CAA News Today
CAA 2026 Board of Directors Election: Vote Now!
posted by CAA — December 11, 2025
As a CAA member, voting is the best way to shape the future of your professional association. Thank you for taking the time to vote!
The CAA Board of Directors is comprised of professionals in the visual arts who are elected annually by the membership to serve four-year terms or (for emerging professionals) two-year terms. The Board is charged with the long-term financial stability and strategic direction of CAA in partnership with the Executive Director; it is also the Association’s governing body. The Board sets policy regarding all aspects of CAA activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures. For more information, please read the CAA by-laws section on Nominations, Elections, and Appointments.
MEET THE CANDIDATES
The 2025–26 Nominating Committee has selected the following candidates for election to the CAA Board of Directors. Click the names of the candidates below to read their personal statements and CVs before casting your vote.
BOARD OF DIRECTOR CANDIDATES (FOUR-YEAR TERM, 2026–30)
Researcher and Director, Museum Studies
Rosas Museum (Narcao, Italy)
Professor of Painting
Auburn University (Auburn, AL)
Assistant Professor of Photography, Parsons School of Design
The New School (New York, NY)
Dean, School of Art and Design
Fashion Institute of Technology (New York, NY)
Assistant Dean, Curriculum and Learning, Parsons School of Design
The New School (New York, NY)
Librarian, Miriam and Ira D. Wallach Division of Art, Prints and Photographs
New York Public Library (New York, NY)
EMERGING PROFESSIONAL BOARD OF DIRECTOR CANDIDATES (TWO-YEAR TERM, 2026–28)
Director of Learning & Engagement
Everson Museum of Art (Syracuse, NY)
PhD Candidate in Art History
The Pennsylvania State University (University Park, PA)
Part-Time Design Faculty, Parsons School of Design
The New School (New York, NY)
PhD Candidate in Art History and Visual Culture
Duke University (Durham, NC)
Marketing and Communications Coordinator
Modern Art Museum of Fort Worth (Fort Worth, TX)
CAA members must cast their votes online. The deadline for voting is 5:00 p.m. CT on Thursday, February 19, 2026.
Elected individuals will be announced at the CAA Annual Business Meeting on Friday, February 20, 1:00–2:00 p.m. CT.
Questions? Contact info@collegeart.org with the subject line “Board of Directors Election.”
Notice of the CAA 114th Annual Business Meeting
posted by CAA — December 10, 2025
CAA Annual Business Meeting
Friday, February 20, 2026
1 p.m. CT
The 114th Annual Business Meeting of the members of the College Art Association will be called to order at 1 p.m. CT on Friday, February 20, 2026, at the Hilton Chicago. Access to this meeting is included in paid registration and no-cost registration. Once registered, please log into the online conference schedule to view more details about this meeting. CAA President, Dr. Denise Baxter, will preside.
AGENDA
- Welcome + Call to Order – Denise Baxter, CAA President
- Executive Director Report – Meme Omogbai, CAA Executive Director + CEO
- Approval of 113th Annual Business Meeting Minutes [ACTION ITEM]
- Old/New Business
- Board Member Election Results – Denise Baxter, CAA President
- Adjourn
BOARD VOTING
The Board of Directors slate has been announced as of December 11, 2025, along with an online voting form. Please submit your voting form for the 2026 election no later than 5 p.m. CT on Thursday, February 19th, 2026.
Next Meeting – 2027
The 115th Annual Business Meeting of the College Art Association will be held on February 5, 2027, at the New York Hilton Midtown.
Eddie Chambers Named CAA114 Distinguished Scholar
posted by CAA — November 13, 2025

Photograph by Hakeem Adewumi
The Distinguished Scholar Session at the 114th CAA Annual Conference will recognize the career of Eddie Chambers, including his professional experience as an artist and curator, and celebrate his ongoing legacy of critical engagement, mentorship, and advocacy for Black British and African diaspora artists within the global field of art history.
