Donate
Join Now      Sign In
 

CAA News Today

Solo Exhibitions by Artist Members

posted by — February 22, 2013

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page. This section is not an exhibition calendar: artists may submit information for shows that have taken place within the past six months for publication.

February 2013

Mid-Atlantic

Marcia Annenberg. Bernstein Gallery, Woodrow Wilson School of Public and International Affairs, Princeton University, Princeton, New Jersey, December 17, 2012–February 14, 2013. News/Not News. Mixed media.

Maria Creyts. College Art Gallery, University Hall, Fairleigh Dickinson University, Teaneck, New Jersey, January 8–February 8, 2013. Bespoken. Photography, photo-frieze, and fashion.

Tom McGlynn. Hamilton Square, Jersey City, New Jersey, December 7, 2012–March 25, 2013. Very Much Like (Pictures of Nothing). Painting.

Linda Stein. Bogigian Art Gallery, Wilson College, Chambersburg, Pennsylvania, March 31–April 30, 2013. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.

Midwest

Kate Gilmore. Museum of Contemporary Art, Cleveland, Ohio, March 16–June 9, 2013. Kate Gilmore: Body of Work. Video and sculpture.

Northeast

Sharon L. Butler. Pocket Utopia, New York, January 8–February 17, 2013. Precisionist Casual. Painting.

Cora Cohen. Guided by Invoices, New York, February 15–March 16, 2013. The Responsibility of Forms. Painting.

Leila Daw. Gallery West, Suffolk County Community College, Michael J. Grant Campus, State University of New York, Brentwood, New York, January 31–March 14, 2013. Leila Daw: Remember How You Got Here. Mixed media.

Sharon Lee Hart. Charles C. Thomas Gallery, Porteous Building, Maine College of Art, Portland, Maine, October 19–December 17, 2012. Sanctuary: Portraits of Rescued Farm Animals. Photography.

Susanne Slavick. Accola Griefen Gallery, New York, December 7, 2012–January 12, 2013. Wrought. Mixed media.

Tova Snyder. Casa Italiana Zerilli-Marimò, New York University, New York, February 27–March 29, 2013. Italian Roofscapes. Painting.

Esmé Thompson. Courthouse Gallery, Lake George, New York, January 19–February 22, 2013. Esmé Thompson. Painting, sculpture, and installation.

Josette Urso. Kathryn Markel Fine Arts, New York, February 7–March 9, 2013. Snow Day. Painting.

Leah Wolff. Scaramouche, New York, November 11 2012–January 13, 2013. Leah Wolff: It’s Been Hours. Ceramic sculpture and drawing.

South

Barbara Bernstein. Arlington Arts Center, Arlington, Virginia, December 1, 2012–March 30, 2013. Connections. Plans and maquettes for a public art commission for seven stations of the Virginia Transit System.

Heather Deyling. Roy C. Moore Gallery, Gainesville State College, Gainesville, Georgia, November 1–28, 2012. Imminent Overgrowth. Installation and painting.

Lauren Kalman. Redux Contemporary Art Center, Charleston, South Carolina, January 25–March 3, 2013. Spectacular. Sculpture and video.

West

Dawn Roe. Gray Box Media Space, White Box, University of Oregon, Portland, Oregon, February 7–March 23, 2013. Dawn Roe: Goldfields. Video installation.

Linda Stein. Robert Graves Gallery, Wenatchee Vallery College, Wenatchee, Washington, January 2–March 14, 2013. The Fluidity of Gender: Sculpture by Linda Stein. Sculpture.

People in the News

posted by — February 17, 2013

People in the News lists new hires, positions, and promotions in three sections: Academe, Museums and Galleries, and Organizations and Publications.

The section is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2013

Academe

Peter Chametzky, formerly professor of art history and director of the School of Art and Design at Southern Illinois University in Carbondale, has been appointed professor of art history and chair of the Department of Art at the University of South Carolina in Columbia.

