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This past spring CAA restructured its membership program in order to provide more options and better serve its members. CAA added new benefits such as online access to The Art Bulletin and Art Journal as well as discounted access to JPASS. CAA also added new, discounted membership categories for part-time faculty and independent artists and scholars. These changes were made in direct response to important feedback from CAA members.

The three income-based levels of membership that CAA used for many years were replaced by two general categories: Basic and Premium. The Basic level ($125 a year) provides a lower-cost option for members who aren’t planning to attend the Annual Conference. If they do attend, Basic members receive a 20 percent discount on registration. The Premium level ($195 a year) costs a bit more but offers a much greater value for conference attendees: a 55 percent registration discount.

CAA communicated this information through letters, eblasts, a presentation on CAA’s YouTube Channel, and an Individual Member Guide and member FAQs posted on the website. We have since learned from members, however, that some confusion has arisen over the new membership categories and their respective benefits related to conference discounts.

We are in the process of reviewing and updating the Membership section of the website, and we will aim to be clearer in member correspondence throughout the year. Please keep in mind that if you are renewing your membership and you know at that time that you will attend the Annual Conference, the Premium membership with its larger conference registration discount will provide you with the greatest overall value when combined with the conference cost.

If you ever have any questions about your membership, please do not hesitate to contact us at membership@collegeart.org. Thank you for your continued support of CAA.

 

 

John Richardson, CAA Vice President for External Affairs
Professor and Chair, Department of Art and Art History, Wayne State University



Filed under: Annual Conference, Membership

News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Why Is Art So Expensive?

I recently went to a gallery and saw pieces of broken glass selling for $1,000 per shard. Why? And why is art so expensive? (Read more from Slate.)

The Academy’s Dirty Secret

According to a new study that scrutinized more than 16,000 faculty members at 242 schools, just a quarter of all universities account for 71 to 86 percent of all tenure-track faculty in the US and Canada in business, computer science, and history. Just eighteen elite universities produce half of all computer-science professors, sixteen schools produce half of all business professors, and eight schools account for half of all history professors. (Read more from Slate.)

How to Start an Art School

There are plenty of examples out there, from fly-by-night, for-profit scoundrels to august, ivy-draped centuries-old institutions. Why not just join one of them rather than go through the trouble of starting something new? Unfortunately, the current model for art school is awful. Let us count the ways, easily summed in dollars. (Read more from Momus.)

Do Artist Branding and Hollywood Talent Agency Deals Kill an Artist’s Soul?

Many of us have seen the Andy Warhol Converse sneakers and the Uniqlo t-shirts adorned with famous artworks. We’ve seen the painted BMW cars and the branding of vodka bottles. If artists want to put their signature squiggles on a shoe or a bottle of booze, are they compromising their integrity in exchange for a bit of cash? (Read more from Artnet News.)

US Museums Capitalize on Baby Boomers’ Desire to Write Big Checks

Cultural giving among America’s top philanthropists fell slightly in 2014, according to the Chronicle of Philanthropy’s annual ranking of the fifty largest charitable donors. The news might come as a surprise to US museum directors, who have been swiftly and quietly raising eight-, nine-, and ten-figure donations from eager patrons. Their ambitious capital campaigns make the austerity measures of the recent recession feel like a distant memory. (Read more from the Art Newspaper.)

From the Journal Editor’s Vantage Point

We could spend a lot of time discussing why academic journals accept so few manuscripts at the outset. Having satirized the peer-review process myself, I would be the first to acknowledge that it’s far from perfect. But pragmatically speaking, it’s important to realize that if you receive a revise-and-resubmit and decide to cut your losses and move on to another journal, you’re likely to face exactly the same outcome. (Read more from Vitae.)

