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CAA News Today

Directory for Diversity Practices

posted by January 24, 2013

CAA’s Committee on Diversity Practices would like to introduce the Directory for Diversity Practices and to invite CAA members to submit syllabi and recommend additional material for it. The Directory for Diversity Practices has been developed to provide a range of updated documents, texts, and links related to ethnicity, race, gender, sexuality, disability, and aging for use in the classroom. It is accessible via the CAA website under the tab marked Resources.

The directory is divided into five user-friendly sections:

The Committee on Diversity Practices is dedicated to building a useful and evolving resource for teaching the visual arts and art history. CAA encourages you to visit the site and to let the committee know how it can add to the directory in order for it to be more useful. The committee regards this directory as a work in process and seeks comments and submissions (emails below) from the CAA community at large.

Submissions Guide

Suggestions for any of the five areas are welcome and will be added as appropriate. Material included in its entirety must be in the public domain, contributed by the authors or copyright owners who have given permission to publish it on the CAA website, and/or otherwise publicly available. Contributions should be relevant, applicable, and up to date. Older material will be selected on its continuing relevance.

The committee welcomes the submission of syllabi addressing issues and topics related to diversity and art. It hopes to significantly expand this section, which promises to be a valuable resource for anyone seeking current models for inclusive curricula. Kindly send your syllabus as a Word file. Please remove any references to the specific details of the class (dates, name of institution, office hours and location, etc.). Professors retain the copyright for their work.

Please visit the directory and send your comments and contributions to both Zoya Kocur, Middlesex University, and Yasmin Ramirez, Hunter College, City University of New York.

CAA is accepting applications for spring 2013 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art and related subjects that have been accepted by a publisher but require further subsidy to be published in the fullest form.

The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For the complete guidelines, application forms, and a fuller grant description, please visit the Meiss section of the CAA website or write to nyoffice@collegeart.org. Deadline: March 15, 2013.

Image: The University of Oklahoma Press received a Meiss grant in fall 2010 to help publish Megan E. O’Neil’s book, Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala (2012).

Affiliated Society News for January 2013

posted by January 09, 2013

Association of Academic Museums and Galleries

Join the Association of Academic Museums and Galleries (AAMG) for its 2013 annual conference, to be held in Gilman Hall at Johns Hopkins University in Baltimore, Maryland, on May 18, 2013. This year’s conference theme examines exemplary foundation relationships and successful partnerships in other areas of museum and gallery activities. Successful relationships are based upon achieving mutually beneficial goals. Has your museum or gallery engaged in new, unusual, or model partnerships or collaborations with other nonprofit or for-profit organizations that have expanded your reach and influence? What was involved in making your project successful, and what did you and your partners learn from this outreach? This year’s conference will also include résumé workshops, poster presentations, and 20 x 20 presentations to increase participation options for student members. For more information, contact Barbara Rothermel or Sherry Maurer.

Association of Art Historians

The Association of Art Historians (AAH) thirty-ninth annual conference and book fair will take place April 11–13, 2013, at the University of Reading in Berkshire, England. AAH2013 will represent the interests of an expansive art-historical community by covering all branches of its discipline(s) and the range of its visual cultures. Academic sessions will reflect a broad chronological and geographical range. Presentations will address topics of methodological, historiographical, and interdisciplinary interest as well as ones that open debates about the future of the discipline(s). AAH2013 will include visits to local sites of cultural interest and rare access to the university’s collections and archive. Keynote speakers will include Adrian Forty, professor of architectural history, The Bartlett, University College London, “in conversation” with Maarten Delbeke, associate professor of architecture and urban planning, Ghent University, and lecturer in art history, Leiden University. This event has been sponsored by Laurence King Publishing; and Okwui Enwezor, curator and director of Haus der Kunst, Munich. This event has been sponsored by Wiley-Blackwell. Booking for delegates is now open. AAH hopes to see you there!

Historians of Islamic Art Association

The Historians of Islamic Art Association’s third biennial symposium, “Looking Widely, Looking Closely,” hosted by the Metropolitan Museum of Art in New York on October 18–20, 2012, was a great success, bringing together a group of nearly two hundred to share and discuss important topics and issues in the field. The association is grateful to the symposium organizers and host staff for their outstanding work.

HIAA has announce the election of five new members to the executive board: Yasser Tabbaa, Melanie Michailides, Margaret Graves, and Oya Pancaroglu will succeed Glaire Anderson, Olga Bush, Stephennie Mulder, and Bernard O’Kane in the roles of treasurer, news editor, H-Islamart editor, and international representative, respectively. Jennifer Pruitt will serve as webmaster, having acted as interim webmaster since mid-2012. HIAA will officially welcome these new officers and acknowledge the invaluable service of the outgoing board members at its annual business meeting, scheduled for February 15, 2013, 12:30–2:00 PM in conjunction with CAA’s Annual Conference.

