Gallery, New York, September 6–October 1, 2011. Evolution: Self-Portrait Retrospective 1973–2010 and Recent Work. Painting and drawing.
Barbara McPhail. Lightner Gallery, Keuka College, Keuka Park, New York, August 19–October 6, 2011. Shadows in the Water. Monoprint and collage.
Michael Rich. Old Spouter Gallery, Nantucket, Massachusetts, August 12–26, 2011. Before Summer Rain. Painting.
Linda Stein. Martin Art Gallery, Muhlenberg College, Allentown, Pennsylvania, November 21–December 17, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
South
Heather Deyling. Gallery S.P.A.C.E., Savannah, Georgia, August 5–September 16, 2011. Symbiosis. Painting, collage, and installation.
Linda Stein. GCSU Museum, Georgia College and State University, Milledgeville, Georgia, October 3–November 4, 2011. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Mary Ting. Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, North Carolina, August 29–October 4, 2011. Installations and Drawings. Installation and drawing.
West
Jan Wurm. Kolligian Library, University of California, Merced, California, August 25–December 16, 2011. Paintings and Drawings. Painting and drawing.
People in the News
posted Oct 17, 2011
People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications. sftp://caaorg:@64.49.219.228/includes/membernews/bookspublished-2011-10.inc.php
The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Academe
Alan C. Braddock, an art historian specializing in American art, has been promoted to the rank of associate professor in the Department of Art History at Temple University’s Tyler School of Art in Philadelphia, Pennsylvania.
Christopher M. Cassidy, an artist and associate professor of design at the University of North Carolina in Greensboro, has been awarded tenure in his school’s Department of Art.
Jeff McMahon, a performance artist and writer, has received tenure and been promoted to associate professor in the School of Theatre and Film at the Herberger of for Design and the Arts at Arizona State University in Tempe. He will be on sabbatical for the 2011–12 academic year.
Adele E. Nelson, a writer and art historian specializing in the modern and contemporary art of Brazil, has been appointed a visiting assistant professor of art history at Southern Methodist University in Dallas, Texas, for the 2011–12 academic year.
Museums and Galleries
Margarita Aguilar, a senior specialist in Latin American art at Christie’s, has been appointed the director of El Museo del Barrio in New York. Aguilar worked in the curatorial department at El Museo from 1998 to 2006.
Wassan Al-Khudhairi, a specialist on contemporary art from the Arab world with an emphasis on Iraq and chief curator of Mathaf: Arab Museum of Modern Art in Doha, Qatar, has been named one of six joint artistic directors of the ninth Gwangju Biennal, taking place in 2012 in South Korea.
Elizabeth Brown has stepped down from her position as chief curator and director of exhibitions and collections of the Henry Art Gallery at the University of Washington in Seattle. She was responsible for many innovative exhibitions over her ten-year tenure, including solo shows of work by Lari Pittman, Brian Jungen, Kiki Smith, Eirik Johnson, and William Kentridge.
Douglas Druick, a curator and department chair at the Art Institute of Chicago in Illinois, has been named president and Eloise W. Martin Director of the museum. A member of the Department of Prints and Drawings since 1985, he joined the Department of Medieval to Modern European Painting and Sculpture in 2006, leading both departments.
Natasha Egan, associate director and curator of the Museum of Contemporary Photography at Columbia College in Chicago, Illinois, has been promoted to director. An eleven-year veteran of the museum, Egan hopes to amplify the visibility of the institution in her new position and to continue supporting international dialogue.
Paul Ha, director of the Contemporary Art Museum St. Louis in Missouri since 2002, has been appointed as the new director of the Massachusetts Institute of Technology’s List Visual Arts Center in Cambridge, Massachusetts, effective December 1, 2011.
Russell Lord, a scholar, curator, and writer, has been named the Freeman Family Curator of Photography at the New Orleans Museum of Art in Louisiana. He will begin work on October 17, 2011.
Will South, chief curator of the Dayton Art Institute in Ohio, has been appointed the chief curator at the Columbia Museum of Art in South Carolina. He succeeds Todd Herman, who has become executive director of the Arkansas Arts Center in Little Rock.
John R. Stomberg, formerly deputy director and chief curator at the Williams College Museum of Art in Williamstown, Massachusetts, has become the next Florence Finch Abbott Director of the Mount Holyoke College Art Museum in South Hadley, Massachusetts.
Kristina Van Dyke, curator for collections and research at the Menil Collection in Houston, Texas, has been named director of the Pulitzer Foundation for the Arts in Saint Louis, Missouri, succeeding Matthias Waschek. She begins her new position on November 7, 2011.
