CAA News Today
Meet the 2021 Recipients of Terra Foundation for American Art Research Travel Grants
posted by CAA — July 19, 2021
We’re delighted to announce fourteen scholars have been awarded Terra Foundation for American Art Research Travel Grants in 2021.
These grants provide support to doctoral, postdoctoral, and senior scholars from both the US and outside the US for research topics dedicated to the art and visual culture of the United States prior to 1980.
International Research Travel Grants for US-based Scholars
Doctoral Scholars
Thomas Busciglio-Ritter, The University of Delaware, “‘The Union of Excellences’: An Atlantic History of Early American Landscape Views (1790–1860)”
Ann Tartsinis, Stanford University, “Modernism in Pieces: Transatlantic Visual Culture Between the Wars”
Postdoctoral & Senior Scholars
Caroline Riley, Boston University, “Thérèse Bonney’s Photography: The Politics of Art, the Body,and War from 1920–1970”
Nadia Sethi, University of Washington, “Alaska Native Cultural Belongings held in Museums in Estonia, Finland and Sweden”
Kay Wells, University of Wisconsin-Milwaukee, “Uncanny Revivals: Designing Early America during the Rise of Fascism”
International Research Travel Grants to the United States
Doctoral Scholars
Max Böhner, Humboldt-Universität zu Berlin, Germany, “Twilight Aesthetics: Queer Visual Culture in the United States Between 1945 and 1969”
Sarah Happersberger, Justus-Liebig-Universität Giessen, Germany, “Connection, Community, Kinship, Network: Women Artists Performing Togetherness in the Long 1970s”
Jacqueline Mabey, University College London, England, “This Must Be the Place: Mapping Artistic Kinship and Economic Change in Downtown New York, 1973–1987”
Ana Gabriela Rodriguez, The Courtauld Institute of Art, England, “Tracing Puerto Rican Graphic Arts: Bridging Workshops and Crossing Borders, 1940s –1970s”
Frances Varley, The Courtauld Institute of Art, England, “Identity, Provincialism and Modernism in the US and Britain from a Comparative Perspective, c. 1870–1914”
Wen Yao, The University of York, England, “A Travelling Surrealist: Mobility and Representation in Stella Snead’s Paintings, Photographs and Collages Made in the US (1940–1980)”
Postdoctoral & Senior Scholars
Dafne Cruz Porchini, Universidad Nacional Autónoma de México, “Jean Charlot: A French Artist in the United States and Mexico (1921–1944)”
Maria Stavrinaki, Université Paris I Panthéon–Sorbonne, France, “‘After History’: Variations on a Theme in the Art and Thought of the 1950s–1960s”
Emily Warner, Independent Scholar, “Abstraction Unframed: Abstract Murals at Midcentury”
Learn more about the Terra Foundation Research Travel Grants
Meet the Spring 2021 Millard Meiss Publication Fund Grant Recipients
posted by CAA — June 24, 2021
Mbanza Kongo (São Salvador), capital of the Kingdom of Kongo, mid-18th century
MEET THE GRANTEES
Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.
Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975.
Spring 2021 Grantees
Annette de Stecher, Wendat Women’s Art, McGill-Queen’s University Press
Sylvia Houghteling, The Art of Cloth in Mughal India, Princeton University Press
Pamela Karimi, Alternative Iran: Radical Spatial Strategies in Contemporary Art Practice, Stanford University Press
Meredith Martin and Gillian Weiss, The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV’s France, Getty Research Institute
Ying-Chen Peng, Artful Subversion: Empress Dowager Cixi’s Image Making in Art, Yale University Press
Yael Rice, Agents of Insight: Artists, Books, and Painting in Mughal South Asia, University of Washington Press
Sarah-Neel Smith, Metrics of Modernity: Art and Development in Postwar Turkey, University of California Press
Bert Winther-Tamaki, Tsuchi: An Environmental History of Contemporary Japanese Art, University of Minnesota Press
Meet the Meiss Fund Recipients for Spring 2020
posted by CAA — July 08, 2020
MEET THE GRANTEES
Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.
Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975.
The Millard Meiss Publication Fund grantees for Spring 2020 are:
- Sarah Betzer, Animating the Antique: Sculptural Encounter in the Age of Aesthetic Theory, Penn State University Press
- Peter Chametzky, Turks, Jews, and Other Germans in Contemporary Art, The MIT Press
- Pamela Corey, The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia, University of Washington Press
- Christina Crawford, Spatial Revolution: Architecture and Planning in the Early Soviet Union, Cornell University Press
- Frank Feltens, Ogata Kōrin: Art in Early Modern Japan, Yale University Press
- Andrew Finegold, Vital Voids: Cavities and Holes in Mesoamerican Material Culture, The University of Texas Press
- Marika Knowles, Realism and Role-Play: The Human Figure in French Art from Callot to the Brothers Le Nain, University of Delaware Press
- Ginger Nolan, Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design, University of Minnesota Press
- Joanna Pawlik, Remade in America: Surrealist Art, Activism, and Politics 1940–1978, University of California Press
Read a list of all recipients of the Millard Meiss Publication Fund from 1975 to the present. The list is alphabetized by author’s last name and includes book titles and publishers.
BACKGROUND
Books eligible for a Meiss grant must currently be under contract with a publisher and be on a subject in the arts or art history. The deadlines for the receipt of applications are March 15 and September 15 of each year. Please review the Application Guidelines and the Application Process, Schedule, and Checklist for complete instructions.
CONTACT
Questions? Please contact Cali Buckley, Grants and Special Programs Manager, at cbuckley@collegeart.org.
The Getty Foundation to Fund the CAA-Getty International Program for a Tenth Year
posted by CAA — June 25, 2020
CAA-Getty Scholars at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo
The Getty Foundation has awarded CAA a grant to fund the CAA-Getty International Program for a tenth consecutive year. Unlike previous years, the 2021 program will take place virtually, due to the COVID-19 pandemic and the challenges of bringing international scholars to New York to attend the 2021 Annual Conference. CAA is especially grateful to the Getty Foundation for sustaining its support during these uncertain times, when maintaining contact with our international colleagues is more important than ever. Turning this crisis into an opportunity, the twenty participants in next year’s program will spend the time between now and February exploring the advantages of online technology for enriching scholarly research and building global bonds. Meme Omogbai, CAA’s new executive director, stated “We appreciate not only the Getty Foundation’s ongoing support, but also its faith in the CAA-Getty program to pursue scholarly excellence and innovation in an acutely challenging time. We believe the participants in this program will help lead the way for CAA’s future growth in international programs and membership.”
Over the coming months, the participants—all alumni of the program—will work in small online groups to workshop their conference papers, originally planned to be presented in person at the 2021 Annual Conference. What can be gained by geographically-distanced scholars collaborating regularly over the next six months, discussing and critiquing each other’s work? How will ideas evolve and change from early conversations to completed presentations?
The 2021 CAA-Getty program participants will also explore opportunities provided by online exchanges to produce resource materials for other scholars. Using recordings of the online discussions and the conference presentations, the group will initiate a virtual archive containing video and text documentation of the year’s work, including podcasts, bibliographies, and references related to the themes of the conference sessions. Although this virtual program breaks with the patterns established by the first nine years of the program, its forward-looking experiment in online scholarship is a fitting way to celebrate the tenth anniversary of a program that promises new models for robust scholarship in the post-COVID world.
“We applaud CAA for a taking a bold step to reimagine the international program online,” says Joan Weinstein, director of the Getty Foundation. “This thoughtful approach to digital engagement will teach us all a great deal about how to maintain international perspectives and connections in this new post-pandemic reality.”
The CAA-Getty International Program was established in 2011-12 to increase international participation in CAA and the CAA Annual Conference. The program fosters collaborations between North American art historians and curators and their international colleagues and introduces visual arts professionals to the unique environments and contexts of practices in different countries. Since the CAA-Getty International Program began, it has brought 135 first-time attendees from 49 countries to CAA’s Annual Conference. Historically, the majority of international registrants at the conference have come from Canada, the United Kingdom, and Western European countries. The CAA-Getty International Program has greatly diversified attendance, adding scholars from Central and Eastern Europe, Russia, Africa, Asia, Southeast Asia, the Caribbean, and South America. The majority of the participants teach art history, visual studies, art theory, or architectural history at the university level; others are museum curators and researchers.
