CAA News Today

As an artist-philosopher and educator, I create knowledge and experiences that poeticize world systems, engaging the public—including those early in their educational journey—in critical, intimate, and creative discourse. My studio practice centers on the radicality of intimacy and ecological attunement, while my philosophical research draws from antiquity to contemporary thought, envisioning future consciousness. I view art practice, art history, and philosophy as inherently connected, and reintegrating them offers urgently needed pathways for expanded discourse. My work aligns with CAA’s commitment to diverse practices and scholarship and the evolving nature of the field.

My engagement with CAA has reshaped how I view institutions and their potential. As a member of the Committee for Women in the Arts and chair of the Feminist Interview Project, I gained insight into CAA’s structure and the possibilities for broader outreach to individuals and institutions on the margins of art and academia. In both research and teaching, I elevate marginalized voices and forgotten histories, contributing to a necessary shift in power structures.

With 25 years of experience as a higher education administrator, I bring a deep understanding of the challenges and opportunities facing academia today. I believe higher education is in urgent need of renewal and forward-thinking leadership.

Serving on the CAA Board would allow me to step more fully into such a leadership role, representing a broad range of perspectives, not only those within institutions. I am excited by the opportunity to help shape the future of art, education, and scholarly engagement.

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Thank you for considering my nomination to the College Art Association’s Board of Directors. As an artist, educator, and activist, I have long been inspired by CAA’s commitment to supporting visual arts professionals through dialogue, advocacy, and innovation. Since my first job interview as a graduate student at the conference, I have seen the organization as an essential nexus connecting artists, educators, and scholars. The association’s support, including resources, conference panel presentations, networking, and exhibitions, helped craft my successful application to become a Full Professor of Art at Auburn University, a Carnegie-classified Research-1 institution. That success extends to my artwork, which has earned me over 26 residencies and exhibitions at the Drawing Center, NY, The Soap Factory, MN, Tomio Koyama Gallery, Japan, and the Fuller Craft Museum, MA.

Canadian-born and of Indigenous Métis heritage, I earned my MFA in Painting from Tyler School of Art in Philadelphia and have since built an interdisciplinary practice that challenges institutional boundaries while emphasizing collaboration and ecological awareness. My projects often transform public spaces into creative exchange and environmental education sites. Through PlantBot Genetics, my ongoing collaboration with artist JeU Schmuki, supported by the National Endowment for the Arts and the Pulitzer Foundation, I have developed a model for using art for critical dialogue about sustainability and community resilience. This practice includes the creation of murals both inside and outside the classroom, and several street-based projects from an 18-foot oU-grid trailer that can bring a sophisticated multidisciplinary experience anywhere.

I have spent much of my career facilitating partnerships between students, communities, and organizations. For example, I was elected to represent the State of Alabama on the Board of the SECAC conference for the maximum of two, three-year terms. Although trained in the northeast, this experience allows me to bring an expansive perspective on how best to champion the arts, artists, and scholars in all parts of this country. In addition, past collaborations through SECAC and my research practice consistently foster shared authorship, civic responsibility, and a sense of belonging, reflecting CAA’s dedication to advancing knowledge across disciplines and creating inclusive professional networks. This advancement must include the people and initiatives in the deep south and other more unexpected nexuses for art to nurture the greatest impact creativity can impart in North America.

I always aim to add more colored crayons to the box from which the ‘arts’ draws. If elected, I would bring a pragmatic and cooperative approach to the Board, grounded in academic experience and community-based practice. My leadership style is direct and includes shared decision-making, all of which are essential to ensuring that CAA continues to reflect the evolving and constantly expanding landscape of contemporary art and education radiating across this land. It would be an honor to serve and help shape the future of this dynamic and vital organization.

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I am honored to submit my candidacy for the CAA Board of Directors. With a background in museum studies and cultural policy, I bring a global perspective and deep commitment to advancing the visual arts through strategic leadership, ethical stewardship, and inclusive engagement.

My experience spans curatorial practice, academic research, and international project leadership. Holding a PhD in museum studies, I have led interdisciplinary initiatives across Europe focused on digital transformation, collection accessibility, and sustainable development in the arts. These roles have sharpened my skills in governance, budget oversight, and long-term planning—core responsibilities of CAA board service.

In designing and coordinating conferences, I brought together diverse voices to explore decolonization, minority representation, and ethical curatorial frameworks—demonstrating my ability to build dialogue across sectors, regions, and disciplines. I am equally committed to public-facing impact, having led workshops, contributed to international conferences, and published on critical issues in museum communication and access.

I view CAA as a vital force in shaping the future of art, scholarship, and practice. If elected, I would work to advance its mission at large, support emerging professionals, and help ensure its financial resilience and relevance in a rapidly evolving cultural landscape. With a balance of strategic thinking, collaborative leadership, and dedication to equity, I am eager to contribute to the CAA Board’s work in shaping a vibrant and inclusive future for the arts.

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