CAA News Today
CIHA World Congresses in Florence and São Paolo
posted by CAA — May 20, 2019
A SESSION AT THE 2019 CAA CONFERENCE INTRODUCED TOPICS FOR The 35th World Congress, Parts 1 and 2, of the Comité International d’Histoire de l’Art (CIHA)
David Roxburgh, Prince Alwaleed Bin Talal Professor of Islamic Art History at Harvard University, contributed the following article about the next two world congresses organized by CIHA so that CAA members can consider attending and participating. Professor Roxburgh is the current president of the National Committee for the History of Art (NCHA), the US affiliate of CIHA that connects the international committee’s work with CAA and its members to sustain the global exchange of art historical work.
Motion: Transformation and the Life of Artworks, the session sponsored by NCHA at the 2019 CAA Annual Meeting in New York, brought together scholars from the organizing committees of Italy and Brazil who will share the quadrennial 35th CIHA World Congress. The themes are Motion: Transformation, taking place in Florence in 2019, and Motion: Migrations, taking place in São Paolo in 2020. The CAA panelists comprised Marzia Faietti (Gallerie degli Uffizi, Florence), Claudia Mattos Avolese (Universidade Estadual de Campinas, São Paulo), Marco Musillo (Kunsthistoriches Institut, Florence), and Christina Strunck (Friedrich-Alexander-University, Erlangen-Nürnberg), with Jesús Escobar (Northwestern University) serving as respondent and Nicola Courtright (Amherst College) as chair. The thoughtful remarks of Professor Jesús Escobar are included here for those who could not attend the panel.
The CIHA Congress in Florence will be held September 1-6, 2019, and in São Paulo September 13-19, 2020. The final program for Florence is now available.
For the São Paulo program, a call for paper submissions is available here.
NCHA recently awarded 12 travel grants to graduate students from PhD programs in the history of art from across the United States to attend the 35th CIHA Congress in Florence. A competition will be announced early in 2020 for graduate students planning to attend the CIHA Congress in São Paulo. We hope to see many art historians working in the US in Florence and São Paulo.
CAA Announces David Raizman as Interim Executive Director
posted by CAA — May 20, 2019

Photo by Michael Froio
On Sunday, May 5, the Board of Directors of CAA voted to appoint David Raizman as the Interim Executive Director of the organization. David has served as Treasurer of CAA since October 2018 and has held a number of administrative and faculty roles in higher education over a long career.
David’s term will begin July 1, 2019, at the close of the term of Hunter O’Hanian, the current Executive Director.
“I’ve been a member of CAA since 1992 and have attended and participated in CAA Annual Conferences since the early 1980s. CAA’s many programs and publications have contributed much to my development as a scholar and teacher. As a board member I’ve enjoyed seeing how CAA serves its broader membership to meet needs and challenges in academe and the arts,” said David Raizman.
“As interim Executive Director I look forward to learning more about the organization and the staff and facilitating the good work they do. I also look forward to continuing the work of Hunter O’Hanian, who created an environment of diversity and inclusion and shifted the direction of CAA toward these important ideas.”
David’s term as Interim Executive Director will span from July 1, 2019 through the appointment of a new Executive Director. The Executive Director search is currently underway, with the board of directors interviewing placement firms. The goal is to have a new executive director to lead CAA by the end of 2019.
“The Board of Directors is pleased that an experienced administrator and accomplished academic with David Raizman’s qualifications will lead CAA through this transition,” said Jim Hopfensperger, President of the CAA Board of Directors. “We have full confidence David is the right person to advance CAA’s strengths as a learned society and a professional association, while positioning the organization for long-term success under the next Executive Director.”
David Raizman biography
David Raizman is Distinguished University Professor Emeritus of Art & Art History in the Westphal College of Media Arts & Design at Drexel University in Philadelphia, Pennsylvania. He is the author of History of Modern Design (London, Laurence King and New Jersey, Pearson, 2nd edition 2010) as well as several articles and reviews on design history, including subjects ranging from American furniture to the history of world’s fairs. He earned his PhD at the University of Pittsburgh under John Williams and earlier in his career published articles and reviews on the medieval art of Spain. Prior to being appointed CAA Treasurer he was Treasurer of the International Center of Medieval Art (ICMA) and a member of its Finance Committee. During his academic career Dr. Raizman served in several administrative roles, as department head, associate dean, and interim dean in the Westphal College of Media Arts & Design, and his College’s representative to the National Association of Schools of Art & Design (NASAD).
