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Rescue Public Murals invites artists and arts organizations to contribute photographs of American outdoor murals, to be deposited in a special collection in the ARTstor Digital Library and made available for educational use.

The images in the Rescue Public Murals (Heritage Preservation) collection will serve as a valuable record of murals in the United States and place them in the context of other works in the arts, architecture, and humanities. Your photographs can join the more than five thousand catalogued mural photographs already contributed by Rescue Public Murals cochair, Timothy Drescher.

Images may be submitted online and should be high-resolution TIFF or JPEG files at 3,000 pixels on one side. Assistance is also available to scan slides. The online submission site includes fields to complete with identifying information about the mural, including artist name, title, date, location, medium, dimensions, photographer, and copyright information. Rescue Public Murals staff will facilitate their inclusion in ARTstor by providing cataloging and technical assistance.

Submissions are accepted until March 31, 2010. Artists and arts organizations that are considering submissions can email Kristen Laise or call 202-233-0824 for more information.

In 2006, Heritage Preservation launched Rescue Public Murals, an initiative to bring public attention to US murals, document their unique artistic and historic contributions, and secure the expertise and support to save them. While much of the effort is focused on the physical preservation of community murals, it is inevitable that some important murals will not survive. As another means of preserving this distinctive American art form, Rescue Public Murals also collects photographs and archival documentation related to murals.

Funding for this project comes from the Getty Foundation and National Endowment for the Arts. Rescue Public Murals has also received support from the Booth Heritage Foundation, Friends of Heritage Preservation, and the Wyeth Foundation for American Art.

Filed under: Advocacy — Tags:

Rescue Public Murals invites artists and arts organizations to contribute photographs of American outdoor murals, to be deposited in a special collection in the ARTstor Digital Library and made available for educational use.

The images in the Rescue Public Murals (Heritage Preservation) collection will serve as a valuable record of murals in the United States and place them in the context of other works in the arts, architecture, and humanities. Your photographs can join the more than five thousand catalogued mural photographs already contributed by Rescue Public Murals cochair, Timothy Drescher.

Images may be submitted online and should be high-resolution TIFF or JPEG files at 3,000 pixels on one side. Assistance is also available to scan slides. The online submission site includes fields to complete with identifying information about the mural, including artist name, title, date, location, medium, dimensions, photographer, and copyright information. Rescue Public Murals staff will facilitate their inclusion in ARTstor by providing cataloging and technical assistance.

Submissions are accepted until March 31, 2010. Artists and arts organizations that are considering submissions can email Kristen Laise or call 202-233-0824 for more information.

In 2006, Heritage Preservation launched Rescue Public Murals, an initiative to bring public attention to US murals, document their unique artistic and historic contributions, and secure the expertise and support to save them. While much of the effort is focused on the physical preservation of community murals, it is inevitable that some important murals will not survive. As another means of preserving this distinctive American art form, Rescue Public Murals also collects photographs and archival documentation related to murals.

Funding for this project comes from the Getty Foundation and National Endowment for the Arts. Rescue Public Murals has also received support from the Booth Heritage Foundation, Friends of Heritage Preservation, and the Wyeth Foundation for American Art.

The Association for Information and Media Equipment, a group of educational film and video producers and distributors dealing with copyright issues related to libraries, universities, and media centers, has threatened to sue the University of California, Los Angeles for streaming copyrighted video content on course websites. UCLA is claiming fair use, but the issue—involving royalty payments, academic-subsidized research, and current copyright law—is much more complex.

Steve Kolowich of Inside Higher Ed reports that negotiations between the organization and the school are private, and a debate about the legality of libraries making digital copies of DVDs it owns for wider dissemination to students has arisen. In his article Kolowich talks to librarians, professors, and media-industry experts to provide a larger, if not clearer, picture of what is at stake.

February 5 update: J. B. DeVries of Academic Impressions discusses policy issues when dealing with streaming video.

While at next week’s Annual Conference in Chicago, be sure to attend the Annual Members’ Business Meeting on Friday, February 12, 5:15–6:15 PM. The meeting—held in Grand EF, East Tower, Gold Level, Hyatt Regency Chicago—is open to all current CAA members. CAA President Paul Jaskot will preside

Representatives from the Board of Directors and members of the CAA staff will review the year’s accomplishments and financial status, and the results of the 2010 board election will be announced. The board and staff will also be on hand to respond to your questions, so please come and share your insights and concerns.

