Donate
Join Now      Sign In
 

CAA News Today

As a CAA member, you have access to a diverse range of mentors at Career Services during the 101st Annual Conference, taking place February 13–16, 2013, in New York. All emerging, midcareer, and even advanced art professionals can benefit from one-on-one discussions with dedicated mentors about artists’ portfolios, career-management skills, and professional strategies.

You may enroll in either the Artists’ Portfolio Review or Career Development Mentoring—please choose one. Participants are chosen by a lottery of applications received by the deadline; all applicants are notified of their scheduled date and time slot by email in early 2013. Both sessions are offered free of charge. Conference registration, while encouraged, is not necessary to participate. All applicants must be current CAA members.

Artists’ Portfolio Review

The Artists’ Portfolio Review offers CAA members the opportunity to have digital images or DVDs of their work reviewed by artists, critics, curators, and educators in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. You may bring battery-powered laptops; wireless internet, however, is not available in the room. Sessions are filled by appointment only and are scheduled for Thursday, February 14, and Friday, February 15, 2013, 8:00 AM–NOON and 1:00–5:00 PM each day.

To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2013 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2012. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Artists’ Portfolio Review, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 18, 2013.

Career Development Mentoring

Artists, art historians, art educators, and museum professionals at all stages of their careers may apply for one-on-one consultations with veterans in their fields. Through personal twenty-minute consultations, Career Development Mentoring offers a unique opportunity for participants to receive candid advice on how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on medium or discipline. Sessions are filled by appointment only and are scheduled for Thursday, February 14, and Friday, February 15, 2013, 8:00 AM–NOON and 1:00–5:00 PM each day.

To apply, download and complete the Career Development Enrollment Form or fill out the paper form in the 2013 Conference Information and Registration booklet, which will be mailed to all individual and institutional CAA members in October 2012. Send the completed form by email to Lauren Stark, CAA manager of programs; by fax to 212-627-2381; or by mail to: Career Development Mentoring, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004. Deadline extended: January 18, 2013.

Image: A mentoring session at the CAA Annual Conference (photograph by James Rexroad)

The annual CAA Board of Directors election has begun. To participate, all you need is your CAA member ID number and password. Visit the board-election page or click the candidates’ names below to read their statements, biographies, and endorsements—and to watch their video presentations—before casting your vote.

  • Elizabeth Conner, Artist and Instructor, University of Washington Tacoma
  • Constance Cortez, Associate Professor of Art History, Texas Tech University
  • Jennifer Milam, Professor of Art History, University of Sydney
  • Debra Riley Parr, Chair of the Fashion Studies Department, Columbia College Chicago
  • Sheila Pepe, Artist and Acting Assistant Dean for Academic Affairs, School of Art and Design, Pratt Institute
  • John Richardson, Professor and Chair of the Department of Art and Art History, Wayne State University

How to Vote

Log into your CAA account with your CAA User ID# and password. Then click the Vote Now image at the center of your screen to begin the process. If you are already logged in, click the Home link at left, and then the Vote Now link.

You may vote for up to four candidates, including one write-in candidate if you wish. Ballots that indicate more than four candidates will be voided. The election ends at 5:00 PM (EST) on Friday, February 15, 2013.

Send your Proxy

CAA encourages you to attend the Annual Members’ Business Meeting at the 2013 Annual Conference in New York. If you cannot attend, please check the box appointing a proxy. By doing so, you appoint the CAA board officers named thereon—Anne Collins Goodyear, Patricia McDonnell, DeWitt Godfrey, Jacqueline Francis, Randall C. Griffin, and Maria Ann Conelli—to vote, in their discretion, on such matters as may properly come before such a meeting.

A quorum of one hundred members is needed to hold the meeting; therefore CAA kindly requests your proxy to ensure the meeting can take place. Please send your proxy by 5:00 PM EST on Friday, February 15, 2013. Thank you.

