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For the 103rd Annual Conference, taking place February 11–14, 2015, in New York, CAA seeks established professionals in the visual arts to volunteer as mentors for two Career Services programs: the Artists’ Portfolio Review and Career Development Mentoring. Participating as a mentor is an excellent way to serve the field and to assist the professional growth of the next generation of artists and scholars.

Art historians and studio artists must be tenured; critics, museum educators, and curators must have five years’ experience. Curators and educators must be currently employed by a museum or university gallery.

Artists’ Portfolio Review

CAA seeks artists, critics, curators, and educators to serve in the Artists’ Portfolio Review. In this program, mentors review and provide feedback on digital images or DVDs of work by artist members in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. Mentors provide an important service to artists, enabling them to receive professional criticism of their work.

Interested candidates must be current CAA members and prepared to give five successive twenty-minute critiques in a two-hour period on one of the two days of the review: Thursday, February 12, and Friday, February 13, 2015, 8:00 AM–NOON and 1:00–5:00 PM each day. Conference registration, while encouraged, is not required to be a mentor. Please send a brief letter of interest and your CV to Lauren Stark, CAA manager of programs. Deadline extended: January 9, 2015.

Career Development Mentoring

CAA seeks mentors from all areas of studio art, art history, art education, film and video, graphic design, the museum professions, and other related fields to serve in Career Development Mentoring. In this program, mentors give valuable advice to emerging and midcareer professionals, reviewing cover letters, CVs, digital images, and other pertinent job-search materials in personal twenty-minute consultations. Whenever possible, CAA matches participants and mentors based on medium or discipline.

Interested candidates must be current CAA members and prepared to give five successive twenty-minute critiques in a two-hour period on one of the two days of the review: Thursday, February 12, and Friday, February 13, 2015, 8:00 AM–NOON and 1:00–5:00 PM each day. Conference registration, while encouraged, is not required to be a mentor. Please send a brief letter of interest and your CV to Lauren Stark, CAA manager of programs. Deadline extended: January 9, 2015.

Career Development Mentoring is not intended as a screening process by institutions seeking new hires. CAA does not accept applications from individuals whose departments are conducting a faculty search in the field in which they are mentoring. Mentors should not be attending the conference as candidates for positions in the same field in which mentees may be applying.

Image: A mentoring session at the 2012 Annual Conference in Los Angeles (photograph by Bradley Marks)

CAA has filled all the positions for room monitors but is still seeking projectionists.

Working as a projectionist or room monitor at CAA’s 103rd Annual Conference, taking place February 11–14, 2015, in New York, is a great way to save on conference expenses. All candidates must be US citizens or permanent US residents. CAA encourages students and emerging professionals—especially those in the New York area—to apply for service.

Projectionists

CAA seeks applications for projectionists for conference program sessions. Successful applicants are paid $12 per hour and receive complimentary conference registration. Projectionists are required to work a minimum of four 2½-hour program sessions, from Wednesday, February 11 to Saturday, February 14; they must also attend a training meeting on Wednesday morning at 7:30 AM. Projectionists must be familiar with digital projectors. Please send a brief letter of interest to Lauren Stark, CAA manager of programs and archivist. Deadline extended: December 1, 2014.

Room Monitors

CAA needs room monitors for two Career Services mentoring programs (the Artists’ Portfolio Review and Career Development Mentoring), several offsite sessions, and other conference events, to be held from Wednesday, February 11 to Saturday, February 14; they must also attend a training meeting on Thursday morning at 7:30 AM. Successful candidates are paid $12 per hour and receive complimentary conference registration. Room monitors are required to work a minimum of eight hours, checking in participants and facilitating the work of the mentors. Please send a brief letter of interest to Lauren Stark, CAA manager of programs and archivist. No more room monitors are needed.

Image: A 2013 Annual Conference session (photograph by Bradley Marks)

Filed under: Annual Conference, Students

Solo Exhibitions by Artist Members

posted by August 22, 2014

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2014

Mid-Atlantic

Mark Tribe. Corcoran Gallery of Art, Washington, DC, July 19–September 28, 2014. Mark Tribe: Plein Air. Digital photography.

South

Kyra Belán, Art Gallery, Broadway Palm Dinner Theatre, Fort Meyers, Florida, May 27–June 22, 2014. Acrylic and oil painting.

