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CAA Seeks Mock Interviewers

posted by CAA


ram_6759Participants in the Interview Hall at the 2016 Annual Conference (photograph by Bradley Marks)

CAA’s Student and Emerging Professionals Committee seeks established professionals to volunteer as practice job interviewers for the Mock Interview Sessions at the 2017 Annual Conference in New York. Participating as an interviewer is an excellent way to serve the field and to assist with the professional development of the next generation of artists and scholars.

In these sessions, interviewers pose as a prospective employer, speaking with individuals in a scenario similar to the Interview Hall at the conference. Each session comprises approximately 10–15 minutes of interview questions and a quick review of the application packet, followed by 5–10 minutes of candid feedback. Whenever possible, the committee matches interviewers and interviewees based on medium or discipline.

Interested candidates must be current CAA members and prepared to give six successive twenty-minute interviews with feedback in a two-hour period during one of the following times:

Thursday, February 16: 11:30AM–1:30 PM
Thursday, February 16: 3:00–5:00 PM
Friday, February 17: 9:00–11:00 AM
Friday, February 17: 2:00–4:00 PM

Interviewers should be art historians, art educators, designers, museum-studies professionals, critics, curators, and studio artists with significant experience in their fields or experience on a search committee.

You may volunteer for one, two, three, or all four Mock Interview Sessions. All sessions occur in the SEPC Lounge. Please send your name, affiliation, position, contact information, and the days and times that you are available to Megan Koza Mitchell, chair of the Student and Emerging Professionals Committee. Deadline: January 31, 2017.

The Mock Interview Sessions are not intended as a screening process by institutions seeking new hires.



Fall CAA Meet and Greets

posted by CAA


This fall, CAA will visit local New York colleges and universities and host a number of wine and cheese receptions throughout the country, connecting professionals in the visual arts within their communities. Taking place at many art institutions in major U.S. cities, these meet-and-greets are a great opportunity to join arts scholars and art makers in your area. Whether you are an existing or former CAA member, work in some capacity in the arts, or are just curious about what we do, we hope you will be able to join us. 

CAA’s new executive director, Hunter O’Hanian, will attend many of the receptions and will discuss his ideas and vision for the future of CAA. Come meet new CAA members and reconnect with fellow members.

Upcoming Receptions and Meet and Greets

Brunswick, ME Sept. 24, 3:30PM Bowdoin College Museum of Art

Please RSVP to the Brunswick, ME event here.

Boston, MA Sept 26, 5:30PM Massachusetts College of Art and Design, Paine & Bakalar Gallerie

Please RSVP to the Boston, MA event here.

Nashville, TN Sept. 26, 6:30PM Vanderbilt University, Sarratt Center Gallery 

Please RSVP to the Nashville, TN event here.

Portland, OR  Oct. 5, 6:00PM Yale Union 

Please RSVP to the Portland, OR event here.



Filed under: Artists, Membership, Students

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Artwork by Julia Oldham, The Loneliest Place, 2015. Art Journal Spring 2016.

Our very busy September at CAA rolls on. Earlier this month we launched CAA Connect, our new digital discussion and resource library platform. This week, we open registration for the 2017 Annual Conference in New York, February 15–18, 2017 at the New York Hilton Midtown. With the opening of registration we also launch myCAA, a new campaign aimed at making CAA the best organization for its members. MyCAA is designed to encourage participation in and ownership of CAA. You will hear more about myCAA in the coming months, but contributing to the myCAA discussion community on CAA Connect is a great start! There is also an Annual Conference discussion community that will help us build a better conference with your feedback.

For the 2017 Annual Conference we kept registration rates the same as the 2016 Annual Conference in Washington, D.C. and we managed to secure the lowest hotel rates for New York City since 2011. This is all part of our effort to create an Annual Conference our members will return to year after year. Single session tickets are also now at the lowest rate since 2001.

Early and online registration is available through December 19, 2016.

REGISTER NOW

The 2017 Annual Conference will have more sessions than ever, an astounding 270-plus, due to the changes we made to the conference structure last year. We are thrilled to welcome two leading scholars as our Convocation Speaker and our Distinguished Scholar for 2017.

Convocation Keynote Speaker

Mary Miller, Sterling Professor of History of Art, and recently appointed the senior director of the Institute for the Preservation of Cultural Heritage at Yale University

Distinguished Scholar

Kaja Silverman, Katherine Stein Sachs CW’69 and Keith L. Sachs W’67 Professor of Art History at the University of Pennsylvania 

Also new for the 2017 Annual Conference:

  • Opening Night Reception will be free and open to all attendees with a cash bar
  • Debut of Saturday Symposia, featuring a day-long series of panels on specific subjects important to the membership. The topics for the 2017 conference include museums; the design field; international art history; and interventions in the future of art history
  • Free and Public Noon Forums with leaders and luminaries from the field
  • myCAA Friday afternoon meeting and new board announcement with executive director Hunter O’Hanian and CAA staff
  • Re-imagined professional development workshops

For more information on travel discounts, car rentals, and booking your hotel room, visit the conference website, email CAA Member Services at membership@collegeart.org, or call 212-691-1051, ext. 1.