About the Getty Foundation
The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world. Through strategic grant initiatives, it strengthens art history as a global discipline, promotes the interdisciplinary practice of conservation, increases access to museum and archival collections, and develops current and future leaders in the visual arts. It carries out its work in collaboration with the other Getty Programs to ensure that they individually and collectively achieve maximum effect.
2021 CAA-Getty International Program Participants
Danielle Becker, Stellenbosch University, South Africa
Federico Freschi, Otago Polytechnic, New Zealand
Georgina Gluzman, University of Buenos Aires, Argentina
Richard Gregor, Trnava University, Slovenia
Alison Kearney, University of the Witwatersrand, South Africa
Sandra Krizic Roban, Institute of Art History, Croatia
Peju Layiwola, University of Lagos, Nigeria
Daniela Lucena, University of Buenos Aires, Argentina
Priya Maholay-Jaradi, National University of Singapore
Ana Mannarino, Federal University of Rio De Janeiro, Brazil
Parul Mukherji, Jawaharlal Nehru University, India
Cristian Nae, George Enescu National University of Arts, Romania
Marton Orosz, Museum of Fine Arts, Hungary
Ceren Ozpinar, University of Brighton, United Kingdom
Dasha Panaiotti, Hermitage Museum, Russia
Valeria Paz Moscoso, Universidad Católica Boliviana San Pablo, Bolivia
Judy Peter, University of Johannesburg, South Africa
Horacio Ramos Cerna, City University of New York
Nora Veszpremi, University of Birmingham, United Kingdom
Giuliana Vidarte, Pontifical Catholic University, Peru
Serve on a CAA Jury and Provide Support to the Field
posted by CAA — June 24, 2020
Former CAA Interim Director David Raizman and Denise Murrell, who received the Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for her catalog Posing Modernity: The Black Model From Manet and Matisse to Today, at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo
CAA invites nominations and self-nominations for individuals to serve on our Awards for Distinction, Publication Grant, Fellowship, and Travel Grant juries. Terms begin August 2020.
Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2020. CAA’s president and vice president for committees appoint jury members for service.
Awards for Distinction Juries
CAA has vacancies in ten of the fourteen juries for the annual Awards for Distinction for three years (2020–23). Terms begin in August 2020; award years are 2021–23.
- Alfred H. Barr Jr. Award for museum scholarship in the history of art/Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for museum scholarship in the history of art published by smaller institutions: two vacancies
- Frank Jewett Mather Award for art criticism: two vacancies
- Charles Rufus Morey Book Award for non-catalogue books in the history of art: one vacancy
- Arthur Kingsley Porter Prize for articles written by younger scholars in The Art Bulletin: one vacancy
- Artist Award for Distinguished Body of Work: two vacancies
- Distinguished Artist Award for Lifetime Achievement: one vacancy
- Distinguished Feminist Awards for Scholars and Artists: one vacancy
- Distinguished Teaching of Art History Award: one vacancy
- Excellence in Diversity Award: four vacancies
Publication Grant Juries
CAA has vacancies on our Millard Meiss Publication Fund grant jury for four years (2020–24) and the Terra Foundation for American Art Publication Grant jury for one year (2020-21).
- Millard Meiss Publication Fund: three vacancies
- Terra Foundation for American Art Publication Grant: one vacancy
Professional Development Fellowship Juries
CAA has vacancies on our Professional Development Fellowship juries for three years (2020–23). Terms begin August 2020.
- Professional Development Fellowship in Visual Arts: three vacancies
- Professional Development Fellowship in Art History: two vacancies
Travel Grant Juries
CAA has vacancies on our Art History Fund for Travel to Special Exhibitions jury for three years (2020–23). Terms begin August 2020.
