CAA News Today
New Study on PhD Completion
posted by Christopher Howard — September 09, 2008
Inside Higher Ed reports that a new study from the Council of Graduate Schools reveals that significant gaps exist—by demographic groups and academic disciplines—in who finishes PhD programs. Generally, foreign, male, and white students are more likely to earn their doctorates after ten years than are their counterparts who are American, female, or minority. The study is part of the council’s PhD Completion Project, a seven-year, grant-funded initiative that addresses the issues surrounding PhD completion and attrition.
The report, PhD Completion and Attrition: Analysis of Baseline Demographic Data from the PhD Completion Project, is the second in a series of monographs from the council. It focuses on ten-year and seven-year completion rates by demographic characteristics (gender, citizenship, and race/ethnicity) based on data, submitted by twenty-four institutions, on students who entered their PhD programs in academic years 1992–93 through 2003–4. The report presents cumulative and annual completion rates from various perspectives: overall, by field, by institution type, and by time of entry into the PhD program. Completion between years seven and ten is also discussed.
Report on Arts Education and Funding Published
posted by Christopher Howard — September 09, 2008
Policymakers have underestimated the critical role of arts learning in supporting a vibrant nonprofit cultural sector, according to a RAND Corporation report just published. The study, written by Laura Zakaras and Julia F. Lowell and entitled Cultivating Demand for the Arts: Arts Learning, Arts Engagement, and State Arts Policy, was commissioned by the Wallace Foundation and conducted by RAND.
Despite decades of effort to make high-quality works of art available to Americans, demand for the arts has failed to keep pace with supply. Audiences for classical music, jazz, opera, theater, and the visual arts have declined as a percentage of the population, and the percentage of these audiences age thirty and younger has fallen even more.
“For decades, public funding of the arts has focused on building supply and expanding access to the arts, but it has neglected the cultivation of audiences capable of appreciating the arts,” said the coauthor Laura Zakaras, an arts researcher at RAND. “If we are not teaching the young how to engage with works of art, they are not likely to become involved in the arts as adults.”
Calling on evidence that experiencing and studying the arts in childhood increase the likelihood of arts participation later in life, the study recommends policymakers in both the arts and education to devote greater attention to cultivating demand for the arts by supporting more and better arts education.
At the public school level, researchers note, arts content standards have been almost universally mandated by the states and are broadening teaching practices, but state, local, and district policies are not providing the resources or time in the school day to implement these standards. In fact, there is evidence that high-stakes standardized testing has led to reduced class time for the arts and humanities in the past five years, according to the study. Arts organizations and colleges have been helpful in complementing school-based arts education, but it is not enough to fill the void.
Analyzing grant-making data, researchers show that state arts agencies, which have historically focused on providing grants to arts organizations, have directed less than 10 percent of their grants over the last twenty years toward activities that target arts learning. In most states, grants are not part of a comprehensive strategy to promote youth or adult arts learning.
However, some state arts agencies are bucking this trend. Rhode Island and New Jersey, for example, have forged relationships with their state departments of education, other state agencies, and members of the arts community to develop comprehensive statewide plans for improving arts education in public schools.
In New Jersey, the state’s arts agency helped develop a survey of arts education that has raised awareness of the inadequacy of its provision in the schools. Concerned residents are now pushing for the adoption of a number of new policies, including inclusion of per-pupil arts spending in New Jersey’s Comparative Spending Guide for public schools. In Rhode Island, the state arts agency was instrumental in successful efforts to adopt a standards-based high school graduation requirement in the arts.
Based on these findings, the authors recommend that state arts agencies and policymakers gauge how well their states are doing by conducting surveys of arts education; developing specific high school graduation requirements in the arts; recognizing and publicizing arts learning programs considered exceptional by experts in the field; and advocating for changes in state policy that increase the amount and breadth of arts learning opportunities. According to the authors, a healthy demand for the arts is critical to a vibrant nonprofit arts sector. Policies that focus on supporting the supply of the arts and broadening access to the arts are not sufficient for building that demand.
New AAM Standards on Cultural Property
posted by Christopher Howard — September 04, 2008
The American Association of Museums (AAM) has established new standards for the museum acquisition of archaeological material and ancient art that emphasize proper provenance of such objects and complete transparency on the part of the acquiring institutions. The product of two years of concerted research and vetting from the museum field, the Standards Regarding Archaeological Material and Ancient Art provide clear ethical guidance on collecting such material to discourage illicit excavation of archaeological sites and monuments. The standards also require museums to create a publicly available collections policy that sets institutional standards for provenance when acquiring archaeological material and ancient art.
CAA has also established Standards and Guidelines on similar topics, including the Resolution Concerning the Acquisition of Cultural Properties Originating in Foreign Countries (1973) and the Statement on the Importance of Documenting the Historical Context of Objects and Sites (2004).
Survey on Library and Museum Digitization Published
posted by Christopher Howard — September 04, 2008
Research and Markets, a publisher of international marketing and research data based in Dublin, Ireland, has just produced The International Survey of Library and Museum Digitization Projects. The study presents and summarizes data on digitization programs at academic, public, and government libraries and museums in the United States, Canada, Australia, Germany, the United Kingdom, and more. Discussed are issues related to staffing, training, funding, outsourcing, permissions and copyright clearance, cataloguing, software and applications selection, and marketing. The International Survey is available for sale on the Research and Markets website.