Image: Blaise Tobia, professor of digital media at Drexel University, speaks at the 2009 Annual Members’ Business Meeting (photograph by Kenna Love)

Are schools mostly looking for professors of Renaissance or modern art? Does California have more teaching jobs than New York? Are there fewer open positions now compared to last year?

CAA’s Online Career Center, which publishes job classifieds in higher education and the museum world, is also an indicator of professional trends in the visual arts. In advance of next week’s Annual Conference, CAA has prepared basic statistics culled from this website, answering the questions above and giving members a sense of what job prospects might be like in Chicago and nationwide.

Using CAA’s two most recent fiscal years and the first half of the current one, this web-only article presents the total number of jobs posted in the Online Career Center, the top-ten specializations within studio art and art history, and the US states with the most open positions, among other facts. The article also compares the number of employers interviewing in Chicago to those at the Los Angeles and Dallas–Fort Worth conferences in 2009 and 2008, respectively.

Career Services Guide Published

posted Feb 02, 2010

The Career Services Guide is designed to inform job seekers and employers about career services at the 2010 Annual Conference in Chicago. The publication, which will help you navigate Career Services events and provides answers to frequently asked questions, is available now as a PDF. Study this guide carefully so that you will know what to expect from conference interviewing and how best to prepare for a successful experience.

Job candidates can review the basics of the conference employment search. Read about Orientation, the introduction to Career Services where you can ask questions, and the Candidate Center, your home base at the conference. Also, learn more about the Online Career Center, where you can search for position listings, post application materials, and arrange interviews. The guide includes tips for improving your CV, portfolio, and supplemental application materials.

Employers will find details in the guide for renting interview booths or tables as well as recommendations for posting jobs and conducting interviews at the conference. You can begin preparations now for Career Services through the Online Career Center or onsite at the Interviewer Center.

The Career Services Guide will also be published with the January 2010 issue of CAA News, and copies will be handed out at Orientation and in the Candidate’s Center. All conference Career Services will take place at the Hyatt Regency Chicago. For more information about job searching, professional-development workshops, and more, visit the Career Services section of the conference website.

The following letter comes from Brooke Wooldridge of the Digital Library of the Caribbean (dLOC). A cooperative digital library for resources from and about the Caribbean and circum-Caribbean, dLOC provides access to digitized versions of Caribbean cultural, historical, and research materials currently held in archives, libraries, and private collections.

There has been significant confusion as to the state of the four main patrimonial libraries in Port-au-Prince after the earthquake on January 12, 2010. Based on information that I have received from the Digital Library of the Caribbean partner libraries in Haiti, all four of the following library buildings are standing:

  • Archives nationales d’Haïti
  • Bibliothèque haïtienne des Pères du Saint-Esprit / San Martial [though the collection will need to be evacuated, as the building cannot be salvaged]
  • Bibliothèque haïtienne des Frères de l’Instruction Chrétienne / Saint Louis de Gonzague
  • Bibliothèque nationale d’Haïti

Importantly, the library at Saint Louis de Gonzague (FIC) was NOT destroyed. The reporter that stated the library had fallen was incorrect.

According to the director of the National Library, Mme. Francoise Thybulle, the structures must be inspected before the local staff can assess the situation and prepare detailed plans that will certainly ask for international assistance. While the buildings are standing, this does not diminish what will be the very real need for assistance once the local leadership is able to assess the situation. All of the library directors have asked that interested parties work together to help preserve the collections [and] bring these libraries/archives back into service.

Many institutions and individuals have expressed an interest in supporting the Haitian libraries/archives as they begin to rebuild. The outpouring of support and interest for the preservation of Haitian patrimony is unprecedented. Many of you are already in contact with colleagues regarding ways to help. I am trying to serve as a clearinghouse for the Haitian libraries of the different people, institutions or groups that would like to offer support to the libraries. Once I have feedback from the partner libraries in Haiti, I will share a working document of the projects I am aware of and an online survey for interested individuals to complete via www.dloc.com. Feel free to contact me personally at dloc@fiu.edu or preferably via the dLOC Facebook Group if you are already planning a project locally.

The Digital Library of the Caribbean has been working with partners in Haiti since it began in 2004. The National Archives in Haiti was a founding member of dLOC, and in the last few years we have developed strong relationships with both the National Library and the Fathers of the Holy Spirit (San Martial) Library. As more information becomes available from the local leadership, I will share it as widely as possible. I have been hesitant to send a large response until now because of the many conflicting reports. This information is confirmed, and comes from the directors of each library/archive.