West

Deborah Cornell. Los Angeles Center for Digital Art, Los Angeles, California, July 10–August 30, 2014. In the Space We Left Vacant. Digital prints and video.

Participate in ARTexchange

posted by August 21, 2014

ARTexchange for the 2015 Annual Conference in New York is now full.

The Services to Artists Committee invites artist members to participate in ARTexchange, the annual meet-up for artists and curators at CAA’s unique pop-up exhibition. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators, and cultural producers. ARTexchange will take place at the 103rd Annual Conference on Friday evening, February 13, 2015, from 5:30 to 7:30 PM. This event is free and open to the public.

Each artist is given the space on, above, and beneath a six-foot table to exhibit their works: prints, paintings, drawings, photographs, sculptures, and small installations; performance, process-based, interactive and participatory works are especially encouraged. Previous ARTexchange participants have found that this parameter sparked many creative display options. Depending on the number and type of submissions CAA receives, a schedule of performances may be created. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets—bring fully charged batteries.

To participate, send an email to Lauren Stark, CAA manager of programs. Include your CAA member number and a brief description of what you plan to present. Please provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations. You will receive an email confirmation. Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference. Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline extended: January 9, 2015.

Image: Hannah Skoonberg participated in ARTexchange at the 2014 Annual Conference in Chicago (photograph by Bradley Marks)

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Almanac of Higher Education 2014

The Chronicle’s twenty-seventh annual collection of data on colleges answers perennial questions like how much faculty make and which colleges are growing the fastest. This year’s almanac also gives you new ways to compare institutions. Which colleges have the most students enrolled in online courses? Which have the highest percentages of nonresident aliens? Browse the charts and tables in these sections to find out. (Read more from the Chronicle of Higher Education.)

Starting Over, Part 1

First, congratulations. You got a job, which isn’t easy to do these days. I know you’re probably very stressed out right now. I’ve felt that way four times. I have written elsewhere of my academic employment history, but suffice it to say, yes: four tenure-track jobs, four cross-country moves, four universities, four times I’ve started from scratch. So, here’s my hard-earned advice about adjusting to a new place, managing your expectations, and getting what you really want. (Read more from Inside Higher Ed.)

Starting Over, Part 2

In the first part of this essay on tips for professors on starting over at a new college, I offered advice on seeking mentors, changing your thinking from your grad school days, and “thinking like a lawyer.” Here’s my second batch of hard-earned advice (from my multiple job changes) about adjusting to a new place, managing your expectations, and getting what you really want. (Read more from Inside Higher Ed.)

How to Write an Honest but Collegial Book Review

I have agreed to write a book review, and I’m frankly not sure how to proceed. My advisor, who invited me to write it, is not a fan of this particular author and will expect a critical review. But the author, as someone who works in my area, is a possible contact/future colleague, and I don’t want to alienate him by writing a scathing review. Is there some formula to follow for writing book reviews? Do you have any tips for writing a critical review that doesn’t shred the book? (Read more from Vitae.)

Beyond the Relic Cult of Art

I am nostalgic for a time before the modern concept of art forgery had gelled, when it was possible to imagine many ways for artworks to exist out of their time. I love the culture of Renaissance art because it was not settled in its categories, and produced art out of that unsettlement. It knew forgery, but it wrinkled time in other ways as well. (Read more from the Brooklyn Rail.)

Digitizing Warhol’s Film Trove to Save It

Andy Warhol wrote lovingly of his ever-present tape recorder. But for almost a decade beginning in the 1960s, his real boon companions seemed to be his 16mm film cameras, which he used to record hundreds of reels, many of which are still little known even among scholars because of the fragility of the film and the scarcity of projectors to show them on. Now the Warhol Museum and the Museum of Modern Art, which holds the artist’s film archives, are beginning a project to digitize the materials. (Read more from the New York Times.)

Rethinking My Cell Phone/Computer Policy

My banning of cell phones and laptops, particularly the way I articulate it as a “ban” in my policies, suddenly seemed inconsistent with my own philosophies. And yet, I still don’t want students habitually using their phones or computers in class, unless we are in the midst of an activity—such as database research—that is obviously facilitated by their computers. (Read more from Inside Higher Ed.)

