CAA News Today
News from the Art and Academic Worlds
posted by Christopher Howard — August 16, 2017
Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Conference Strategies for the Shy and Introverted
A comment on Twitter made me realize how many strategies I’ve developed over the past few years to deal with being shy and introverted in a conference environment. Caveats that these are a work in progress, they function best at small to midsized conferences, and I don’t always practice what I preach. (Read more from Jessica Otis.)
11 Studio Hacks That Will Save You Money in Art School
Back to school season means spending all that money you earned at your summer job on art supplies. In this helpful guide, we’ll share some money-saving studio hacks that will get you through the school year without maxing out your credit card. And only one tip involves Dumpster diving! (Read more from Artspace Magazine.)
Why Shamanic Practices Are Making a Comeback in Contemporary Art
“Everyone always talks about how, in times of crisis, people start looking for God,” says Jeremy Shaw. “And I think that’s very synonymous with what’s happening now.” Since his days at art school, Shaw has been exploring the human pursuit of transcendental experience by way of altered states of consciousness. (Read more from Artsy.)
White Supremacists Are Waging a War against Public Space
The Charlottesville attack threatens public space, an amenity that is both scarce and necessary for democracy. The idea of the public square is under attack. And the extremist alt-right is waging a campaign to shut down the public square, using both violence and intimidation, especially under open-carry laws. (Read more from City Lab.)
Now Is the Time to Think about Accessibility
As a new semester approaches, the academic’s to-do list can fill up fast. That course planning you’ve been putting off now seems urgent. Your chair wants a copy of your syllabi by the end of the week. And there’s still the matter of those writing deadlines. I’m here to add one more item to your list. Now is the time—not later—to think about accessibility in your classroom. (Read more from Vitae.)
Sociology Panel Seeks Changes for Adjuncts
The American Sociological Association’s Task Force on Contingent Faculty released its interim report ahead of the association’s annual meeting this week. The report includes an overview of the existing literature on non-tenure-track faculty members and recommends various policy changes. (Read more from Inside Higher Ed.)
The Highest Form of Flattery
Why risk being classified as a mere imitator? In a new book entitled, with quiet provocation, Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War, Elizabeth Prettejohn sets out to answer this question, even as she argues for a more expansive understanding of what counts as “modern art.” (Read more from the New York Review of Books.)
The 10 Best Artworks by Raphael, Seraphic Genius of the Renaissance—Ranked
To celebrate the artist’s enduring legacy, we surveyed ten of Raphael’s most popular paintings—determined by their presence on Google Images, the number of reproductions created, and our own aesthetic enthusiasms—and ranked them from one to ten, in order of their degree of accomplishment. (Read more from Artnet News.)
CAA Mourns the Loss of Jack Hyland, its Long-time Treasurer and Friend
posted by CAA — August 15, 2017
Jack Hyland, CAA’s treasurer and close advisor for over 30 years, passed away suddenly on Friday, August 11, 2017. The CAA staff, board, and committees are saddened by this monumental loss. Hyland began his career in investment banking at major financial services firms, including Morgan Stanley, Warburg Paribas Becker, and PaineWebber/Young & Rubicam Ventures. In 2010, he founded Media Advisory Partners with several partners. Hyland was a strident advocate for CAA, ensuring the financial health of the organization and guiding it with sound input and wisdom through three decades.
Hyland was the author of two notable books, Evangelism’s First Modern Media Star, The Life of Reverend Bill Stidger and The Moses Virus. In the former title, Hyland examined the life of his grandfather, the famous preacher, Bill Stidger, who foresaw the possibilities of modern-day media to expand evangelical work. His second book, The Moses Virus, is a fictional thriller set in Rome.
Hyland was born in 1938 in Detroit, Michigan. He majored in Theoretical Physics at Williams College, graduating in 1959; and from Harvard Business School, graduating in 1961.
In addition to serving CAA, Hyland was Co-Chair of the Board of Trustees of Teachers College, Columbia University. He was also Chairman Emeritus of the American Academy in Rome; and Vice President and Director of the Sterling and Francine Clark Art Institute. Formerly, he was also a Trustee and Treasurer of the National Building Museum in Washington.
We offer our condolences to his partner, Larry Wente; to his former wife, Karen Conant Hyland; to his children, Liza, Jonathan and Susannah, and grandchildren.