We look forward to seeing you in New York!



Filed under: Annual Conference

New in caa.reviews

posted by CAA


Alison C. Fleming reads Federico Barocci and the Oratorians: Corporate Patronage and Style in the Counter-Reformation by Ian F. Verstegen. The book “efficiently tackles the subject” of “the interior decoration of the Chiesa Nuova in Rome,” with a focus on Federico Barocci “and how his style corresponded so well to the tenets of the Oratorians that they repeatedly sought his paintings.” Read the full review at caa.reviews.

Claudia Swan reviews Benjamin Schmidt’s Inventing Exoticism: Geography, Globalism, and Europe’s Early Modern World. Merging historical and art-historical elements, this “formidable study” examines artworks and luxury goods “produced in Dutch ateliers between 1670 and 1730 under the rubric of ‘exotic geography,’” which the author views as “a new rhetorical and artistic mode.” Read the full review at caa.reviews.

Carol Damian discusses two books centered on the questions of what is a Latino and what is Latino art: Thirteen Way of Looking at Latino Art, by Ilan Stavans and Jorge J. E. Gracia, and Our America: The Latino Presence in American Art, an exhibition catalogue from the Smithsonian American Art Museum. Both books evidence how “the entire Latino issue is a construct, complicated, and imperfect” and “make valuable contributions to this ongoing discussion.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.



Filed under: caa.reviews, Research

In a competitive job market, everyone could use the opportunity to get feedback on interviewing and presentation. Take advantage of this opportunity to have a twenty-minute interview/mentoring session from a seasoned professional.

Students and emerging professionals have the opportunity to sign up for a twenty-minute practice interview at the 2017 Annual Conference in New York. Organized by the Student and Emerging Professionals Committee, the Mock Interview Sessions give participants the chance to practice their interview skills one on one with a seasoned professional, improve their effectiveness during interviews, and hone their elevator speech. Interviewers also provide candid feedback on application packets. Mock Interview Sessions are offered free of charge, but you must be a CAA member to participate. Sessions are filled by appointment only and scheduled within the SEPC Lounge for the following times:

Thursday, February 16: 11:30 AM–1:30 PM
Thursday, February 16: 3:00–5:00 PM
Friday, February 17: 9:00–11:00 AM
Friday, February 17: 2:00–4:00 PM

Conference registration, while encouraged, is not necessary to participate. To apply, fill out the Google Registration Form. You may enroll in one twenty-minute session. The deadline to register is February 6, 2017. You will be notified of your appointment day and time by email. Please bring your application packet, including cover letter, CV, and other materials related to jobs in your field. The Student and Emerging Professionals Committee will make every effort to accommodate all applicants; however, space is limited. There will be VERY limited registration onsite. If you have any questions, please email the Student and Emerging Professionals Committee.



News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Chicago Professors Fire Back

Last week more than 150 faculty members at the University of Chicago published an open letter to freshmen in which they take a strikingly different approach from the official communication sent by a Chicago dean. Safe spaces and trigger warnings, the letter said, are legitimate topics for discussion and reflect the real needs of many students. (Read more from Inside Higher Ed.)

On Art-Making after Tragedy

Public figures and Facebook users post responses, visual or verbal, immediately after tragedies and disasters occur. These easily created and intrinsically shareable responses raise important questions: Is this art created for social media? Is it created so quickly that its quality suffers? Is there something disingenuous about art making under such forced and mediated circumstances? (Read more from the Creators Project.)

Bill to Shield International Art Loans Gains in Senate

Legislation to safeguard international art loans will be taken up by the full Senate after years of criticism and complaints that the bill amounts to protection for plundered works. Last week the Senate Judiciary Committee, with bipartisan support, approved the Foreign Cultural Exchange Jurisdictional Immunity Clarification Act, which would extend added protections to shield works from seizure while on loan for exhibitions in the United States. (Read more from the New York Times.)

Public Opinion on Higher Education Is Waning

Americans are increasingly uncertain about the necessity of college for success in the workforce, according to Public Agenda’s recent survey, funded by the Kresge Foundation. For example, just 42 percent of Americans say college is necessary for workforce success, a 13 percent drop from 2009. (Read more from Public Agenda.)