Camera Phones Stoke Fears That Technology Is Leaving Us Incapable of Deep Engagement with Anything

How long do you need to look at a painting to really appreciate it? There are many answers to this question. As long as you like, is one. Longer than you think, is another. The art historian James Elkins wrote that it took him about 100 hours, over three years, to learn to really see a Mondrian painting. He recounts meeting a woman who had spent an hour looking at the same Rembrandt work four times a week for at least two decades—or about 3,000 hours. (Read more from the Independent.)

Filed under: CAA News

The Exhibitor and Advertiser Prospectus for the 2015 Annual Conference in New York is now available for download. Featuring essential details for participation in the Book and Trade Fair, the booklet also contains options for sponsorship opportunities and advertisements in conference publications and on the conference website.

The Exhibitor and Advertiser Prospectus will help you reach a core audience of artists, art historians, educators, students, and administrators, who will converge in New York for CAA’s 103rd Annual Conference, taking place February 11–14, 2015. With three days of exhibit time, the Book and Trade Fair will be centrally located at the Hilton New York, where all programs sessions and special events take place. CAA offers several options for booths and tables that can help you to connect with conference attendees in person. The priority deadline for Book and Trade Fair applications is Friday, October 31, 2014; the final deadline for all applications and full payments is Monday, December 8, 2014.

In addition, sponsorship packages will allow you to maintain a high profile throughout the conference. Companies, organizations, and publishers may choose one of four visibility packages, sponsor specific areas and events such as the Student and Emerging Professionals Lounge, or work with CAA staff to design a custom package. Advertising possibilities include the Conference Program, distributed to over five thousand registrants in the conference tote bag, and the conference website, seen by thousands more. The Conference Information and Registration booklet is digital-only for the first time and a great opportunity to feature color ads that link directly to your website. Web ads are taken on a rolling basis, but the deadline for inclusion in the Conference Information and Registration booklet is Friday, August 29, 2014. The deadline for sponsorships and advertisements in the Conference Program is Friday, December 5, 2014.

Questions about the 2015 Book and Trade Fair? Please contact Paul Skiff, CAA assistant director for Annual Conference, at 212-392-4412. For sponsorship and advertising queries, speak to Hillary Bliss, CAA development and marketing manager, at 212-392-4436.

People in the News

posted by August 17, 2014

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2014

Academe

Wayne “Mick” Charney, associate professor of architecture at Kansas State University in Manhattan, has been designated the 2014–2015 Coffman Chair for University Distinguished Teaching Scholars.

R. Luke DuBois, assistant professor of integrated digital media for New York University’s Polytechnic School of Engineering and director of the Brooklyn Experimental Media Center, has earned tenure at his school.

Allison Leigh has accepted a 2014–15 postdoctoral fellowship in art history in the Faculty of Humanities and Social Sciences at the Cooper Union for the Advancement of Science and Art in New York.

Michele Matteini, assistant professor of East Asian art, architecture, and visual culture, has been appointed to a joint appointment at New York University’s Institute of Fine Arts and Department of Art History.

Robert A. Maxwell, associate professor at the University of Pennsylvania in Philadelphia, has joined the faculty of the Institute of Fine Arts at New York University.

Lisa M. Strong, previously manager of curatorial affairs at the Corcoran Gallery of Art in Washington, DC, has been appointed director of the MA program in art and museum studies and associate professor of the practice at Georgetown University, also in Washington, DC.

Museums and Galleries

Jill Deupi, director and chief curator of University Museums at Fairfield University in Fairfield, Connecticut, has been appointed director of the Lowe Art Museum at the University of Miami in Florida.

Barbara Buhler Lynes, founding curator of the Georgia O’Keeffe Museum in Santa Fe, New Mexico, has become Sunny Kaufman Senior Curator for Nova Southeastern University’s Museum of Art in Fort Lauderdale, Florida.

Vanja Malloy, formerly Chester Dale Fellow in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art in New York, has been named curator of American art at Amherst College’s Mead Art Museum in Amherst, Massachusetts.

Alia Nour, associate curator for the Dahesh Museum of Art in New York, has been promoted to full curator at her institution.