Irene V. Small, formerly an assistant professor in art history at the University of Illinois in Urbana-Champaign, has joined the faculty of the Department of Art and Archaeology at Princeton University in Princeton, New Jersey.

Museums and Galleries

Austen Barron Bailly, previously head of the American Art Department at the Los Angeles County Museum of Art in California, has been named George Putnam Curator of American Art at the Peabody Essex Museum in Salem, Massachusetts.

Susan L. Beningson has joined the Brooklyn Museum in New York as assistant curator of Asian art. She will help with a major reinstallation of the museum’s permanent galleries of Asian and Islamic art, scheduled to open in 2015.

Katherine A. Bussard, associate curator of photography at the Art Institute of Chicago in Illinois, has been named Peter C. Bunnell Curator of Photography at the Princeton University Art Museum in Princeton, New Jersey. She will begin work at the museum on April 15, 2013.

Nicholas Capasso, deputy director of curatorial affairs at the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, has become the new director of the Fitchburg Art Museum in Fitchburg, Massachusetts.

Anne Collins Goodyear, associate curator of prints and drawings for the Smithsonian Institution’s National Portrait Gallery in Washington, DC, and president of the CAA Board of Directors, has been appointed codirector of the Bowdoin College Museum of Art in Brunswick, Maine. She will lead the institution with her husband, Frank H. Goodyear III.

Alisa LaGamma has joined the Metropolitan Museum of Art in New York as curator in charge of the Department of the Arts of Africa, Oceania, and the Americas. On April 1 she will succeed Julie Jones, who is retiring at the end of March 2013.

Lauren K. O’Neal, a faculty member of the Graduate Arts Administration Program at Boston University in Massachusetts, has been appointed director of the Lamont Gallery at Phillips Exeter Academy in Exeter, New Hampshire.

Lynn Orr, curator in charge of European art for the Fine Arts Museums of San Francisco in California, has left her position after twenty-nine years of service.

Valérie Rousseau, an independent curator and scholar, has been chosen to serve as curator of twentieth-century and contemporary art at the American Folk Art Museum in New York.

Institutional News

posted by — February 17, 2013

Read about the latest news from institutional members.

Institutional News is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2013

The Dallas Museum of Art in Texas has announced that it will offer free admission to all visitors and also initiate a rewards-for-participation system. A new online software system will enable visitors to track their museum-related activity and communicate their experiences with the museum.

The Indianapolis Museum of Art in Indiana has received a $190,000 grant from the National Endowment for the Humanities for a project called “Documenting Modern Living: Digitizing the Miller House and Garden Collection,” which includes correspondence, drawings, blueprints, textile samples, and photographs that chronicle the design, construction, and maintenance of the Miller House and Garden in Columbus, Indiana.

Parsons the New School for Design in New York has opened a new academic center in Paris, France, opening in summer 2013. Called Parsons Paris, the center will offer undergraduate, graduate, and study-abroad programs.

The Rhode Island School of Design Museum in Providence has received a $250,000 gift from the Champlin Foundations to help complete ongoing improvements to the Eliza G. Radeke Building. The Champlin funds match an anonymous challenge from a large national foundation.

The Spencer Museum of Art in Lawrence, Kansas, has received a gift from Marilyn Stokstad, distinguished professor emerita of art history at the University of Kansas, to endow the museum’s directorship, a position she once held.

The Yale University Art Gallery in New Haven, Connecticut, has opened the new Kubler-Thompson Gallery of Indo-Pacific Art, enabled by the generosity of Thomas Jaffe, a Yale alumnus, after a renovation and expansion project. The first installation features selections from Jaffe’s promised gift of ethnographic sculptures and Indonesian textiles.

Grants, Awards, and Honors

posted by — February 15, 2013

CAA recognizes its members for their professional achievements, be it a grant, fellowship, residency, book prize, honorary degree, or related award.