Organizations and Publications
Holland Cotter, an insightful writer and recipient of the 2009 Pulitzer Prize in criticism, has been named the co–chief art critic for the New York Times. He will share the position with his fellow critic at the newspaper, Roberta Smith.
Ofelia Garcia, an artist and professor of art at William Paterson University in Wayne, New Jersey, has been appointed chair of the New Jersey State Council on the Arts, succeeding Sharon Burton Turner.
Deborah Solon, a renowned scholar, educator, and curator, has been named the West Coast director of American art at Heritage Auctions. A specialist in American Impressionism, she will work in the auction house’s office in Beverly Hills, California.
Institutional News
posted Oct 17, 2011
Read about the latest news from institutional members.
Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Maryland Institute College of Art in Baltimore has received a $10 million endowment gift from a longtime trustee, George L. Bunting Jr., and his wife, Anne Bunting, which will help expand the school’s graduate studies by providing scholarships, supporting the creation of art, and acquiring technological resources for research. The gift will also fund robust programs of visiting artists, faculty–student research collaborations, and engagement with community partners.
The Morgan Library and Museum in New York has created a new Drawing Institute, which will present exhibitions, sponsor annual fellowships, host seminars, and organize public and academic programs. It will also collaborate with other institutions, sharing artworks and resources with the Menil Drawing Institute and Study Center in Houston, Texas, and the International Museum and Art Foundation Center for Drawings at the Courtauld Gallery in London, England. A Morgan trustee, Eugene V. Thaw, donated $5 million to begin the project.
The Smithsonian American Art Museum in Washington, DC, has received a gift from Fleur Bersler, an art patron and collector of textiles and objects of turned wood, to create an endowment to support a curatorial position at the museum. Nicholas R. Bell, curator at the museum’s Renwick Gallery, has been named the Fleur and Charles Bresler Curator of American Craft and Decorative Art.
Southern Methodist University has launched a new PhD program in the rhetoric of art, space, and culture, supervised by the Department of Art History in the Meadows School of the Arts. The new doctorate, which emphasizes historical and new media, race, gender, performance, and technology used for visual communication, will have a particular focus on the art of Latin America, Iberia, and the Americas, facilitated by the Meadows Museum, the Bridwell Library, and the DeGolyer Library.
The Toledo Museum of Art in Ohio has received a $500,000 grant from the Andrew W. Mellon Foundation to design and facilitate postdoctoral fellowships targeted at cultivating museum leaders of the future. The program will combine interdisciplinary methods with curatorial studies. The program will accept three fellows, who will start each January from 2012 through 2014, for two-year terms that include annual pay, benefits, and compensated travel for research.
The Walters Art Museum in Baltimore, Maryland, has signed an international memorandum of cooperation with the Roemer and Pelizaeus Museum in Hildesheim, Germany. The agreement will include exhibition exchanges, professional-development opportunities for staff members, long terms loans of art, and discussions of best practices for museums.
Grants, Awards, and Honors
posted Oct 15, 2011
CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.
Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Michael Beitz, an artist based in Attica, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
Sinclair Bell, assistant professor of art history in the School of Art at Northern Illinois University in DeKalb, has been awarded a research fellowship from the German Archaeological Institute (Deutsches Archäologisches Institut) and the Archaeological Institute of America. He will conduct research in Berlin this fall.
Rachel Federman of New York University has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Seth Alexander Feman of the College of William and Mary in Williamsburg, Virginia, has earned a $1,500 library research grant from the Getty Foundation in Los Angeles.
Aglaya Glebova of the University of California, Berkeley, has won the Dedalus Foundation’s 2011 Dissertation Fellowship Award, given annually to a PhD candidate at an American university who is working on a dissertation related to modern art and modernism. The $20,000 award will help support Glebova’s work on her dissertation, “Wilderness and Construction: Three Case Studies of Russian Landscape Representation,” which investigates representations of Russia’s Northern wilderness from the mid-nineteenth century to present.
Wendy Ann Grossman of the University of Maryland in University Park has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Sonali Gulati, a faculty member teaching photography and film in the School of the Arts at Virginia Commonwealth University in Richmond, has been awarded the Mary Lyon Award from her alma mater, Mount Holyoke College. The award honors a young alumna (no more than fifteen years after graduation) who demonstrates promise or sustained achievement in her life, profession, or community.