Mary Reid, director and curator of the School of Art Gallery at the University of Manitoba in Winnipeg, has accepted a position as director and curator of the Woodstock Art Gallery in Woodstock, Ontario.

Organizations and Publications

Laura Beach, formerly deputy editor of The Magazine Antiques, has rejoined Antiques and The Arts Weekly as managing editor.

Rachel Stephens, assistant professor of art in the Department of Art and Art History at the University of Alabama in Tuscaloosa, has been named editor of SECAC Review, a scholarly journal published by the Southeastern College Art Conference.

Institutional News

posted by August 17, 2014

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2014

The Baltimore Museum of Art in Maryland has received a $69,556 grant from the National Historical Publications and Records Commission to build on previous efforts to catalogue the museum’s archive—which includes correspondence with artists, exhibition research, photography, and audio recordings of lectures and events—and to create finding aids for it.

The Center for Advanced Study in the Visual Arts at the National Gallery of Art in Washington, DC, has announced that its publication series Studies in the History of Art is now accessible on JSTOR.

The Fitchburg Art Museum in Fitchburg, Massachusetts, has been awarded a $140,000 grant from the Massachusetts Cultural Facilities Fund, facilitated by the Massachusetts Cultural Council, to update and modernize parts of the museum.

The Frick Collection in New York has announced plans to enhance and renovate its museum and library, which includes the construction of a new addition and the renovation and expansion of existing interior spaces.

The Galleries at Moore College of Art and Design in Philadelphia, Pennsylvania, has received a $240,000 grant from the Pew Center for Arts and Heritage to support an exhibition called Strange Currencies.

The Hood Museum of Art at Dartmouth College in Hanover, New Hampshire, has received a $10 million gift to support the expansion of gallery and teaching spaces, as well as a new entrance.

Northwestern University in Evanston, Illinois, has received a grant from the Andrew W. Mellon Foundation to enhance the study of art history through a focus on working with objects. The four-year effort, a collaboration among three Chicago-area institutions, is called the Andrew W. Mellon Foundation Chicago Objects Study Initiative.

The Philadelphia Museum of Art in Pennsylvania has received a $300,000 grant from the Pew Center for Arts and Heritage to support the reinstallation of its eight galleries of South Asian art, titled South Asian Art: Experimentation, Interpretation, and Evaluation.

The Smithsonian American Art Museum in Washington, DC, has accepted a $5.4 million gift from David M. Rubenstein for the renovation of its Renwick Gallery. The donation completes the private fundraising goal for the museum’s capital renovation project.

St. Johns University in Jamaica, New York, will soon launch a master of arts degree program in museum administration, housed in the College of Liberal Arts and Sciences, in fall 2014.

The Tyler School of Art at Temple University in Philadelphia, Pennsylvania, has received a $360,000 grant from the Pew Center for Arts and Heritage to support an installation called reFORM by the artist Pepón Osorio.

The University of Chicago in Illinois has received a grant from the Andrew W. Mellon Foundation to enhance the study of art history through a focus on working with objects. The four-year effort, a collaboration among three Chicago-area institutions, is called the Andrew W. Mellon Foundation Chicago Objects Study Initiative.

The University of South Carolina in Columbia has replaced the Department of Art with the School of Visual Art and Design. In addition, the school received a $32,790 grant from the Windgate Charitable Foundation to support ceramics and small metals.

The University of the Arts in Philadelphia, Pennsylvania, has accepted a $71,880 grant from the Pew Center for Arts and Heritage to help fund an exhibition called Invisible City: Philadelphia and the Vernacular Avant-Garde.

Grants, Awards, and Honors

posted by August 15, 2014

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2014

Wendy Bellion, associate professor of American art and material culture at the University of Delaware in Newark, has been awarded the Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum for her book Citizen Spectator: Art, Illusion, and Visual Perception in Early National America (Chapel Hill: University of North Carolina Press; Williamsburg, VA: Omohundro Institute of Early American History and Culture, 2011).

Elizabeth Buhe, a doctoral student in art history at New York University’s Institute of Fine Arts, has received a Student Research Grant from the Mellon Research Initiative to participate in “From ‘Surface’ to ‘Substrate’: The Archaeology, Art History, and Science of Material Transfer,” a conference taking place November 7–8, 2014.