Grants, Awards, and Honors is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2013

Tenley Bick, a PhD candidate in art history at the University of California, Los Angeles, has been awarded an Institute of International Education Graduate Fellowship for International Study, funded by the Andrew W. Mellon Foundation, in support of her dissertation, “Capital and Rags: Michelangelo Pistoletto and Arte Povera in Turin, 1958–1972.”

China Blue has been listed in Who’s Who of American Art and received a nomination for Best Monographic Museum Show Nationally in 2012 by the International Association of Art Critics. She also has received the Rhode Island State Council for the Arts Fellowship for New Genres and the Project Grant.

Maria Elena Buszek of the University of Colorado in Denver has won the twenty-eighth annual LoPresti Award for best essay collection of 2011. The award, administered by the Art Libraries Society of North America’s Southeast Chapter, recognizes Buszek’s anthology Extra/Ordinary: Craft and Contemporary Art (Durham, NC: Duke University Press, 2011) among those titles representing “excellence in art publications issued in the southeastern United States.”

Michael Cline, an artist based in Astoria, New York, has received a 2012 Artists’ Fellowship in painting from the New York Foundation for the Arts.

Eva Díaz, assistant professor of contemporary art at Pratt Institute in Brooklyn, New York, has received a 2012 award in the book category from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. She will work on The Fuller Effect: Contemporary Art and the Critique of Total Design.

Jennifer Doyle, associate professor of English at the University of California, Riverside, has been recognized by the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts, with a 2012 award in the book category. She will continue developing The Athletic Turn, an exploration of interactions between sports and contemporary art.

Kate Gilmore, an artist based in New York, has earned a 2012 Artists’ Fellowship in interdisciplinary work from the New York Foundation for the Arts.

Abigail McEwen, assistant professor of art history in the Department of Art History and Archaeology at the University of Maryland in College Park, has received a 2013 Dedalus Foundation Senior Fellowship for her book project, “Revolutionary Horizons: Art and Polemics in 1950s Cuba.”

Ara H. Merjian, assistant professor of Italian studies and art history at New York University, has accepted a 2012 award in the book category from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. His project is titled Pier Paolo Pasolini and the Politics of Art History: Heretical Aesthetics.

Lauren Hackworth Petersen, associate professor of art history at the University of Delaware in Newark, has received a grant from the Loeb Classical Library Foundation to complete a book manuscript, “The Material Life of Roman Slaves,” coauthored with Sandra Joshel, professor of history at the University of Washington in Seattle.

Daniel R. Quiles, assistant professor of art history, theory, and criticism at the School of the Art Institute of Chicago in Illinois, has received a 2012 award in the article category from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. He will continue developing “Counterpublic Access: The Live! Show and TV Party, 1978–1984.”

Kristine Ronan, a PhD candidate in the history of art at the University of Michigan in Ann Arbor, has been appointed a 2012–13 CIC/Smithsonian Predoctoral Fellow at the National Museum of the American Indian, Smithsonian Institution. Ronan specializes in American and Native American art of the nineteenth and twentieth centuries.

Alan Ruiz, an artist based in New York, has been accepted into the 2013 Art Law Program, a semester-long seminar series with a theoretical and philosophical focus on the effects of law and jurisprudence on cultural production and reception.

Abigail Solomon-Godeau, professor emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, has received a 2012 award in the category of short-form writing from the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts. Her project is titled Photography in the Age of Catastrophe.

Hakan Topal, an artist and scholar who teaches at the School of Visual Arts and in the Department of Media Culture at the College of Staten Island, City University of New York, has been named a participant in the 2013 Art Law Program, a semester-long seminar series with a theoretical and philosophical focus on the effects of law and jurisprudence on cultural production and reception.

Corinne Ulmann, an artist based in Brooklyn, New York, has accepted a 2012 Artists’ Fellowship in painting from the New York Foundation for the Arts.