Chambers is Goldabelle McComb Finn Distinguished Professor in Art History at the School of the Art Institute of Chicago. Previously, he held the David Bruton, Jr. Centennial Professorship in Art History at the University of Texas at Austin, and was a Visiting Professor at Emory University, Atlanta. In addition to his notable academic career, he has been professionally involved in the visual arts for four decades as an artist, art critic, and curator. He earned his PhD at Goldsmiths College University of London.
His broad areas of scholarship are the art and art history of the African diaspora. Chambers has written several books, including Run Through the Jungle: Selected Writings by Eddie Chambers (Institute of International Visual Arts, 1999); Things Done Change: The Cultural Politics of Recent Black Artists in Britain (Rodopi Editions, 2012); Black Artists in British Art: A History Since the 1950s (I. B. Tauris, 2014); Roots & Culture: Cultural Politics in the Making of Black Britain (I. B. Tauris, 2017); World is Africa: Writings on Diaspora Art (Bloomsbury, 2021). His other writing has been published widely in Nka: Journal of Contemporary African Art, Latin American and Latinx Visual Culture, Small Axe: A Caribbean Journal of Criticism, Panorama, and elsewhere.
Chambers has worked with many artists over the course of several decades, including Eugene Palmer, Cybil Charlier, Frank Bowling, Denzil Forrester, Barbara Walker, and Alberta Whittle.
Following two terms as a field editor for caa.reviews, he was Editor-in-Chief of CAA’s Art Journal until July 2024. Chambers is the editor of the just-published Routledge Companion to African Diaspora Art History.
Chambers’s career and his impact on the field will be celebrated with presentations and a dialogue with scholars and colleagues:
Session Panelists:
Cherise Smith, University of Texas at Austin
John Tyson, University of Massachusetts, Boston
Katherine Gregory, Wake Forest University
Richard Hylton, Tyler School, Temple University and Reviews Editor, Art Journal
Register now for the CAA 114th Annual Conference, February 18–21, 2026 in Chicago!
The CAA114 Distinguished Scholar Session will be held on Thursday, February 19, 4:30–6:30 p.m. CT at the Hilton Chicago. This event will also be livestreamed via YouTube.
Call for Submissions: Services to Artists Committee Exhibition During CAA114
posted by CAA — October 30, 2025
Resistance and change often begin in art.
—Ursula Le Guin
The CAA Services to Artists Committee (SAC) is now accepting submissions for Parallel Worlds, an exhibition during the CAA 114th Annual Conference in Chicago.
Since the nineteenth century, science fiction has provided conceptual spaces for questioning and criticizing our world and imagining alternative futures. As notable futurist Stuart Candy states in The Futures of Everyday Life, what is “central to the present future studies is not an effort to ‘predict’ the future . . . but the effort to sketch ‘alternative futures.’” In other words, creativity and imagination are needed to better prepare for the unknown.
With this exhibition, SAC aims to draw attention to parallel worlds, temporal shifts, and alternative futures. Addressing a legacy of different communities and building on critical movements such as Afrofuturism, Indigenous Futurism, Queer Futurisms, Post-Humanist Futurism, Crip Futurism, Eco-Solar Punk Futurism, Speculative Futurism, and AI Futurism, we hope to collectively imagine beyond our current reality.
Art can serve as a mode of critique, resistance, and speculation to address and disrupt our deeply rooted colonial history. SAC invites submissions that challenge dominant narratives and provide a critical repositioning of identity, environment, technology, and time. SAC is especially interested in work that responds to the current social and cultural climates while offering new, creative, revolutionary visions for all futures.
APPLICATION REQUIREMENTS
Please combine into one pdf:
- Artist statement (up to 200 words)
- Biography (up to 150 words)
- CV
- Website (if applicable)
- Corresponding image list (image number, title, medium, dimensions, date)
- Handling, framing, and hanging descriptions
- Technology/equipment requirements
- Accessibility requirements
Portfolio of 10–15 images:
- Each image must be sized to 1 MB
- Title format: 01_Last name_Title_Medium_Dimensions_Date
Incomplete applications will not be accepted.