Jennifer Cohen, a PhD candidate in art history at the University of Chicago in Illinois, has earned a William H. Truettner Predoctoral Fellowship from the Smithsonian American Art Museum in Washington, DC. She will work on “Fantastic Boxes: Shop Windows and Surrealist Space in Wartime New York.”

Laura Dickey Corey, a PhD candidate in art history at New York University’s Institute of Fine Arts, has been awarded the Frick Center for the History of Collecting Junior Fellowship for summer/fall 2014.

John Fagg, a lecturer in the school of English, Drama, and American and Canadian Studies at the University of Birmingham in England, has won the 2014 Terra Foundation for American Art International Essay Prize for “Bedpans and Gibson Girls: Clutter and Matter in John Sloan’s Graphic Art,” which will appear in the journal American Art in 2015.

Annika Fine, a doctoral student in art history at New York University’s Institute of Fine Arts, has received a Student Research Grant from the Mellon Research Initiative to give a presentation during “From ‘Surface’ to ‘Substrate’: The Archaeology, Art History, and Science of Material Transfer,” a conference taking place November 7–8, 2014.

Kristen Gaylord, a doctoral student in art history at New York University’s Institute of Fine Arts, has been awarded the Joan R. Challinor Award for distinction in the area of women and Catholicism from the Arthur and Elizabeth Schlesinger Library on the History of Women in America at the Harvard University’s Radcliffe Institute for Advanced Study. Gaylord has also received the Patricia Dunn Lehrman Fellowship from NYU’s Graduate School of Arts and Sciences.

Orit Halpern, assistant professor in history at the New School of Social Research and Eugene Lang College and an affiliate in the graduate program in design studies at Parsons the New School for Design, all in New York, has won a 2014 research grant from the Graham Foundation. She will work on “Rational Utopias,” a project that explores the history and ethnography of “smart” territories and ubiquitous computing.

Nicholas Hartigan, a PhD student in art history at the University of Michigan in Ann Arbor, has been named a Committee on Institutional Cooperation-Smithsonian Predoctoral Fellow by the Smithsonian American Art Museum in Washington, DC. His research project is called “The Changing Function of Public Sculpture.”

Leslie Hewitt, an artist based in New York, has won a 2013 Biennial Award from the Louis Comfort Tiffany Foundation, which comes with a $20,000 grant.

Alicia Imperiale, assistant professor of architectural history, theory, and design at Temple University’s Tyler School of Art in Philadelphia, Pennsylvania, has won a 2014 research grant from the Graham Foundation. Her project is called “An Alternate Organicism in the Journal Zodiac, 1965–1974.”

Katherine Jentleson, a doctoral student in art history at Duke University in Durham, North Carolina, has become a Douglass Foundation Predoctoral Fellow in American Art at the Smithsonian American Art Museum in Washington, DC, for her project, “Gatecrashers: The First Generation of Outsider Artists in America.”

Steve Locke, an artist based in Boston, Massachusetts, has accepted a 2013 Biennial Award from the Louis Comfort Tiffany Foundation. He will receive a $20,000 gift.

Katherine Markoski, an independent scholar based in Alexandria, Virginia, has received a postdoctoral fellowship at the Smithsonian American Art Museum in Washington, DC. Her research examines “The Imagination of Community: Artistic Practice at Black Mountain College”

Rachel Middleman, assistant professor of art history at Utah State University in Logan, has won a postdoctoral fellowship at the Smithsonian American Art Museum in Washington, DC, to research “Radical Eroticism: Women, Art, and the Transformation of Sexual Aesthetics in the 1960s.”

Jennifer Stettler Parsons, a graduate student in art history at the University of Virginia in Charlottesville, has received a Sara Roby Predoctoral Fellowship in 20th-Century American Realism from the Smithsonian American Art Museum in Washington, DC. Her project is titled “John Sloan: Between Philadelphia and New York, 1892–1907.”

Carol McMichael Reese, Mary Louise Christovich Associate Professor in the School of Architecture at Tulane University in New Orleans, Louisiana, has been awarded a 2014 publication grant (with her two coeditors) from the Graham Foundation for New Orleans under Reconstruction: The Crisis of Planning, the first book to illustrate and analyze architectural, landscape, and planning responses for post-Katrina New Orleans.

