CAA News Today
CAA Seeks Jury Members for the Awards for Distinction
posted by Lauren Stark — March 18, 2011
CAA invites nominations and self-nominations for individuals to serve on ten of the twelve juries for the annual Awards for Distinction for three years (2011–14). Terms begin in May 2011; award years are 2012–14. CAA’s twelve awards honor artists, art historians, authors, curators, critics, and teachers whose accomplishments transcend their individual disciplines and contribute to the profession as a whole and to the world at large.
Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not be serving on another CAA committee or editorial board. CAA’s president and vice president for committees appoint jury members for service.
The following jury vacancies will be filled this spring:
- Charles Rufus Morey Book Award: 1 member
- Alfred H. Barr Jr. Award: 1 member
- Arthur Kingsley Porter Prize: 1 member
- Frank Jewett Mather Award: 2 members
- Distinguished Teaching of Art Award: 1 member
- Distinguished Teaching of Art History Award: 1 member
- Distinguished Feminist Award: 2 members
- Artist Award for a Distinguished Body of Work: 2 members
- Distinguished Artist Award for Lifetime Achievement: 2 members
- Distinguished Lifetime Achievement Award for Writing on Art: 1 member
No jury members are needed this year for the Art Journal Award and the CAA/Heritage Preservation Award.
Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and an abbreviated CV (no more than two pages). Please send all materials by email to Lauren Stark, CAA manager of programs; submissions must be sent as Microsoft Word attachments. Deadline: April 15, 2011.
New Members Join CAA’s Professional Interests, Practices, and Standards Committees
posted by Christopher Howard — March 07, 2011
CAA’s nine Professional Interests, Practices, and Standards Committees have welcomed their newly appointed members, who will serve three-year terms, 2011–14. In addition, seven new chairs have taken over committee leadership. New committee members and chairs began their terms last month at the 2011 Annual Conference in New York.
A call for nominations to serve on these committees appears annually from July to September in CAA News and on the CAA website. CAA’s president, vice president for committees, and executive director review nominations in December and make appointments that take effect the following February.
New Committee Members
Committee on Diversity Practices: Julie Levin Caro, Colby College; Yasmin Ramirez, Hunter College, City University of New York; Jordana Moore Saggese, California College of the Arts; and Jacqueline Taylor, University of Virginia. Kevin Concannon of the University of Akron takes over as chair from Renée Ater of the University of Maryland, College Park.
Committee on Intellectual Property: Benjamin Binstock, Cooper Union for the Advancement of Science and Art; and Charlotte Frost, Writtle School of Design. Doralynn Pines, formerly of the Metropolitan Museum of Art (retired), and Christine Sundt of Visual Resources: An International Journal of Documentation will share chair duties, succeeding Kenneth Cavalier, a lawyer based in British Columbia.
Committee on Women in the Arts: Wanda Ewing, University of Nebraska; Donna Moran, Pratt Institute; and Claudia Sbrissa, St. John’s University. Taking over the position of chair from Diane Burko, professor emerita at Philadelphia Community College, is Maria Elena Buszek of the University of Colorado, Denver.
Education Committee: Wayne (Mick) Charney, Kansas State University; Linda Cirocco, Savannah College of Art and Design; Joan Giroux, Columbia College Chicago; James Haywood Rolling, Syracuse University; and Julia Sienkewicz, Auburn University, Montgomery. Rosanne Gibel of the Art Institute of Fort Lauderdale succeeds Richard Tichich of Western Carolina University as chair.
International Committee: Kathryn Brown, Tilburg University; Diane Derr, Virginia Commonwealth University; Gwen Farrelly, Museum of Modern Art; and Geraldine A. Johnson, University of Oxford. Jennifer Milam of the University of Sydney remains the committee chair.
Museum Committee: Helen Burnham, Museum of Fine Arts, Boston; Christa Clarke, Newark Museum; Briley Rasmussen, Los Angeles County Museum of Art; and N. Elizabeth Schlatter, University of Richmond Museum. Karol Ann Lawson of Sweet Briar College assumes chair duties from Jay Clarke of the Sterling and Francine Clark Art Institute.
