CAA News Today
Books Published by CAA Members
posted by CAA — December 15, 2016
Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.
Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.
December 2016
Susan Best. Reparative Aesthetics: Witnessing in Contemporary Art Photography (London: Bloomsbury, 2016).
Louis Kaplan. Photography and Humour (London: Reaktion Books, 2016).
Ceren Özpınar. Turkiye’de Sanat Tarihi Yazimi (1970–2010) [The Art Historiography in Turkey (1970–2010)] (Istanbul: History Foundation Yurt Publications, 2016).
2017 CAA Annual Conference in the News
posted by CAA — December 12, 2016

Coco Fusco in costume as Dr. Zira from the Planet of the Apes. Photo Gene Pittman, courtesy Walker Art Center.
Word has spread about some of the sessions and our keynote speaker at the 2017 CAA Annual Conference and Artnet News and Artnews have taken notice.
Diversity has long been a part of CAA’s history and this year’s conference is no different. Artnet News notes how race and politics are “at the forefront” of our programming this year. Our effort to find more ways to involve artists and makers in the conference has not gone overlooked either. Brian Boucher, author of the Artnet piece, cites the CAA collaboration with NYFA to offer professional development programming.
At Artnews, writer
Annual Conference Committee Seeks Members
posted by CAA — December 12, 2016
CAA invites nominations and self-nominations for at-large members of the Annual Conference Committee to serve a three-year term, beginning February 2017, immediately following the 105th Annual Conference. We welcome all members to participation in the nomination process. Working with the Programs Department staff, this committee selects the sessions and shapes the program of the Annual Conference. The committee ensures that the program will reflect the goals of the association and of the Annual Conference, namely, to make the conference an effective place for intellectual, aesthetic, and professional learning and exchange, and to provide opportunities for participation that are fair, equal, and balanced.
The Annual Conference Committee meets at least two times a year via conference call and once during the Annual Conference at the call of the vice president for Annual Conference and the committee’s chair. Members must be available throughout May and June to review a significant amount of material and select 2018 conference content from the submitted proposals.
Please send a 150-word letter of interest and a CV to Katie Apsey, CAA manager of programs. Deadline: January 31, 2017.
Notice of 105th Annual Business Meeting
posted by CAA — December 12, 2016
College Art Association
Notice of 105th Annual Business Meeting
Annual Conference Convocation
February 15, 2017
The 105th Annual Business Meeting of the members of the College Art Association will be called to order at 5:30 p.m. on Wednesday, February 15th, at the Convocation of the 2017 Annual Conference, in West/East Ballroom, 3rd Floor, New York Hilton Midtown Hotel, 1335 Avenue of the Americas, NY, NY 10019.
CAA President, Suzanne Preston Blier, will preside. The Annual Business Meeting will be held in two parts.
AGENDA
The Agenda for the first part of the Annual Business Meeting is as follows:
- Call to Order and President’s Report – Suzanne Preston Blier
- Report by Annual Conference Chair and VP for Annual Conference – Judith Rodenbeck and N. Elizabeth Schlatter
- Report by Executive Director – Hunter O’Hanian
- Presentation of Annual Awards for Distinction – Suzanne Preston Blier
- Keynote Address – Mary Miller
After the Keynote Address, the Meeting will be recessed and will reconvene on Friday, February 17, 2017 from 12:15 – 1:15 p.m. in the East Ballroom, 3rd Floor at the New York Hilton Midtown Hotel, 1335 Avenue of the Americas, NY, NY 10019. The Agenda for the second part of the Annual Business Meeting is as follows:
- Approval of Minutes of 104th Annual Business Meeting, February 3, 2016 [ACTION ITEM] – see http://www.collegeart.org/pdf/2016-annual-business-meeting-minutes.pdf
- Financial Report: Teresa Lopez, Chief Financial Officer
- Old Business
- New Business
- Results of Election of New Directors: Suzanne Preston Blier
- MY CAA – Open discussion with members, board and staff regarding future growth of the Association.
Proxies
If you are unable to attend the Annual Business Meeting, please complete a proxy online to appoint the individuals named thereon to (i) vote, as directed by you, for directors, and, at their discretion, on such other matters as may properly come before the Annual Business Meeting; and (ii) to vote in any and all adjournments thereof. CAA Members will be notified when the proxy for casting votes becomes available online in early January 2017. A proxy, with your vote for directors, must be received no later than 6:00 p.m. EST Thursday, February 16, 2017.
Next Meeting
The 106th Annual Business Meeting of the College Art Association will take place on February 21, 2018, in Los Angeles.