CAA has updated its directories of graduate programs in the arts, revising current entries and adding new ones. CAA’s comprehensive guides—listing 650 programs across five countries—provide prospective graduate students with the information they need to begin the application process. Graduate Programs in Art History covers four program types: History of Art and Architecture, Arts Administration, Curatorial and Museum Studies, and Library Science. Graduate Programs in the Visual Arts presents program listings in Studio Art and Design, Art Education, Film Production, and Conservation and Historic Preservation.

Organized alphabetically by school name within each program type, entries describe curricula, class size, faculty and specializations, admission and degree requirements, library and studio facilities, opportunities for fellowships and assistantships, and the availability of health insurance. To get a better sense of the content, look at these sample entries.

Individual programs types can be purchased separately as ebook or print volumes. You can also purchase individual entries in two ways: search the directories by program type, faculty specialization, awarded degrees, country, region, state, availability of health insurance, and whether or not part-time students are admitted, or browse by institution name to download individual entries as PDF files.

The directories also serve as key professional references for career-services representatives, department chairs, graduate and undergraduate advisors, librarians, professional-practices educators, and professors interested in helping emerging generations of artists and scholars find success.

For more details and to order the directories, please contact Roberta Lawson at 212-392-4404.

Filed under: Education, Publications, Students

Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.

The CWA Picks for December 2012–January 2013 include several important exhibitions in the United States, England, and Sweden. In New York, Lehman Maupin Gallery is hosting a two-part presentation of new work by Mickalene Thomas, whose traveling survey at the Brooklyn Museum was a November pick. Other events in the city include a temporary performance and installation work by Ann Hamilton at the Park Avenue Armory and sculpture, painting, and drawing by Caroline Burton at Accola Griefen Gallery.

Midcareer retrospectives are trending: the Andy Warhol Museum in Pittsburgh is offering a look at painting by Deborah Kass in relation to the Pope of Pop, and the New Museum of Contemporary Art in New York is showcasing Rosemarie Trockel’s mixed-media work. Across the Atlantic, Kate Davis has produced work in dialogue with Jo Spence at Drawing Room in London, and Tensta Konsthall in Stockholm is highlighting the full painting and film career of Marie-Louise Ekman.

Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.

Image: Deborah Kass, Before and Happily Ever After, 1991, oil and acrylic on canvas, 72 x 60 in. (artwork © Deborah Kass)

Filed under: Committees, Exhibitions

2013 Career Services Guide to the CAA Annual Conference in New YorkCAA has designed the Career Services Guide to inform job seekers and employers about placement activities at the 2013 Annual Conference in New York. The publication, available as a PDF, will help you navigate Career Services events and provides answers to frequently asked questions. Study this guide carefully so that you will know what to expect from conference interviewing and how best to prepare for a successful experience.

Job candidates can review the basics of the conference employment search. Read about the Candidate Center, your home base at the conference, as well as Orientation, an introduction to Career Services where you can ask questions. In addition, learn more about the Online Career Center, where you can search for position listings, post application materials, and arrange interviews. The publication includes tips for improving your CV, portfolio, and supplemental application materials.

Employers will find details in the guide for renting interview booths and tables as well as recommendations for posting jobs and conducting interviews at the conference. You can begin preparations now for Career Services through the Online Career Center or onsite at the Interviewer Center.

Printed copies of the Career Services Guide will be distributed onsite at Orientation and in the Candidate Center. All conference Career Services will take place at the Hilton New York. For more information about job searching, professional-development workshops, and more, visit the Career Services section of the conference website.

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Art Insurance Losses from Hurricane Sandy May Reach $500 Million

Two months after Hurricane Sandy caused severe flooding in many Chelsea galleries, the bill for the art world’s recovery is shaping up to be hefty. By mid-November, AXA Art Insurance, one of the largest art insurers, estimated that it would be paying out $40 million, and a recent Reuters report quoted industry estimates suggesting that insurance losses for flooded galleries and ruined art may come to as much as $500 million—or the rough equivalent of what the art insurance business takes in each year. (Read more from the New York Times.)

