CAA News Today
Meeting Linda Nochlin at the CAA Annual Conference in Washington, DC
posted by CAA — March 07, 2016
The following article was written by Marisa Baldassare, Associate Professor, Universidad Nacional de San Martin, Buenos Aires, and 2016 CAA-Getty International Program participant.
On the last day of the CAA Annual Conference, after an intense week of activities, I decided to end the experience by attending the session Linda Nochlin: Passionate Scholar.
After several days I still had problems finding the proper rooms for talks and meetings, but I arrived at Salon 2 on the Lobby Level and saw my colleague Georgina Gluzman, who was already seated in the auditorium. I greeted her with a cheek kiss—as you may know, we Argentineans are fond of kissing hello—and asked her straight up, “Where is Linda?” She answered, “There she is, seated in the front row.” We stared at each other with knowing smiles. Without saying anything, we realized that this was our moment to get to know Linda Nochlin.
We approached the front row and stood beside someone who was finalizing details with Linda. She immediately realized we were there and eager to talk to her. She made eye contact with us and gave us a friendly smile. We were thrilled to meet the person who has been such a strong influence on our art-historical studies and perspectives, as both Georgina and I are nineteenth-century scholars. We chatted with her and were even more amazed to discover that she is such a friendly and keen person. We talked about what her work means to us and the large scope of her legacy. She kindly accepted our request to pose for a selfie. In the photo, Linda is smiling—with that terrific modern haircut—and flanked by Georgina and me. We couldn’t hide our emotions.
During the session, we experienced a rollercoaster of sensations. We listened to Linda’s colleagues, friends, students, and family members speak about her. They not only honored her intellectual accomplishments, but also showed how kind and funny Linda is as a human being. Some insights were repeated in every story: she is always attentive to newcomers and makes them feel comfortable; she finds joy in being surrounded by young people (and vice versa); she is a great host, creating spaces for talking, eating, and laughing wherever she lives. As they all made clear, these characteristics are not just a side of her amazing personality but the fuel that feeds her vital, unprejudiced look at art, a look that has often moved beyond the seriousness of the art history canon and traditions. Disciples and friends recalled how Linda empowered them to practice a free and loving way of looking, toward both art and themselves.
The feminist art historian Moira Roth encouraged us to read aloud a poem Linda had sent her when she couldn’t attend her birthday party. After a detailed recollection of images of misery from Jean-François Millet to Gustave Courbet and Victor Hugo, Linda concluded in a very sardonic way: “I know misery, and I can say it’s not nice.” The poem was clever proof of her sense of irony and the passionate way, deprived of formalism, in which she has faced art-historical themes. It is this freedom that allowed her to understand impressionism as a “special inclination of realism,” as Molly Nesbit recalled from her notes of Linda’s classes at Vassar in the 1970s. This idea, which proved central in the reconsideration of nineteenth-century modernities and the questioning of the uniqueness of the impressionist movement, has been fruitful for Latin American art history. It has allowed scholars to examine the supposed delay of Latin American painters and their particular approach to the so-called nineteenth-century avant-gardes. As I already mentioned, Nochlin’s legacy reaches far beyond the subjects and places covered by her influential texts.
It was deeply moving to listen to Aruna D’Souza recount how Linda’s perspective on painted bodies contributed to the acceptance and love of her own physical imperfections. The audience burst into laughter when Linda’s charming granddaughter, Julia Trotta, recalled how her grandmother’s book on Andy Warhol’s nudes was an unusual object of desire in her early teen years. The story proved to her, once and for all, that hers was not an “ordinary granny.”
These are some of my recollections of what was a memorable experience at the CAA Annual Conference. If Nochlin’s oeuvre has—since the beginning of my career—modeled me as an art historian, I can now say that meeting her and her circle has changed me as a person.
Image caption: Georgina Gluzman (2015 CAA-Getty International Program participant), Linda Nochlin, and Marisa Baldasarre (2016 CAA-Getty International Program participant)
Thanks to 2016 Career Services Mentors and Workshop Leaders
posted by CAA — March 03, 2016
CAA wishes to thank the many artists, scholars, curators, critics, educators, and other professionals in the visual arts who generously served as Career Services mentors—for the Artists’ Portfolio Review, Career Development Mentoring, the Mock Interviews, and the Professional Development Roundtable Discussions—during the 2016 Annual Conference in Washington DC. CAA also appreciates the work of the leaders of the Professional Development Workshops and the speakers at Orientation.