We Need More STEM Majors with Liberal Arts Training

Our culture has drawn an artificial line between art and science, one that did not exist for many innovators. Leonardo da Vinci’s curiosity and passion for painting, writing, engineering, and biology helped him triumph in both art and science. And Steve Jobs once declared: “It’s in Apple’s DNA that technology alone is not enough—it’s technology married with liberal arts, married with the humanities, that yields us the result that makes our heart sing.” (Read more from the Washington Post.)

Yale to Launch Lens Media Lab for Photograph Research and Conservation

The Lens Media Laboratory, a new research facility that will apply scientific principles to the characterization and conservation of photographs and other lens-based media, has been created as part of the Yale Institute for the Preservation of Cultural Heritage, a center dedicated to improving the science and practice of conservation globally. (Read more from Yale News.)



Filed under: CAA News

Millard Meiss Publication Fund Seeks Three Jury Members

posted by Betty Leigh Hutcheson


CAA seeks nominations and self-nominations to fill three positions on the jury for the Millard Meiss Publication Fund for a four-year term, July 1, 2015–June 30, 2019. Candidates must be actively publishing scholars with demonstrated seniority and achievement; institutional affiliation is not required.

The Meiss jury awards grants twice a year to support the publication of book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. CAA reimburses jury members for travel and lodging expenses in accordance with its travel policy.

Candidates must be current CAA members and should not be serving on another CAA editorial board or committee. Jury members may not themselves apply for a grant in this program during their term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Millard Meiss Publication Fund Jury, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or send all materials as email attachments to Sarah Zabrodski, CAA editorial manager. Deadline: May 1, 2015.



Filed under: Grants and Fellowships, Service

Teaching the History of Modern Design: The Canon and Beyond
NEH Summer Institute
Drexel University, Philadelphia, Pennsylvania
July 6–July 31, 2015

Teaching the History of Modern Design: The Canon and Beyond” is an exciting four-week NEH Summer Institute that will prepare twenty-five college faculty from diverse disciplinary backgrounds to meet the increasing demand for, as well as interest in, courses on modern design history. In-depth seminars will focus upon three interdependent thematic units: (1) taste and popular culture; (2) women as consumers and producers of design; and (3) political and global interpretations of design after World War II.

The director’s and visiting scholars’ complementary approaches to “The Canon and Beyond” will build upon and reinforce participants’ familiarity with standard material, while simultaneously introducing new material and critical perspectives. Field trips to regional museums and collections such as the Philadelphia Museum of Art and the Hagley Museum in Delaware will provide participants direct experience with objects and suggest ways to use local collections in their own teaching. Group presentations by our participants will take place during the final week of the institute.

Application deadline: March 2, 2015

Notification date: March 30, 2015

Stipend: $3,300

Visiting scholars: Regina Lee Blaszczyk, University of Leeds, England; Maria Elena Buszek, University of Colorado, Denver; Catharine Rossi, Kingston University, England; Sarah Teasley, Royal College of Art, London; and Vladimir Kulic, Florida Atlantic University.

Project faculty: Carma R. Gorman, University of Texas at Austin

Institute director: David Raizman, Drexel University



News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

The Tall Task of Unifying Part-Time Professors

Robert Yoshioka, a representative of the California Part-Time Faculty Association, is one of many who are agitating for better wages and greater job security for adjunct, part-time, and contingent faculty, who often don’t know whether they’ll be hired back until a few weeks before the semester starts. But as he and his fellow activists prepare for a National Adjunct Walkout Day on February 25—the first nationwide protest of its kind—he is running into a problem: it’s hard to organize a loose collection workers who are hired and fired at will. (Read more from the Atlantic.)

Excuses, Excuses

What’s the most common reason people who want to attend the arts don’t follow through? Time. Or, more accurately, the lack of it. Not surprised? According to the American Time Use Survey, 95 percent of Americans over the age of fifteen participate in leisure activities for an average of five hours a day. Nonetheless, the perception that they lack time keeps them from participating in a host of available activities, and the arts are no exception. (Read more from the National Arts Marketing Project.)

