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CAA News

News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Popular Domestic Programs Face Ax under First Trump Budget

The White House budget office has drafted a hit list of programs that President Trump could eliminate to trim domestic spending, including longstanding conservative targets like the Corporation for Public Broadcasting, the Legal Services Corporation, AmeriCorps, and the National Endowments for the Arts and the Humanities. (Read more from the New York Times.)

Can Only Rich Kids Afford to Work in the Art World?

Two years ago, Naiomy Guerrero left her job in the art world. She hasn’t lost her passion for art and still blogs about it at GalleryGirl.nyc, but as the daughter of two immigrant parents she chose financial stability. Guerrero now works as a financial aid counselor, earning over 50 percent more than she did at her most recent art-related job. (Read more from Artsy.)

Habitat: Moonlighting—Artists’ Side Jobs

Most artists, unless they are selling a lot of work, need a good side job. For some, it’s just a way to pay the rent; for others, it’s a parallel passion. But whether they consider it a temporary solution or a career, a boon to their art or something entirely separate from it, the artists ARTnews interviewed all seem to find satisfaction in what they do for money. (Read more from ARTnews.)

“Our Women Have Always Carved”

On the West Coast, in the rich and diverse world of First Nations art, the master carvers responsible for the totem poles and myriad other monumental works are usually men. There are exceptions. And two exceptional women—trailblazing female First Nations artists who have carved their way into Canadian cultural history—are getting their due in two new exhibitions. (Read more from the Globe and Mail.)

The Red of Painters

For the most part, painters have always loved red, from the Paleolithic period to the most contemporary. Red’s palette offers a variety of shades and favors more diverse and subtle chromatic play than any other color. In red, artists found a means to construct pictorial space, distinguish areas and planes, create accents, produce effects of rhythm and movement, and highlight one figure or another. (Read more from the Paris Review.)

Academic Ethics: Rethinking the Justification of Tenure

Tenure for professors has been under pressure, and even the subject of outright attacks, for a long time. But the pace of the assault has accelerated lately, and there is no more significant canary in the coal mine than events in Wisconsin over the past two years. (Read more from Vitae.)

The Changing Monograph Market

The market for original humanities monographs may be shrinking, according to a report on the output of university presses. After remaining stable from 2009 to 2011, the number of original works in the humanities published by university presses fell both in 2012 and 2013, according to estimates from the two publishing consultants who wrote the report. (Read more from Inside Higher Ed.)

An Activity That Promotes Engagement with Required Readings, Even in Large Classes

Encouraging students to complete the course readings is an age-old problem. On the first day of class, I often say something like this to my students: “Nothing floats my boat more than great discussion. Nothing promotes great discussion like having completed the readings. And nothing promotes completing the readings like having points attached to it.” (Read more from Faculty Focus.)



Filed under: CAA News

Thank You For CAA2017

posted by CAA


Thank you everyone who made this 2017 Annual Conference in New York a lively and vibrant event. The CAA staff, board, and myCAA helpers spoke with as many attendees as we could and attended as many sessions as we could. From what we heard at the conference, through official feedback channels and informal hallway conversations, people had a good time and learned. Attendees felt challenged and invigorated by the discussions. That is all we can ask. We received positive responses to our themes of inclusion, problem solving, and feedback. The shortened ninety-minute sessions were welcomed and attendees shared that the addition of more sessions on diversity and current politics gave the conference a much-needed vitality. For our attendees, we hope that myCAA collectively felt like ourCAA.

We look forward to carrying this energy and momentum into the 2018 Annual Conference in Los Angeles, February 21-24, 2018.

There will be many, many more images to come in the next few weeks. But here are a few that we wanted to share right away.

Convocation as an Act of Protest

Distinguished Artist for Lifetime Achievement, Faith Ringgold

Distinguished Scholar, Kaja Silverman

Artist Judith Bernstein, a discussant in the Distinguished Artist Interviews

CAA-Getty International Fellow, Richard Gregor

Impromptu Protest Posters

Attendees Singing “We Shall Overcome” Together



Filed under: Annual Conference

CAA announced the results of the 2017 Board of Directors election on Friday, February 17, 2017, during the second half of the Annual Business Meeting. The four new directors are:

They will take office at the next board meeting, in May 2017, and serve four-year terms. Thank you for voting!



News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Art under Threat in 2016: Presenting the Figures

Freemuse registered 1,028 attacks on artists and violations of their rights in 2016 across 78 countries, continuing a worrying trend of artistic freedom increasingly coming under threat. The number of cases registered in 2016 more than doubled the amount in 2015, increasing by 119 percent, rising from 469 attacks. (Read more from Freemuse.)

What You Need to Know about Hate Speech and Free Speech

Is there any way to curb speech if it discriminates against people’s identity, like race? And when does speech become punishable under the law? Here’s what you need to know about the freedom of speech and dealing with hate speech in the current political climate. (Read more from Teen Vogue.)