Professional Practices Committee: Dana B. Clancy, Boston University; Anne McClanan, Portland State University; and Robert Tynes, University of North Carolina, Asheville. Charles Wright of Western Illinois University will continue to serve as chair.
Services to Artists Committee: Sharon L. Butler, Eastern Connecticut State University; Conrad Gleber, La Salle University; Micol Hebron, Chapman University; Julia Morrisroe, University of Florida; and Timothy Nolan, independent artist, Los Angeles. Jackie Apple of Art Center College of Design follows Brian Bishop of Framingham State University as chair.
Student and Emerging Professionals Committee: Hazel Antaramian-Hofman, California State University, Fresno; Steven Bleicher, Coastal Carolina University; Deborah Karpman, University of Montevallo; David Lindsay, Texas Tech University; and Laurel O. Peterson, Yale University. Jennifer Stoneking-Stewart of Lander University succeeds Hilary Batzel of Women’s Studio Workshop as chair.
March Picks from CAA’s Committee on Women in the Arts
posted by Christopher Howard — March 04, 2011
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship in North America and around the world.
One CWA Pick for March 2011 is a conversation between the artists Yoko Ono and Kara Walker at the Museum of Modern Art in New York, taking place on Tuesday evening, March 8. Another selection is an exhibition at the University of California, Riverside, called Margarita Cabrera: Pulso y Martillo (Pulse and Hammer). On Saturday, March 5, the artist will present Florezca Board of Directors: Performance with Riverside students and faculty. The March picks also include two exhibitions in New York: Maira Kalman: Various Illuminations (of a Crazy World) at the Jewish Museum and Color Moves: Art and Fashion by Sonia Delaunay at the Cooper-Hewitt National Design Museum.
Check the archive of CWA Picks at the bottom of the page, as several museum and gallery shows listed in previous months may still be on view or touring.
Image: Margarita Cabrera, Black Toaster, 2003, vinyl, thread, and appliance parts, 10 x 7 x 10 in. (artwork © Margarita Cabrera; photograph provided by the artist, Walter Maciel Gallery, and the Sweeney Art Gallery)
Thanks to Conference Sponsors and the Annual Conference Committee
posted by CAA — February 15, 2011
Support for the 99th Annual Conference and Centennial Kickoff, which took place February 9–12, 2011, in New York, was provided by: American Airlines; the American Folk Art Museum; the Art Institute of Atlanta; ARTstor; Blick Art Materials; Columbia University, Department of Art History and Archaeology; the Courtauld Institute of Art; D.A.P. Distributed Art Publishers; Design Technology and Industry; the Graduate Center, City University of New York; Hunter College, City University of New York; the Samuel H. Kress Foundation; McVicker and Higginbotham; the Metropolitan Museum of Art; the National Endowment for the Arts; the New York Center for Art and Media Studies, Bethel University; Pearson Higher Education; Prestel; the School of Visual Arts; Troy University; and the University of North Texas.
The organization is deeply grateful to Thomas P. Campbell, director of the Metropolitan Museum of Art, for hosting the Centennial Reception.
CAA also extends special thanks to the Annual Conference Committee, whose members were responsible for the 2011 program: Sue Gollifer, University of Brighton, chair and vice president for Annual Conference; Sharon Matt Atkins, Brooklyn Museum; Brian Bishop, Framingham State University; Connie Cortez, Texas Tech University; Ken Gonzales-Day, Scripps College and CAA board; Randall Griffin, Southern Methodist University and CAA board; Norie Sato, independent artist, Seattle; Judith Thorpe, University of Connecticut and CAA board; and William Wallace, Washington University in St. Louis and CAA board. Regional representatives for the committee were: Nicola M. Courtright, Amherst College; and Sheila Pepe, Pratt Institute.
CAA also thanks all volunteers and staff members who made the conference possible. Additional acknowledgments for those serving as mentors in Conference Mentoring Sessions, as well as participants in other programs and events, are forthcoming.