- Art History Fund for Travel to Special Exhibitions: two vacancies
HOW TO APPLY
Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley (cbuckley@collegeart.org), CAA grants and special programs manager; submissions must be sent as Microsoft Word or Adobe PDF attachments.
For questions about jury service and responsibilities, contact Tiffany Dugan (tdugan@collegeart.org), CAA director of programs and publications.
Deadline: July 31, 2020
Announcing the 2020 Recipients of the Art History Fund for Travel to Special Exhibitions
posted by CAA — May 12, 2020
Rijksmuseum, Amsterdam
In fall 2018, we announced CAA had received an anonymous gift of $1 million to fund travel for art history faculty and their students to special exhibitions related to their classwork. The generous gift established the Art History Fund for Travel to Special Exhibitions.
The jury for the Art History Fund for Travel to Special Exhibitions has now selected the second group of recipients as part of the gift. This year’s awardees are:
Holly Flora, Tulane University, New Orleans, LA
Course: Art, Cosmopolitanism, and Intellectual Culture in the Middle Ages
Exhibition: Medieval Bologna: Art for a University City at the Frist Center for the Visual Arts, Nashville, TN
Caroline Fowler, Clark Art Institute, Williamstown, MA
Course: Slavery and the Dutch Golden Age
Exhibition: Slavery at the Rijksmuseum, Amsterdam
Maile Hutterer, University of Oregon, Eugene, OR
Course: Time in Medieval Art and Architecture
Exhibition: Transcending Time: The Medieval Book of Hours at The Getty Center, Los Angeles, CA
Erin McCutcheon, Lycoming College, Williamsport, PA
Course: Art & Politics in Latin America
Exhibition: Rafael Lozano-Hemmer: Unstable Presence at SFMOMA, San Francisco, CA
Shalon Parker, Gonzaga University, Spokane, WA
Course: Women Artists
Exhibition: New Time: Art and Feminisms in the 21st Century at the Berkeley Art Museum and Pacific Film Archive, Berkeley, CA
Rebecca Pelchar, SUNY Adirondack, Queensbury, NY
Course: Introduction to Museum Studies
Exhibition: Marcel Duchamp: The Barbara and Aaron Levine Collection at the Hirshhorn Museum, Washington, DC
As museums and schools have moved online in light of the coronavirus pandemic, we are being as flexible as necessary with the dates of travel to accommodate all award winners and classes.
The Art History Fund for Travel to Special Exhibitions supports travel, lodging, and research efforts by art history students and faculty in conjunction with special museum exhibitions in the United States and throughout the world. Awards are made exclusively to support travel to exhibitions that directly correspond to the class content, and exhibitions on all artists, periods, and areas of art history are eligible.
Applications for the third round of grants will be accepted by CAA beginning in fall 2020. Deadlines and details can be found on the Travel Grants page.
Announcing the 2020 Terra Publication Grant Winners
posted by CAA — March 31, 2020
2020 TERRA FOUNDATION FOR AMERICAN ART INTERNATIONAL PUBLICATION GRANT WINNERS
CAA is pleased to announce the 2020 recipients of the Terra Foundation for American Art International Publication Grant.
This program, which provides financial support for the publication of book-length scholarly manuscripts in the history of American art, is made possible by a generous grant from the Terra Foundation for American Art. For this grant, “American art” is defined as art (circa 1500–1980) of what is now the geographic United States.
The four Terra Foundation grantees for 2020 are:
- Monica Bravo, Greater American Modernism: U.S. Photographers and the Mexican Cultural Renaissance, Yale University Press
- José E. Muñoz, Cruising Utopia: The Then and There of Queer Futurity, Brook, translation from English to French
- Craig Owens, Craig Owens: The Indignity of Speaking for Others. Selected Essays, Même pas l’hiver, translation from English to French
- Mona Schieren, Transcultural Translation in the Oeuvre of Agnes Martin: The Construction of Asianistic Aesthetics in American Art after 1945, Columbia University Press and Transcript Verlag, translation from German to English
The International Author Conference Subventions confer two non-US authors of top-ranked books travel funds and complimentary registration to attend CAA’s 2021 Annual Conference in New York, February 10-13; they also received one-year CAA memberships.