As the many researchers that have worked in these four libraries know, their directors are completely dedicated to the preservation of their national patrimonial collections. All four have been fighting to preserve these collections for decades, and I am confident with support from the international community these collections will be preserved and accessible for many years to come.

Filed under: Advocacy, Cultural Heritage, Libraries — Tags:

The following letter comes from Brooke Wooldridge of the Digital Library of the Caribbean (dLOC). A cooperative digital library for resources from and about the Caribbean and circum-Caribbean, dLOC provides access to digitized versions of Caribbean cultural, historical, and research materials currently held in archives, libraries, and private collections.

There has been significant confusion as to the state of the four main patrimonial libraries in Port-au-Prince after the earthquake on January 12, 2010. Based on information that I have received from the Digital Library of the Caribbean partner libraries in Haiti, all four of the following library buildings are standing:

  • Archives nationales d’Haïti
  • Bibliothèque haïtienne des Pères du Saint-Esprit / San Martial [though the collection will need to be evacuated, as the building cannot be salvaged]
  • Bibliothèque haïtienne des Frères de l’Instruction Chrétienne / Saint Louis de Gonzague
  • Bibliothèque nationale d’Haïti

Importantly, the library at Saint Louis de Gonzague (FIC) was NOT destroyed. The reporter that stated the library had fallen was incorrect.

According to the director of the National Library, Mme. Francoise Thybulle, the structures must be inspected before the local staff can assess the situation and prepare detailed plans that will certainly ask for international assistance. While the buildings are standing, this does not diminish what will be the very real need for assistance once the local leadership is able to assess the situation. All of the library directors have asked that interested parties work together to help preserve the collections [and] bring these libraries/archives back into service.

Many institutions and individuals have expressed an interest in supporting the Haitian libraries/archives as they begin to rebuild. The outpouring of support and interest for the preservation of Haitian patrimony is unprecedented. Many of you are already in contact with colleagues regarding ways to help. I am trying to serve as a clearinghouse for the Haitian libraries of the different people, institutions or groups that would like to offer support to the libraries. Once I have feedback from the partner libraries in Haiti, I will share a working document of the projects I am aware of and an online survey for interested individuals to complete via www.dloc.com. Feel free to contact me personally at dloc@fiu.edu or preferably via the dLOC Facebook Group if you are already planning a project locally.

The Digital Library of the Caribbean has been working with partners in Haiti since it began in 2004. The National Archives in Haiti was a founding member of dLOC, and in the last few years we have developed strong relationships with both the National Library and the Fathers of the Holy Spirit (San Martial) Library. As more information becomes available from the local leadership, I will share it as widely as possible. I have been hesitant to send a large response until now because of the many conflicting reports. This information is confirmed, and comes from the directors of each library/archive.

As the many researchers that have worked in these four libraries know, their directors are completely dedicated to the preservation of their national patrimonial collections. All four have been fighting to preserve these collections for decades, and I am confident with support from the international community these collections will be preserved and accessible for many years to come.

The Conference Survival Guide for the 2010 Annual Conference in Chicago was published in mid-December as a downloadable Word file. Written by CAA’s Student and Emerging Professionals Committee, the guide offers guidance to students, emerging professionals, and others attending their first conference for traveling to Chicago and navigating conference activities. Suggestions include:

  • options for travel funding
  • budget travel ideas and lodging information
  • dining and transportation suggestions
  • effective strategies for successful participation in the conference
  • suggestions for networking during the four-day event
  • city resources and sightseeing recommendations

For more details about the Conference Survival Guide and CAA committees, please contact Vanessa Jalet, CAA executive assistant.

Filed under: Annual Conference, Publications

January Obituaries in the Arts

posted Jan 29, 2010

CAA recognizes the lives and achievements of the following artists, architects, scholars, teachers, collectors, filmmakers, authors, critics, philanthropists, and other important figures in the visual arts who have recently died. Of special note is William A. Peniston’s text on the art historian Karl Lunde, who passed away in late December.

