CAA News Today

Statement

My name is Kelly Walters, and I am an Assistant Professor of Communication Design at Parsons School of Design at The New School. Prior to joining Parsons, I was an Assistant Professor at the University of Connecticut, an AICAD Teaching Fellow at California College of the Arts and an adjunct at the University of Bridgeport. Throughout my teaching career, I have had the opportunity to teach at public universities, small private liberal arts colleges and elite art institutions. The art and design programs in these environments utilize differing pedagogy on design and are reflective of the needs of the students at those institutions. All of these experiences have allowed me to see how art and design programs differ across discipline, and how teaching strategies can shift from one institution to next. Over the last few years, I have the opportunity to participate in the CAA Conference – as a presenter in 2019 and as a panel chair this past February 2020. I have always found CAA to be an invaluable resource to learn more about promotion and tenure guidelines, seek out grant opportunities or follow the most recent news in art and design scholarship. To be a CAA Board member would mean that I could help support the continuation of important initiatives like these that directly impact a diverse art and design education community.

I have engaged with the field of design as an educator, a professional graphic designer and through service to other professional organizations. I am currently an AIGA Design Educators Steering Committee member and entering my third year in this role. As the Communications Chair, I have led numerous meetings with the DEC Communications team to strategize and plan what resources and content we can share within our community for their success. Serving on this committee has provided me with necessary skills that I could bring as a CAA Board Member, including organizationals skills and the ability to work collaboratively on a team. I am excited to state my interest to participate on the CAA Board because of my extensive experience teaching and my interest in connecting people with resources or to each other. If selected as a CAA Board Member, I would be interested in supporting the following committee areas: design, diversity practices and professional practices. The multiple perspectives I hold as a Black woman, as an educator and practitioner, would make me a great Board member that would be sensitive to concerns around design and that of marginalized communities. I am excited about the prospect of moving forward art and design discourse, with a particular focus on engaging with urgent questions and critical shifts happening in relation to race, identity and representation today. I look forward to this potential opportunity and thank everyone for their time in reviewing my materials.

Download Kelly Walters’ CV

Statement

You cannot expect students to copy what they’ve never seen. It’s what drives me to affectionately describe my classes as “cultural spackle: I fill the cracks in students’ education”. I’m motivated as a first generation recently tenured Latinx professor to address diversity in both my courses and my creative research. I value modelling the excellence we wish students to become in the classroom by ensuring that students are studying a curriculum of contemporary art that is as vast as the student body. The same desire holds true for faculty and more flexible pedagogical practices. I hope to bring that same energy to share with CAA’s board.

While I am beyond happy to see such emphasis on diversity and inclusion efforts being enacted across so many platforms that we engage with regularly, I am also keenly aware of the awkwardness in attempting to “diversify” in the hands of people not immediately impacted by this “issue” as well as the intense pressure for the “diverse” faculty in institutions to ‘help’ guide faculty through seemingly uncharted terrain, serve on committees to ensure diversity quotas, provide moral support and validation to colleagues or administrators’ programming to ensure “appropriateness, etc. This invisible load placed on “diverse” faculty to facilitate/mediate pathways to a more inclusive environment, pacify departments and appease the demands of students and upper administration leaves faculty feeling, unsurprisingly, overworked, overwhelmed and undervalued.

It is my intent to utilize my experiences in this very situation to advise on how we can, at CAA, address these issues through content programming and support for faculty and administrators. Since there is strength in numbers I would be honored to lend my voice and personal experience to this organization’s commitment to such a pressing matter at a most vital moment of our lifetime. In this chilling moment, as we stand fearful of potentially losing freedoms we’d thought were won, I would like to be part of the team that moves steadfastly forward toward a truly progressive future.

Download Wanda Raimundi-Ortiz’s CV

Statement

My name is Kelvin Parnell Jr, and I am grateful to be one of the College Art Association’s candidates for the Emerging Professional Director. Aligning myself with CAA’s mission of building a more diverse and inclusive scholarly community, I understand the Emerging Professional Director position to be critical to this goal’s progress. To do so, I want first to expand the scope of the position to include undergraduate students. As a young, Black undergraduate attending a university that did not support the humanities, especially the visual arts, I found it difficult to build community and the support needed to further my career. Although I knew about CAA, I often understood it as something that was not meant for me. Therefore, one of my top priorities will be to uplift and highlight the voices and concerns of those traditionally underrepresented in the field, whether they be students, professionals, or lifelong learners and admirers of the visual arts. I believe the future of CAA depends on ensuring that the association becomes more integrated with the careers and development of visual arts professionals at all stages of their careers. I want to establish that our organization’s value will continue to develop and progress beyond the annual conference by emphasizing how we are a vital and necessary resource to our members and those whose membership we wish to court.

