posted by CAA — April 04, 2018
Just published on Art Journal Open, “Decentering Land Art from the Borderlands: A Review of Through the Repellent Fence” by Emily Eliza Scott presents a close look at the 2017 film Through the Repellent Fence, a documentary about the interdisciplinary collective Postcommodity. Scott examines Postcommodity’s practice, its relation to and divergences from Land art traditions, and the role of art along the US-Mexico border. Click here to read more.
Art Journal Open is a forum for the visual arts that presents artists’ projects, conversations and interviews, scholarly essays, and other forms of content from across the cultural field. Published by CAA, Art Journal Open is the online, open-access affiliate to Art Journal, a quarterly journal devoted to twentieth- and twenty-first-century art and art history.
In this annotated commentary, artist A.K. Burns and art historian and critic Melissa Ragain explore the script, performances, and citations in Burn’s video installation A Smeary Spot (2015), which is the first episode in her five-part Negative Space film cycle.
From Ragain’s introduction: “In this annotated commentary, A.K. and I discuss the first episode of Negative Space titled A Smeary Spot, a fifty-three-minute, four-channel video installation that premiered in September 2015 at Participant Inc. in New York. We walk through selections from the script, which A.K. constructed out of appropriated and altered excerpts from poetry, philosophy, and fiction. Feminist sci-fi by writers like Joanna Russ, Ursula K. Le Guin, and the new materialist philosophy of Karen Barad were starting points for Negative Space though its cultural touchstones are far more wide-ranging.”
Art Journal Open presents Medias Res by Los Angeles–based artist Nick Herman, with an introduction by Art Journal Open’s Former Web Editor, Gloria Sutton.
Medias Res is the second of two projects that Herman has created for Art Journal Open, and features Herman’s exploration of his artworks and texts related to his interests in static, rastering, layering, and other transmission processes. These interests have led Herman to create two new works to be viewed on Art Journal Open: Comm 1 (2017), which takes the shape of a unique and experimental pop-up GIF experience, and MERROR ERROR TERRIOR (2017), a downloadable image.
“Static or noise as a record of transmission becomes its own reward, reflecting its innate complexity and, in the process, some greater truth about its origin.” Herman writes, “To me, the GIF does something similar, capturing the unpredictable rhythms and constituent raster of their source.”
In “To Listen,” a new essay on Art Journal Open, artist Anna Craycroft considers the role of the voice of the artist and reflects on her process of creating her exhibition Tuning the Room (Ben Maltz Gallery at Otis College of Art and Design in Los Angeles, January 28–April 16, 2017) in relationship to her research into the archives of photographer Berenice Abbott for Craycroft’s exhibition The Earth Is a Magnet (Institute of Contemporary Art Boston, November 16, 2016–March 26, 2017).
posted by CAA — October 03, 2017
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CAA invites submissions and proposals of artists’ projects, essays, conversations, and more to Art Journal Open, an open-access, independently edited, peer reviewed web journal that provides an agile counterpart to the quarterly Art Journal. Art Journal Open publishes original content by artists, scholars, teachers, archivists, curators, critics, and other cultural producers and commentators, with the commitment to foster new intellectual exchanges. Contributions focus on post-1945 material with an emphasis on the contemporary, although topics from throughout the twentieth-century may be considered. As an online publication, Art Journal Open prioritizes material that makes meaningful use of the web, such as multimedia formats and techniques. Rebecca K. Uchill serves as web editor of Art Journal Open, which publishes on a rolling basis.
Please send your submission to Uchill at email@example.com. Articles should be accompanied by images or time-based media elements that are to be published with the text; artists’ projects should also include the visual or multimedia material intended for publication. For proposals, please include a one-page written description and sample images. Full submission instructions can be found on Art Journal Open.