Solo Exhibitions by Artist Members
posted by CAA — August 14, 2017
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2017
Abroad
Lea Kannar-Lichtenberger. Accelerator Gallery, Pyrmont, New South Wales, Australia, May 27–June 10, 2017. Deception.
Northeast
Nancy Azara. Picture Gallery at the Saint-Gaudens Memorial, Cornish, New Hampshire, July 22–September 10, 2017. Passage of the Ghost Ship: Trees and Vines. Wood sculpture and scroll/collages.
South
Diane Burko. Joy Pratt Markham Gallery, Walton Arts Center, Fayetteville, Arkansas, May 4–September 30, 2017. Glacial Shifts, Changing Perspectives: Bearing Witness to Climate Change. Painting and photography.
Tyrus Clutter. Appleton Museum of Art, Ocala, Florida, June 10–September 17, 2017. Con-Text: The Word Based Images of Tyrus Clutter. Color viscosity intaglio prints.
West
Rachel Epp Buller. Galeria Zapatista at Mission Grafica, San Francisco, California, May 12–June 16, 2017. A Hidden Garden. Monotype prints.
Ken Gonzales-Day. Luis De Jesus Los Angeles, Los Angeles, California, September 9–October 28, 2017. Bone-Grass Boy: The Secret Banks of the Conejos River. Photographic project.
CAA Receives NEA Grant for ARTspace
posted by michaelh — August 11, 2017

CAA has been awarded a $25,000 Art Works grant from the National Endowment for the Arts to support the next installment of ARTspace, taking place during the 2018 Annual Conference in Los Angeles. Spearheaded by CAA’s Services to Artists Committee, ARTspace is a forum for programming designed by artists for artists that is among the most vital and exciting aspects of the conference. Held at each Annual Conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education. The grant is the NEA’s ninth consecutive award to CAA for this event.
ARTspace offers free program sessions and includes diverse activities such as the annual Distinguished Artist Interviews—most recently with Coco Fusco and Katherine Bradford at the Annual Conference in New York last February—and screenings of film, video, and multimedia works in the Media Lounge. Also hosted in ARTspace are live performances and panel discussions that facilitate a conversational yet professional exchange of ideas and practices designed to engage CAA’s artist members as well as the general public.
ARTspace programming for 2017 included sessions on economic fairness and internet activism, artists who collaborate with their families, alternative career paths for artists outside the studio and academia, and a roundtable on artist-run institutions. CAA’s 106th Annual Conference will take place February 21–24, 2018, at the Los Angeles Convention Center and at schools, museums, and other institutions throughout Southern California.
Jane Chu, chairman of the NEA since 2014, has approved over $84 million to fund nearly 1,200 projects and partnerships in all fifty US states in the NEA’s second major funding announcement for fiscal year 2017. The Art Works category focuses on funding the creation of art that meets the highest standards of excellence, public engagement with art, lifelong learning in the arts, and strengthening of communities through the arts. Through grants to thousands of nonprofits each year, the NEA promotes opportunities for people in communities across America to experience the arts and exercise their creativity.
For the full list of 2017 Art Works grants visit the NEA website.
New in caa.reviews
posted by CAA — August 11, 2017
Deanna Pytlinski visits Women of Abstract Expressionism at the Denver Art Museum. “There is much to celebrate about the exhibition,” and “the mood of the show was decidedly exuberant in its design and content.” “Paying overdue attention to the presence of women in a movement long understood to be inherently masculinist,” it makes “the reasons for Abstract Expressionism’s success come alive once again.” Read the full review at caa.reviews.
Ugochukwu-Smooth C. Nzewi reviews Twins in African and Diaspora Cultures: Double Trouble, Twice Blessed, edited by Philip M. Peek. The book challenges “existing African arts and culture scholarship’s disproportionate attention on how twin births constitute a problem to parents and communities,” instead taking “a dialectic approach to show how twins embody ambiguity” and “complementary duality.” Read the full review at caa.reviews.
Eric M. Frank discusses the Museo dell’Opera del Duomo in Florence, Italy, which opened in 2015. The “spectacular new” institution is “a modern manifestation” of the “same Enlightenment principles that inspired the creation of the public museum,” as well as “an extensive pedagogical installation focused on historical context and religious belief that intentionally aspires to educate and spiritually transform each visitor.” Read the full review at caa.reviews.