Sistine Chapel Tourists to Be Vacuumed and Cooled to Protect Frescoes

The five million tourists who visit the Sistine Chapel every year are to be vacuum cleaned and cooled down before entry in an effort to reduce the pollution damaging Michelangelo’s frescoes, the director of the Vatican museums said. Visitors who traipse sweat, dust, skin flakes, and hair into the sixteenth-century chapel will be “dusted, cleaned, and chilled,” Antonio Paolucci told the Italian daily Corriere della Sera. The heat and dirt generated by twenty thousand tourists pouring into the chapel every day has been blamed for the layers of grime accumulating on the paintings, which include Michelangelo’s depiction of God giving life to Adam. (Read more from the Guardian.)

Wondrous Horrors

Almost exactly a century ago, tens of thousands of New Yorkers converged on the 69th Regiment Armory at Lexington Avenue at 25th Street, eager to experience a dose of shock and loathing. Many more lapped up eyewitness accounts of grotesque paintings and sculpture shipped over from Europe, an art bursting with “eccentricities, whimsicalities, distortions, crudities, puerilities, and madness,” in one critic’s gleeful description. “The exploitation of a theory of discords, puzzles, ugliness, and clinical details, is to art what anarchy is to society.” (Read more from the Financial Times.)

Learning from Others’ CVs

While much of academe can be a black box (Why did a particular person get that prestigious fellowship? Why did the search committee decide to interview certain candidates? What explains an applicant’s successful outcome?), there is some information available for viewing about others’ career trajectories that is usually there for easy consulting. It is the curriculum vitae, a document that is now often readily accessible through an online search. Even if a traditional CV is not available for a particular person of interest, bits and pieces of information from here and there can help develop a sense of a person’s career path. (Read more from Inside Higher Ed.)

What Search Committees Wish You Knew

While faculty search committees tend to be fairly homogenous, made up of academics in the same field as the new hire, administrative search committees are often an odd amalgam of people with varied expertise and often-competing views. Understanding the dynamics at play within search committees and the constraints under which they exist can help candidates navigate the hiring process more effectively. Having served on my fair share of committees inside and outside academe, I thought I would let you in on their inner workings and share a few things that search committees wish you knew, but will never actually reveal. (Read more from the Chronicle of Higher Education.)

Geneva’s Art Storage Boom in Uncertain Times

It may contain a treasure trove of Picassos, but few have ever explored the riches in the Geneva free port art storage site. In difficult economic times, investors are turning to more unusual commodities to protect their money. Gold may be a tried and tested safe haven, but in recent years fine art has been attracting increasing amounts of cash. Last year global sales of art were estimated at more than $64 billion, and traders watching the market say art has consistently outperformed equities in the years between 2001 and 2011. (Read more from BBC News.)

Modern Art Notes’ 2012 Top Ten List

Tyler Green of Modern Art Notes offers his list of top ten exhibitions for 2012, which includes Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 at the J. Paul Getty Museum, Zoe Strauss: Ten Years at the Philadelphia Museum of Art, and A Strange Magic: Gustave Moreau’s “Salome” at the Hammer Museum. (Read more from Modern Art Notes.)

From Etta James to Ravi Shankar: Notable Arts Deaths of 2012

The art world has been rocked by a series of high profile deaths this year. From Whitney and Etta to Maeve, Gore, and Ravi, the shocks kept coming. Here we round up the obituaries of some of the most-celebrated and greatly missed artists, musicians, writers, and filmmakers who died in 2012. (Read more from the Independent.)

Filed under: CAA News

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Abroad

Grimanesa Amorós. Yuan Space, Today Art Museum, Beijing, China, October 20–November 30, 2012. Voyage: Video Retrospective. Video.

Jenny Krasner. Shanghai Art Center, Shanghai, China, September 29–October 29, 2012. Jenny Krasner: The Shanghai Series. Photographic composites.

Mid-Atlantic

Steven Bleicher. Tony Hungerford Memorial Art Gallery, College of Southern Maryland, La Plata, Maryland, September 4–October 4, 2012. Steven Bleicher: Lonesome Road. Mixed media.

Midwest

Binod Shrestha. Minnesota Artists Exhibition Program, Minneapolis, Minnesota, October 19–December 30, 2012. Remnants and Rumination. Sculpture.

