CAA News Today
New Essay by Anna Craycroft on Art Journal Open
posted Nov 02, 2017
In “To Listen,” a new essay on Art Journal Open, artist Anna Craycroft considers the role of the voice of the artist and reflects on her process of creating her exhibition Tuning the Room (Ben Maltz Gallery at Otis College of Art and Design in Los Angeles, January 28–April 16, 2017) in relationship to her research into the archives of photographer Berenice Abbott for Craycroft’s exhibition The Earth Is a Magnet (Institute of Contemporary Art Boston, November 16, 2016–March 26, 2017).
Visit Art Journal Open to read “To Listen.”
Anna Craycroft, Tuning the Room in Variable Frequencies, 2017, vinyl chrome murals, dimensions variable, and aluminum benches, 120 x 18 x 18 in. (304.8 x 45.7 x 45.7 cm) (artwork © Anna Craycroft; photograph provided by Ben Maltz Gallery at Otis College of Art and Design)
News from the Art and Academic Worlds
posted Nov 01, 2017
Linda Nochlin. Photo: Adam Husted
Each week CAA News summarizes articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Linda Nochlin, Trailblazing Feminist Art Historian, Dies at 86
The pioneering art historian and longtime CAA member passed away this week. (ARTnews)
Over 1,800 Artists and Art Workers Sign Letter against Sexual Harassment
The public letter criticizes “an art world that upholds inherited power structures at the cost of ethical behavior.” (Hyperallergic)
“K Is for Kahlo, B Is for Basquiat”: New Children’s Book Teaches Kids about Artists
An inclusive, educational alphabet book by Dr. Tamara Pizzoli. (Afropunk)
Want to Be an Artist-in-Residence at New York City’s Department of Corrections? Now’s Your Chance
NYC has rolled out 3 new artist-in-residency programs in partnership with city agencies. (Artnet News)
The US Cities with the Highest Concentrations of Working Artists
The vast majority of working artists live in urban areas. (Quartz)
How Many “Lost” Masterpieces Are Already Hanging in Museums?
A potential golden age for finding artworks in public collections that have long been overlooked. (Artsy)
Rejoin CAA This November and Get 25% Off
posted Oct 31, 2017
Rejoin CAA during the month of November and get 25% off any Tiered membership level.
We believe in strength in numbers. This past year, CAA fought for the causes of our members and those in the arts and culture field at large.
We released statements against the Trump administration’s Immigration Ban and attempts to defund federal arts and humanities agencies that have a demonstrable public good. We joined an Amicus Brief with the Solomon R. Guggenheim Museum, the Association of Art Museum Directors, the American Alliance of Museums, and over 100 other cultural institutions raising our voices against the Immigration Ban.
In a public survey, our members shared their nuanced ideas on monuments and statues in this politically charged moment.
We added new benefits, like reduced Lynda.com memberships, discounted legal services, and discounts to leading academic publishers, to support our members in their professional careers and daily lives.
And we launched a new advocacy-focused Monday newsletter, ensuring that our audience is informed about the latest news, jobs, and opportunities in the field. The CAA News Monday also features our new CAA Conversations Podcast series.
Rejoin CAA now and take part in the 106th CAA Annual Conference in Los Angeles, February 21–24, featuring over 300 sessions and special events at The Getty, LACMA, and The Broad.
Now it’s time to join those who fight for you.
Offer valid from November 1–November 30, 2017 to all individual lapsed members. Log in to your CAA account to view the discount code. Code will be visible after log in from November 1–November 30, 2017.
Mentorship at 2018 CAA Conference
posted Oct 30, 2017
We invite you to participate in our mentorship programs at Career Services during the 106th Annual Conference, taking place February 21-24, 2018, in Los Angeles.
APPLY TO BE A MENTEE
CAA members are invited to apply for one-on-one discussions with dedicated mentors during the annual conference, either as part of the Artists’ Portfolio Review or Career Development Mentoring.
Whenever possible, CAA matches mentees and mentors based on medium or discipline. Sessions are filled by appointment only and scheduled for 8:30 AM–noon and 1:30–5:00 PM Wednesday through Saturday. Conference registration, while encouraged, is not necessary to participate; appointments are offered free of charge.