Matthew Jesse Jackson has won the Dedalus Foundation’s tenth annual Robert Motherwell Book Award for his The Experimental Group: Ilya Kabakov, Moscow Conceptualism, Soviet Avant-Gardes (Chicago: University of Chicago Press, 2010). The award, which carries a $20,000 prize, honors an outstanding publication in the history and criticism of modernism in the arts. The Experimental Group documents the life and work of the Russian artist Ilya Kabakov and, through him, the milieu of the Moscow Conceptualists: the “unofficial artists” who worked without state sanction in the post-Stalinist Soviet Union.
Sue Johnson, professor of art at Saint Mary’s College of Maryland in Saint Mary’s City, has been awarded a residency at the Centre d’Art Marnay Art Centre in Marnay-sur-Seine, France. Her residency also includes a grant from the Tenot Fondation. In addition, Johnson was selected as a visiting artist by the American Academy in Rome for June 2011. In 2010–11 she has been a visiting scholar in residence at the Centre for Medieval and Renaissance Studies in Oxford, England.
Holger A. Klein, associate professor and director of graduate studies in the Department of Art History and Archaeology at Columbia University in New York, has been honored with the fiftieth annual Mark Van Doren Award for Teaching, which honors a Columbia professor for commitment to undergraduate instruction and for humanity, devotion to truth, and inspiring leadership. The recipient of the award is selected by the student members of the Academic Awards Subcommittee of the Columbia College Student Council, with administrative support and guidance from the Academic Affairs staff of the college.
JC Lenochan, an artist based in Orange, New Jersey, has received a $6,000 grant from the 2011–12 Franklin Furnace Fund for Decolonizing the Mind, an installation and performance with public interaction that addresses how pedagogy relates to issues of sex, race, and class stratification. For the gallery-based work, Lenochan will hang chalkboards with text and images opposite blank chalkboards for the public’s response. Simultaneously, four high school students will pile of old school desks in the middle of the space and also play sound and audio from Ngugi wa Thiong’o’s book, Decolonizing the Mind.
Margaret Lindauer, an art historian at Virginia Commonwealth University in Richmond, has been recently honored twice, receiving a VCUarts Faculty Achievement Award for 2010–11 and a VCUarts Faculty Award for Distinguished Achievement in Teaching.
Christina Lindholm, associate dean of undergraduate studies in the School of the Arts at Virginia Commonwealth University in Richmond, has earned a 2011 Spirit of Martha Award, which recognizes University of Missouri women who have distinguished themselves in their chosen profession and exemplify the spirit of leadership, particularly in the furtherance of women.
China Marks, an artist based in Long Island City, New York, has been named a Gregory Millard Fellow by the New York Foundation for the Arts. She has also received a 2011 grant in the category for printmaking, drawing, and book arts.
Saloni Mathur, associate professor in the Department of Art History at the University of California, Los Angeles, has received a $44,000 residential grant from the Getty Foundation. As a Getty Scholar, she will work on “Divided Objects: Indian Partition and the Politics of Display.”
Jennifer Ann McComas of Indiana University in Bloomington has accepted a $1,500 library research grant from the Getty Foundation in Los Angeles.
Kristine Nielsen of the University of Illinois, Urbana-Champaign, has received a $661 library research grant from the Getty Foundation in Los Angeles.
Kristina Berrill Paulsen of Ohio State University in Columbus has received a $1,000 library research grant from the Getty Foundation in Los Angeles.
Scott William Perkins of the Bard Graduate Center in New York has received a $1,500 library research grant from the Getty Foundation in Los Angeles.
Corey Piper, curatorial assistant for the Mellon Collections at the Virginia Museum of Fine Arts in Richmond, has received a 2011–12 John H. Daniels Fellowship from the National Sporting Library and Museum. She will work on “The Cast and Characters of the British Sporting Ring,” a scholarly essay for the catalogue of an upcoming exhibition, Catching Sight: The World of the British Sporting Print, at her museum.
Anne J. Regan, an artist who earned her MFA last year at the University of Houston in Texas, has become a resident artist at the Lawndale at Center in Houston. The residency comes with nine months of studio space, $1,500 for materials, and a $500 per month stipend; it will also culminate in an exhibition with two other resident artists in May 2012.
Barbara Smith, an artist based in Rosendale, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
Jaune Quick-to-See Smith, a highly acclaimed American Indian artist based in New Mexico, has been honored with a 2011 Visionary Woman Award by Moore College of Art and Design in Philadelphia, Pennsylvania, for her outstanding contributions to the arts. Elaborating on her heritage and worldview, Smith’s richly layered juxtapositions of text and image in large-scale prints and canvases address today’s tribal politics, human rights, and environmental issues with a sophisticated combination of humor and wit.
Juana Valdes, an artist based in New York, has received a 2011 fellowship from the New York Foundation for the Arts in the crafts and sculpture category.