Please Note:
- Entry is free, but all accepted artists must join CAA as an individual member to show their work.
- If selected, artists are responsible for arranging timely delivery (Wednesday, February 18) and pickup of artwork (Saturday, February 21) to the gallery in Chicago at their own expense during conference week.
- All work must be ready to be presented or hung equipped with D-rings or picture wire. Framing of the work and presentation details needs to be agreed upon in consultation with the curator.
- Any technology related to the work may need to be provided by the artist.
- Each artist is required to gallery sit for at least one shift during the exhibition and is strongly encouraged to attend the Thursday night reception.
Submit now via email to SAC!
Deadline: December 5

Elyse Longair, Cryopreservation Birth Chamber, 2020; Elyse Longair, Man in Capsule, 2022 (images provided by the artist)
CAA and the National Coalition Against Censorship Release Joint Letter to the President of Pepperdine University
posted by CAA — October 27, 2025
CAA and the National Coalition Against Censorship (NCAC) have released a joint letter to Pepperdine University’s president calling for the reinstallation of two censored art installations, removed from the Hold My Hand in Yours exhibition for “overly political content.” The University argued that the works—until recently on view at the university’s Frederick R. Weisman Museum of Art—placed their nonprofit status at risk. The exhibition has since been shut down by the university, and Andrea Gyorody, the museum’s director, has resigned.
CAA and NCAC stand firm in the belief that “. . . virtually every artwork on a topical subject can be interpreted as expressing a political position. Crucially, the exhibition of an object in a University museum does not mean that the University endorses the ideas it expresses any more than teaching a text in a classroom means that this text expresses the position of the University.”
CAA and NCAC call for reopening of the exhibition, a statement affirming the value of freedom of expression, and the development of guidelines for the exhibition of art on campus. Read the full joint letter here on NCAC’s website.
CAA Statement On the Dismantling of Free Speech and Freedom of Expression
posted by CAA — October 24, 2025
The College Art Association fervently opposes the systemic dismantling of free speech, censorship, and retaliation for various forms of expression in US-based cultural institutions, universities, and the press.
The most recent wave of censorship, suppression, and retaliation threatens every element of our mission and touches every single one of our constituencies—professors, curators, students, art makers, and other visual arts professionals.
CAA believes censorship fundamentally undermines scholarship and artistic expression, and that expression, along with public discourse and dissent, is powerful and necessary in a free society. Losing those freedoms will irreparably alter defining elements of our culture.
CAA unambiguously supports artistic and scholarly expression and believes in the principle that they must remain free from censorship and suppression. The arts and the academy are vital places of new and transformational ideas and a collective commitment to these principles has never been more urgent.
Faheem Majeed to give CAA114 Convocation Keynote Address
posted by CAA — October 23, 2025

Photograph: Michael Sullivan
We are delighted to announce Faheem Majeed as the 2026 Convocation keynote speaker at the organization’s 114th Annual Conference in Chicago.
Majeed is an artist, curator, educator, and nonprofit administrator whose work focuses on institutional critique and centers collaboration as a tool to engage communities in meaningful dialogue. He received his BFA from Howard University and an MFA from the University of Illinois Chicago, where he is currently an assistant professor of art. He is the recipient of the Field and MacArthur Foundations’ Leaders for a New Chicago award, the Joyce Award, and the Joan Mitchell Painters and Sculptors grant, and has been recognized as a Harpo Foundation awardee. Majeed served as the executive director of the South Side Community Art Center from 2005 to 2011 and is the founder and co-director of the Floating Museum, an arts collective and nonprofit that creates new models to explore relationships between art, community, architecture, and public institutions. His work has been exhibited at the Museum of Contemporary Art Chicago, Centre Pompidou, the Highline, and the Hyde Park Art Center. Majeed’s sculpture highlights marginalized objects, histories, people, and places them into powerful narratives that challenge and recontextualize their value while fostering dialogue and broader social change.
CAA114 Convocation will be held on Wednesday, February 18, 6:00–7:30 p.m. CT. at the Hilton Chicago. The event will also be livestreamed via YouTube.