UK Debates on the Future of Art Education
posted by Christopher Howard — September 03, 2008
This year, the British contemporary-art magazine Art Monthly has been addressing issues in art education in the United Kingdom. Articles and editorials appearing in their pages have taken on the corporatization of the art school, the rise of the creative industries, educational Taylorism, levels of satisfaction in and radical improvements for UK educational institutions, and more.
In advance of two panel debates taking place September 27 at the Institute for Contemporary Arts in London and October 6 at Ikon Gallery in Birmingham, Art Monthly has made their essays and letters on art education available online. Please visit the magazine’s website for more information about the debates, to read the articles, and to join the debate.
Ann Temkin Named Chief Curator at MoMA
posted by Christopher Howard — September 03, 2008
The Museum of Modern Art in New York has announced that Ann Temkin will succeed John Elderfield as chief curator of painting and sculpture. Temkin, who served for thirteen years at the Philadephia Museum of Art in Pennsylvania, has been a curator at MoMA for five years. Among her exhibitions there are Color Chart: Reinventing Color, 1950 to Today (2008) and Against the Grain: Contemporary Art from the Edward R. Broida Collection (2006).
The New York Times has the story. Photograph by Robin Holland and provided by the Museum of Modern Art.
September CAA News Published
posted by Christopher Howard — August 28, 2008
The September CAA News has just been published. With the newsletter back in print, individual and institutional members will receive a copy in the mail next month; the newsletter is also available immediately as a PDF download.
The September issue celebrates the tenth anniversary of caa.reviews, the online journal that launched in fall 1998. Also, in preparation for the 2009 Annual Conference, the issue contains an article on the hottest contemporary art galleries downtown in Los Angeles, including those in Chinatown.
A number of important deadlines for participation in CAA activities also appear: calls for nominations for editor-in-chief of Art Journal and reviews editor of The Art Bulletin (September 15); for conference travel grants (September 26); for applications for graduate-student fellowships (October 1); and more.
The deadline for submissions to the November issue is September 10; please send them to Christopher Howard, CAA managing editor. If you wish to receive CAA News in electronic format only, please contact CAA Member Services.
Women’s Caucus for Art Lifetime Achievement Awards
posted by Christopher Howard — August 27, 2008
The Women’s Caucus for Art (WCA) has selected five recipients for its 2009 Lifetime Achievement Awards:
- Maren Hassinger, director of the Rinehart School of Graduate Sculpture at the Maryland Institute College of Art
- Ester Hernandez, a San Francisco–based artist who was a pioneer in the Chicana/Chicano civil rights art movement
- Joyce Kozloff, a political and feminist artist who was a founding member of the Pattern and Decoration movement of the 1970s
- Margo Machida, a renowned authority on contemporary Asian American art and visual culture and associate professor at the University of Connecticut
- Ruth Weisberg, an artist and dean of fine arts at the University of Southern California
The awards ceremony will be held at the Wilshire Grand Hotel in Los Angeles on Saturday, February 28, 2009, in conjunction with the CAA Annual Conference. This ceremony, which is free and open to the public, will be the thirtieth anniversary of the awards. As in past years, the awards ceremony will include an accompanying catalogue, outlining the awardees’ accomplishments in greater detail. Please check the WCA website for more details about the ceremony (free), the awards dinner (tickets are $90 before December 1, 2008, and $105 after), and other planned events.
CAA Award Recipients Featured in Art in America
posted by Christopher Howard — August 25, 2008
Art in America’s 2008 Annual Guide to Galleries, Museums, and Artists hit newsstands earlier this month, with museum previews for the 2008–9 season as well as a look back at notable events and people of the past year. The “People in Review” section features Yoko Ono, Robert L. Herbert, Chris Kraus, and Sylvia Sleigh as honored recipients of CAA Awards for Distinction. The awards were presented in February 2008 at the CAA Annual Conference in Dallas–Fort Worth.
Download the Art in America feature; also, see the full list of 2008 award recipients.
New Editorial-Board Members and Field Editors
posted by Christopher Howard — August 06, 2008
CAA welcomes the following people to the editorial boards of its three scholarly journals, and to the caa.reviews Council of Field Editors.
New Journal Editorial-Board Members
Natalie Kampen of Barnard College has joined the Art Bulletin Editorial Board. The Art Journal Editorial Board welcomes Jan Estep, Regis Center for Art at the University of Minnesota; Karin Higa, Japanese American National Museum; and Terence E. Smith, University of Pittsburgh. Laura Auricchio of Parsons the New School for Design has joined the caa.reviews Editorial Board. All members serve four-year terms.
New caa.reviews Field Editors
caa.reviews welcomes three new field editors, who will serve three-year terms for the journal: Linda Komaroff of the Los Angeles County Museum of Art will commission reviews of books on Islamic art; Marjorie Munsterberg of City College of New York, City University of New York, will commission reviews of books on nineteenth-century art; and Jon Seydl of the Cleveland Museum of Art will commission reviews of exhibitions in the Midwest.