Harry J. Weil, a doctoral candidate in art history and criticism at Stony Brook University in Stony Brook, New York, has been recognized by the Arts Writers Grant Program, administered by Creative Capital and the Andy Warhol Foundation for the Visual Arts, with a 2012 award in the category of short-form writing.

Deborah Zlotsky, an artist who lives and works in Albany, New York, has received a 2012 Artists’ Fellowship in painting from the New York Foundation for the Arts.

Exhibitions Curated by CAA Members

posted by — February 15, 2013

Check out details on recent shows organized by CAA members who are also curators.

Exhibitions Curated by CAA Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2013

Reni Gower. Papercuts. Ritter Art Gallery, University Galleries, School of the Arts, Florida Atlantic University, Boca Raton, Florida, January 19–March 2, 2013.

Andreas Marks. Modern Twist: Contemporary Japanese Bamboo Art. Bellevue Arts Museum, Bellevue, Washington, November 13, 2012–February 3, 2013.

Barbara McPhail. No Land Escapes. Ink Shop, Ithaca, New York, February 1–March 29, 2013.

Stephen Petersen. Gertrude Käsebier: The Complexity of Light and Shade. Old College Gallery, University of Delaware, Newark, Delaware, February 6–June 28, 2013.

Books Published by CAA Members

posted by — February 15, 2013

Publishing a book is a major milestone for artists and scholars—browse a list of recent titles below.

Books Published by CAA Members appears every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

February 2013

Bridget Alsdorf. Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting (Princeton, NJ: Princeton University Press, 2012).

Billy X. Curmano. Futurism’s Bastard Son (Vienna: Mark Pezinger Verlag, 2012).

Jonathan Fineberg. A Troublesome Subject: The Art of Robert Arneson (Berkeley: University of California Press, 2013).

Andreas Marks. Genji’s World in Japanese Woodblock Prints (Leiden, the Netherlands: Hotei, 2012).

Andreas Marks with Margalit Monroe. Modern Twist: Contemporary Japanese Bamboo Art (Washington, DC: International Arts and Artists, 2012).

Natasha Seaman. The Religious Paintings of Hendrick ter Brugghen: Reinventing Christian Painting after the Reformation in Utrecht (Burlington, VT: Ashgate, 2012).

Ian Verstegen. A Realist Theory of Art History (New York: Routledge, 2013).

Directory for Diversity Practices

posted by — January 24, 2013

CAA’s Committee on Diversity Practices would like to introduce the Directory for Diversity Practices and to invite CAA members to submit syllabi and recommend additional material for it. The Directory for Diversity Practices has been developed to provide a range of updated documents, texts, and links related to ethnicity, race, gender, sexuality, disability, and aging for use in the classroom. It is accessible via the CAA website under the tab marked Resources.

The directory is divided into five user-friendly sections:

The Committee on Diversity Practices is dedicated to building a useful and evolving resource for teaching the visual arts and art history. CAA encourages you to visit the site and to let the committee know how it can add to the directory in order for it to be more useful. The committee regards this directory as a work in process and seeks comments and submissions (emails below) from the CAA community at large.

Submissions Guide

Suggestions for any of the five areas are welcome and will be added as appropriate. Material included in its entirety must be in the public domain, contributed by the authors or copyright owners who have given permission to publish it on the CAA website, and/or otherwise publicly available. Contributions should be relevant, applicable, and up to date. Older material will be selected on its continuing relevance.

The committee welcomes the submission of syllabi addressing issues and topics related to diversity and art. It hopes to significantly expand this section, which promises to be a valuable resource for anyone seeking current models for inclusive curricula. Kindly send your syllabus as a Word file. Please remove any references to the specific details of the class (dates, name of institution, office hours and location, etc.). Professors retain the copyright for their work.

Please visit the directory and send your comments and contributions to both Zoya Kocur, Middlesex University, and Yasmin Ramirez, Hunter College, City University of New York.