Strategies to Maintain Focus while Writing Your Dissertation

Today, the internet and Google and social media are flashier and more distracting than ever before. Our professional and personal lives are strewn with interruptions as smart phones enable us to take our distractions with us wherever we go. This makes it incredibly challenging to maintain enough focus to write a book-length dissertation. (Read more from GradHacker.)

Is the Future of Fine Art in Hollywood’s Hands?

We might consider both Wes Anderson and Rashid Johnson to be artists, but traditionally the business dealings of a Hollywood director are handled by a mélange of agents, whereas the career of a fine artist is often managed by gallerists, dealers, and collectors. Josh Roth of United Talent Agency, however, wants to shake up any boundaries between Hollywood and the white cube. (Read more from Vice.)

On Not Reading

The activity of nonreading is something that scholars rarely discuss. When they—or others whose identities are bound up with books—do so, the discussions tend to have a shamefaced quality. Blame “cultural capital”—the sense of superiority associated with laying claim to books that mark one’s high social status. (Read more from the Chronicle Review.)

Is More Recognition the Key to Peer-Review Success?

Two contrasting concepts for peer reviewers are recognition and credit. Credit implies that a benefit is being given. Recognition may lead to a benefit but only passively. The importance of recognition is that others see the effort, and any benefit is happenstance. (Read more from the Scholarly Kitchen.)



Filed under: CAA News

ram_6759An interview at the 2016 Annual Conference in Washington, DC (photograph by Bradley Marks)

CAA is committed to supporting and advancing the careers of professionals in the visual arts. As a CAA member, you have free access to a diverse range of mentors at Career Services during the 105th Annual Conference, taking place February 15–18, 2017, in New York.

All emerging, midcareer, and even advanced art professionals can benefit from one-on-one discussions with dedicated mentors about artists’ portfolios, career-management skills, and professional strategies. You may enroll in either the Artists’ Portfolio Review or Career Development Mentoring. Participants are chosen by a lottery of applications received by the deadline; all applicants are notified of their scheduled date and time slot via email in January 2017. Conference registration, while encouraged, is not necessary to participate; appointments are offered free of charge. Deadline: December 16, 2016.

Artists’ Portfolio Review

The Artists’ Portfolio Review offers CAA members the opportunity to have images of their work reviewed by artists, critics, curators, and educators in personal twenty-minute consultations. Whenever possible, CAA matches artists and mentors based on medium or discipline. You must bring a charged battery-powered laptop or hard copy of your portfolio to review your work. Sessions are filled by appointment only and scheduled for 8:30 AM–noon and 1:30–5:00 PM each day.

To apply, complete and submit the Artists’ Portfolio Review Enrollment Form. Contact Katie Apsey, CAA manager of programs, if you have any questions. Deadline: December 16, 2016.

Career Development Mentoring

Artists, art historians, art educators, and museum professionals at all stages of their careers may apply for one-on-one consultations with veterans in their fields. Through personal twenty-minute consultations, Career Development Mentoring offers a unique opportunity for participants to receive candid advice on how to conduct a thorough job search; present cover letters, CVs, and digital images; and prepare for interviews. Whenever possible, CAA matches participants and mentors based on their career area or discipline. You must bring your résumé or CV, your other job-search materials, and your specific career goals to discuss during these appointments. Sessions are filled by appointment only and scheduled for 8:30 AM–noon and 1:30–5:00 PM each day.

To apply, complete and submit the Career Development Mentoring Enrollment Form. Contact Katie Apsey, CAA manager of programs, if you have any questions. Deadline: December 16, 2016.



New in caa.reviews

posted by CAA


Annie Borneuf reviews Kurt Schwitters: Space, Image, and Exile by Megan R. Luke. This “compelling study” of the German artist’s “largely neglected works of the 1930s and 1940s” draws on unpublished archival material to demonstrate how the artist arrived “at a new sculptural theory of space that pivots on the interchange between work and beholder.” Read the full review at caa.reviews.

Trevor Stark discusses the Museum of Modern Art’s first digital-only publication, Picasso: The Making of Cubism, 1912–1914. The volume focuses on “the artist’s use of unorthodox materials and his development of new and still little-understood techniques for manipulating them,” and the “interactive hyperlink architecture” within the book opens up new possibilities for encountering Picasso’s work. Read the full review at caa.reviews.

Amy R. Bloch reads Stefanie Solum’s Women, Patronage, and Salvation in Renaissance Florence: Lucrezia Tornabuoni and the Chapel of the Medici Palace. In this “stimulating book,” the author asks “whether or not laywomen commissioned significant paintings, sculptures, or buildings in the city during the fifteenth century” by focusing on a Fra Filippo Lippi altarpiece possibly commissioned by Lucrezia Tornabuoni. Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.