Roberto Tejada, Secretary
College Art Association
December 12, 2016
New in caa.reviews
posted by CAA — December 09, 2016
John Hawley visits Van Dyck: The Anatomy of Portraiture at the Frick Collection. The “more than one hundred paintings, drawings, and prints” by Anthony van Dyke and his contemporaries look “exclusively at portraiture, with special attention given to the way drawings (which account for nearly half the exhibited works) highlight Van Dyke’s inimitable process as a portraitist.” Read the full review at caa.reviews.
Stephen J. Lucey reads The Apse Mosaic in Early Medieval Rome: Time, Network, and Repetition by Erik Thunø. Presenting “an alternative ‘non-diachronic’ art-historical interpretation of the Roman apse decorations from the sixth through ninth centuries,” the author “promotes the continuity of imagery as a ‘synchronic’ manifestation, which reflects a timeless ecclesiological essence.” Read the full review at caa.reviews.
Jennifer Nelson reviews Visual Acuity and the Arts of Communication in Early Modern Germany, edited by Jeffrey Chipps Smith. The essays “consider German visual culture from the late fifteenth to early eighteenth centuries by means of healthy reliance on present-day creativity and hermeneutic skill” and put “productive pressure on its period’s blind spots.” Read the full review at caa.reviews.
Amy F. Ogata discusses Marta Gutman’s A City for Children: Women, Architecture, and the Charitable Landscapes of Oakland, 1850–1950. The author “explores the long tradition of benevolent concern for the poorest children in the rapidly urbanizing context of Oakland, California,” and argues that the structures “reveal a complex history of adaptive reuse against the drama of class and racial politics.” Read the full review at caa.reviews.
caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.
CAA Member Tour of Greece and Italy
posted by CAA — December 07, 2016
CAA is excited to announce an exclusive offer to its members to spend two weeks exploring the art and art history of Greece and Italy, from June 2 to June 11, 2017. The trip includes stops in Athens, Rome, and Florence. Hosted by CAA Executive Director and CEO, Hunter O’Hanian, this is a once in a lifetime opportunity to explore these majestic cities with fellow CAA members and lovers of art.
Local tour guides in each city will lead the group through numerous cultural and historic sites, museums, and galleries. The tour begins in Athens, where highlights include the National Archaeological Museum, the Benaki Museum, Zappio Gardens, the Acropolis and museum, and the Museum of Cycladic Art. In Rome, the tour will visit the Colosseum, Roman Forum, Capitoline Museums, and the Borghese Gallery, among others. Ending in Florence, the tour will stop at the Duomo and Baptistery, Church of Santa Croce, Galleria dell’Accademia, Medici Chapels, Church of San Lorenzo, and the Uffizi Gallery.
Following Florence, you may choose to extend your trip to Venice where the 57th Venice Biennale will be taking place, May 13 through November 26, 2017.
For more information, including rates and a day-by-day tour itinerary, please download and review the Greece & Italy Art and Art History Tour brochure.
CAA Seeks Part-Time Program Assistant
posted by CAA — December 06, 2016
| Job Title: | Program Assistant | Date: | February 25, 2016 |
| Department: | Programs | ||
| Supervisor: | Manager of Programs |
Part-time position with approximately 20 hours per week, schedule may vary with flexible hours.
COLLEGE ART ASSOCATION ANNUAL CONFERENCE:
The College Art Association Annual Conference is the largest international gathering of professionals in the visual arts. The conference brings together 4,000 of its members to participate in over 250 presentations, panel discussions, workshops, and special events on a wide range of topics on art scholarship and practice; to engage in in-depth discussions on new scholarship, innovative art, and issues in the arts today; and to connect with colleagues from across the country and around the world. The 105th annual conference will be held in New York, February 15- 18, 2017.
FUNCTION:
Reporting to the director of programs, the program assistant provides assistance to both the assistant director for annual conference and manager of programs with all daily operations of the department.
DUTIES AND RESPONSIBILITIES:
- Assists with data entry support (e.g. NetFORUM membership database), detailed record keeping, database document production, and producing reports.
- Assists with the coordination of the scheduling of the CAA conference sessions and events. This includes, but is not limited to, data entry, preparing spreadsheets, proof reading, and creating reports. Communicates with CAA departments on conference details as requested.
- Corresponds with conference participants, service providers, book and trade fair exhibitors, and general membership on conference-related matters.
- Provides internet research to source prospects for the CAA conference book and trade fair.
- Prepare mailings sent to conference participants, exhibitors, advertisers, jurors, committee members, and volunteers. Document production and photo-copying.