CAA is accepting applications for spring 2013 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art and related subjects that have been accepted by a publisher but require further subsidy to be published in the fullest form.

The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For the complete guidelines, application forms, and a fuller grant description, please visit the Meiss section of the CAA website or write to nyoffice@collegeart.org. Deadline: March 15, 2013.

Image: The University of Oklahoma Press received a Meiss grant in fall 2010 to help publish Megan E. O’Neil’s book, Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala (2012).

Affiliated Society News for January 2013

posted by — January 09, 2013

Association of Academic Museums and Galleries

Join the Association of Academic Museums and Galleries (AAMG) for its 2013 annual conference, to be held in Gilman Hall at Johns Hopkins University in Baltimore, Maryland, on May 18, 2013. This year’s conference theme examines exemplary foundation relationships and successful partnerships in other areas of museum and gallery activities. Successful relationships are based upon achieving mutually beneficial goals. Has your museum or gallery engaged in new, unusual, or model partnerships or collaborations with other nonprofit or for-profit organizations that have expanded your reach and influence? What was involved in making your project successful, and what did you and your partners learn from this outreach? This year’s conference will also include résumé workshops, poster presentations, and 20 x 20 presentations to increase participation options for student members. For more information, contact Barbara Rothermel or Sherry Maurer.

Association of Art Historians

The Association of Art Historians (AAH) thirty-ninth annual conference and book fair will take place April 11–13, 2013, at the University of Reading in Berkshire, England. AAH2013 will represent the interests of an expansive art-historical community by covering all branches of its discipline(s) and the range of its visual cultures. Academic sessions will reflect a broad chronological and geographical range. Presentations will address topics of methodological, historiographical, and interdisciplinary interest as well as ones that open debates about the future of the discipline(s). AAH2013 will include visits to local sites of cultural interest and rare access to the university’s collections and archive. Keynote speakers will include Adrian Forty, professor of architectural history, The Bartlett, University College London, “in conversation” with Maarten Delbeke, associate professor of architecture and urban planning, Ghent University, and lecturer in art history, Leiden University. This event has been sponsored by Laurence King Publishing; and Okwui Enwezor, curator and director of Haus der Kunst, Munich. This event has been sponsored by Wiley-Blackwell. Booking for delegates is now open. AAH hopes to see you there!

Historians of Islamic Art Association

The Historians of Islamic Art Association’s third biennial symposium, “Looking Widely, Looking Closely,” hosted by the Metropolitan Museum of Art in New York on October 18–20, 2012, was a great success, bringing together a group of nearly two hundred to share and discuss important topics and issues in the field. The association is grateful to the symposium organizers and host staff for their outstanding work.

HIAA has announce the election of five new members to the executive board: Yasser Tabbaa, Melanie Michailides, Margaret Graves, and Oya Pancaroglu will succeed Glaire Anderson, Olga Bush, Stephennie Mulder, and Bernard O’Kane in the roles of treasurer, news editor, H-Islamart editor, and international representative, respectively. Jennifer Pruitt will serve as webmaster, having acted as interim webmaster since mid-2012. HIAA will officially welcome these new officers and acknowledge the invaluable service of the outgoing board members at its annual business meeting, scheduled for February 15, 2013, 12:30–2:00 PM in conjunction with CAA’s Annual Conference.

International Sculpture Center

Each year the International Sculpture Center presents Outstanding Student Achievement in Contemporary Sculpture Awards to its member colleges and universities as a means of supporting, encouraging, and recognizing the work of young sculptors and their supporting schools’ faculty and art program. The winners participate in an exhibition at Grounds for Sculpture, as well as in a traveling exhibition hosted by arts organizations across the country. Winners’ work is also featured in Sculpture magazine. Each awardee receives a one-year ISC membership and is eligible to apply for a full sponsored residency to study in Switzerland. To nominate students for this competition, the nominee’s university must first be an ISC university-level member. University membership, which includes a number of benefits, costs $200 for schools in the United States, Canada, and Mexico, and $220 for international universities. Students who are interested should talk to their professors about getting involved. To find out more about the program, please visit the website or write to studentawards@sculpture.org. The time line for 2013 is as follows: (1) nominations open on January 1; (2) university membership forms due on March 18; online student nomination form due on March 25; and online student submission forms due on April 15.