International Sculpture Center

Each year the International Sculpture Center presents Outstanding Student Achievement in Contemporary Sculpture Awards to its member colleges and universities as a means of supporting, encouraging, and recognizing the work of young sculptors and their supporting schools’ faculty and art program. The winners participate in an exhibition at Grounds for Sculpture, as well as in a traveling exhibition hosted by arts organizations across the country. Winners’ work is also featured in Sculpture magazine. Each awardee receives a one-year ISC membership and is eligible to apply for a full sponsored residency to study in Switzerland. To nominate students for this competition, the nominee’s university must first be an ISC university-level member. University membership, which includes a number of benefits, costs $200 for schools in the United States, Canada, and Mexico, and $220 for international universities. Students who are interested should talk to their professors about getting involved. To find out more about the program, please visit the website or write to studentawards@sculpture.org. The time line for 2013 is as follows: (1) nominations open on January 1; (2) university membership forms due on March 18; online student nomination form due on March 25; and online student submission forms due on April 15.

The 2013 International Sculpture Symposium will take place in Auckland, New Zealand, from February 11 to 15, 2013. The opening party will be hosted by Auckland Art Gallery with a traditional Powhiri welcome. Programming will include keynote addresses by world-renowned sculptors and panel discussions with art professionals. Optional activities and tours will include trips to Connell’s Bay Sculpture Park on Waiheke Island; a private tour of Alan Gibbs’s The Farm; an afternoon at Sculpture on the Gulf; Brick Bay Sculpture Trail and Vineyard; and Zealandia, the Pah Homestead private home collections. This event is sponsored in part by Brick Bay Sculpture Trail, Alan Gibbs and the Farm, John and Jo Gow and Connell’s Bay Sculpture Park, Trevor and Jan Farmer, and the Auckland Art Gallery. For more information and updates and to registration, visit the website for updates and join the mailing list for this event. Contact events@sculpture.org or call 609-689-1051, ext. 302, with any questions about this or other ISC events.

Italian Art Society

The Italian Art Society (IAS) will hold a morning business meeting at the CAA Annual Conference on February 15, 2013, 7:30–9:00 AM in Gramercy B, Second Floor of the Hilton New York. We welcome those interested in Italian art and architecture from the prehistoric period to the present to attend. IAS is accepting contributions to its winter newsletter: exhibition reviews, short articles, and announcements related to Italian art and architecture should be sent to the newsletter editor by January 15, 2013. For additional information on IAS, please visit the website or “like” the organization on Facebook.

Mid America College Art Association

On October 3–6, 2012, the Mid America College Art Association (MACAA) hosted a very successful conference in Detroit, Michigan. The conference included fifty session panels, three roundtables, three workshops, and four hundred participants. Fritz Haeg, Lilly Wei, and Donald Lipski were the keynote speakers. The conference also included a MACAA membership exhibition and a Wayne State University alumni exhibition. Future MACAA conferences are now in the planning stage. Please check the organization’s website for updates.

National Art Education Association

Register now for “Drawing Community Connections,” the next National Art Education Association (NAEA) national convention, to be held March 7–10, 2013, in Fort Worth, Texas. NAEA invites you to join colleagues representing all teaching levels and backgrounds for this dynamic professional gathering exploring the arts and how they bolster human development. Choose from more than one thousand sessions, workshops, tours, and events focusing on theory, practice, assessment, museum education, interdisciplinary arts education, and more. Register for the convention, book your accommodations, and find program details online.

Spend four art-filled days in Washington, DC, exploring permanent collections, current exhibitions, and the museum itself as a work of art! Summer Vision DC, now in its fourth year, is a professional learning community for art and nonart educators, offered by NAEA in partnership with area art museums. The aim is to showcase best practices in critical response to art while enhancing creativity through visual journaling. Choose from two sessions: July 9–12, 2013, or July 23–26, 2013. Develop new leadership, pedagogical, and artistic skills for the classroom and beyond through this outstanding professional development opportunity. Registration is limited to twenty-five participants per session. Register and find details online.

National Council of Arts Administrators

The fortieth annual meeting of the National Council of Arts Administrators (NCAA), titled “Granting Permission,” convened November 7–9, 2012, in Columbus. Ohio. The organization owes a debt of gratitude to Sergio Soave of the Ohio State University, who served as conference chair, and to Columbus College of Art and Design for organizing a first-rate affair.

NCAA also wishes to thank outgoing board members John Kissick of the University of Guelph and Sally McRorie of Florida State University. Two new board members were elected: Steve Bliss of Savannah College of Art and Design and Cora Lynn Deibler from the University of Connecticut (secretary). The returning directors are: Andrea Eis, Oakland University, treasurer; Amy Hauft, University of Texas at Austin; Jim Hopfensperger, Western Michigan University, president; Kim Russo, California Institute of the Arts; Sergio Soave, Ohio State University; Lydia Thompson, Mississippi State University; and Mel Ziegler, Vanderbilt University.