Books Published by CAA Members
posted by CAA — August 09, 2017
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
August 2017
David S. Areford. La nave e lo scheletro: Le stampe di Jacopo Rubieri alla Biblioteca Classense di Ravenna (Bologna: Bononia University Press, 2017).
Alexis L. Boylan. Ashcan Art, Whiteness, and the Unspectacular Man (New York: Bloomsbury Academic, 2017).
Marilyn R. Brown. The “Gamin de Paris” in Nineteenth-Century Visual Culture: Delacroix, Hugo, and the French Social Imaginary (New York: Routledge, 2017).
Clarence C. Cook. A Description of the New York Central Park, intro. Maureen Meister (New York: New York University Press, 2017).
Diana Gisolfi. Paolo Veronese and the Practice of Painting in Late Renaissance Venice (New Haven: Yale University Press, 2017).
D. Gustafson and A. M. Zervigón. Subjective Objective: A Century of Social Photography (Munich: Hirmer Verlag, 2017).
Rebecca Peabody. Consuming Stories: Kara Walker and the Imagining of American Race (Oakland: University of California Press, 2016).
Corine Schleif and Volker Schier, eds. Manuscripts Changing Hands (Wiesbaden, Germany: Harrassowitz, 2016).
Rachel Stern. The Expressionist Fritz Ascher: To Live Is to Blaze with Passion / Der Expressionist Fritz Ascher: Leben ist Glühn, ed. Ori Z. Soltes (Cologne: Wienand, 2016).
Athena Tacha. Visualizing the Universe: Athena Tacha’s Proposals for Public Art Commissions 1972–2012, ed. Richard E. Spear (Washington, DC: Grayson, 2017).
Nancy Um. Shipped but Not Sold: Material Culture and the Social Protocols of Trade during Yemen’s Age of Coffee (Honolulu: University of Hawai’i Press, 2017).
Phoebe Wolfskill. Archibald Motley Jr. and Racial Reinvention: The Old Negro in New Negro Art (Champaign: University of Illinois Press, 2017).
News from the Art and Academic Worlds
posted by Christopher Howard — August 09, 2017
Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Professors as Targets of Internet Outrage
Many professors who have expressed their views about race and politics this year have found themselves targets of both the left and right. Nothing is too abstrusely academic, it seems, to seed an attack campaign fueled by websites that surveil social media to find gotcha-worthy gems. (Read more from the New York Times.)
Demands to Cancel Dana Schutz’s ICA Exhibit Don’t Help the Cause for Social Justice
A small group of Boston activists demand as much in their passionate opposition to the current Dana Schutz exhibition at ICA Boston. Should an artist be blacklisted and blocked from showing their work at museums around the nation because one of their recent paintings tackled the painful topic of the history of racial violence? (Read more from the National Coalition against Censorship.)
Upstart Co-Lab Wants Businesses to Hire More Artists
We’re used to the common narrative of the artist as someone so inspired that they simply can’t stomach a drab office job, preferring to ditch the cubicle for the white cube. And yet research has found that employers almost universally report creativity is of increasing importance in the “traditional” workplace. (Read more from Artsy.)
The Letters of Picasso’s Dealer and a Century’s Worth of Impressionist Archives Are Going Online
Art historians and dealers researching works of art will soon have a new trove of materials to work with, courtesy of the Wildenstein Plattner Institute. A century’s worth of documentation—stock books from galleries, artists’ correspondence, annotated sale catalogues—will be digitized to develop online catalogues raisonnés for Manet, Morisot, Monet, and more. (Read more from Artnet News.)
The Multifarious Book
A few years ago the director of a university press told me that her goal was “to save the monograph.” “Which one?” I responded. It was an impolitic remark, but it helped to make the point that books perform all kinds of tasks, and when we say we want to “save” the book, it is reasonable to ask if some of those tasks could usefully be performed in better, faster, and cheaper ways. (Read more from the Scholarly Kitchen.)
Cindy Sherman Takes Selfies (as Only She Could) on Instagram
For the most part artists use Instagram like the rest of us: as a document of everyday fascinations, a bit scrubbed up for public consumption. But Cindy Sherman—who knows more than most about the deceptions of selfies—has quietly been exploring Instagram’s potential for something more than self-promotion. (Read more from the New York Times.)
Performance Piece Featuring Witches Raises Questions at Seattle Art Fair
On Thursday evening, at the end of the first day of the Seattle Art Fair, I went on a witch hunt. Ten women wearing black hooded cloaks were wandering the aisles. Amid booths housing galleries from around the world, the dark figures walked, carrying battle axes, reading poetry, playing music, and taking pictures on their phones. (Read more from the Observer.)