During the summer 2015 he directed a four-week NEH-funded summer institute entitled “Teaching the History of Modern Design: The Canon and Beyond” at Drexel University. He was a guest lecturer at Tsinghua University in Beijing in 2014, and a fellow and guest lecturer at the Wolfsonian/FIU Museum in Miami Beach, Florida (2009; 2010). He is the co-editor of two books, with (current CAA board member) Carma Gorman, of Objects, Audiences, and Literature: Alternative Narratives in the History of Design
(Cambridge Scholars Publishing, 2007), and most recently, with Ethan Robey, of Expanding Nationalisms at World’s Fairs: Identity, Diversity and Exchange, 1851-1915 (Routledge, 2017). His latest book, Reading Graphic Design: Image, Text, Context is scheduled for publication with Bloomsbury in 2019.
New in caa.reviews
posted by CAA — May 17, 2019
Katie Knowles reviews the exhibition Dior: From Paris to the World. Read the full review at caa.reviews.
Deborah Ziska writes about Intentional Practice for Museums: A Guide for Maximizing Impact by Randi Korn. Read the full review at caa.reviews.
Katie Geha discusses Al Taylor: What Are You Looking At? by Michael Rooks. Read the full review at caa.reviews.
Amy Bryzgel explores Left Performance Histories: Recollecting Artistic Practices in Eastern Europe, edited by Judit Bodor, Adam Czirak, Astrid Hackel, Beata Hock, Andrej Mircev, and Angelika Richter. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted by CAA — May 15, 2019
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Artist NEVE performs at “I wanna be with you everywhere (IWBWYE),” a three-day festival “of, by, and for” disabled artists and writers, via Hyperallergic.
A Georgetown Student Defends the Reparations Referendum
“I have no interest in seeing Georgetown co-opt this referendum as its own contribution.” Last month, Georgetown University undergraduates voted overwhelmingly to tax themselves to create a reparations fund. (The Atlantic)
University of Texas Graduate Students Hold “Grade-In” at UT Tower
Student workers at UT Austin rallied this week to demand better pay and tuition coverage. (KXAN Austin)
Parenting and Labor in the Art World: A Call to Arms
Last month, MoMA PS1 agreed to settle curator and editor Nikki Columbus’s claim of gender, pregnancy, and caregiver discrimination. But what is the larger context of this landmark case? (Hyperallergic)
A Performance Festival by and for Disabled Artists
A look at how arts organizers can move beyond compliance with the Americans with Disabilities Act and instead embrace “access intimacy.” (Hyperallergic)
This Dealer Fought for African-American Artists for Decades—Now the Market Is Paying Attention
“When I called realtors to try and find a space on 57th Street, most of the realtors hung up. They said, ‘Well, what kind of gallery are you going to have?’ And I said, ‘I have a gallery that shows the work of black artists’—clink.” – Linda Goode Bryant (Artsy)
Three Changes Higher Ed Leaders Should Be Ready to Make
Higher education leaders met with journalists last week at the Education Writers Association’s National Seminar. Here are their top three takeaways. (Education Dive)
Announcing New CAA Board Appointments
posted by CAA — May 14, 2019
We’re delighted to announce new officer appointments for the following individuals on CAA’s Board of Directors.





Left to right: Alice Ming Wai Jim, Melissa Potter, Peter Lukehart, Audrey G. Bennett, and Colin Blakely.
Alice Ming Wai Jim, Vice President for External Relations
Professor, Concordia University Research Chair, Montreal
Melissa Potter, Vice President for Annual Conference & Programs
Associate Professor, MFA, Columbia College Chicago
Peter Lukehart, Vice President for Publications
Associate Dean, Center for Advanced Study in Visual Arts, National Gallery of Art
Audrey G. Bennett, Vice President for Diversity and Inclusion
Professor, University of Michigan
Colin Blakely, Secretary
Director and Professor, School of Art, University of Arizona
About the Board of Directors
The Board of Directors is charged with CAA’s long-term financial stability and strategic direction; it is also the Association’s governing body. The board sets policy regarding all aspects of CAA’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.
Lynne Allen, Niku Kashef, Ugochukwu-Smooth C. Nzewi, and Jennifer Rissler were elected to the board earlier this year.
New in caa.reviews
posted by CAA — May 10, 2019
Thomas Crow reviews Andy Warhol: From A to B and Back Again by Donna De Salvo. Read the full review at caa.reviews.
Mary Thomas writes about La Raza by Colin Gunckel. Read the full review at caa.reviews.