Activities at CAA’s 2013 Annual Conference in New York include the annual NCAA reception, which will be a lively and spirited forum for networking on issues related to arts leadership and management (February 14, 5:00–8:00 PM), and an NCAA–CAA affiliate session, “Hot Problems/Cool Solutions in Arts Leadership,” a fast-paced series of five-minute presentations on problem solving and leadership (February 13, 12:30–2:00 PM). NCAA enthusiastically welcomes new members, current members, and any/all interested parties to these events.

Public Art Dialogue

Public Art Dialogue (PAD) will host its third annual Public Art Portfolio Reviews on February 15, 2013, from 10:00 AM to 4:00 PM in New York. The reviews, free for PAD members, are an excellent opportunity for artists of any level, including students who are seeking to work in public art, to receive feedback on their portfolios by experts in the field. Each artist will have a twenty-minute meeting with an experienced public art consultant, administrator, artist, or curator. The deadline to register is January 11, 2013, at 8:00 PM EST. To join PAD and schedule a review, please write to padreviews@gmail.com.

Join PAD as it honors Penny Balkin Bach as the 2013 recipient of the PAD award for achievement in the field of public art. The award ceremony is open to all and will take place at the upcoming CAA Annual Conference, on February 15, 2013, at 5:30 PM at the Hilton New York, Sutton Parlor North, Second Floor.

Radical Art Caucus

The Radical Art Caucus (RAC) is pleased to announce the election of three new copresidents: Travis Nygard, Kaylee Spencer, and Linnea Wren. As RAC prepares for CAA in New York, it welcomes suggestions for programming and events in addition to two already planned sessions. Benj Gerdes and Nate Harrison are cochairing the 2½-hour session, “Video Art as Mass Medium,” and Travis Nygard is organizing the 1½-hour panel, “Environmental Sustainability in Art History, Theory, and Practice.” For the call for papers, please see RAC’s website or contact Joanna Gardner-Huggett, RAC secretary.

Society for Photographic Education

Registration is open for the Society for Photographic Education (SPE) fiftieth annual national conference, “Conferring Significance: Celebrating Photography’s Continuum,” which will take place March 7–10, 2013, in Chicago, Illinois. Join 1,500 artists, educators, and photographic professionals for programming and dialogue that will fuel your creativity—presentations, industry seminars, and critiques to stimulate and engage you. Explore an exhibit fair featuring over seventy participants showing the latest equipment, processes, publications, and schools with photo-related programs. Participate in one-on-one portfolio critiques and informal portfolio sharing and take advantage of student volunteer opportunities for reduced admission. Other conference highlights include a print raffle, silent auction, film screenings, exhibitions, tours, receptions, and a dance party. The keynote speakers will be Richard Misrach, Martin Parr, and Zwelethu Mthethwa. Preview the conference schedule and register online.

Society of North American Goldsmiths

The Society of North American Goldsmiths (SNAG) will hold its forty-second annual conference May 15–18, 2013, in Toronto, Ontario, at the downtown historic Fairmont Royal York Hotel. Titled “Meta-Mosaic,” the event will celebrate the multiple industries within jewelry and metalsmithing in the twenty-first century. Toronto is a mosaic of peoples and cultures as well as the center of Canada’s jewelry industry. This conference will examine a fluid identity within art, craft, and design and inspire attendees to embrace our collective mosaic. Join SNAG for presentations and panels featuring industry luminaries from across the globe, rapid-fire presentations by international designers and artists, over twenty exhibitions, the Third Annual Member Trunk Show Sale, social events, and so much more! Registration opened on January 16. Receive low early-bird rates by registering before March 13 and make your hotel reservations by February 15 for a special rate on top of our already reduced room block rates. Visit the SNAG website for all the details.

Visual Resources Association

Online registration for the thirty-first Visual Resources Association annual conference began on November 27, 2012. The event continues the tradition of offering exceptional professional-development experiences and opportunities that feature inspiring programs, speakers, and special events. The conference will be held April 3–6, 2013, in Providence, Rhode Island. Because of Providence’s reputation as the “Creative Capital,” the theme of this year’s conference will be “Capitalizing on Creativity.” Plenary speakers include the art historian, author, and critic James Elkins and the accomplished aerial photographer Alex MacLean. The conference includes relevant and thought-provoking sessions and case studies on subjects covering archaeological and public-art resources, teaching with new technologies, digital asset management, collaborative ventures, facilities design, visual literacy, documenting indigenous art, archival digitization, the digital humanities, and data visualization. The conference hotel is the historic Providence Biltmore, located in the heart of downtown. To learn more about the conference, please visit the VRA website, where you can find information on the host city, the conference program, registration, accommodations, and special events.

Filed under: Affiliated Societies

Solo Exhibitions by Artist Members

posted by December 22, 2012

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Abroad

Grimanesa Amorós. Yuan Space, Today Art Museum, Beijing, China, October 20–November 30, 2012. Voyage: Video Retrospective. Video.

Jenny Krasner. Shanghai Art Center, Shanghai, China, September 29–October 29, 2012. Jenny Krasner: The Shanghai Series. Photographic composites.