Register now for the CAA 114th Annual Conference, February 18–21, 2026!
ACLS Releases Statement Regarding White House “Compact for Academic Excellence in Higher Education”
posted by CAA — October 07, 2025
The American Council of Learned Societies (ACLS) released a statement regarding the October 1 White House proposal to nine universities which delineated a list of demands in exchange for receiving preferential access to research funding.
CAA stands with ACLS in the call for the immediate rejection of the “Compact for American Excellence in Higher Education” by all institutions of higher education in order to preserve academic independence.
“Universities and colleges have one mission: to advance knowledge. Faculty carry out the mission by conducting research and teaching students. The knowledge they produce and circulate is independently assessed by professional peers. Interfering with that process by forcing knowledge to pass through a political filter is a tactic adopted by the Soviet Union and other authoritarian states. The White House is dressing up its compact as a reasonable corrective to what it views as problems in campus culture. Let no one be deceived. This proposal imposes government censorship on academia. It is anti-American, and it weakens our democracy by devaluing academic expertise.”
Read the full statement here.
CAA Signs On to ACLS Statement Regarding White House Review of Smithsonian Institution Museums
posted by CAA — August 18, 2025
CAA has signed on to the American Council of Learned Societies (ACLS) statement in opposition to the White House directive forcing Smithsonian Institution museums to subject their presentation of American history to government review to promote “American exceptionalism,” remove “divisive” narratives, and present “uplifting portrayals of American heritage” (Executive Order 14253).
“The historical materials at the Smithsonian Institution museums are intended to paint a full and accurate picture of the American experience; by forcing them to edit their exhibits at the administration’s command, the White House is engaging in authoritarian censorship. It is taking another step toward divesting in professional expertise and dismantling principles of academic freedom… he genuinely patriotic thing we can all do in this moment is to speak out on behalf of the scholars who have dedicated their lives to helping us understand our nation, and for the right of all Americans to learn about our history and culture free from government intrusion.”
CAA remains steadfastly committed to advocating for academic freedom, fighting censorship, and promoting historical narratives and perspectives regardless of whether they are comfortable or convenient. Learning from the more difficult moments of our past is crucial for an inclusive future in which our more troubling mistakes are not repeated.
Read the full ACLS statement here.
OTHER LEARNED SOCIETIES AND INSTITUTIONS WHO HAVE SIGNED ON TO THIS STATEMENT
African Studies Association
American Academy of Religion
American Anthropological Association
American Association for Italian Studies
American Association of Geographers
American Folklore Society
American Historical Association
American Philosophical Association
American Political Science Association
American Society for Eighteenth-Century Studies
American Society for Environmental History
American Society for Theatre Research
American Society of Church History
American Studies Association
Asian American Studies
Association for Asian American Studies
Association for the Study of African American Life and History
Association of University Presses
Bibliographical Society of America
German Studies Association
Linguistic Society of America
Medieval Academy of America
National Council on Public History
North American Conference on British Studies
North American Victorian Studies Association
Oral History Association
Organization of American Historians
Direct Action Opportunities During Troubled Times
posted by CAA — August 06, 2025
At a moment rife with existential threats to the visual arts and higher education, CAA members, affiliates, friends, and allies can make an impact by taking direct action. It is for this reason that the CAA Advocacy Committee has assembled the following list of resources to help you get involved:
- The National Coalition Against Censorship and Vera List Center for Art and Politics coordinated along with several other stakeholders an Arts and Culture Statement of Values and Principles. CAA as an organization is a signatory, but there is power in numbers, and as individuals, we encourage you to sign on here.
- View the Phi Beta Kappa Society Toolkit Resources page for direct action opportunities.
- Visit the Americans for the Arts Advocate page for ways to take action.
- Find out how to contact your representatives here to make your voice heard.
Do you have other resources CAA should consider listing on this page? Contact us via email with the subject line Direct Action Resources. For more information about CAA advocacy and our current Board-adopted advocacy policy, please visit our website.