Philippe de Montebello on How the Metropolitan Museum Can Reclaim Its Glory
Philippe de Montebello is an institution in his own right—as venerable and encyclopedic as would befit the Metropolitan Museum of Art, which he led for three decades. Recently, Artnet News’s editor-in-chief sat down with de Montebello to discuss the changes and opportunities at the Met, and his new role in the gallery world. (Read more from Artnet News.)
Work with us at CAA
posted by CAA — August 04, 2017
In July CAA announced a restructuring of the organization and the departure of several staff members who took advantage of a buyout program. As part of the restructure we find ourselves with the opportunity to hire new staff at CAA. Below are six positions we are hiring for immediately. Please feel free to share these postings with colleagues and friends who might be a good fit. Click on the linked title of the position to learn more about the role and for application submission details.
Institutional and Individual Giving Manager
Publications and Programs Administrator
Sponsorship and Partnership Manager
Publications and Programs Editor
Grants and Special Programs Manager
posted by CAA — August 04, 2017
College Art Association
50 Broadway, Fl 21
New York, NY 10004
Date posted: August 3, 2017
Position Title: Grants and Special Programs Manager
Supervisor: Director of Programs and Publications
Full-time, salaried with benefits.
Founded in 1911, the College Art Association (CAA) is the preeminent international leadership organization in the visual arts, promoting the field through intellectual engagement, advocacy, programs and a commitment to the diversity of practices and practitioners. Each year, CAA offers an Annual Conference, publishes two scholarly journals and offers a variety of other programs. Visit CollegeArt.org for a complete description of programs and offerings.
CAA has more than 9,000 members worldwide. The majority of members are curators, art historians, scholars, visual artists and designers.
Responsibilities include:
- Develop and foster relationships with foundation representatives, jury members, and Affiliated Society liaisons.
- Working with the Development Manager and other CAA employees, generate and oversee proposals for identified programs and projects. Write proposals, budgets, reports, and other ancillary materials.
- Manage grants by: developing internal reporting systems, managing the grants calendar, writing reports, maintaining detailed historical records, working with staff to ensure each program or project is meeting proposal conditions and expectations. Monitor and manage grants income goal.
Program Support:
- Manages all administrative tasks related to Fair Use Initiative, Affiliated Societies, RAAMP, awards and other CAA programs.
- Provides support to the Committee on Intellectual Property, which promotes education and programming about Fair Use.
- Supports other CAA grant-based projects by providing outreach to targeted communities; supporting program development; and assisting with documents related to grant management.
Publication Grants Program Support:
- Responsible for one semiannual and two annual publication grants, serves as liaison to grant juries, originates grant proposals with other CAA employees, and writes report narratives.
- Coordinates grant applications, circulates applications to jury members, and attends jury meetings.
- Additional responsibilities include: processes requests for grant payment, checks incoming book proofs for adherence to grant guidelines, manages correspondence with applicants, and maintains records of grant activities.
Manages Awards for Distinction Program:
- Manages thirteen awards-jury activities, including jury appointments, conference calls to select awardees, and notification to awardees.
- In collaboration with Program Manager, coordinates the CAA conference awards ceremony including arrangements for awardees as needed, content creation for awards, and publication of award citations. Maintains database of awardees.
Manages Affiliated Societies Program:
- Reviews applications and cultivates programs and services for CAA’s Affiliated Societies.
- Ensures that all databases and webpages are up to date and accurate.
Required Qualifications:
- Minimum B.A., preferably in the visual arts, art history or related field.
- Minimum of three years experience with grant writing and management.
- Program development experience and previous experience with non-profit administration preferred.
- Experience with budget development and monitoring.
- Knowledge of contracts and agreements preferred.
- Ability to organize work, follow through on details, and meet deadlines. Must be able to communicate clearly and regularly about project goals.
- Excellent writing and editing skills and oral communication.
- Flexibility, creativity, and initiative.
- Ability to work independently and in collaboration with others. Some night and weekend work may be required, as well as some travel.
Interested individuals should submit a cover letter, resume and salary requirements to Tiffany Dugan, Director of Programs and Publications via email (with “Grants and Special Programs manager” and applicant’s last name in subject line) at tdugan@collegeart.org. No telephone inquiries will be accepted. Applications accepted until all positions are filled. Please include the names and contact information for three references who can speak to your ability to perform the tasks requested.