Buzz Spector. Grunwald Gallery of Art, Indiana University, Bloomington, Indiana, October 19–November 16, 2012. Buzz Spector: Off the Shelf. Installation and photography.

Northeast

China Blue. John Brown House Museum Courtyard, Providence, Rhode Island, September 20, 2012–April 2013. Firefly Grove. Interactive light and sound installation.

Patricia Cronin. Ford Project, New York, November 8–December 21, 2012. Dante: The Way of All Flesh. Painting, watercolor, and drawing.

Joelle Dietrick and Owen Mundy. Flashpoint Gallery, Washington, DC, January 5–February 2, 2013. Grid, Sequence Me. Projected animation.

Jeff Frederick. Brooklyn College Library Gallery, City University of New York, Brooklyn, New York, August 28–December 1, 2012. Color Fusion. Painting.

Lia Halloran. DCKT Contemporary, New York, November 17, 2012–January 6, 2013. Metamorphose. Drawing.

South

Lia Cook. Center for Craft, Creativity, and Design, University of North Carolina (Asheville), Hendersonville, North Carolina, July 26–November 9, 2012. Bridge 11: Lia Cook. Mixed media.

Blane De St. Croix. University Galleries, Columbus State University, Columbus, Georgia, November 6–21, 2012. Blane De St. Croix: (Un)Natural History II. Sculpture and installation.

West

Ken Gonzales-Day. Luis De Jesus, Los Angeles, California, October 27–December 15, 2012. Profiled | Hang Trees | Portraits. Photography.

 

Recent Deaths in the Arts

posted Dec 19, 2012

In its monthly roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, architects, photographers, and others whose work has significantly influenced the visual arts. The end of 2012 was marked by the loss of the painter Will Barnet, the architect Oscar Niemeyer, and the museum director Gudmund Vigtel.