Filed under: Uncategorized

Work at the 2017 Conference

posted by CAA


ram_6582CAA members work with CAA staff in the registration booths at the 2016 Annual Conference in Washington, DC (photograph by Bradley Marks)

Working as a room monitor at CAA’s 105th Annual Conference, taking place February 15–18, 2017, in New York, is a great way to save on conference expenses. CAA encourages students, emerging professionals, and any interested members—especially those in the New York City area—to apply for service.

Session Room Monitors

CAA seeks members to work as room monitors for all session rooms, Career Services rooms, and various conference events between Wednesday, February 15, 2017, and Saturday, February 18, 2017. Room monitors are responsible for monitoring conference badge and ticket adherence at the doors of session rooms, recording session attendance and collecting tickets, monitoring the capacity of session rooms, aiding the communication between session chairs and the onsite audiovisual specialists, checking in conference attendees with mentoring or portfolio-review appointments, and/or facilitating the work of the career-development mentors.

Successful applicants will be friendly, familiar with digital projectors and both Mac and PC laptops, communicative, and able to problem-solve quickly in the hectic conference environment. To apply, please send the following three items to Katie Apsey, CAA manager of programs, by December 16, 2016:

  1. One-page résumé
  2. Brief letter of interest including your CAA Member ID# and preferred days for scheduling
  3. An application form

Chosen applicants will be paid $12 per hour and receive full complimentary registration to the conference. Selected room monitors will be required to work a minimum of twenty hours over the four days of the conference, but may work up to thirty-two hours. All people hired for the conference must also attend a one-hour (paid) training meeting on Tuesday night, February 14, 2017.

All candidates must be US citizens or permanent US residents and able to fill out a W-9 employment form.

All candidates must be active CAA members through February 18, 2017. Students should check to see if their schools and universities are CAA institutional members, because institutional membership now includes the benefit of specially discounted student memberships for individuals.

Please contact Katie Apsey, CAA manager of programs, at kapsey@collegeart.org or 212-392-4405 with any questions.



Filed under: Annual Conference, Service, Students

News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

The Most Relevant Art Today Is Taking Place outside the Art World

The central claim in Michael J. Lewis’s essay on the demise of art-as-culture is that “while the fine arts can survive a hostile or ignorant public, or even a fanatically prudish one, they cannot long survive an indifferent one.” The argument, however, ignores both the artists who have been historically marginalized from galleries and museums and the artists who are taking their practices outside those places. (Read more from Artsy.)

Art Demystified: The Gallery Breakdown

The art gallery remains one of the most important pillars of the art world today. It is where artists are first introduced and their careers are launched, and where the discourse is started. But what goes on behind the heavy doors of these often secretive empires? And what are the roles of those who work there? (Read more from Artnet News.)

President Obama’s Arts Focus Was National, Not Local

It should come as no surprise that where the arts were concerned, the Obamas didn’t just ignore the Pennsylvania Avenue playbook—they wrote their own script. They established dynamic programs and raised considerable money for arts initiatives. They also sometimes drifted away from the traditions of the past, which could leave locals frustrated and impatient. (Read more from the Chicago Tribune.) 

Balancing the Books at Yale University Press in London

A letter signed by over 290 academics, curators, and writers expressed a “sense of shock at the restructuring of Yale University Press in London, particularly as it affects the renowned art books department.” Having learned that two commissioning editors were to be made redundant, the signatories asked for reassurance about Yale’s commitment to scholarly art publishing and for the rationale for the changes. (Read more from Apollo.)

Publish or Be Damned

The London office of Yale University Press has been a leading publisher of art history in the English language. When we heard of a new book planned by a leading scholar in the field, we expected to learn that Yale had pledged to publish it. When a bright graduate finished his or her dissertation, we hoped that Yale would publish it. (Read more from the Burlington Magazine.)

How Much Does Publishing Cost?

Whenever someone talks about the cost of publishing, the conversation seems to take place in a vacuum. Step inside a publishing company and ask this question: Where is the greatest amount of energy expended? The answer is in finding the best authors. Publishing, in other words, is about the relentless pursuit of the best content for a particular program. (Read more from the Scholarly Kitchen.)

Why the Hammer Museum’s New Free Digital Archives Are a Game Changer

Museum archives are historically places that draw only the most dedicated researchers to poke through boxes of files, trays of objects, and piles of ephemera generated by exhibitions. But the Hammer Museum is aiming to change the way museum archives are accessed and organized. (Read more from the Los Angeles Times.)

Valuing Intellectual Property in an AIA World

Whether one celebrates or decries the fifth anniversary of the America Invents Act, this much is clear: the law has had a dramatic impact on the value of US patents and, in turn, the broader US economy. A cloud of uncertainty hanging over patents has depressed their value and may have broader ramifications that are yet to be seen. (Read more from IP Watchdog.)



Filed under: CAA News

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