The 2013 International Sculpture Symposium will take place in Auckland, New Zealand, from February 11 to 15, 2013. The opening party will be hosted by Auckland Art Gallery with a traditional Powhiri welcome. Programming will include keynote addresses by world-renowned sculptors and panel discussions with art professionals. Optional activities and tours will include trips to Connell’s Bay Sculpture Park on Waiheke Island; a private tour of Alan Gibbs’s The Farm; an afternoon at Sculpture on the Gulf; Brick Bay Sculpture Trail and Vineyard; and Zealandia, the Pah Homestead private home collections. This event is sponsored in part by Brick Bay Sculpture Trail, Alan Gibbs and the Farm, John and Jo Gow and Connell’s Bay Sculpture Park, Trevor and Jan Farmer, and the Auckland Art Gallery. For more information and updates and to registration, visit the website for updates and join the mailing list for this event. Contact events@sculpture.org or call 609-689-1051, ext. 302, with any questions about this or other ISC events.

Italian Art Society

The Italian Art Society (IAS) will hold a morning business meeting at the CAA Annual Conference on February 15, 2013, 7:30–9:00 AM in Gramercy B, Second Floor of the Hilton New York. We welcome those interested in Italian art and architecture from the prehistoric period to the present to attend. IAS is accepting contributions to its winter newsletter: exhibition reviews, short articles, and announcements related to Italian art and architecture should be sent to the newsletter editor by January 15, 2013. For additional information on IAS, please visit the website or “like” the organization on Facebook.

Mid America College Art Association

On October 3–6, 2012, the Mid America College Art Association (MACAA) hosted a very successful conference in Detroit, Michigan. The conference included fifty session panels, three roundtables, three workshops, and four hundred participants. Fritz Haeg, Lilly Wei, and Donald Lipski were the keynote speakers. The conference also included a MACAA membership exhibition and a Wayne State University alumni exhibition. Future MACAA conferences are now in the planning stage. Please check the organization’s website for updates.

National Art Education Association

Register now for “Drawing Community Connections,” the next National Art Education Association (NAEA) national convention, to be held March 7–10, 2013, in Fort Worth, Texas. NAEA invites you to join colleagues representing all teaching levels and backgrounds for this dynamic professional gathering exploring the arts and how they bolster human development. Choose from more than one thousand sessions, workshops, tours, and events focusing on theory, practice, assessment, museum education, interdisciplinary arts education, and more. Register for the convention, book your accommodations, and find program details online.

Spend four art-filled days in Washington, DC, exploring permanent collections, current exhibitions, and the museum itself as a work of art! Summer Vision DC, now in its fourth year, is a professional learning community for art and nonart educators, offered by NAEA in partnership with area art museums. The aim is to showcase best practices in critical response to art while enhancing creativity through visual journaling. Choose from two sessions: July 9–12, 2013, or July 23–26, 2013. Develop new leadership, pedagogical, and artistic skills for the classroom and beyond through this outstanding professional development opportunity. Registration is limited to twenty-five participants per session. Register and find details online.

National Council of Arts Administrators

The fortieth annual meeting of the National Council of Arts Administrators (NCAA), titled “Granting Permission,” convened November 7–9, 2012, in Columbus. Ohio. The organization owes a debt of gratitude to Sergio Soave of the Ohio State University, who served as conference chair, and to Columbus College of Art and Design for organizing a first-rate affair.