Margaret Samu, from the Art History Department at Yeshiva University’s Stern College for Women in New York, has been awarded a Summer Fellowship in Garden and Landscape Studies at Dumbarton Oaks Research Library and Collection in Washington, DC. She will use the fellowship to work on her project “Baroque Sculpture Display in Peter the Great’s Summer Garden.”

Nina Schleif from the Bavarian State Art Museums has become a Terra Foundation Senior Fellow in American Art at the Smithsonian American Art Museum in Washington, DC. She is investigating “Warhol’s Drawings of the Fifties: Sources, Techniques, Meanings.”

Michelle Smiley, an MA student in history of art at Bryn Mawr College in Bryn Mawr, Pennsylvania, has been accepted into the 2014 summer internship program at the National Gallery of Art in Washington, DC.

Juliet Sperling, a graduate student in art history at the University of Pennsylvania in Philadelphia, has accepted a Wyeth Foundation Predoctoral Fellowship from the Smithsonian American Art Museum in Washington, DC. She will research “Animating Flatness: Seeing Moving Images in American Painting and Mass Visual Culture, 1820–95.”

Edit Tóth, who teaches at Juniata College in Huntingdon, Pennsylvania, and Pennsylvania State University in Altoona, has earned a 2014 research grant from the Graham Foundation for her book, Bauhaus Photography and Design: Moholy-Nagy, Breuer, Henri, Yamawaki, and Kepes.

Jesús Vassallo, assistant professor in the School of Architecture at Rice University in Houston, Texas, has accepted a 2014 research grant from the Graham Foundation for his project, “Building with Images.”

Jillian Vaum, a graduate student pursuing a master’s degree in art history at the University of Pennsylvania in Philadelphia, has participated in the 2014 summer internship program at the National Gallery of Art in Washington, DC.

Megan Whitney, an MA student in art history at the University of Tucson in Arizona, has been accepted into the 2014 summer internship program at the National Gallery of Art in Washington, DC.

Lara Yeager-Crasselt, a lecturer in the Department of Art at the Catholic University of America in Washington, DC, has been awarded a Belgian American Educational Foundation Fellowship for academic year 2014–15. She will carry out postdoctoral work as a research fellow in the Department of Art History at KU Leuven in Belgium.

Molly Zuckerman-Hartung, an artist based in Chicago, Illinois, has received a 2013 Biennial Award from the Louis Comfort Tiffany Foundation. She will receive a $20,000 gift from the foundation.

Exhibitions Curated by CAA Members

posted by August 15, 2014

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

August 2014

Kelly Baum. Lee Bontecou: Drawn Worlds. Princeton University Art Museum, Princeton University, Princeton, New Jersey, June 28–September 21, 2014.

Kelly Baum. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. Princeton University Art Museum, Princeton University, Princeton, New Jersey, May 24–October 5, 2014.

Reni Gower. Papercuts. Robert L. Ringel Gallery, Patti and Rusty Rueff Galleries, and Fountain Gallery, Purdue University Galleries, Purdue University, Lafayette, Indiana, July 2–August 9, 2014.

Allison Leigh. Jersey Women Artists Now: Contemporary Visions. George Segal Gallery, Montclair State University, Montclair, New Jersey, March 6–April 19, 2014.

Sarah Lippert. Fantasy, Fiction, and Fact in Popular Illustration: 1750–1900. Flint Institute of Arts. Flint, Michigan, May 3–August 3, 2014.

Cary Liu. Chigusa and the Art of Tea in Japan. Princeton University Art Museum, Princeton University, Princeton, New Jersey, October 11, 2014–February 1, 2015.

Patricia Miranda. STEAM: Art, Science and Technology. ArtsWestchester, White Plains, New York, May 20–August 15, 2014.

Jeongho Park. Men in Armor: El Greco and Pulzone Face to Face. Frick Collection, New York, August 5–October 26, 2014.

Nathaniel M. Stein. In Dialogue: Wolfgang Tillmans. Philadelphia Museum of Art, Philadelphia, Pennsylvania, July 1–October 26, 2014.

James Steward. Alexander Calder 1967. Princeton University Art Museum, Princeton University, Princeton, New Jersey, January 15–October 28, 2014.