News from the Art and Academic Worlds
posted by CAA — May 08, 2019
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Works by Swedish painter Hilma af Klint (1862-1944) in the Guggenheim Museum’s Paintings for the Future exhibition. Photo: Johannes Schmitt-Tegge/picture-alliance/dpa/AP
What Can the Museum World Learn From Hilma af Klint?
“I think this shows us that we have narrowed the field of ‘blockbuster’ artists to a very small number of men. But there are other great artists that capture the imagination of the public.” – Helen Molesworth (Slate)
Experts Warn Macron Against Rushing to Rebuild Notre-Dame
More than 1,150 artists, curators, academics, and leading conservators have publicly called on the French president not to rush into reconstruction. (France 24)
US Museum Asks Far-Right German Party to Stop Using Its Painting for an Election Ad
The Clark Art Institute condemned the use of a Jean-Léon Gérôme painting in its collection, but the work is in the public domain. (Hyperallergic)
One of World’s Wealthiest Educational Institutions May Close Its Renowned Press
“The fragile truce surrounding Stanford University Press remains cause for concern, but the scale and rapidity of the mobilization that rose up to defend the press is reason for guarded optimism.” (The Nation)
Leonard A. Lauder Research Center for Modern Art Launches Digital Archives
The Digital Archives Initiative (DAI) was made possible through partnerships with institutions and artists’ estates worldwide. (Artforum)
Making Monographs Open
A project that aims to slash the cost of producing monographs could help make more of them available to the public for free. But will scholars participate? (Inside Higher Ed)
New in caa.reviews
posted by CAA — May 03, 2019
Constanze Graml reviews The Art of Libation in Classical Athens by Milette Gaifman. Read the full review at caa.reviews.
Katie MJ Larson writes about Drawn to Purpose: American Women Illustrators and Cartoonists by Martha H. Kennedy. Read the full review at caa.reviews.
Nancy Demerdash-Fatemi explores Technologies of the Image: Art in 19th-Century Iran, edited by David J. Roxburgh and Mary McWilliams. Read the full review at caa.reviews.
Debra Schmidt Bach discusses Chippendale’s “Director”: The Designs and Legacy of a Furniture Maker at the Metropolitan Museum of Art, and Chippendale’s “Director”: A Manifesto of Furniture Design by Morrison H. Heckscher. Read the full review at caa.reviews.
Jonathan P. Ribner reviews Delacroix by Sébastien Allard, Côme Fabre, Dominique de Font-Réaulx, Michèle Hannoosh, Mehdi Korchane, and Asher Miller. Read the full review at caa.reviews.
Apply to be a CAA Campus Ambassador
posted by CAA — May 02, 2019

CAA 2018 Annual Conference attendees. Photo: Rafael Cardenas
CAA is seeking Ambassadors in the New York, Boston, and Chicago areas to represent CAA and give short talks about the organization to their fellow classmates and students in nearby schools.
The selected Ambassadors will be compensated for each talk and given a complimentary CAA Annual Conference registration and one-year CAA membership at the student level. Ambassadors will collect feedback at their talks and have check-ins with CAA staff leading the project.
To be considered for the CAA Ambassador role, applicants must be currently enrolled in a visual arts-focused program at a university or college in the New York, Boston, or Chicago area. Applicants should be in their junior year or higher. Master’s degree, Master of Fine Arts, and PhD candidates are encouraged to apply. Familiarity with CAA and its programs is necessary for this role. Candidates should feel enthusiastic about spreading the word about CAA and feel comfortable speaking in front of groups. The Ambassador role is a two-semester commitment (fall and spring) with a maximum of five talks given on campuses each semester.
To be considered for the CAA Ambassador Program, please submit your resume or CV, cover letter expressing your interest, and one reference to Alison Chang at achang@collegeart.org.
Applications will be accepted until the positions are filled.
Action Needed: Restoring Tax Equity for Artists
posted by CAA — May 02, 2019
We urge our members to help support the Artist-Museum Partnership Act of 2019 (HR 1793), an important initiative to restore tax equity for artists. If passed the act would allow artists to deduct the fair market value of their work when donating to an institution or charity, rather than only the cost of supplies. While collectors donating artwork can currently deduct fair market value, artists are not permitted to.
First introduced in 2005, the measure has passed the Senate more than once in the past, but it still hasn’t become law.
Rep. John Lewis is now circulating a “Dear Colleague” letter in support of the act, which we urge all representatives to sign on to.
Click here to find your representatives.
For more on CAA’s advocacy efforts, click here.