The two author awardees for 2020 are:
- Gaëtan Thomas
- Alice Wambergue
CAA-Getty International Program at CAA 2020
posted by CAA — March 17, 2020
2020 CAA-Getty International Program Participants, photo by Stacey Rupolo.
Front row, left-right: Julia Waite (New Zealand), Saurabh Tewari (India), Daria Jaremtchuk (Brazil), Ali Mahfouz (Egypt), Akande Abiodun (Nigeria), Aleksandra Paradowska (Poland), Iro Katsaridou (Greece), Priya Maholay-Jaradi (Singapore), Giuliana Vidarte (Peru); Back row, left-right: Valeria PazMoscoso (Bolivia), Nora Veszpremi (Hungary/UK), Eiman Elgibreen (Saudi Arabia), Pedith Chan (Hong Kong), Mariana Levytska (Ukraine), Daniela Lucena (Argentina), Katarzyna Cytlak (Poland), Daria Panaiotti (Russia), Jean-Arsène Yao (Côte d’Ivoire), Irene Bronner (South Africa); Not pictured: Ganiyu Jimoh (Nigeria)
One for the Scrapbook! The 2020 CAA-Getty International Program participants—twenty scholars from nineteen countries—arrived in Chicago on the Sunday before the conference to get ready for a busy week of meetings, sessions, and one-on-one conversations. With this year’s participants, the program now includes 135 scholars from 48 countries, adding for the first time representatives from Bolivia, Singapore, and Côte d’Ivoire.
The preconference colloquium on February 11 was held at the School of the Art Institute of Chicago and featured papers on indigenous artists and contemporary art, the politics of cultural heritage, new subjects for art history, artistic exiles, and critical pedagogies.
Eleven US-based CAA members served as hosts for the international visitors, introducing them to scholars in their fields, taking them to Chicago-area museums, and attending their preconference colloquium.
Toward the end of the week, five alumni added their voices to the annual Global Conversation session, this year addressing Art History and the Politics of Vision.
As Julia Waite, from New Zealand, summarized the week: “Attending the CAA conference was hugely stimulating, and I left feeling excited about the future of art history. It reminded me of the strengths of deep art historical research in providing a more complex and nuanced understanding of art and society.”
Meet the 2020 Travel Grant Recipients
posted by CAA — January 29, 2020
CAA offers Annual Conference Travel Grants to graduate students in art history and studio art and to international artists and scholars. Meet this year’s recipients below.
CAA GRADUATE STUDENT CONFERENCE TRAVEL GRANTS
CAA awards Graduate Student Conference Travel Grants to advanced PhD and MFA graduate students as partial reimbursement of travel expenses to the Annual Conference.
Maureen Burdock, University of California, Davis
Josephine Lee, Parsons School of Design
Brantly Hancock Moore, University of North Carolina at Chapel Hill
Nicole Winning, University of Massachusetts at Dartmouth
CAA INTERNATIONAL MEMBER CONFERENCE TRAVEL GRANTS
CAA awards the International Member Conference Travel Grant to artists and scholars from outside the United States as partial reimbursement of travel expenses to the Annual Conference.
Alex Burchmore, Australian National University
Panos Kompatsiaris, National Research University Higher School of Economics,Moscow
Stephen Adéyemí Folárànmí, Rhodes University, South Africa
CAA TRAVEL GRANT IN MEMORY OF ARCHIBALD CASON EDWARDS, SENIOR, AND SARAH STANLEY GORDON EDWARDS
Established by Mary D. Edwards with the help of others, the CAA Travel Grant in Memory of Archibald Cason Edwards, Senior, and Sarah Stanley Gordon Edwards supports women who are emerging scholars at either an advanced stage of pursuing a doctoral degree or who have received their PhD within the two years prior to the submission of the application.