- Assist with the development of all conference publications.
- Assists with the coordination of temporary conference staff including, scheduling, correspondence, and training.
- Provides on-site conference support, including but not limited to assisting with all aspects of conference logistics, checking set-up arrangements, posting signs, and providing hospitality as needed.
- Staffs Speaker Ready Room during the conference providing assistance to conference presenters and chairs as needed.
- Provides post-conference support including compiling and summarizing event statistics.
- Assists with financial recording keeping, including but not limited to, processing purchase orders and transactions, creating invoices, tracking expenses, and preparing ledgers and reconciliation reports.
- Provides research and creates reports as requested.
- Performs various administrative and clerical duties for the director of programs. Other duties as assigned.
QUALIFICATIONS:
- Bachelor’s degree required, Master’s degree in art history or MFA preferred.
- Ability to work independently, organize multiple concurrent tasks, work efficiently, and follow through on details.
- Experience with spreadsheets, systems and database management, and generally accepted programs and office equipment required.
- Excellent customer services skills, and writing and editing skills, and oral communication.
- Should possess tact, discretion, and the ability to work confidentially.
- The capacity to remain poised under pressure.
- The ability and willingness to work on-site at annual conference as well as hours outside typical business day, as needed.
Send resume and cover letter to tdugan@collegeart.org
This job description is intended as a summary of the primary responsibilities of and qualifications for this position. The job description is not intended as inclusive of all duties an individual in this position might be asked to perform or of all qualifications that may be required either now or in the future.
The College Art Association is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation, gender expression or political affiliation.
New CAA Standards and Guidelines
posted by CAA — December 05, 2016
At the most recent meeting of CAA’s Board of Directors, which took place on October 23, 2016, the following statements and guidelines were revised and approved:
- Statement concerning the Acquisition of Cultural Properties Originating from Abroad, from Indigenous Cultures, and from Private Collections during the Nazi Era
- Guidelines for Museums or Other Not-For-Profit Visual-Arts Institutions Working with Artists on Exhibitions and Commissioned Works
- Guidelines regarding the Hiring of Guest Curators by Museums
- Guidelines regarding the Hiring of Catalogue Essayists
New in caa.reviews
posted by CAA — December 02, 2016
Sarah-Neel Smith reviews Walid Raad, an exhibition and catalogue produced by the Museum of Modern Art. The museum “should be applauded for its impeccable staging of this rich exhibition,” while the volume “will undoubtedly serve as the go-to resource on the artist for years to come,” despite being “colored by a set of historiographic problems that Raad himself works over in his artistic production.” Read the full review at caa.reviews.
Mark Alan Hewitt reads Lost Mansions: Essays on the Destruction of the Country House, a book of essays edited by James Raven. The publication “takes up the subject of how England, Scotland, Wales, and Ireland have dealt with the destruction of county houses during the past several decades,” noting that today’s keepers “must squarely face the reality of multiculturalism, diminishing resources, and indifferent politicians.” Read the full review at caa.reviews.
Theresa Leininger-Miller discusses the catalogue Common Wealth: Art by African Americans in the Museum of Fine Arts, Boston, edited by Lowery Stokes Sims. Featuring one hundred works by African American artists, all of which were acquired by the museum over the past forty years, the “large, handsome” book “is part of a trend of museums publishing and showcasing their growing collections of African American art.” Read the full review at caa.reviews.
caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.
Your Support Is Vital to the Arts
posted by CAA — December 02, 2016
Imagine our world without culture.
In today’s economy-driven society, it is easy to imagine a world where our past and present cultural history is ignored—or even worse, destroyed. We see educational systems focused more on science and technology and less on the arts and humanities, with art department budgets slashed and employment opportunities shrinking while student debt is rising to an all-time high and our collective historic cultural past is destroyed in the Middle East and other parts of the world.
That’s why the College Art Association is important. For more than a century, CAA has been the preeminent international leadership organization in the field of visual arts. We strive to create an environment where visual artists, art historians, designers, museum professionals, critics, and scholars successfully and freely create and prosper in their professional fields. We do this because we know if these professionals prosper, our culture will not only be preserved, it will thrive.
We ask that you join us in celebrating CAA’s rich history and prosperous future by making a tax-deductible gift to the organization. Your support goes directly to the programs we offer.
Register now for the 2017 Annual Conference, February 15-18 in New York. The Early Registration deadline is December 19.
Together, we can ensure that our culture is preserved.
Sincerely,
![]()
Hunter O’Hanian
Executive Director and Chief Executive Officer