  • Paul Ahyi, a painter and sculptor based in Togo, Africa, who designed his country’s flag, died on January 4, 2010. He was 80
  • Craigie Aitchison, a Scottish painter of dogs, still lifes, and religious scenes, died on December 21, 2009, at age 83
  • Peggy Amsterdam, an arts advocate based in Philadelphia, died on December 26, 2009, at the age of 60. She was a founding member of the Cultural Data Project, which is establishing a national standard for reporting and tracking data on arts and cultural groups
  • Donald S. Baker, Sr., a Chicago-based artist and teacher who explored African-American history in his wooded pieces, died on December 23, 2009. He was 72
  • Bill Brooks, an auctioneer who founded Christie’s South Kensington auction house in London, died on December 9, 2009. He was 85
  • Gertrude Whitney Conner, an artist and the granddaughter of the founder of the Whitney Museum of American Art, died on December 13, 2009
  • George Dannatt, an English abstract artist and former music critic, died on November 17, 2009, at the age of 94
  • Harry Diamond, a London photographer who snapped images of Lucian Freud, Francis Bacon, and others in bohemian Soho of the 1960s and 1970s, died on December 3, 2009. He was 85
  • Esther Gordon Dotson, an art historian and Michelangelo specialist who taught at Cornell University, died on October 28, 2009, at age 91. She received CAA’s Distinguished Teaching of Art History Award in 1986
  • Michael Dwyer, a highly influential film critic for the Irish Times, died on January 1, 2010, at the age of 58
  • Susan Einzing, a British illustrator known for her work on the children’s book Tom’s Midnight Garden, died on December 25, 2009, at the age of 87. She had taught for more than thirty years at the Chelsea School of Art
  • Elizabeth Fallaize, a professor of French and women’s studies at St. John’s College and Oxford University, died on December 9, 2009, at age 59. She was a renowned authority on the books of Simone de Beauvoir
  • William Gambini, an artist from the New York School of Abstract Expressionism who had settled in San Diego, died on January 3, 2010. He was 91
  • Lydia Gasman, an inspiring art historian at the University of Virginia and an authority on the work of Pablo Picasso, died on January 15, 2010. She was 84
  • Rupprecht Geiger, a German abstract painter who is credited with inventing the shaped canvas, died on December 6, 2009, at the age of 101
  • Jennifer Jones, an Academy Award–winning actress who married the art collector and museum founder Norton Simon and later headed his foundation, died on December 17, 2009. She was 90
  • Robert Kaufman, an artist and former chair of illustration at the Art Institute of Boston, died on January 8, 2010. He was 58
  • Vivien Knight, curator of the Guildhall Art Gallery in London and a scholar of British painters of the Victorian era, died on December 18, 2009, at age 56
  • Karl Lunde, an art historian who taught for many years at William Paterson University, died on December 27, 2009, at age 78. He also directed a gallery, the Contemporaries, in New York from 1956 to 1965
  • Flo McGarrell, an artist and director of FOSAJ, a nonprofit art center in Jacmel, Haiti, died in the earthquake on January 11, 2010. He was 35. The Village Voice has also published a remembrance piece on the artist
  • Yiannis Moralis, a Greek painter who was part of the “Generation of the ‘30s,” died on December 20, 2009. He was 93
  • Kenneth Noland, an American artist who was a pioneer of Color Field painting, died on January 5, 2010, at the age of 85
  • Laughlin Phillips, a former director of the Phillips Collection in Washington, DC, the museum founded by his father, died on January 24, 2010. He was 85
  • Antonio Pineda, an internationally exhibited silversmith from Taxco, Mexico, died on December 14, 2009, at the age of 90
  • Éric Rohmer, a film critic and filmmaker of the French New Wave best known for My Night at Maud’s, died on January 11, 2010, at the age of 89
  • James Rossant, an American architect, professor, and city planner who helped design Battery Park City in Manhattan, died on December 15, 2009. He was 81
  • David Sarkisyan, the former director of the Shchusev State Museum of Architecture in Moscow, died on January 7, 2010, at the age of 62
  • Robert H. Smith, a real-estate developer and art collector who was a former president of the National Gallery of Art’s board of trustees, died on December 29, 2009, at the age of 81. The museum has also published on Smith’s work there
  • Dennis Stock, a photographer of jazz musicians and actors, who took an iconic image of James Dean, died on January 11, 2010. He was 81
  • Norval White, coauthor of the AIA Guide to New York City, a guide to American architecture first published in 1968, died on December 26, 2009. He was 83
  • Jack Wolgin, a Philadelphian developer, banker, and philanthropist of art, died on January 26, 2010. He was 93
  • Robin Wood, a film critic who wrote about Alfred Hitchcock, Howard Hawks, Author Penn, and Ingrid Bergman, died on December 18, 2009. He was 78

Read all past obituaries in the arts on the CAA website.

Filed under: Obituaries, People in the News