Mid-Atlantic

Steven Bleicher. Tony Hungerford Memorial Art Gallery, College of Southern Maryland, La Plata, Maryland, September 4–October 4, 2012. Steven Bleicher: Lonesome Road. Mixed media.

Midwest

Binod Shrestha. Minnesota Artists Exhibition Program, Minneapolis, Minnesota, October 19–December 30, 2012. Remnants and Rumination. Sculpture.

Buzz Spector. Grunwald Gallery of Art, Indiana University, Bloomington, Indiana, October 19–November 16, 2012. Buzz Spector: Off the Shelf. Installation and photography.

Northeast

China Blue. John Brown House Museum Courtyard, Providence, Rhode Island, September 20, 2012–April 2013. Firefly Grove. Interactive light and sound installation.

Patricia Cronin. Ford Project, New York, November 8–December 21, 2012. Dante: The Way of All Flesh. Painting, watercolor, and drawing.

Joelle Dietrick and Owen Mundy. Flashpoint Gallery, Washington, DC, January 5–February 2, 2013. Grid, Sequence Me. Projected animation.

Jeff Frederick. Brooklyn College Library Gallery, City University of New York, Brooklyn, New York, August 28–December 1, 2012. Color Fusion. Painting.

Lia Halloran. DCKT Contemporary, New York, November 17, 2012–January 6, 2013. Metamorphose. Drawing.

South

Lia Cook. Center for Craft, Creativity, and Design, University of North Carolina (Asheville), Hendersonville, North Carolina, July 26–November 9, 2012. Bridge 11: Lia Cook. Mixed media.

Blane De St. Croix. University Galleries, Columbus State University, Columbus, Georgia, November 6–21, 2012. Blane De St. Croix: (Un)Natural History II. Sculpture and installation.

West

Ken Gonzales-Day. Luis De Jesus, Los Angeles, California, October 27–December 15, 2012. Profiled | Hang Trees | Portraits. Photography.

 

People in the News

posted by December 17, 2012

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Academe

Jay Gould, a photographer and a member of the faculty at the Maine Media Workshops, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in photography for academic year 2012–13.

Anne D. Hedeman has been appointed Judith Harris Murphy Distinguished Professor of Art History in the Kress Foundation Department of Art History at the University of Kansas in Lawrence. Prior to accepting the position, she was professor of art history and medieval studies at the University of Illinois in Urbana-Champaign.

Sonja Kelley, who has taught in the Department of Art and Art History at Macalester College in St. Paul, Minnesota, has been appointed a full-time faculty member in art history, theory, and criticism for academic year 2012–13 at Maryland Institute College of Art in Baltimore.

Daniela Sandler, a scholar and professor from the University of California, Santa Cruz, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in art history, theory, and criticism for academic year 2012–13.

Dominic Terlizzi, an artist, has become a full-time faculty member in foundations for academic year 2012–13 at Maryland Institute College of Art in Baltimore.

Allison Yasukawa, a visiting lecturer at the University of St. Frances in Joliet, Illinois, and a teaching artist with the Museum of Contemporary Art and the Chicago Artists Partnership in Education, has joined Maryland Institute College of Art in Baltimore as a full-time faculty member in humanistic studies for academic year 2012–13.

Museums and Galleries

Susan Ball, formerly interim director of programs at the New York Foundation for the Arts, has been appointed deputy director of the Bruce Museum in Greenwich, Connecticut. Ball had served as CAA executive director from 1986 to 2005.

Ian Berry, curator and associate director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York, has been named director of his institution.

Sabine Breitwieser has left the Museum of Modern Art in New York, where she had been curator of media and performance art, for the Museum der Moderne Salzburg in Germany, where she will serve as director.

Nicholas Capasso, deputy director for curatorial affairs at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, has been named the new director of the Fitchburg Art Museum in Fitchburg, Massachusetts.

Mara Gladstone has been appointed assistant curator at the Palm Springs Art Museum in Palm Springs, California. She recently received her doctorate from the Graduate Program in Visual and Cultural Studies at the University of Rochester in Rochester, New York.

Katherine Hall, who recently earned a master’s degree in art history from the University of Georgia in Athens, has become curatorial fellow at the Houston Center for Contemporary Craft in Texas. Her position is for three years.

Thomas Kren has been promoted to associate director of collections for the J. Paul Getty Museum in Los Angeles, California. He had served as acting associate director for collections at the museum since January 2010 and also as senior curator of manuscripts there.

Elizabeth Morrison has been appointed senior curator of manuscripts at J. Paul Getty Museum in Los Angeles, California, succeeding Thomas Kren. She had been acting senior curator of manuscripts at the museum since January 2012.

Elizabeth A. Williams, assistant curator of decorative arts at the Los Angeles County Museum of Art in California, has been appointed curator of decorative arts and design at the Rhode Island School of Design Museum in Providence. She will take up her position in January 2013.