  • Evelyn Ackerman, a Californian artist and designer who worked in mosaics, tapestries, and wood carving, died on November 28, 2012, at age 88. She often collaborated with her husband, the artist Jerome Ackerman; their work was recognized in a retrospective exhibition, Masters of Mid-Century California Modernism, at the Mingei International Museum in San Diego
  • Gae Aulenti, the Italian architect and designer who transformed a Paris train station into the Musée d’Orsay, died on October 31, 2012. She was 84. Aulenti also worked on renovations to museums in Barcelona, Istanbul, San Francisco, and Venice
  • Takashi Azumaya, an independent Japanese curator, died on October 16, 2012, at the age of 44. After working at the Setagaya Art Museum and the Mori Art Museum, he became the first non-Korean director of the Busan Biennale, which he organized in 2010
  • Will Barnet, a painter and printmaker who lived and worked in New York for many decades, passed away on November 13, 2012. He was 101 years old. Barnet, who won CAA’s 2007 Distinguished Artist Award for Lifetime Achievement, had taught at the Art Students League and the Cooper Union for the Advancement of Science and Art, among other schools
  • Marshall J. Bouldin III, a portraitist based in Mississippi who painted Richard Nixon’s daughters, died on November 12, 2012. He was 89 years old
  • David C. Copley, the former owner and publisher of the San Diego Union-Tribune and a philanthropist of the arts, died on November 20, 2012, at age 60. Copley was a member of board of directors for the Museum of Contemporary Art San Diego
  • Johanna Liesbeth de Kooning, the only daughter of the artist Willem de Kooning and the cofounder of his estate and trust, passed away on November 23, 2012. She was 56 years old
  • Robert W. Duemling, the former director of the National Building Museum in Washington, DC, and a board member of the Society of Architectural Historians, died on July 13, 2012, at age 83. Duemling had spent four years in naval intelligence and thirty years in the US Foreign Service after earning his master’s degree in the history of art and architecture from Yale University in 1953
  • Jacques Dupin, a French poet and art critic, died on October 27, 2012, at the age of 85. A longtime director of Galerie Maeght in Paris, Dupin wrote the official biography of Joan Miró as well as ten monographs on the artist’s work
  • Georgia Fee, the cofounder, chief executive officer, and editor-in-chief of Art Slant, died on December 8, 2012. Born in 1951, Fee developed Art Slant from a Los Angeles–based events calendar and online art magazine into a website with an international scope
  • Gray Foy, a New York artist and socialite, passed away on November 23, 2012, at the age of 90. Foy received acclaim for his drawing and illustrations in the mid-twentieth century but became better known as a tastemaker and salonnier, hosting parties and events that boasted attendees as diverse as Leonard Bernstein, Cary Grant, and Susan Sontag
  • Krisanne Frost, an artist based in San Antonio, Texas, and gallery liaison for the Blue Star Contemporary Art Center, died on December 6, 2012. She was 61 years old
  • Wendell Garrett, a historian and an appraiser on the television show Antiques Roadshow, died on November 14, 2012. He was 83. Among Garrett’s books are Victorian America: Classical Romanticism to Gilded Opulence (1993) and American Colonial: Puritan Simplicity to Georgian Grace (1995)
  • Richard Gordon, a photographer and a maker of handmade books, died on October 6, 2012, at age 67. Gordon’s most recent collection of images are American Surveillance (2009) and Notes from the Field (2012)
  • Rosalie B. Green, director of the Index of Christian Art at Princeton University from 1951 to 1981, passed away on February 24, 2012. She was 94 years old
  • Evelyn B. Harrison, a historian of Greek and Roman art and a professor in the Institute of Fine Arts at New York University from 1974 to 2006, died on November 3, 2012, at the age of 92. She had previously taught at the University of Cincinnati, Columbia University, and Princeton University
  • Alfred Kumalo, a South African photographer who document life under apartheid and the rise of Nelson Mandela, died on October 21, 2012. He was 82 years old
  • Glenys Lloyd-Morgan, a Canadian-born archaeologist of ancient Rome, passed away on September 21, 2012, at the age of 67. Raised and educated in England, she worked at the Grosvenor Museum in Chester and as a finds consultant
  • Arnaud Maggs, a Canadian photographer who shot portraits of Anne Murray and Leonard Cohen, died on November 17, 2012. He was 86 years old. Magg’s honors include a 2006 Governor General’s Award in Visual and Media Arts and a 2012 Scotiabank Photography Award
  • Margaret M. Martin, a watercolorist based in Allentown, New York, died on November 29, 2012, at the age of 72. Her love of gardening inspired many of her still lifes of flowers
  • Menno Meewis, director of the Middelheimmuseum in Antwerp, Belgium, died on October 17, 2012, at age 58. He is credited with rejuvenating the museum and overseeing its expansion
  • Patricia Meilman, a scholar of Venetian Renaissance art, died on October 13, 2012. She was 65 years old. Her books include Titian and the Altarpiece in Renaissance Venice and The Cambridge Companion to Titian
  • Oscar Niemeyer, the renowned Brazilian architect, died on December 5, 2012, at the age of 104. He is best known for designing the Niterói Contemporary Art Museum and many government, commercial, and residential buildings for Brasília, his country’s new capital
  • Catherine Burchfield Parker, an artist who spent thirty years of her career in Buffalo, New York, died on November 6, 2012, at age 85. She was the daughter of the painter Charles Burchfield
  • Spain Rodriguez, an influential underground cartoonist based in San Francisco, California, died on November 28, 2012, at age 72. Rodriguez’s work was published by Zap Comics and in the East Village Other
  • William Turnbull, a modernist sculptor from Scotland, died on November 15, 2012. He was 90. Turnbull’s career, which spanned seven decades, included forays in figurative, organic semiabstract, and hard-edged geometric styles, as well as painting
  • Gudmund Vigtel, director of the High Museum of Art in Atlanta, Georgia, from 1963 to 1991, died on October 20, 2012. He was 87. Under his leadership the museum’s collection tripled in size and moved into a Richard Meier–designed building
  • Albert Wadle, an art dealer and philanthropist based in Santa Fe, New Mexico, died on November 12, 2012. He was 84 years old
  • Shizuko Watari, the founder and director of Watari-um, the Watati Museum of Contemporary Art, in Japan, died on December 1, 2012, at age 80. She was also a curator and the director of Galerie Watari in Tokyo
  • Larry Welden, an artist and educator based in Sacramento, California, died on October 25, 2012, at age 90. He taught art at Sacramento City College from 1960 to 1985, and his watercolors focused on the landscapes of Northern California
  • Evelyn Williams, an English artist whose reliefs, drawings, and paintings were hard to categorize, died on November 14, 2012. She was 83 years old
  • Lebbeus Woods, an unconventional architect who built only one permanent structure, died on October 30, 2012. He was 72 years old. Woods was a professor at the Cooper Union for the Advancement of Science and Art in New York.