Participants are chosen by a lottery of applications received by the deadline; all applicants are notified of their scheduled date and time slot via email in January 2018.
Deadline to apply: December 15, 2017
Contact Michelle Stanek, CAA manager of the annual conference, if you have any questions.
ARTISTS’ PORTFOLIO REVIEW
The Artists’ Portfolio Review offers CAA members the opportunity to have images of their work reviewed by artists, critics, curators, and educators in personal twenty-minute consultations. You must bring a charged battery-powered laptop or hard copy of your portfolio to present your work.
To apply, complete and submit the Artists’ Portfolio Review Enrollment Form.
CAREER DEVELOPMENT MENTORING
Career Development Mentoring offers CAA members the opportunity to receive candid advice on how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews in personal twenty-minute consultations. You must bring your résumé or CV, your other job-search materials, and your specific career goals to discuss during these appointments.
To apply, complete and submit the Career Development Mentoring Enrollment Form.
APPLY TO BE A MENTOR
Participating as a mentor is an excellent opportunity for you to meet, influence and engage the next generation of emerging artists, scholars, and art professionals. CAA seeks mentors from all areas of studio art, art history, art education, film and video, graphic design, the museum professions, and other related fields. All mentors must demonstrate significant experience in their fields.
Interested candidates must be current CAA members with experience mentoring or advising and be prepared to give between four and nine successive twenty-minute critiques in a three-hour period. Reviewing shifts may occur between Wednesday, February 21, and Saturday, February 24, 2018, from 8:30 AM to noon and from 1:30 to 5:00 PM each day. Conference registration, while encouraged, is not required to be a mentor. Preference will be given to mentors able to serve multiple shifts or multiple days.
ARTISTS’ PORTFOLIO REVIEWERS
Please send your CV and a brief letter of interest (outlining your specialty or field and your scheduling availability during the conference) to Michelle Stanek, CAA manager of the annual conference.
CAREER DEVELOPMENT MENTORS
Please send your CV and a brief letter of interest (outlining your specialty or field and your scheduling availability during the conference) to Michelle Stanek, CAA manager of the annual conference.
Career Development Mentoring is not intended as a screening process by institutions seeking new hires. CAA does not accept applications from individuals whose departments are conducting a faculty search in the field in which they are mentoring. Mentors should not be attending the conference as candidates for positions in the same field in which mentees may be applying.
Valerie Powell and Jeffie Brewer
posted Oct 30, 2017
The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.
This week, Valerie Powell, Assistant Professor of Art & the Foundations Coordinator at Sam Houston State University, and Jeffie Brewer, Assistant Professor of Sculpture at Stephen F. Austin State University, discuss collaborative student learning using public art projects.
New in caa.reviews
posted Oct 27, 2017
Carolyn Dean reviews The Inka Empire: A Multidisciplinary Approach edited by Izumi Shimada. Read the full review at caa.reviews.
Kelly Presutti discusses Wasteland: A History by Vittoria Di Palma. Read the full review at caa.reviews.
Allison Miller reads Beyond the First Emperor’s Mausoleum: New Perspectives on Qin Art edited by Liu Yang. Read the full review at caa.reviews.
Introducing CAA News Monday
posted Oct 26, 2017
Protest wall at CAA 105th Annual Conference New York, 2017. Photo: Ben Fractenberg
We’re excited to introduce you to CAA News Monday, a new weekly newsletter that takes a different approach to the start of your week. The Monday newsletter will embrace advocacy as its raison d’être, with a lead story each week and a round up of advocacy-related stories and news. Along with hot topics from the art, higher education, and advocacy worlds, we’ll be highlighting noteworthy jobs and opportunities from CAA’s network, and spotlighting a new weekly podcast as part of the CAA Conversations series. The weekly CAA Conversations Podcast seeks to continue the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field. The CAA Conversations Podcast will also be posted each Monday to the CAA website.
If you already receive CAA News on Wednesday you will automatically receive CAA News Monday. You don’t need to do a thing.
If you don’t get our Wednesday newsletter, sign up below for both.
News from the Art and Academic Worlds
posted Oct 25, 2017
Judy Chicago in front of The Dinner Party. Photograph: Donald Woodman
Each week CAA News summarizes articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.