The Art of Twitter Art

Welcome to the world of Twitter art, a whimsical, boundless space dominated by image-generator bots and ASCII character codes and hand-drawn cartoons. Twitter art appears unexpectedly in streams. Twitter art is experimental. Twitter art even interacts with other Twitter art. But Twitter art’s creators face a tricky challenge: they work on a site designed primarily for posting limited text, so users rarely stop and stare at tweets the way they might pause to appreciate other visual-art forms. (Read more from the Atlantic.)

The Rise and Fall of a Midwestern Art Magazine

In 1973 Derek Guthrie was fired as an art critic from the Chicago Tribune. There was “under-the-table censorship” occurring, as he called it in his introduction to the recent New Art Examiner Anthology. Chicago, by many accounts, was a cultural backwater. Why not just move to New York and fall in with like-minded individuals in a thriving art scene? Why did he stay in Chicago and found the New Art Examiner? (Read more from F Magazine.)

92 Percent of College Students Prefer Reading Print Books to Ereaders

Despite the embrace of ebooks in certain contexts, ereaders remain controversial. Many people just don’t like them: ereaders run out of battery, they hurt your eyes, and they don’t work in the bath. After years of growth, sales are stagnating. In 2014, 65 percent of six- to seventeen-year-old children said they would always want to read books in print—up from 60 percent two years earlier. (Read more from the New Republic.)

What’s Wrong with the Public Intellectual?

For years, the undigitized gem of American journals had been Partisan Review. Last year its guardians finally brought it online. Some of its mystery has been preserved, insofar as its format remains hard to use, awkward, and hopeless for searches. Even in its new digital form it retains a slightly superior pose. (Read more from the Chronicle Review.)

Is a New Artistic Activism Emerging via Social Media and Forms of Public Protest?

Recent world crises have elicited an unprecedented response on social media and brought on new forms of artistic protest. Think of the brave Mexican artists who have been standing naked in public to protest student killings, shared everywhere online, or take a look at the pictures below for a visual recap of other artistic protest projects over the past few months. They got me thinking: is a new artistic activism emerging via social media and forms of public protest? (Read more from Artnet News.)

Museum Rules: Talk Softly, and Carry No Selfie Stick

In a famous lab trial, a chimp named Sultan put two interlocking sticks together and pulled down an elusive prize, a bunch of bananas hanging just out of arm’s reach. Nearly a century later, eager tourists have conducted their own version of the experiment. Equipped with the camera extender known as a selfie stick, occasionally referred to as “the wand of narcissism,” they can now reach for flattering CinemaScope selfies wherever they go. (Read more from the New York Times.)



Filed under: CAA News

The J. M. K. Innovation Prize is an exciting new initiative of the J. M. Kaplan Fund, a New York–based family foundation. In 2015 up to ten prizes will be awarded to US–based individuals or teams addressing our country’s most pressing needs through social-sector innovation.

Join us on Tuesday, February 24 at 12:00 PM EST for an informational webinar about the J. M. K. Innovation Prize. Topics of discussion will include the purpose of the prize, eligibility requirements, the application and selection timeline, and much more. You may register here:

https://attendee.gotowebinar.com/register/2057012897150264066

If you’ve already registered for this webinar, it is not necessary to register again.

For more information about the J. M .K. Innovation Prize, please visit the J. M. Kaplan Fund’s website: www.JMKFund.org.

Thank you for your continued interest and support!



Filed under: Grants and Fellowships

In a letter sent to Linda Downs and DeWitt Godfrey on February 9, 2015, the Association of Art Museum Directors (AAMD) expressed its support of CAA’s newly published Code of Best Practices in Fair Use for the Visual Arts.