Orientation
Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; and Terri Weissman, University of Illinois, Urbana-Champaign.
Artists’ Portfolio Review
Susan Canning, College of New Rochelle; Jill Conner, Independent Critic and Curator; Brian Curtis, University of Miami; Peter Kaniaris, Anderson University; Suzanne Lemakis, Citigroup (retired); Craig Lloyd, Mt. St. Joseph University; Judith Pratt, Judith Pratt Studio; and David Voros, University of South Carolina.
Career Development Mentoring
Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Leda Cempellin, South Dakota State University; James Farmer, Virginia Commonwealth University; Toni Guglielmo, Getty Leadership Institute, Claremont Graduate University; Dennis Ichiyama, Purdue University; Mark O’Grady, Pratt Institute; Christopher Olszewski, Savannah College of Art and Design; Doralynn Pines, Metropolitan Museum of Art (retired); Judith Pratt, Judith Pratt Studio; Florence Quideau, Borough of Manhattan Community College, City University of New York; Andrew Jay Svedlow, University of Northern Colorado; Ann Tsubota, Raritan Valley Community College; Philip Van Keuren, Southern Methodist University; and Chad Wesley Airhart, Carson-Newman University.
Professional Development Roundtable Discussions
Michael Aurbach, Vanderbilt University; Peter Kaniaris, Anderson University; Brian Curtis, University of Miami; Suzanne Lemakis, Citigroup (retired); and Leo Morrissey, Georgian Court University.
Mock Interview Sessions
Susan Altman, Middlesex County College; Maria Ann Conelli, Brooklyn College, City University of New York, Brooklyn; Erin C. Devine, Northern Virginia Community College; Carole Garmon, University of Mary Washington; Christian J. Gerstheimer, El Paso Museum of Art; Terence Hannum, Stevenson University; Kim Hartswick, City University of New York; David Howarth, Zayed University; Dennis Ichiyama , Purdue University; Matt King, Virginia Commonwealth University; Andrea Kirsh, Independent Scholar and Rutgers University; Jason Lahr, University of Notre Dame; David LaPalombara, Ohio University; Jo-Ann Morgan, Western Illinois University; Mark O’Grady, Pratt Institute; Arthur Blake Pierce, Valdosta State University; Thomas Post, Kendall College of Art and Design, Ferris State University; Patricia Joan Sarro, Youngstown State University; Mattie M. Schloetzer, National Gallery of Art; and Megan Koza Young, Prospect New Orleans.
Brown Bag Lunches and Sessions
Leda Cempellin, South Dakota State University; Rachel P. Kreiter, Spelman College; Sooyoun Lee, Cornell University; Brittany Lockard, Wichita State University; Tamryn McDermott, George Mason University and Northern Virginia Community College; Lauren Puzier, Sotheby’s Institute of Art; Annie Storr, Montserrat College of Art; Jenny Tang, Yale University; and Amanda S. Wright, University of South Carolina; and Megan Koza Young, Prospect New Orleans.
Professional Development Workshops
Susan Altman, Middlesex County College; Barbara Bernstein, Virginia Center for the Creative Arts and University of Virginia; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Chris Coleman, University of Denver; Curtis Fletcher, University of Southern California; Ronda Grizzle, Scholars’ Lab, University of Virginia Library; Sharon Leon, George Mason University; Lisa Reilly, University of Virginia; Gigi Rosenberg, Author and Artist; David Sokol, University of Illinois, Chicago (emeritus); and Blaise Tobia, Drexel University.
caa.reviews Seeks Editor-in-Chief
posted by CAA — March 01, 2016
An online journal, caa.reviews is devoted to the peer review of new books, exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.
The caa.reviews Editorial Board invites nominations and self-nominations for the position of editor-in-chief for a three-year, nonrenewable term, July 1, 2017–June 30, 2020. This term is preceded by one year of service on the editorial board as editor designate, July 1, 2016–June 30, 2017, and followed immediately by one year of service as past editor.
Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal. He or she supervises the journal’s Council of Field Editors, assisting them to identify and solicit reviewers, articles, and other content for the journal; develops projects; makes final decisions regarding content.