NCAA also wishes to thank outgoing board members John Kissick of the University of Guelph and Sally McRorie of Florida State University. Two new board members were elected: Steve Bliss of Savannah College of Art and Design and Cora Lynn Deibler from the University of Connecticut (secretary). The returning directors are: Andrea Eis, Oakland University, treasurer; Amy Hauft, University of Texas at Austin; Jim Hopfensperger, Western Michigan University, president; Kim Russo, California Institute of the Arts; Sergio Soave, Ohio State University; Lydia Thompson, Mississippi State University; and Mel Ziegler, Vanderbilt University.

Activities at CAA’s 2013 Annual Conference in New York include the annual NCAA reception, which will be a lively and spirited forum for networking on issues related to arts leadership and management (February 14, 5:00–8:00 PM), and an NCAA–CAA affiliate session, “Hot Problems/Cool Solutions in Arts Leadership,” a fast-paced series of five-minute presentations on problem solving and leadership (February 13, 12:30–2:00 PM). NCAA enthusiastically welcomes new members, current members, and any/all interested parties to these events.

Public Art Dialogue

Public Art Dialogue (PAD) will host its third annual Public Art Portfolio Reviews on February 15, 2013, from 10:00 AM to 4:00 PM in New York. The reviews, free for PAD members, are an excellent opportunity for artists of any level, including students who are seeking to work in public art, to receive feedback on their portfolios by experts in the field. Each artist will have a twenty-minute meeting with an experienced public art consultant, administrator, artist, or curator. The deadline to register is January 11, 2013, at 8:00 PM EST. To join PAD and schedule a review, please write to padreviews@gmail.com.

Join PAD as it honors Penny Balkin Bach as the 2013 recipient of the PAD award for achievement in the field of public art. The award ceremony is open to all and will take place at the upcoming CAA Annual Conference, on February 15, 2013, at 5:30 PM at the Hilton New York, Sutton Parlor North, Second Floor.

Radical Art Caucus

The Radical Art Caucus (RAC) is pleased to announce the election of three new copresidents: Travis Nygard, Kaylee Spencer, and Linnea Wren. As RAC prepares for CAA in New York, it welcomes suggestions for programming and events in addition to two already planned sessions. Benj Gerdes and Nate Harrison are cochairing the 2½-hour session, “Video Art as Mass Medium,” and Travis Nygard is organizing the 1½-hour panel, “Environmental Sustainability in Art History, Theory, and Practice.” For the call for papers, please see RAC’s website or contact Joanna Gardner-Huggett, RAC secretary.

Society for Photographic Education

Registration is open for the Society for Photographic Education (SPE) fiftieth annual national conference, “Conferring Significance: Celebrating Photography’s Continuum,” which will take place March 7–10, 2013, in Chicago, Illinois. Join 1,500 artists, educators, and photographic professionals for programming and dialogue that will fuel your creativity—presentations, industry seminars, and critiques to stimulate and engage you. Explore an exhibit fair featuring over seventy participants showing the latest equipment, processes, publications, and schools with photo-related programs. Participate in one-on-one portfolio critiques and informal portfolio sharing and take advantage of student volunteer opportunities for reduced admission. Other conference highlights include a print raffle, silent auction, film screenings, exhibitions, tours, receptions, and a dance party. The keynote speakers will be Richard Misrach, Martin Parr, and Zwelethu Mthethwa. Preview the conference schedule and register online.

Society of North American Goldsmiths

The Society of North American Goldsmiths (SNAG) will hold its forty-second annual conference May 15–18, 2013, in Toronto, Ontario, at the downtown historic Fairmont Royal York Hotel. Titled “Meta-Mosaic,” the event will celebrate the multiple industries within jewelry and metalsmithing in the twenty-first century. Toronto is a mosaic of peoples and cultures as well as the center of Canada’s jewelry industry. This conference will examine a fluid identity within art, craft, and design and inspire attendees to embrace our collective mosaic. Join SNAG for presentations and panels featuring industry luminaries from across the globe, rapid-fire presentations by international designers and artists, over twenty exhibitions, the Third Annual Member Trunk Show Sale, social events, and so much more! Registration opened on January 16. Receive low early-bird rates by registering before March 13 and make your hotel reservations by February 15 for a special rate on top of our already reduced room block rates. Visit the SNAG website for all the details.