Two Back-to-Back Conference Sessions on Intellectual Property
posted by Christopher Howard — December 14, 2010
CAA will highlight intellectual property and copyright in two back-to-back sessions at the 2011 Annual Conference. First, CAA’s Committee on Intellectual Property will host an informal, participatory session on the rapidly changing world of copyright as it affects the work of contemporary artists and scholars. A second panel, part of the regular conference program, will trace the evolution of intellectual property since ancient times. Both sessions will take place on Friday, February 11, 2011, at the Hilton New York, the conference headquarters hotel. The first will be held in Petit Trianon, Third Floor (12:30–2:00 PM); and the second moves to Gramercy A, Second Floor (2:30–5:00 PM).
For the committee-sponsored “Copyright, CAA, and the Next Century,” the session cochairs—Ken Cavalier, an art historian and lawyer based in British Columbia, and Christine Sundt, editor of Visual Resources: An International Journal of Documentation—will facilitate discussion about today’s critical issues. Open to the public, the session allows attendees to speak freely on issues they think CAA should address, or that are starting to brew regarding copyright in the United States and Canada. Cavalier and Jeffrey Cunard, CAA’s counsel, will serve as legal experts and guides, and committee members will be on hand to answer questions. CAA is especially interested in how it can improve coverage of intellectual-property issues on its website, in its conference sessions, and in outreach efforts, as well as how the organization can define its leadership role (and work with other groups) to advocate copyright legislation that benefits the artistic community.
For the program session, “Intellectual Property in the Visual Arts, Antiquity through Early Modern,” Beth Holman, an independent scholar and the session’s chair, will shift the focus from print and print privileges to shed light on other strategies of asserting and protecting intellectual property. Kristen Seaman of Kennesaw State University will talk about “Ancient Greek Theories of Authorship and the Creation of Art History,” and Giancarla Periti of the University of Toronto will speak on “Authorship and Early Modern Manuscript Collections of Antiquarian Artifacts.” Moving forward chronologically, C. Jean Campbell of Emory University will discuss “Working Knowledge: Ownership and the Representation of Inventive Capacity in Early Renaissance Art,” and Alexandra Hoare of the Center for Advanced Study in the Visual Arts will address “‘Né tocchi mai da nessuno’: Salvator Rosa’s Contribution to Seventeenth-Century Concepts of Intellectual Property.” Ken Cavalier will serve as the session’s discussant.
The Nominating Committee Seeks Members for 2011
posted by Vanessa Jalet — December 13, 2010
CAA invites you to help shape the future of the organization by serving on the 2011 Nominating Committee. Each year, this committee nominates and interviews potential candidates for the CAA Board of Directors and selects the final slate for the membership’s vote. The candidates for the 2011–15 election have been announced, and voting begins on Wednesday, December 15.
The current Nominating Committee will choose the new members of its own committee at its business meeting, to be held at the 2011 Annual Conference in New York in February. Once selected, all committee members must propose a minimum of five and a maximum of ten people for the board in the spring. Service on the committee also involves conducting telephone interviews with candidates during the summer and meeting by conference call in September to select the final board slate. Finally, all Nominating Committee members attend the following business meeting, at the Los Angeles conference in 2012, to select that year’s committee.
Nominations and self-nominations should include a brief statement of interest and a two-page CV. Please send all materials to: Maria Ann Conelli, Vice President for Committees, c/o CAA Executive Assistant, CAA, 275 Seventh Ave., 18th Floor, New York, NY 10001. Materials may also be sent as Microsoft Word attachments to Vanessa Jalet. Deadline: December 30, 2010.
Publications Committee and caa.reviews Welcome New Members
posted by Christopher Howard — November 22, 2010
The Publications Committee, which oversees CAA’s scholarly journals and related projects, welcomes two new members who will serve through June 30, 2013. Anthony Elms is editor of WhiteWalls, a publisher of innovative books and a journal, and assistant director of Gallery 400 at the University of Illinois in Chicago. Cynthia Mills is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum in Washington, DC. She is also academic programs coordinator for the museum, where she supervises the fellowship program and publications prizes and organizes scholarly symposia.
caa.reviews, CAA’s online journal for reviews of books, exhibitions, and projects in art history and visual studies, has added Elizabeth Marlowe to its editorial board, to serve through June 30, 2014. Marlowe is visiting assistant professor of art and art history at Colgate University in Hamilton, New York. In addition, Janet Kraynak, assistant professor of art history at New School University, has become a field editor for the journal. She will commission reviews of exhibitions on modern and contemporary art in New York and internationally though June 30, 2013.