Kristen Nassif, University of Delaware
Paper: Seeing Through Blindness: Disability, Tactile Relief Maps, and Geography
Session: Disability in the Arts: The Active Participation of People with Disabilities in the Arts
Shirlynn Sham, Yale University
Paper: The Eighth Wonder of the World: Design and Danger in Marc and Isambard Brunel’s Thames Tunnel Project
Session: Topographical Drawing
SAMUEL H. KRESS FOUNDATION CAA CONFERENCE TRAVEL FELLOWSHIP FOR INTERNATIONAL SCHOLARS
Recognizing the value of first-hand exchanges of ideas and experience among art historians, the Kress Foundation is offering support for international scholars participating as speakers at the 2020 CAA Annual Conference. The scholarly focus of the papers must be European art before 1830.
Sophie Ong, Rutgers University
Paper: ‘I pray…that I may have sommethyng for my nekke’: Understanding Jewelry and Its Popularity in the Late Middle Ages and Today
Session: Kitsch and Craft in the Middle Ages: Making Medieval Art Popular
Bruno Ligore, Nice University, France
Paper: Embodying the Antique in the Early 19th Century: Ballet Masters’ Drawing Practices
Session: Dancing in the archives: choreographers’ drawings as resources for art historians (19th-20th centuries)
Halyna Kohut, Ivan Franko National University of Liviv, Ukraine
Paper: Is it the Rug or the ‘Other’?
Session: Different Shades of Othering: Orientalism/Occidentalism in the World of Art
Elisa Antonietta Daniele, University of Verona, Italy
Paper: Performing Bodies, Dancing Trifles: Drawing New Worlds in Il Tabacco, Commemorative Album for the Courtly Ballet Staged in Turin (1650)
Session: Early Modern Animation: Mascarades, Ballet, Automata
Estefanía López-Salas, Universidade da Coruña, Spain
Paper: Towards a Web-Based Representation of Spatial Change Over Time at San Julián de Samos
Session: Advanced Topics in Digital Art History: 3D (Geo)Spatial Networks
Elena Granuzzo, Independent Scholar, Italy
Paper: The Cicognara Library and Michelangelo Buonarroti: A Historiographical Reading through the Sources
Session: Historic Libraries and the Historiography of Art (II)
CAA-GETTY INTERNATIONAL PROGRAM
Every year since 2012, the CAA-Getty International Program has brought between fifteen and twenty art historians, museum curators, and artists who teach art history to attend CAA’s Annual Conference. This program is funded on an annual basis by the Getty Foundation. Click here to meet the CAA-Getty International Program participants.
Meet the Meiss Fund Recipients for Fall 2019
posted by CAA — November 21, 2019
Carvings at the Kailāsanātha Temple in Kāñcīpuram. Photo by mckaysavage, CC BY 2.0
MEET THE GRANTEES
Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.
Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975.
The Millard Meiss Publication Fund grantees for Fall 2019 are:
- Anneka Lenssen, Beautiful Agitation: Modern Painting in Syria and the Arab East, University of California Press
- Padma Kaimal, A Balance of Opposites: Reading Material Form at the Kailāsanātha Temple in Kāñcīpuram, University of Washington Press
- Babette Bohn, Women Artists, Their Patrons, and Their Publics in Early Modern Bologna, Penn State University Press
- Elina Gertsman, Nothing is the Matter: Spaces of Absence in Late Medieval Art, Penn State University Press
- Lucy Donkin, Standing on Holy Ground in the Middle Ages, Cornell University Press
- Adrian Anagnost, Spatial Orders, Social Forms: Art and City Space in Modern Brazil, 1928-69, Yale University Press
Read a list of all recipients of the Millard Meiss Publication Fund from 1975 to the present. The list is alphabetized by author’s last name and includes book titles and publishers.
BACKGROUND
Books eligible for a Meiss grant must currently be under contract with a publisher and be on a subject in the arts or art history. The deadlines for the receipt of applications are March 15 and September 15 of each year. Please review the Application Guidelines and the Application Process, Schedule, and Checklist for complete instructions.
CONTACT
Questions? Please contact Cali Buckley, Grants and Special Programs Manager, at cbuckley@collegeart.org.