We Don’t Pay Visual Artists Properly—That Needs to Change

Jane is a typical artist trying to build and maintain her career. She has had reasonable success with her art thus far but needs to subsidize her income by taking on work as a graphic designer. Now she has decided to return to art school to get university qualifications and commit fully to her professional artistic practice. (Read more from the Guardian.)

Reports of the Death of Religious Art Have Been Greatly Exaggerated

When written in the same sentence, the terms “religion” and “art” tend to turn the contemporary secularized gaze back in time to Renaissance imagery. Those old, redolent, often pious pictures of Christ Child and Madonna are pleasing to look at, but these days their principal function is to confirm how religious art existed in ages past. Present-day artists can’t possibly be interested in that anymore. (Read more from the Los Angeles Review of Books.)

The Prestige Gap

Women earn 60 percent of baccalaureate degrees and 46 percent of doctoral degrees, excluding professional programs, according to 2015 data from the National Science Foundation, yet they’re still underrepresented in many disciplines. Why? A new study points to segregation by gender based on field of study and what it calls program prestige. (Read more from Inside Higher Ed.)

The Importance of Female Friendship in Graduate School

Sometime in high school, when I was sixteen, living in the suburbs, and hopelessly devoted with the latest music, I was asked whether I prefer male or female singers. As I was answering—something about how men sang more interesting songs—it dawned on me: How many female-led bands had I heard? When was the last time a radio station played a song from an all-female band? (Read more from Inside Higher Ed.)

Metropolitan Museum Puts 375,000 Public-Domain Images in Creative Commons

The Metropolitan Museum of Art in New York has placed 375,000 images of public-domain works in the Creative Commons. This major move by one of the world’s most important museums means that users can now access pictures of many of the Met’s holdings on Wikimedia, and that these images are now subject to free use, with no copyright restrictions. (Read more from ARTnews.)

The Value of Copyright: A Publisher’s Perspective

There is no one view of copyright that fits all publishers. The publisher of a poetry magazine will likely feel differently about aspects of copyright when compared to, say, the publisher of your local phone book. Indeed, even within scholarly publishing there is a range of attitudes toward copyright. (Read more from the Scholarly Kitchen.)



Filed under: CAA News

The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for the term July 1, 2018–June 30, 2021 (with service as incoming reviews editor designate 2017–18). The Art Bulletin, published quarterly by CAA, features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. Candidates should be published authors of at least one book.

The reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s editorial director in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in the fields of art history, criticism, theory, visual studies, and museum publishing. This is a three-year term, which includes membership on the Art Bulletin Editorial Board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held in the spring and fall by teleconference or in New York, and in February at the CAA Annual Conference—and submits an annual report to CAA’s Board of Directors. CAA may reimburse the reviews editor for travel and lodging expenses for the meetings in New York in accordance with its travel policy, but he or she pays these expenses to attend the annual conference.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, CV, and at least one letter of recommendation to: Art Bulletin Reviews Editor Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: Monday, April 3, 2017. Finalists will be interviewed on the afternoon of Friday, May 5, in New York.



Filed under: Art Bulletin, Publications, Service

CAA invites nominations and self-nominations for three individuals to serve on the Art Bulletin Editorial Board for a four-year term, July 1, 2017–June 30, 2021. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.

The editorial board advises the Art Bulletin editor-in-chief and assists her or him in seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events in their fields.

The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents or inquiries to Joe Hannan, CAA editorial director. Deadline: April 17, 2017.



Filed under: Art Bulletin, Publications, Service

Live-Streamed Sessions at CAA

posted by CAA


CAA will present six 2017 Annual Conference sessions and events via live stream. The sessions will be streamed via CAA’s YouTube Channel. There is no charge to watch these sessions—they are free and open to the public.

Here is the schedule:

  • Wednesday, February 15, 5:30–7:00 PM: Convocation, the Awards for Distinction presentations, and Mary Miller’s keynote address
  • Thursday, February 16, 10:30 AM–noon: Public Art in the Era of Black Lives Matter
  • Thursday, February 16, 12:15–1:30 PM: Key Conversations: Art Criticism
  • Thursday, February 16, 5:30–7:00 PM: the Distinguished Scholar Session honoring Kaja Silverman
  • Friday, February 17, 3:30–5:30 PM: Artist Interviews: Coco Fusco with Steven Nelson and Katherine Bradford with Judith Bernstein
  • Saturday, February 18, 12:15–1:15 PM: Key Conversations: Hrag Vartanian with Amin Husain and Nitasha Dhillon of Decolonize This Place

Use the hashtags #caa2017 and #myCAA during the entire conference week!