Over the summer, CAA made additional appointments for all three journals. Editors and members of editorial boards and committees are chosen from an open call for nominations and self-nominations, published on the CAA website from January to April each year and publicized through CAA News.
November Picks from the Committee on Women in the Arts
posted by Christopher Howard — November 10, 2010
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship from North America and around the world.
Two CWA Picks for November 2010 focus on conference sessions and a symposium taking place this week. At the National Women’s Studies Association Conference, which starts today in Denver, two Friday sessions explore art and film by women since the 1970s. On Saturday, the American Folk Art Museum in New York is hosting a daylong event broadly examining the role of women in culture from antiquity to the present.
CWA Picks also include four exhibitions. Sally Mann is showing new photographs at the Virginia Museum of Fine Arts, and Lynda Benglis’s touring show stops at the Rhode Island School of Design. Two institutions in Connecticut are presenting historical presentations of needlework and embroidery.
Check out past CWA Picks archived at the bottom of the page, as exhibitions highlighted in previous months are often still on view.
Image: Chandler Family, canvas work with pastoral scene, 1758, wool and silk on linen, 15¾ x 22 7/8 in. Private Collection, Woodstock, Connecticut (artwork in the public domain)
October Picks of Exhibitions and Events from CAA’s Committee on Women in the Arts
posted by Christopher Howard — October 14, 2010
Each month, CAA’s Committee on Women in the Arts produces a curated list, called CWA Picks, of recommended exhibitions and events related to feminist art and scholarship from North America and around the world.
Three CWA Picks for October 2010 focus on Washington, DC, where the first annual Feminist Art History Conference, called “Continuing the Legacy: Honoring the Work of Norma Broude and Mary D. Garrard,” takes place at American University in early November. The free event has an October 22 registration deadline, so sign up now. If you’re in our nation’s capitol, two exhibitions are worth checking out: Loïs Mailou Jones: A Life in Vibrant Color and Books without Words: The Visual Poetry of Elisabetta Gut, both at the National Museum of Women in the Arts.
In New York, the Jewish Museum offers Shifting the Gaze: Painting and Feminism, featuring work made after 1960 by major contemporary artists. In addition, the Brooklyn Museum, which is hosting Seductive Subversion: Women Pop Artists, 1958–1968, a CWA Pick from September, will present a panel discussion titled “So Different, So Appealing: Women and the Pop Art Movement.”
Check out past CWA Picks archived at the bottom of the page, as exhibitions highlighted in previous months are often still on view.
Image: Elisabetta Gut, Libro-nido (Nest-book), 1982, found bird nest, paper, string, and sealing wax, 6¾ x 7 x 1 in. (artwork © Elisabetta Gut)
Exhibit Your Work in ARTexchange at the 2011 Annual Conference in New York
posted by Christopher Howard — September 13, 2010
CAA’s Services to Artists Committee invites artist members to participate in ARTexchange, an open forum for sharing work at the 2011 Annual Conference in New York. To be held on Friday evening, February 11, at the Hilton New York, ARTexchange is free and open to the public; a cash bar will be available.
The space on, above, and beneath a six-foot-long table is available for each artist’s exhibition of prints, paintings, drawings, photographs, sculptures, and small installations; performance, sound, and spoken word are also welcome. Previous ARTexchange participants have found that this parameter sparked creative displays, and the committee looks forward to surprises and inspiring solutions at the upcoming conference. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets—bring fully charged batteries.
To participate in the New York event, please write to the ARTexchange coordinators with the subject line “CAA ARTexchange.” Include your member number and a brief description of what you plan to present. If you are presenting performance or sound art, spoken word, or technology-based work, including laptop presentations, please outline your plans. Artists will receive an email confirmation. Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference.
Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline: December 17, 2010.
Image: Diane Fox, an artist, designer, and lecturer at the University of Tennessee in Knoxville (left), shows her work to a fellow ARTexchange artist (photograph by Bradley Marks)