The College Art Association is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, gender expression or political affiliation.
HOH/TD/August 3, 2017
IT Manager
posted by CAA — August 04, 2017
College Art Association
50 Broadway, Fl 21
New York, NY 10004
Date posted: August 4, 2017
Position Title: IT Manager
Supervisor: COO
Full-time, salaried with benefits.
Founded in 1911, the College Art Association (CAA) is the preeminent international leadership organization in the visual arts, promoting the field through intellectual engagement, advocacy, programs and a commitment to the diversity of practices and practitioners. Each year, CAA offers an Annual Conference, publishes two scholarly journals and offers a variety of other programs. Visit CollegeArt.org for a complete description of programs and offerings.
CAA has more than 9,000 members worldwide. The majority of members are curators, art historians, scholars, visual artists and designers.
Responsibilities include:
- Network and Information Systems Management and Administration: Plan additions, deletions and major modifications to the supporting technology infrastructure; oversee maintenance, and upkeep of all hardware and software; oversee the implementation of network security; oversee communications systems; evaluate CAA’s use of currently-available technology, and work with the Executive Director to plan the purchase and installation of needed upgrades and/or additions as appropriate and within budget; oversee the planning and management of CAA’s information- and data-processing systems; manage relationships and contracts with outside IT consultants and vendors.
- Database Management: Lead and oversee the implementation and ongoing use of CAA databases to ensure that the databases support overall goals and objectives of the organization. The databases responsibilities include, but are not limited to: (1) the association management system (AMS), used for membership, event registration, committee management & fundraising (2) the conference content management system, used to facilitate the sessions at CAA’s annual conference, and (3) CAA’s accounting system. Develop MS SQL queries and reports for AMS as well maintaining Member portal using AMS’ proprietary CMS function.
- Project Manager: Work with staff members to supervise and/or implement specific technology projects as necessary. This includes, but is not limited to, Directories of Graduate Programs publications and CAA Commons. Fulfill grant required IT needs including RAAMP project.
- General Management and Communications: Work with all staff; participate in senior staff meetings to represent the IT interests of CAA and to hear technology-related requests or concerns from all parts of the organization; represent CAA professionally to outside vendors, members, and the Board of Directors. Work within and plan IT department annual budget.
- Annual Conference: Configure all conference related events in AMS. Configure Member portal to process conference event registrations. Provide on-site support for the IT needs of all functions at the Annual Conference, including one week travel when not held in NYC; supervise the set-up, operation, and “take-down” of hardware and software systems at Conference sites.
- Supervise Systems Administrator position.
Required Qualifications:
- Minimum B.A. in computer science or equivalent.
- Proven working experience as an IT manager or relevant experience and minimum of two years database administration/programming experience.
- Excellent knowledge of technical management, information analysis/quantitative skills and of computer hardware/software systems.
- Technical understanding of database structures and familiarity with database design.
- Proven work experience with MS SQL.
- Excellent customer services skills. Pleasant demeanor. Ability to remain poised under pressure.
- Ability to work collegially and effectively with all staff at all levels using non-technical, as well as technical, communication.
- Ability to organize work, follow through on details, and meet deadlines. Must be able to communicate clearly and regularly about project goals.
- Excellent writing and editing skills and oral communication.
- The ability and willingness to work on-site at annual conference as well as hours outside typical business day, as needed.
- Flexibility, creativity, and initiative.
- Ability to work independently and in collaboration with others.
Interested individuals should submit a cover letter, resume and salary requirements to Michael Goodman, Director of IT via email at MGoodman@collegeart.org. No telephone inquiries will be accepted. Applications accepted until position is filled. Please include the names and contact information for three references who can speak to your qualifications and ability to perform the tasks requested.
The College Art Association is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, gender expression or political affiliation.
HOH/MG/TL August 3, 2017




Nancy Azara, Sweet Pea, 2016, gessoed tree, 60 x 24 x 29 in. (artwork © Nancy Azara; photograph by Jude Broughan)
Poster for Rachel Epp Buller’s exhibition A Hidden Garden at Galeria Zapatista
Ken Gonzales-Day, Untitled (Bone-Grass Boy, #25), 1993–96/2017, C-print, 28 x 40 in. (artwork © Ken Gonzales-Day)