Organizations and Publications

Brooke Davis Anderson, deputy director of curatorial planning at the Los Angeles County Museum of Art in California, has been appointed executive director of Prospect New Orleans in Louisiana. She will work with the biennial’s artistic director and two curatorial advisors to organize Prospect.3.

Karin Higa, an independent scholar and curator and formerly senior curator at the Japanese American National Museum in Los Angeles, California, has been selected as a cocurator of Made in L.A. 2014, the city’s next biennial art exhibition.

Institutional News

posted by December 17, 2012

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

The Dallas Museum of Art in Texas has accepted a $94,681 grant from the Institute of Museum and Library Services and the John D. and Catherine T. MacArthur Foundation to create a Learning Lab, described as a space for young people to interact with mentors and peers using new media and traditional materials, with the goal of having museum visitors create content as well as consume it.

The Philbrook Museum of Art in Tulsa, Oklahoma, has won a Community Service Award from the Oklahoma Arts Council, an official state agency. The award recognizes significant contributions to the arts in specific Oklahoma communities in areas of leadership and volunteerism.

The Saint Louis Art Museum in Missouri has received a $125,000 multiyear commitment from the Private Client Reserve of US Bank for the Beaux Arts Council, a leadership giving group that provides unrestricted support for the museum.

The University of Michigan School of Art and Design in Ann Arbor has received a $32.5 million pledge from Penny Stampls, a 1966 design graduate, and her husband, E. Roe Stampls, which will be matched with $7.5 million from the university.

The Yale Center for British Art in New Haven, Connecticut, has received the 2012 Benjamin West Award from the American Associates of the Royal Academy Trust. This annual award is given to an individual or institution that has shown extraordinary commitment to Anglo-American friendship and generosity to the arts.

Yale University Press, based in New Haven, Connecticut, has accepted a planning grant from the Andrew W. Mellon Foundation for a new digital initiative in its scholarly publishing program in art and architectural history. The grant will allow the press to launch extensive market research and development of a new electronic model for illustrated books.

Grants, Awards, and Honors

posted by December 15, 2012

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Anna Sigrídur Arnar of Minnesota State University, Moorhead, has received the Robert Motherwell Book Award for the best publication in the history and criticism of modernism in the arts—including the visual arts, literature, music, and the performing arts. The $20,000 prize, administered by the Dedalus Foundation, based in New York, recognizes The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture (Chicago: University of Chicago Press, 2011). Nominations are made by publishers, and the winner is chosen by a panel of distinguished scholars and writers.

Oskar Bätschmann of the Schweizerisches Institut für Kunstwissenschaft in Zürich, Switzerland, has been named Samuel H. Kress Professor at the National Gallery of Art’s Center for Advanced Study in the Visual Arts in Washington, DC.

Nina Berson has used a National Endowment for the Humanities (NEH) grant to produce a summer institute, “Mesoamerica and the Southwest: A New History for an Ancient Land,” which took place June 17–July 23, 2012. This NEH institute, sponsored by the Community College Humanities Association and held in Mexico, Arizona, and New Mexico, examined the interconnections among Mesoamerican and ancient Southwestern archaeological, anthropological, and art-historical studies.

S. Hollis Clayson, Bergen Evans Professor in the Humanities and Professor of Art History at Northwestern University in Evanston, Illinois, has been named the 2013–14 Samuel H. Kress Professor at the National Gallery of Art’s Center for Advanced Study in the Visual Arts in Washington, DC. Clayson will be the senior member of the center and counsel postdoctoral fellows. She will also complete her book, Electric Paris: The Visual Cultures of the City of Light in the Era of Thomas Edison (to be published by the University of Chicago Press).

Jonathan Fineberg, professor of art history emeritus at the University of Illinois in Urbana-Champaign, has received a 2012 Craft Research Fund Project Research Grant, administered by the University of North Carolina’s Center for Craft, Creativity, and Design in Hendersonville. He will use the $5,000 award to conduct research for the first scholarly monograph on the work of Robert Arneson.

Julia P. Herzberg has received a 2012–13 Fulbright Scholar grant. From March to May 2013, she will teach a graduate course, “Latin American Artists in the US from 1995: Globalism and Localism,” at the Universidad Diego Portales in Santiago, Chile, and work on a curatorial project at el Museo de la Memoria y los Derechos Humanos, also in Santiago.

Alexander Brier Marr of the University of Rochester in Rochester, New York, has earned an Ailsa Mellon Bruce Predoctoral Fellowship for Historians of American Art to Travel Abroad. The fellowship is administered by the National Gallery of Art’s Center for Advanced Study in the Visual Arts in Washington, DC.

Constance Moffett has used a National Endowment for the Humanities (NEH) grant to produce a summer institute, “Leonardo da Vinci: Between Art and Science” which took place June 25–July 13, 2012. This NEH institute, sponsored by the University of Virginia and Kunsthistorisches Institut in Florenz, explored how Leonardo melded art and science by using geography and cartography to begin his study of military engineering, canalization, and architecture.