As the world and visual arts continue to change, adapt, and evolve, so must CAA. Our organization’s emerging professionals are some of our most valuable resources as they will take up the mantle and lead the field into the future as so many have before them. But to do so, CAA must also be an active agent in the development of their careers to guarantee that change occurs. CAA must be an organization wherein we prepare our young scholars and professionals for today’s challenges and brainstorm solutions together with our more senior and experienced members about the problems of the future that have yet to manifest. During my tenure, I hope that I will be able to help bridge generational and professional divides amongst scholars, artists, and visual arts professionals through new, robust programming and mentorship, both formal and informal. Further, we must listen to, learn from, and reach out to communities and spaces we have not looked to typically to engender the change we seek. Our presence in the world of visual arts must be one that is welcoming and active. We should ensure that we engage with the public in meaningful ways and create the public’s desire to engage with us. To do so, we should work tirelessly to fulfill our mission and advocate the critical need for the arts’ study and practice.

I believe CAA should and can be an organization that provides various opportunities and venues for all of us in the visual arts to gather and exchange our ideas and experiences not just once a year, but throughout the year and throughout our careers and lifetimes. It seems to me that now, more than ever, that deep community building is desired and necessary.

Thank you for considering me for this honorable and privileged position.

Download Kelvin Parnell’s CV

Statement

Currently, I serve as the Director of Bowling Green State University’s School of Art, a large and comprehensive program comprised of 550 students and 34 faculty members. In addition to my administrative duties, I teach courses in drawing and maintain an active studio practice focused on drawing and photography.  

I believe that my strong record of national-level professional service has well-qualified me for Board service. Since 2016, I’ve served on CAA’s Professional Practice Committee. Perhaps the highlight of my PPC service was co-chairing the sub-committee that last year completed revisions to the guidelines for retention and tenure of art historians. In addition, I’ve served or continue to serve on PPC sub-committees charged with revising CAA’s guidelines for distance education, teaching digital media, baccalaureate degrees in studio art, assessment in studio art as well as CAA’s overview statement on standards/guidelines. I’m also a member of the Board of Directors of the National Council of Arts Administrators (NCAA), a CAA affiliated organization dedicated to addressing pressing issues in arts administration. In my role as Co-Chair of NCAA’s Conference Committee, I’ve co-organized three NCAA/CAA affiliate panel sessions for CAA conferences. Last year’s session, “So Who Wants to be an Arts Administrator?”, was devoted to recruitment and support of emerging administrators, an issue of great importance to the future of visual arts education. Finally, I serve as an institutional on-site evaluator for National Association of Schools of Art and Design (NASAD) accreditation and re-accreditation reviews. 

Leadership of a School of Art situated within a region-focused public university with a substantial population of first-generation college students has made me especially sensitive to the issue of preserving academic access. I see this as an urgent matter. If education in the arts and humanities becomes inequitably available, then the voices and experiences of a large part of our society won’t be heard, resulting in a profound negative impact on the quality of cultural and political discourse in our country. Given what’s at stake, keeping educational and cultural institutions accessible, inclusive and diverse in the face of pandemic accelerated enrollment declines and budget cuts is a challenge we must take up collectively. As the preeminent professional organization in visual arts education, CAA is uniquely positioned to bring together its various constituencies for the purpose of jointly developing programs, strategies and advocacy language required to navigate in our present circumstances and to re-imagine our futures. It would be a singular honor to offer my experience to CAA’s Board of Director’s in a moment when the organization’s mission to assure the vitality and inclusivity of visual arts interpretation and practice has never been more necessary. 

Download Charles Kanwischer’s CV

Statement

With your support, I would be pleased to join the CAA Board of Directors and contribute to increasing the organization’s diversity and inclusivity during this challenging time. Improving opportunities for artists and scholars of color has been a central priority during my career as an art historian specializing in contemporary Native American art. I was one of the first tribally enrolled individuals to receive a PhD in art history, and know how difficult the field is for students without financial resources and from groups underrepresented in the field. I have experience at a variety of institutions. I was faculty at a public liberal arts college for 8 years, and have been at a tribal college art school for the past 8 years. Because there are so few specialist in this area, I have worn many “hats,” sometimes simultaneously: faculty teaching art history and studio art courses, curator, artist-in-residence program director, Department Chair, Associate Academic Dean, grant administrator, and now also the founding director of a new research center for Native arts. I have found myself doing things I never imagined, things that have created real changes for the Native and First Nations communities I work with. Navigating through the dynamics of various institutions and working with diverse communities is a completely normal and necessary foundation of my work with students, artists, and colleagues and other educational institutions and museums. I listen, observe, and keep an eye out for ways I can serve to build relationships and opportunities. I am particularly attentive to designing programs that actively counter the structural barriers that prevent participation by underrepresented groups. It may occasionally get annoying, but I ask questions about the established “norms.” I consider how they may produce exclusion, rather than inclusion, and get creative with possible solutions.

Thank you for considering me for service to the CAA Board of Directors.

Download Lara Evans’ CV