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries, or your completed texts, to Christopher Howard, CAA managing editor, for the January list.

Filed under: Obituaries, People in the News

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Project to Put UK’s Publicly Owned Artworks Online Catalogues 200,000 Paintings

The Public Catalogue Foundation collaborated with more than three thousand venues across the United Kingdom to archive 211,861 paintings, many of which have never been photographed before. Every oil painting in public ownership is available online at the Your Paintings website—most of which are not currently on public display. Andrew Ellis, the foundation’s director, said: “No country has ever embarked on such a monumental project to showcase its entire oil painting collection online.” (Read more from the Telegraph.)

Freelance Professors

“Self-employed professor” could soon be an actual job title, thanks to two companies that are helping a small group of college professors market their own online courses, set prices for them, and share the tuition revenue. In January, StraighterLine will launch fifteen professor-taught courses. This is new territory for the company, which currently offers forty-two low-cost and self-paced online courses. (Read more from Inside Higher Ed.)

Help Desk: Internship Woes

I wrote the blog for a gallery for over six months without having my name attached. The blog did very well and was picked up on by a local magazine that asked the gallery owner to contribute a regular guest column for their publication. I proceeded to plan and outline the next six months of art-related subject matter with the pretext that I would be getting paid as my internship was completed. After the internship had ended, I wrote three posts for the gallery’s blog before the owner told me it was no longer in his budget. I was never paid for those entries, and my ideas continue to be used thereafter. Where do we draw the line on our unpaid time and efforts while aspiring to get recognition for the work that we do? (Read more from Daily Serving.)

Harvard’s 3D-Printing Archaeologists Fix Ancient Artifacts

Indiana Jones practiced archaeology with a bullwhip and fedora. Joseph Greene and Adam Aja are using another unlikely tool: a 3D printer. Greene and Aja work at Harvard University’s Semitic Museum, using 3D printers and 3D scanning software to re-create a ceramic lion that was smashed three thousand years ago when Assyrians attacked the ancient Mesopotamian city of Nuzi, located in modern-day Iraq. (Read more from Wired.)

Are Curators a Vanishing Breed?

Strong support for California’s ambitious program to limit greenhouse gas emissions that cause global warming was reconfirmed in a recent USC Dornsife/Los Angeles Times poll, showing once more the state’s celebrated environmental consciousness. So perhaps it’s time at least to ring a warning bell about a puzzling situation in Los Angeles’ cultural environment, rather than its natural one. At area art museums, the job of chief curator appears to be edging toward the endangered species list. Three notable chief curators have left their museum jobs in the past year. Successors are nowhere in sight. (Read more from the Los Angeles Times.)

Friends and Rivals: Copley, West, Peale, Trumbull, and Stuart

The podcast of a lecture by Jules David Prown, recorded on October 15, 2003, presents the inaugural online offering of the Wyeth Lecture in American Art, a biennial event hosted by the Center for Advanced Study in the Visual Arts and supported by the Wyeth Foundation for American Art. (Read more from the Center for the Advanced Study of the Visual Arts.)

In the Thick of It

I remember September. I recall staring at the postings on H-Net and bemoaning the absence of jobs. Now it’s November, and oh, how I long for September. My friends who went on the market last year complained about applying to sixty or more jobs, but by late August I could count only fifteen or so that I could reasonably convince myself were suitable—not because the others were too far away, or the teaching load was too heavy, but because I couldn’t conceive of any way to assert that I was a good candidate. Where, I wondered, would those many additional job ads come from? (Read more from the Chronicle of Higher Education.)