Rachel Silberstein, a doctoral student in oriental studies at the University of Oxford in England, has earned a student and new professionals scholarship from the Textile Society of America. The award provided free registration for the society’s symposium, which was held September 19–23, 2012, in Washington, DC.

Carol Solomon, visiting associate professor of art history at Haverford College in Haverford, Pennsylvania, has received a 2012–13 Fulbright Award in the Middle East and North Africa Regional Reserach Program. She will undertake research in Tunisia and Morocco on contemporary art of the Maghreb, focusing on issues of national memory, culture, and identity.

Jenni Sorkin, assistant professor of contemporary art history at the University of Houston in Texas, has received a 2012 Craft Research Fund Project Research Grant from the University of North Carolina’s Center for Craft, Creativity, and Design in Hendersonville. Her $12,500 award will go toward research on a book-length study that recovers the gendered history of weaving and its uncertain disciplinary status within the mid-twentieth-century university.

Catherine Whalen, assistant professor at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture in New York, has accepted a 2012 Craft Research Fund Project Research Grant, administered by the University of North Carolina’s Center for Craft, Creativity, and Design in Hendersonville. She will share the $8,000 award with a colleague, working toward a book on Paul Hollister, a critic and historian of the studio glass movement.

Teresa Wilkins, a doctoral student at Indiana University in Bloomington, has earned a 2012 Craft Research Fund Graduate Research Grant for $8,285 from the University of North Carolina’s Center for Craft, Creativity, and Design in Hendersonville. She will conduct dissertation research investigating the construction, use, and sociopolitical meaning of the modern feather arts of Hawai‘i.

Yanfei Zhu, a doctoral student in the Department of History of Art at Ohio State University in Columbus, has been named an Ittleson Fellow for 2011–13 by the National Gallery of Art’s Center for Advanced Study in the Visual Arts in Washington, DC. His project is titled “Transtemporal and Cross-Border Alignment: The Rediscovery of Yimin Ink Painting in Modern China, 1900–1949.”

Exhibitions Curated by CAA Members

posted by December 15, 2012

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Julia P. Herzberg. Iván Navarro: Fluorescent Light Sculptures. Patricia and Phillip Frost Art Museum, Florida International University, Miami, Florida, November 17, 2012–January 2, 2013.

Bryan R. Just. Dancing into Dreams: Maya Vase Painting of the Ik’ Kingdom. Princeton University Art Museum, Princeton, New Jersey, October 6, 2012–February 17, 2013.

Larissa Leclair and Leslie J. Ureña. Captured by a Portrait: 20 Photobooks from the Indie Photobook Library. GautePhoto, Guatemala City, Guatemala, November 7–25, 2012.

Jennifer McComas. Pioneers and Exiles: German Expressionism at the Indiana University Art Museum. Indiana University Art Museum, Bloomington, Indiana, October 6–December 23, 2012.

Matthew Palczynski. Generations: Louise Fishman, Gertrude Fisher-Fishman, Razel Kapustin. Woodmere Art Museum, Philadelphia, Pennsylvania, October 13, 2012–January 6, 2013.

Valérie Rousseau and Barbara Safarova. Collectors of Skies. Andrew Edlin Gallery, New York. September 13–November 3, 2012.

Leslie J. Ureña. The In-Between Space. Tina Keng Gallery, Beijing, China, June 9–July 15, 2012.

Books Published by CAA Members

posted by December 15, 2012

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Jill Bennett. Practical Aesthetics: Events, Affects, and Art after 9/11 (London: I. B. Tauris, 2012).

Michele Brody and the World Tea Company. Reflections in Tea: World Tea Stories (New York: Magcloud, 2012).

Rachel Epp Buller, ed. Reconciling Art and Mothering (Burlington, VT: Ashgate, 2012).

Julie Codell, ed. Power and Resistance: The Delhi Coronation Durbars (Ahmadabad, India: Mapin Publishing, 2012).

David Getsy, ed. Scott Burton: Collected Writings on Art and Performance, 1965–1975 (Chicago: Soberscove Press, 2012).

Bryan R. Just. Dancing into Dreams: Maya Vase Painting of the Ik’ Kingdom (Princeton, NJ: Princeton University Art Museum, 2012).

Patricia Karetzky. Femininity in Asian Women Artists’ Work from China, Korea, and USA:
If the Shoe Fits
(London: KT Press, 2012).

Beth Lilly. the oracle @ wifi: Beth Lilly (Heidelberg, Germany: Kehrer Verlag, 2012).

Mike Mandel and Chantal Zakari. Multi-National Force: Iraq in Agatha Christie’s “They Came to Baghdad” (Boston: Eighteen Publications, 2012).

Valérie Rousseau (ed.), Barbara Safarova, and Champfleury. Collectors of Skies (New York: Andrew Edlin Gallery, 2012).

Each month, CAA’s Committee on Women in the Arts selects the best in feminist art and scholarship. The following exhibitions and events should not be missed. Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.