Judy Chicago: ‘In the 1960s, I was the only visible woman artist’
An interview with the trailblazing artist as the Brooklyn Museum explores the process behind The Dinner Party. (The Guardian)
Artist Omer Fast’s Take on Chinatown Angers Community Organizations
Omer Fast’s exhibition at the Chinatown branch of James Cohan Gallery has drawn ire from local groups. (Hyperallergic)
The Professor Is In: 4 Steps to a Strong Tenure File
Helpful advice from Karen Kelsky, former tenured professor at two universities, and founder and president of consulting service The Professor Is In. (The Chronicle of Higher Education)
Artist and Art Materials Artist Survey 2018
Take NAMTA’s 2018 survey and help artist associations, websites and art supply businesses serve practicing artists better. (International Art Materials Association)
Disaster Preparedness & Response Resources
Invaluable resources for organizations, museums and collections facing the threat of natural disasters. (American Alliance of Museums)
Artsy and the Rise of the Matchmaker Market
The online art market has been transforming how art is sold at auction. (The Art Newspaper)
Indigenous Futures in Art Journal
posted Oct 23, 2017
Postcommodity, Repellent Fence, 2015, installation view (artwork © Postcommodity; photograph by Michael Lundgren provided by Postcommodity)
Recent years have seen a boom in the creation of new art by Indigenous artists across North America—and a concomitant surge in scholarship about this art. The recently published issue of Art Journal is devoted to both the art and the research. In addressing the theme “Indigenous Futures,” editor-in-chief Rebecca M. Brown turned to the scholars Kate Morris and Bill Anthes as guest editors.
Works by dozens of Indigenous artists are featured in the issue, among them Kay WalkingStick, Kent Monkman, Shan Goshorn, Rebecca Belmore, Cheryl L’Hirondelle, Will Wilson, and Edgar Heap of Birds. The artist collective Postcommodity created a project for the issue that includes the covers. Two artists wrote substantial texts: Jolene Rickard explores the theme of sovereignty in Indigenous art, while Marie Watt enjoys a frank chat with Joseph Beuys’s Coyote—who is amazingly au courant about today’s art.
In addition to Morris and Anthes, the scholars Jessica L. Horton, Dylan Robinson, and Sherry Farrell Racette provide insights into bodies of work by specific artists. A strong curatorial thread runs through the issue as well, with essays by Candice Hopkins and Heather Igloliorte; a magisterial essay by the curators Kathleen Ash-Milby and Ruth B. Phillips traces the history of critical exhibitions in North American museums and galleries since 1992, the year of the controversial “celebration” of the Columbus quincentennial.
The Reviews section of the issue features a 2015 book by W. J. T. Mitchell (reviewed by Caroline A. Jones), a substantial anthology on the postwar avant-garde in Scandinavia (by Karen Kurczynski), the exhibition and catalogue of Hélio Oiticica: To Organize Delirium (by Camila Maroja), a multiauthor and -artist volume on the Indian city of Chandigarh (by Tracy Bonfitto), and the exhibition and catalogue of Leap Before You Look: Black Mountain College 1933–1957 (by Erica DiBenedetto).
CAA sends print copies of Art Journal to all institutional members and to those individuals who choose to receive the journal as a benefit of membership. The digital version at Taylor & Francis Online is currently available to all CAA individual members regardless of their print subscription choice.
New in caa.reviews
posted Oct 20, 2017
In addition to the wrap-up below of our caa.reviews content from this week, you might also notice the site got a little update. We made it easier to navigate and balanced the look and feel of the site. More changes are coming soon. Happy reading!
Phil Lee discusses Contemporary Korean Art: Tansaekhwa and the Urgency of Method by Joan Kee. Read the full review at caa.reviews.
Erin Schoneveld reviews Making Modern Japanese-Style Painting: Kano Hōgai and the Search for Images by Chelsea Foxwell. Read the full review at caa.reviews.
Jessica Locheed visits Degas: A New Vision at the Museum of Fine Arts, Houston. Read the full review at caa.reviews.
Mio Wakita reads A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography by Luke Gartlan. Read the full review at caa.reviews.