Visual Resources Association

Online registration for the thirty-first Visual Resources Association annual conference began on November 27, 2012. The event continues the tradition of offering exceptional professional-development experiences and opportunities that feature inspiring programs, speakers, and special events. The conference will be held April 3–6, 2013, in Providence, Rhode Island. Because of Providence’s reputation as the “Creative Capital,” the theme of this year’s conference will be “Capitalizing on Creativity.” Plenary speakers include the art historian, author, and critic James Elkins and the accomplished aerial photographer Alex MacLean. The conference includes relevant and thought-provoking sessions and case studies on subjects covering archaeological and public-art resources, teaching with new technologies, digital asset management, collaborative ventures, facilities design, visual literacy, documenting indigenous art, archival digitization, the digital humanities, and data visualization. The conference hotel is the historic Providence Biltmore, located in the heart of downtown. To learn more about the conference, please visit the VRA website, where you can find information on the host city, the conference program, registration, accommodations, and special events.

Filed under: Affiliated Societies —

Solo Exhibitions by Artist Members

posted by — December 22, 2012

See when and where CAA members are exhibiting their art, and view images of their work.

Solo Exhibitions by Artist Members is published every two months: in February, April, June, August, October, and December. To learn more about submitting a listing, please follow the instructions on the main Member News page.

December 2012

Abroad

Grimanesa Amorós. Yuan Space, Today Art Museum, Beijing, China, October 20–November 30, 2012. Voyage: Video Retrospective. Video.

Jenny Krasner. Shanghai Art Center, Shanghai, China, September 29–October 29, 2012. Jenny Krasner: The Shanghai Series. Photographic composites.

Mid-Atlantic

Steven Bleicher. Tony Hungerford Memorial Art Gallery, College of Southern Maryland, La Plata, Maryland, September 4–October 4, 2012. Steven Bleicher: Lonesome Road. Mixed media.

Midwest

Binod Shrestha. Minnesota Artists Exhibition Program, Minneapolis, Minnesota, October 19–December 30, 2012. Remnants and Rumination. Sculpture.

Buzz Spector. Grunwald Gallery of Art, Indiana University, Bloomington, Indiana, October 19–November 16, 2012. Buzz Spector: Off the Shelf. Installation and photography.

Northeast

China Blue. John Brown House Museum Courtyard, Providence, Rhode Island, September 20, 2012–April 2013. Firefly Grove. Interactive light and sound installation.

Patricia Cronin. Ford Project, New York, November 8–December 21, 2012. Dante: The Way of All Flesh. Painting, watercolor, and drawing.

Joelle Dietrick and Owen Mundy. Flashpoint Gallery, Washington, DC, January 5–February 2, 2013. Grid, Sequence Me. Projected animation.

Jeff Frederick. Brooklyn College Library Gallery, City University of New York, Brooklyn, New York, August 28–December 1, 2012. Color Fusion. Painting.

Lia Halloran. DCKT Contemporary, New York, November 17, 2012–January 6, 2013. Metamorphose. Drawing.

South

Lia Cook. Center for Craft, Creativity, and Design, University of North Carolina (Asheville), Hendersonville, North Carolina, July 26–November 9, 2012. Bridge 11: Lia Cook. Mixed media.

Blane De St. Croix. University Galleries, Columbus State University, Columbus, Georgia, November 6–21, 2012. Blane De St. Croix: (Un)Natural History II. Sculpture and installation.

West

Ken Gonzales-Day. Luis De Jesus, Los Angeles, California, October 27–December 15, 2012. Profiled | Hang Trees | Portraits. Photography.