James Alan Van Dyke of the University of Missouri in Columbia has accepted a $1,500 library research grant from the Getty Foundation in Los Angeles.
P. Gregory Warden, University Distinguished Professor of Art History and associate dean for academic affairs in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas, has received a $200,000 grant from National Endowment for the Humanities to work with the Community College Humanities Organization on a 2012 NEH Summer Institute, called “The Legacy of Ancient Italy: The Etruscan and Early Roman City.” As project director, Warden will lead a group of community college teachers in Italy in June of next year.
Corina Alexandra Weidinger of the University of Delaware in Newark has earned a $1,500 library research grant from the Getty Foundation in Los Angeles.
Deborah Wing-Sproul, an interdisciplinary artist and a faculty member at Maine College of Art in Portland, has been named a Maine Arts Commission Media and Performing Arts Fellow for 2011. The recognition comes with a $13,000 grant award.
Brian Scott Winkenweder of Linfield College in McMinnville, Oregon, has received a $1,000 library research grant from the Getty Foundation in Los Angeles.
Sandy Winters, an artist based in New York, has received a 2011 fellowship from the New York Foundation for the Arts in the printmaking, drawing, and book arts category.
Reva Wolf, professor of art history at the State University of New York at New Paltz, has received a 2010–11 State University of New York Chancellor’s Award for Excellence in Teaching, which recognizes consistently superior teaching and sound scholarship.
Karla Wozniak, an artist based in Brooklyn, New York, has received a 2011 fellowship from the New York Foundation for the Arts in the category for printmaking, drawing, and book arts.
Exhibitions Curated by CAA Members
posted Oct 15, 2011
Check out details on recent shows organized by CAA members who are also curators.
Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Jacqueline Baas. Fluxus and the Essential Questions of Life. Grey Art Gallery, New York University, September 9–December 3, 2011.
Laura Bardier. Richard Garet: Espacios No-Euclídeos. Espacio Arte Contemporáneo, Montevideo, Uruguay, August 11–October 30, 2011.
Susan Grace Galassi, Marilyn McCully, and Andrew Robison. Picasso’s Drawings, 1890–1921: Reinventing Tradition. Frick Collection, New York, October 4, 2011–January 8, 2012.
Maribeth Graybill. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum.Portland Art Museum, Portland, Oregon, October 1, 2011–January 22, 2012.
Andrew Hottle. Groundbreaking: The Women of the Sylvia Sleigh Collection. Rowan University Art Gallery, Rowan University, Glassboro, New Jersey, August 29–October 1, 2011.
Robert G. La France. Jerusalem Saved! Inness and the Spiritual Landscape. Krannert Art Museum and Kinkead Pavilion, University of Illinois, Urbana-Champaign, Illinois, August 26, 2011–May 12, 2012.
Sue Maberry and Meg Linton. Doin’ It in Public: Feminism and Art at the Woman’s Building. Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, California, October 1, 2011–January 28, 2012.
Julia Robinson and Ellen Swieskowski. Fluxus at NYU: Before and Beyond. Grey Art Gallery and Tracey/Barry Gallery, Bobst Library, New York University, September 9–December 3, 2011.
Terezita Romo. Art along the Hyphen: The Mexican-American Generation. Autry National Center, Los Angeles, California, October 14, 2011–January 8, 2012.
Susanne Slavick. Out of Rubble. SPACE, Pittsburgh, Pennsylvania, December 2, 2011–February 5, 2012.
Esther Tornai Thyssen. Willie Marlowe: Paintings of Singular Delights. HallSpace Art Gallery, Boston, Massachusetts, September 3–October 8, 2011.
Books Published by CAA Members
posted Oct 15, 2011
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
October 2011
Colin Bailey. Fragonard’s Progress of Love at the Frick Collection (New York: Frick Collection, in association with D. Giles, 2011).
Susan Best. Visualizing Feeling: Affect and the Feminine Avant-Garde (London: I. B. Tauris, 2011).
Robert Randolf Coleman. The Ambrosiana Drawings of Giambettino Cignaroli (1706–1770): A Critical Catalogue (Rome: Bulzoni; Milan: Biblioteca Ambrosiana, 2011).
Karen Fraser. Photography and Japan (London: Reaktion Books, 2011).
Luba Freedman. The Classical Myths in Italian Renaissance Painting (New York: Cambridge University Press, 2011).
Maribeth Graybill, ed. The Artist’s Touch, the Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum (Portland, OR: Portland Art Museum, 2011).
Rebecca Peabody, ed. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Los Angeles: Getty Publications, 2011).
Kristin Phillips-Court. The Perfect Genre: Drama and Painting in Renaissance Italy (Burlington, VT: Ashgate, 2011).