December 2012–January 2013

Mickalene Thomas: How to Organize a Room around a Striking Piece of Art
Lehman Maupin Gallery
540 West 26th Street, New York, NY 10001; and 201 Chrystie Street, New York, NY 10002
November 14, 2012–January 5, 2013

The two-part Mickalene Thomas: How to Organize a Room around a Striking Piece of Art is a the artist’s third solo exhibition at Lehmann Maupin Gallery. The Lower East Side space will present new large-scale paintings depicting landscapes and interior scenes and a series of short films created during her recent travels in Europe. In Chelsea, Thomas’s first documentary film, Happy Birthday to a Beautiful Woman, will be shown alongside photographs of her mother and long-time muse, Sandra Bush. The film is an emotionally raw and loving portrait of Bush as she reflects on her life experiences, including her personal struggles and battle with chronic illness. Thomas will also re-create one of her tableau environments in the gallery, allowing viewers to fully immerse themselves in the artist’s world while watching the film.

Deborah Kass

Deborah Kass, Before and Happily Ever After, 1991, oil and acrylic on canvas, 72 x 60 in. (artwork © Deborah Kass)

Deborah Kass: Before and Happily Ever After
Andy Warhol Museum
117 Sandusky Street, Pittsburgh, PA 15212
October 27, 2012–January 6, 2012

Before and Happily Ever After is the first midcareer retrospective of Deborah Kass at the temple of the artist who unleashed her potent turn to pop culture in order to explore first her “absence” and then her “presence” in it as a lesbian Jewish woman, as she has recently said. Consisting of seventy-five works, the exhibition unites the abstraction of her early and most recent work, unravels the development of Kass’s audiovisual mining of art history and pop culture through breakthrough painting series (such as The Warhol Project, The Jewish Jackie, and her latest, feel good paintings for feel bad times), and offers an incredible opportunity to be marveled by the variety of politics—and pleasures—that underpin her affective yet multilayered dialogue with pop culture and the exploration of (her) identity through it. As Kass sheds her own light on Andy Warhol through her work, and as her work continues to defend the potent ways in which women artists have engaged pop culture, the show promises to pave the way for other dialogues between women (neo-Pop or Pop) artists with (American) Pop or Warhol at his museum.

Ann Hamilton: the event of a thread
Park Avenue Armory
643 Park Avenue, New York, NY 10065
December 5, 2012–January 6, 2013

Ann Hamilton’s enchanting installation, the event of a thread, conducts a powerful, affective weaving of sounds, words, textures, and motions that shrouds the visitors with the intimacy of touch—the hand of cloth as the artist puts it—while translating the bodily intimacy of the “lap” and the daydream-like state of mind of “being read” into architectural scale and public experience. A multisensorial site-specific piece that is titled after a line from a definition of weaving by Anni Albers, the event of a thread is reminiscent of the artist’s childhood memories of daydreaming while being read in her grandma’s lap. Comprised of a field of swings, the installation is divided by an enormous silk glacial curtain whose motion is determined by the move of the swings and bracketed by a textile metaphorically being woven by the sonic threads of reading, writing, and live and recorded song. At the front of the installation two actors, covered with textured capes, read to caged birds, improvising combinations of Aristotelian excerpts that further elaborate on the role of touch in our self-awareness, weaving a tapestry of whispers that reach the visitors through separate speakers packaged in paper bags throughout the installation space. At the other end, rotating authors respond to the world outside and behind, weaving words into letters addressed to Far, to Near, to Time, to Sadness, and so on. In effect, the event of a thread reinstills belief in the viability and power of “relational” art as art literalizing its political claim to restoring the social bond by creating proximities through a strikingly intimate and poetic manner.

Caroline Burton: Prey
Accola Griefen Gallery
547 West 27th Street, No. 634, New York, NY 10001
December 7, 2012–January 12, 2013

In her first solo exhibition at Accola Griefen Gallery, Caroline Burton is exhibiting sculpture, painting, and drawing inspired by objects left behind or discarded. Her sculptural pillows in neutral tones allude to rest but render that impossible by the Hydrocal, wire, and canvas forms. Two rabbit’s feet cast in bronze hang on one wall and refer to the exhibition title. The exhibition also includes oil paintings on canvas, which depict discarded papers and rags.

Doing What You Want: Marie-Louise Ekman Accompanied by Sister Corita Kent, Mladen Stilinovic, and Martha Wilson
Tensta Konsthall
Taxingegränd 10, Box 4001, 163 04 Spånga, Stockholm, Sweden
October 18, 2012–January 13, 2013

Maria Lind, director of Tensta Konsthall, has interestingly used the work of a variety of artists, including Corita Kent and Martha Wilson, to flesh out the rebellious politics and feminist strategies of the work of Marie Louise Ekman, a fascinating and at times controversial figure of the Swedish art scene since the 1960s. Though a prominent artist who has worked in various media, celebrated in her home country mostly for her films, Ekman has not yet received the attention she deserves for her multifarious work that bridges Pop art and feminism from an idiosyncratic and often absurdist “girlie” point of view, radically exploring feminine identity and attacking bourgeois conventions. The exhibition focuses on her work from the 1960s to the 1980s, bringing together her transgressive objects that range from environments of Disney dolls and doll-occupied canvases, sewn silk, and pink fur objects to paintings on silk that straddle a variety of themes with her characteristic childish cartoony style.