The editor-in-chief attends and chairs the three annual meetings of the caa.reviews Editorial Board—held in the spring and fall and in February at the CAA Annual Conference—and submits an annual report to CAA’s Publications Committee. The editor-in-chief attends and chairs the annual meeting of the Council of Field Editors in February at the CAA Annual Conference. He or she pays travel and lodging expenses to attend the conference. The editor-in-chief also works closely with CAA’s New York staff and receives an honorarium for their work.
Candidates must be current CAA members. Nominators should ascertain their nominee’s willingness to serve before submitting a name. A statement of interest in the position, a CV, contact information, and at least one letter of recommendation must accompany each nomination. Please send application materials to caa.reviews Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Deidre Thompson, CAA publications assistant. Deadline: April 1, 2016.
caa.reviews Editorial Board Seeks Candidates
posted by CAA — March 01, 2016
CAA invites nominations and self-nominations for two individuals to serve on the caa.reviews Editorial Board for a four-year term, July 1, 2016–June 30, 2020. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals with stature in the field and experience writing or editing books and/or exhibition reviews; institutional affiliation is not required. The journal seeks candidates with a strong record of scholarship who are committed to the imaginative development of caa.reviews. An online journal, caa.reviews is devoted to the peer review of recent books, museum exhibitions, and projects relevant to the fields of art history, visual studies, and the arts.
The editorial board advises the editor-in-chief and field editors for the journal, and helps them to identify books and exhibitions for review and to solicit reviewers, articles, and other content for the journal. The editorial board guides the journal’s editorial program and may propose new initiatives for it. Members stay abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and academic conferences, symposia, and other events in their fields.
The caa.reviews Editorial Board meets three times a year, twice in New York in the spring and fall and once at the CAA Annual Conference in February. Members also attend the annual meeting of the caa.reviews Council of Field Editors. Members pay their travel and lodging expenses to attend the meeting at the conference. Meetings in the spring and fall are currently held by teleconference. Members of all editorial boards volunteer their services to CAA without compensation.
Candidates must be current CAA members and should not currently serve on the editorial board of a competitive journal or another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and your contact information to: caa.reviews Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Deidre Thompson, CAA publications assistant. Deadline: April 21, 2016.
CAA Seeks Publications Committee Member
posted by CAA — February 29, 2016
CAA invites nominations and self-nominations for one member-at-large to serve on the CAA Publications Committee for a three-year term, July 1, 2016–June 30, 2019.
The Publications Committee is a consultative body that meets three times a year. It advises the CAA Publications Department staff and the CAA Board of Directors on publications projects and meets with chairs of the editorial boards of The Art Bulletin, Art Journal, and caa.reviews three times each year. The committee chooses candidates to serve on CAA’s book-grant juries; sponsors a practicum session at the Annual Conference; and, with the CAA vice president for publications, serves as liaison to the Board, membership, editorial boards, book-grant juries, and other CAA committees.
Each year the committee meets twice in New York and once at the CAA Annual Conference. Members pay their travel and lodging expenses to attend the annual conference meeting. Meetings in the spring and fall currently are held by teleconference. Members of all committees volunteer their services to CAA without compensation.
Candidates must be current CAA members and should serve concurrently on other CAA committees or editorial boards. Applicants may not be individuals who have served as members of a CAA editorial board within the past five years. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Appointments are made by the CAA president in consultation with the vice president for publications.
Please send a letter of interest, CV, and contact information to: Vice President for Publications, c/o Deidre Thompson, College Art Association, 50 Broadway, Fl 21, New York, NY 10004. Materials may also be via email to dthompson@collegeart.org. Deadline: April 21, 2016.
Millard Meiss Publication Fund Seeks Jury Members
posted by CAA — February 29, 2016
CAA seeks nominations and self-nominations for individuals to serve on the Millard Meiss Publication Fund Jury. Specialists in architectural history, Islamic art, Greek and Roman art, eighteenth or nineteenth-century art, modern art, and contemporary art are encouraged to apply for a four-year term, July 1, 2016–June 30, 2020. Candidates must be actively publishing scholars with demonstrated seniority and achievement; institutional affiliation is not required.
The Meiss jury awards subsidies to support the publication of book-length scholarly manuscripts in the history of art and related subjects. Members review manuscripts and grant applications twice a year and meet in New York in the spring and fall to select the awardees. CAA reimburses jury members for travel and lodging expenses in accordance with its travel policy. Members volunteer their services to CAA without compensation.