When Nasty Reviews Strike: What’s the Role of the Reviewer?

The question of the value of nasty reviews of cultural products has been in the news a lot lately, but it’s an issue that has been debated for as long as I can remember. I remember publishing in the Globe and Mail in about 1990 an article discouraging the writing of negative reviews of books from tiny local presses. I can’t remember exactly what my argument was, and it seems like a silly idea now. (Read more from the Globe and Mail.)

Filed under: CAA News

People in the News

posted Dec 17, 2012

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Academe

Jay Gould, a photographer and a member of the faculty at the Maine Media Workshops, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in photography for academic year 2012–13.

Anne D. Hedeman has been appointed Judith Harris Murphy Distinguished Professor of Art History in the Kress Foundation Department of Art History at the University of Kansas in Lawrence. Prior to accepting the position, she was professor of art history and medieval studies at the University of Illinois in Urbana-Champaign.

Sonja Kelley, who has taught in the Department of Art and Art History at Macalester College in St. Paul, Minnesota, has been appointed a full-time faculty member in art history, theory, and criticism for academic year 2012–13 at Maryland Institute College of Art in Baltimore.

Daniela Sandler, a scholar and professor from the University of California, Santa Cruz, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in art history, theory, and criticism for academic year 2012–13.

Dominic Terlizzi, an artist, has become a full-time faculty member in foundations for academic year 2012–13 at Maryland Institute College of Art in Baltimore.

Allison Yasukawa, a visiting lecturer at the University of St. Frances in Joliet, Illinois, and a teaching artist with the Museum of Contemporary Art and the Chicago Artists Partnership in Education, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in humanistic studies for academic year 2012–13.

Museums and Galleries

Susan Ball, formerly interim director of programs at the New York Foundation for the Arts, has been appointed deputy director of the Bruce Museum in Greenwich, Connecticut. Ball had served as CAA executive director from 1986 to 2005.

Ian Berry, curator and associate director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York, has been named director of his institution.

Sabine Breitwieser has left the Museum of Modern Art in New York, where she had been curator of media and performance art, for the Museum der Moderne Salzburg in Germany, where she will serve as director.

Nicholas Capasso, deputy director for curatorial affairs at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, has been named the new director of the Fitchburg Art Museum in Fitchburg, Massachusetts.

Mara Gladstone has been appointed assistant curator at the Palm Springs Art Museum in Palm Springs, California. She recently received her doctorate from the Graduate Program in Visual and Cultural Studies at the University of Rochester in Rochester, New York.

Katherine Hall, who recently earned a master’s degree in art history from the University of Georgia in Athens, has become curatorial fellow at the Houston Center for Contemporary Craft in Texas. Her position is for three years.

Thomas Kren has been promoted to associate director of collections for the J. Paul Getty Museum in Los Angeles, California. He had served as acting associate director for collections at the museum since January 2010 and also as senior curator of manuscripts there.

Elizabeth Morrison has been appointed senior curator of manuscripts at J. Paul Getty Museum in Los Angeles, California, succeeding Thomas Kren. She had been acting senior curator of manuscripts at the museum since January 2012.

Elizabeth A. Williams, assistant curator of decorative arts at the Los Angeles County Museum of Art in California, has been appointed curator of decorative arts and design at the Rhode Island School of Design Museum in Providence. She will take up her position in January 2013.

Organizations and Publications

Brooke Davis Anderson, deputy director of curatorial planning at the Los Angeles County Museum of Art in California, has been appointed executive director of Prospect New Orleans in Louisiana. She will work with the biennial’s artistic director and two curatorial advisors to organize Prospect.3.

Karin Higa, an independent scholar and curator and formerly senior curator at the Japanese American National Museum in Los Angeles, California, has been selected as a cocurator of Made in L.A. 2014, the city’s next biennial art exhibition.