Terezita Romo. Malaquias Montoya (Los Angeles: UCLA Chicano Studies Research Center Press, 2011).
Magda Salvesen, Exploring Gardens and Green Spaces from Connecticut to the Delaware Valley (New York: W. W. Norton, 2011).
Susanne Slavick, ed. Out of Rubble (Milan, Italy: Charta, 2011).
Thomas A. Walters. The Arts: A Comparative Approach to the Arts of Painting, Sculpture, Architecture, Music, and Drama (Bloomington, IN: Xlibris, 2011).
William Wroth and Robin Farwell Gavin, eds. Converging Streams: Art of the Hispanic and Native American Southwest (Santa Fe, NM: Museum of Spanish Colonial Art, 2010).



David Holt, Landscape with Bird, 2011, acrylic on linen, 20 x 20 in. (artwork © David Holt)
Reynolds, title not known, 2011, intaglio, dimensions not known (artwork © Reynolds)
Patricia Villalobos-Echeverría, mesoparasitio <13°41'33"N 89°14'30"W>, 2011, EPS foam on wall, audio, and custom-designed furniture, dimensions variable (artwork © Patricia Villalobos-Echeverría)
Lisa Blas, After Johnny Shiloh, Then Lincoln, 2005, chromogenic print mounted on Sintra and framed, 20¾ x 26¾ in. (artwork © Lisa Blas)
Les Barta, Rock Phenomena, 2011, computer photoconstruction (artwork © Les Barta)
Barbara McPhail, Unnatural Gas, Morning Mist, 2010, monoprint, 14 x 11 in. (artwork © Barbara McPhail)
Michael Rich, Lotus II, 2011, oil and wax on canvas, 24 x 26 in. (artwork © Michael Rich)
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Heather Deyling, Locus 5, 2011, acrylic and rice paper on canvas, 48 x 48 in. (artwork © Heather Deyling)
Linda Stein, Justice for All 698, 2010, acrylicized metallic paper, archival inks, and mixed media, 79 x 40 x 9 in. (artwork © Linda Stein)
Mary Ting, Snake Girl, cut-paper drawing (artwork © Mary Ting)
Jan Wurm, Game, 2011, oil on canvas, 36 x 48 in. (artwork © Jan Wurm)
Alan C. Braddock (photograph by Karen Sherry)
Margarita Aguilar
Douglas Druick
Paul Ha
Russell Lord
John R. Stomberg
Kristina Van Dyke
Holland Cotter (photograph by Bradley Marks)
Ofelia Garcia
George L. Bunting Jr., trustee emeritus (photograph by Bruce Weller)
Parmigianino, Studio Interior, pen and brown ink on paper (framing lines in pen and black ink), 5½ x 4⅞ in. Purchased by Pierpont Morgan, 1910; IV, 46 (artwork in the public domain)
Jusepe de Ribera, Portrait of a Knight of Santiago, 1630–38, oil on canvas, 57½ x 42 in. Meadows Museum, Algur H. Meadows Collection, 77.02 (artwork in the public domain)
Kitagawa Utamaro, Three Beauties of the Present Day, ca. 1793, color woodblock print with mica dust, 15¼ x 10 5/16 in. Toledo Museum of Art, Carrie L. Brown Bequest Fund, 1951.290 (artwork in the public domain)
Maulana Jalal al-Din Rumi, folio from Walters manuscript W.626 depicting a battle scene, 1663, ink and pigments on thin laid paper (probably Kashmiri), 5⅞ x 10 7/16 in. Walters Museum of Art, Baltimore, W.626.54A (artwork in the public domain)
Sinclair Bell

Sue Johnson, Birds without Feathers, 2010, watercolor and pencil on paper, 30 x 22 in. (artwork © Sue Johnson)
Jaune Quick-to-See Smith
P. Gregory Warden
Richard Garet, still from Image Blur, 2011, video, 35:59 min. (artwork © Richard Garet)
Kate Millet’s Great Lady Rising Event, in which her sculpture created while a resident artist at the Women’s Building in Los Angeles in 1977 was hoisted to the roof and installed there for the fifth anniversary celebration in 1978 (photographer unknown; photograph from the Women’s Building Archive at Otis College of Art and Design and © the Women’s Building)
Andrew Ellis Johnson, Formal Graffiti Series: p.34 (Ha’) Insulation, archival digital print on Hahnemühle paper, 20 x 15 in. (artwork © Andrew Ellis Johnson)
Announcement card for Willie Marlowe: Paintings of Singular Delights