Candidates must be current CAA members and should not currently serve on another CAA editorial board or committee. Jury members may not themselves apply for a grant in this program during their term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Millard Meiss Publication Fund Jury, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or send all materials as email attachments to Deidre Thompson, CAA publications assistant, dthompson@collgeart.org. Deadline: April 21, 2016.
Art Journal Editorial Board Seeks New Members
posted by CAA — February 23, 2016
CAA invites nominations and self-nominations for three individuals to serve on the Art Journal Editorial Board for a four-year term: July 1, 2016–June 30, 2020. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.
The editorial board advises the Art Journal editor-in-chief and assists her or him in seeking authors, articles, artists’ projects, and other content for the journal; performs peer review and recommends peer reviewers; guides its editorial program and may propose new initiatives for it; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.
The Art Journal Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for the two New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Journal Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director. Deadline: April 15, 2016.
CAA Announces Formation of Committee on Design
posted by CAA — February 23, 2016
Dear College Art Association Members:
In 2015, CAA established a Task Force on Design charged with suggesting positions the organization might adopt toward design, design studies, designers, design educators, historians, and theorists. The CAA Board of Directors is delighted to announce the approval of a new Committee on Design, approved during the recently concluded 2016 CAA Annual Conference.
The Committee will replace the Task Force and be among CAA’s ten standing Professional Interests, Practices, and Standards Committees. The Committee on Design will promote and advance issues in design practice, design history/theory/criticism, and design education through advocacy, engagement, and a commitment to the diversity of practices and practitioners. The committee will further support discussion and action in these areas to stimulate intellectual curiosity and advance skills that enrich the individual and society.
CAA invites members to apply for service on this inaugural Committee on Design. To apply, kindly forward a statement of interest (250 words or less) and a 3–4 page condensed résumé noting in the subject line Committee on Design to vjalet@collegeart.org. Initial application review begins on March 30, 2016, with appointments to two-year terms anticipated by May 1, 2016.
Until May 1, the Task Force on Design will continue work on revising CAA’s Standards and Guidelines for Retention and Tenure of Art and Design Faculty and seeks input from CAA members. We invite you to review and comment upon the current draft. Please send any comments and/or questions to designfeedback@collegeart.org.
Responses at your earliest convenience, and especially prior to March 15, 2016, are greatly appreciated as the Task Force wishes to complete this project for a May 2016 approval by the CAA Board of Directors.
Thank you in advance for input toward advancing design interests within CAA.
Sincerely,
DeWitt Godfrey,
President
Jim Hopfensperger, Chair,
CAA Task Force on Design
Solo Exhibitions by Artist Members
posted by CAA — February 22, 2016
See when and where CAA members are exhibiting their art, and view images of their work.
Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
February 2016
Abroad
Invitation card for Painting Acted ArtistsMark Staff Brandl. Jedlitschka Gallery, Zurich, Switzerland, November 20, 2015–January 15, 2016. Painting Acted Artists. Painting.
Mid-Atlantic
FICTILIS, Wildcat Hauling, January 2015 (artwork © FICTILIS)FICTILIS (Andrea Steves and Timothy Furstnau). Atrium Gallery, Corcoran School of the Arts and Design, George Washington University, Washington, DC, February 5–March 13, 2015. Wildcat Hauling: Making Waste Public. Social practice and installation.
Reni Gower. Neil Britton Gallery, Virginia Wesleyan College, Norfolk, Virginia, November 13, 2015–January 13, 2016. Strange Loops. Painting, collage, and assemblage.
Linda Stein, Defender 696, 2010, leather, metal, and mixed media, 38 x 22 x 14 in. (artwork © Linda Stein)Linda Stein. Noyes Museum of Art, Stockton University, Oceanville, New Jersey, September 21, 2015–January 3, 2016. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.
Art Bulletin Editorial Board Seeks a New Member
posted by CAA — February 22, 2016
CAA invites nominations and self-nominations for one individual to serve on the Art Bulletin Editorial Board for a four-year term, July 1, 2016–June 30, 2020. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.
The editorial board advises the Art Bulletin editor-in-chief and assists her or him in seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.
The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for the two New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director, at jhannan@collegeart.org. Deadline: April 15, 2016.