Filed under: Annual Conference

New in caa.reviews

posted by CAA


Vivien Green Fryd reviews Georgia O’Keeffe by Nancy J. Scott, a biography that, unlike its predecessors, draws on “the extensive correspondence, which only became available in 2006, between O’Keeffe and her husband,” Alfred Stieglitz. Although the author “does provide new information based on” the letters, “she fails to engage critically with the materials at her disposal.” Read the full review at caa.reviews.
Erica Levin reads Kaira M. Cabañas’s Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde. In this “concise, thought-provoking study,” the author “sheds light on the brief but often overlooked period of radical filmmaking,” showing “how Lettrist cinema disrupted the signifying conventions of the film medium” and “reconceptualized the specific discursive practices embedding cinema” in postwar France. Read the full review at caa.reviews.
Rebecca Bedell discusses the exhibition catalogue Picturing the Americans: Landscape Painting from Tierra del Fuego to the Arctic. “No previous publication has offered such an expansive and inclusive survey of the hemisphere’s landscape art,” and “its collectivity of voices … substantially enriches the still-opening conversation about pan-American art.” Read the full review at caa.reviews.


Filed under: caa.reviews

Staff Interview: Alyssa Pavley

posted by CAA


The next in a series of interviews with staff members is a conversation with Alyssa Pavley, CAA associate editor of digital publications.

How long have you worked at CAA?

Six years.

What do you do at CAA?

I work in CAA’s Publications Department, where I started out as the editorial assistant. I am currently the associate editor for digital publications and work closely on Art Journal Open.

What does CAA mean to you?

To me, CAA is a place of creative and intellectual exchange.

Can you talk about one of your favorite member moments?

One of my favorite member moments was at last year’s conference in DC, where I had a great conversation with a member who had recently joined CAA and was attending the Annual Conference for the first time. It was fantastic to be able to speak at length with her about her experience, the sessions she had attended so far and those she was looking forward to, and her career. It’s always fun to hear from someone experiencing the Annual Conference for the first time!

What do you like best about the arts and working in the arts?

It’s wonderful to work in such a creative environment. Since I work specifically in arts publishing, it’s great to be in a space where I can help others peruse their artistic and creative passions via digital publications.

Do you have a favorite moment from the Annual Conference?

It’s great when I’m able to help a conference attendee, even if it’s something as small as giving directions to the room where their next session is taking place or looking up the time a session starts—it’s nice to think that I’ve possibly made someone’s day a little less stressful! On a personal note, I love browsing through the Book and Trade Fair.



Filed under: myCAA, People in the News, Staff

News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

MoMA Installs Works by Artists from Countries Targeted by Trump’s Travel Ban

In response to President Trump’s executive order temporarily banning immigration from seven majority-Muslim countries, the Museum of Modern Art has replaced works in its permanent-collection galleries with eight by artists from the targeted nations. The rehang was instigated and executed by staff who wanted to react to unsettling political circumstances. (Read more from Hyperallergic.)

The Battle to Save America’s Arts Endowment from Trump’s Cuts

The day before Donald Trump was installed as president, details of his administration’s plans for cuts to government spending came to light. Seemingly drawn from a blueprint published by the Heritage Foundation, the plans feature deep cuts to many vital federal programs, including the elimination of the NEA. (Read more from Apollo.)

What We Can Learn from the Brief Period When the Government Employed Artists

That the arts would be funded significantly by the federal government may raise an eyebrow today. But working under a subdivision of the Works Progress Administration known as the Federal Art Project, artists such as Jackson Pollock and Lee Krasner helped the country recover from the Great Depression, as part of President Franklin D. Roosevelt’s New Deal. (Read more from Artsy.)

State Spending on Higher Ed Continues Upward Trend

For the fourth year in a row, state spending on higher education is up nationwide. The annual “Grapevine” survey, conducted by the State Higher Education Executive Officers and the Center for the Study of Education Policy at Illinois State University, shows a 3.4-percent average nationwide increase in spending over the 2016 fiscal year, although that figure could be changed by legislation pending in Illinois. (Read more from the Chronicle of Higher Education.)

The Met: A Great Museum in Decline?

The bad news had been building for months at the Metropolitan Museum of Art. Even as crowds poured into shows on Hellenistic kingdoms and high-tech fashion, the museum’s deficit was approaching $40 million and had forced the buyout or layoff of some ninety employees. An expansion into a satellite building cost millions of dollars more than expected. (Read more from the New York Times.)

Museums Celebrate the Decriminalization of Homosexuality

Museums across the UK are preparing exhibitions to mark the fiftieth anniversary of the Sexual Offences Act, the legislation that partially decriminalized male homosexuality in England and Wales in 1967. In London, the National Portrait Gallery will present a special display on the city’s gay scene in the 1980s, while the first major exhibition dedicated to queer British art will open at Tate Britain. (Read more from the Art Newspaper.)

Nobody Is Normal

While medical researchers might miss such fine points, philosophers of medicine have been parsing the nuances and striving to define “normal” for years. One thought experiment asks us to consider variations on the ends of the spectrum that we would not consider pathological: having green eyes, being color-blind, being extremely tall or short, having photographic memory, or being a supertaster. (Read more from Aeon.)

Brad Troemel, the Troll of Internet Art

Brad Troemel’s art plays with a central paradox of the internet: the technology that was supposed to liberate us from the dreary real world has inspired a whole new set of anxieties. For the growing number of artists who use the internet to distribute their work, a key problem has become how to stand out amid a torrent of information. (Read more from the New Yorker.)



Filed under: CAA News

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