Brooke Moyse

Brooke Moyse, Mount, 2011, oil on canvas, 72 x 80 in. (artwork © Brooke Moyse; photograph by Jason Mandella)

To Be a Lady: Forty-Five Women in the Arts
1285 Avenue of the Americas Art Gallery
1285 Avenue of the Americas, New York, NY 10019
September 24, 2012–January 18, 2013

Curated by Jason Andrew and organized by Norte Maar, this cross-disciplinary, cross-generational exhibition includes work by forty-five artists born over the last century “who happen to be women.” Those included are: Alma Thomas, Charmion von Wiegand, Louise Nevelson, Alice Neel, Barbara Morgan, Irene Rice Pereira, Janice Biala, May Wilson, Lenore Tawney, Louise Bourgeois, Edith Schloss, Grace Hartigan, Ruth Asawa, Betye Saar, Pat Passlof, Jay DeFeo, Susan Weil, Lee Bontecou, Viola Frey, Judy Dolnick, Kathleen Fraser, Hermine Ford, Mimi Gross, Nancy Grossman, Elizabeth Murray, Judy Pfaff, Genesis Breyer P-Orridge, Mira Schor, Mary Judge, Nancy Bowen, Lindsay Walt, Michelle Jaffé, Elisabeth Condon, Tamara Gonzales, Jessica Stockholder, Brece Honeycutt, Ellie Murphy, Julia K. Gleich, Austin Thomas, Ellen Letcher, Rachel Beach, Vanessa German, Kirsten Jensen, Brooke Moyse, and Nathlie Provosty.

Rosemarie Trockel: A Cosmos
New Museum of Contemporary Art
235 Bowery, New York, NY 10002
October 24, 2012–January 20, 2013

Curated by Lynne Cooke, A Cosmos is a truly remarkable exhibition, both as a survey of Rosemarie Trockel’s work and as a combination of different curatorial and museum-display models that pertinently structure, interweave, and contextualize the artist’s signature themes and media, illuminating her multifarious work in a productive and enchanting way.

Kate Davis: Not Just the Perfect Moments
Drawing Room
Tannery Arts, 12 Rich Estate, Crimscott Street, London SE1 5TE, United Kingdom
December 4, 2012–February 2, 2013

Kate Davis, a New Zealand–born artist based in Glasgow, has produced a new body of commissioned work for her solo exhibition at Drawing Room. Questioning how to bear witness to the complexities of the past, her artwork is an attempt to reconsider, reclaim, and reinvent what certain histories could look, sound, and feel like. This has often involved responding to the aesthetic and political ambiguities of historical artworks and their reception. Working across a range of media, Davis has kept drawing at the critical core of her visual vocabulary, and this exhibition is the first time she addresses her relationship to the medium, its activity, and its history so directly. Focusing on ideologies perpetuated through certain approaches to the teaching of drawing, Not Just the Perfect Moments will attempt to stand alongside the late artist, Jo Spence, to reexamine and unpick some of the ways in which a representational practice, such as drawing, has constructed perceptions of the individual. Spence’s groundbreaking photographic works often asked who owns images—especially images of the body. In this exhibition, as with much of Davis’s practice, photography and drawing are brought into close relation and questioned as techniques for challenging, and caring for, a past and future.

The Female Gaze: Women Artists Making Their World
Pennsylvania Academy of the Fine Arts Museum
118–128 North Broad Street, Philadelphia, PA 19102
November 17, 2012–April 7, 2013

With great treasures and many surprises, The Female Gaze: Women Artists Making Their World consists of works from the museum’s recently acquired Linda Lee Adler Collection of Art by Women, which boasts close to five hundred works of art (including paintings, photographs, drawings, watercolors, pastels, collage, prints, fabric pieces, ceramics, bronze, wood, and sculpture in other media) by over 150 artists. The gift includes works by artists not previously represented in the museum, such as Louise Bourgeois, Joan Brown, Viola Frey, Ana Mendieta, Christina Ramberg, Kiki Smith, and Beatrice Wood, as well as complementary works by artists already in the collection, including Gertrude Abercrombie, Edna Andrade, Diane Burko, Sue Coe, Janet Fish, Sarah McEneaney, Alice Neel, Louise Nevelson, Gladys Nilsson, Elizabeth Osborne, Betye Saar, and Nancy Spero. A fully illustrated catalogue, with contributions from Glenn Adamson, Anna C. Chave, Robert Cozzolino, Joanna Gardner-Huggett, Melanie Herzog, Janine Mileaf, Mey-Yen Moriuchi, Jodi Throckmorton, and Michele Wallace, is something to covet.

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