Christine Anagnos, AAMD executive director, and Susan Taylor, AAMD president and Montine McDaniel Freeman Director of the New Orleans Museum of Art in Louisinan, write: “AAMD believes the code of Best Practices in Fair Use for the Visual Arts is an excellent contribution to the field and a great point of departure for best practices in the fair use of copyrighted materials. We are thankful to those who helped to develop the guide over the past two years and recognize the hard work of Peter Jaszi and Patricia Aufderheide.”



Results of the 2015–19 Board of Directors Election

posted by Christopher Howard


The CAA Board of Directors welcomes four newly elected members, who will serve from 2015 to 2019:

DeWitt Godfrey, CAA board president, announced the election results during the Annual Members’ Business Meeting, held on Friday, February 13, 2015, at the 103rd Annual Conference in New York.

The Board of Directors is charged with CAA’s long-term financial stability and strategic direction; it is also the association’s governing body. The board sets policy regarding all aspects of CAA’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

For the annual board election, CAA members vote for no more than four candidates; they also cast votes for write-in candidates (who must be CAA members). The four candidates receiving the most votes are elected to the board.




Find discounts and special offers at CAA’s booth in the Book and Trade Fair at the 2015 Annual Conference in New York.

Don’t miss these opportunities:

Ticket Prices

Exhibit Hall tickets are available onsite in the Registration area on the Second Floor Promenade.

  • Conference registrant: FREE Admission with your conference registration badge
  • Member: $15, with credit card, check, or cash
  • Nonmember: $25, with credit card, check, or cash

The Book and Trade Fair is open on Thursday and Friday, February 12 and 13, 9:00 AM–6:00 PM, and on Saturday, February 14, 9:00 AM–2:30 PM, in the Americas Exhibit Hall, Levels I and II, New York Hilton Midtown.



News from the Art and Academic Worlds

posted by Christopher Howard


Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

President Proposes Funding Increases for Cultural Agencies and Institutions

President Barack Obama has released his administration’s fiscal year 2016 budget request to Congress. In the budget, the president recommended a range of increases in federal funding for the majority of national arts and cultural agencies, programs, and institutions. Specifically, the National Endowment for the Arts and the National Endowment for the Humanities are being recommended for a $2 million increase. (Read more from Americans for the Arts.)

Obama Requests $147.9 Million for NEH in 2016

The Obama administration today released a budget request of $147,942,000 for the National Endowment for the Humanities for fiscal year 2016. The NEH, the independent federal agency that will celebrate its fiftieth anniversary this year, awards grants supporting research, education, and public programs in history, philosophy, literature, and other areas of the humanities. (Read more from the National Endowment for the Humanities.)

Smithsonian American Art Museum Launches Effort to Create National Art Database

The Smithsonian American Art Museum is leading a group of fourteen institutions from around the country in an effort to build a shared—and searchable—online database that could spur research and scholarship about American art. One of the first in the nation to make its entire collection available through Linked Open Data, the museum received a grant from the Andrew M. Mellon Foundation to create the American Art Collective to expand the project to other museums. (Read more from the Washington Post.)

Dangers of Art (Students)

The beginning was innocent enough: a class assignment to photograph the rising and setting of the sun. Yet instead of tracking sunlight for several weeks, the camera, strapped to a major Atlanta bridge, was blown up. This case of mistaken identity over a Georgia State University student’s art project caused an unusually large commotion. But this is far from the first time student artwork has been mistaken as a dangerous device or drawn the attention of law enforcement. (Read more from Inside Higher Ed.)

The “Wild West” of Academic Publishing

Holding the odd bestseller aside, the digital disruption of the print world that is transforming commercial publishing also affects publishers of scholarly books and journals—and is changing structures for teaching, research, and hiring and promoting professors. Time-honored traditions appear vulnerable to overhaul or even extinction. Sarah Thomas, vice president for the Harvard Library, says, “We are still in the Wild West of sorting out how we will communicate our academic developments effectively.” (Read more from Harvard Magazine.)

How Reviews on Rate My Professors Describe Men and Women Differently

Easy or demanding? Boring or engaging? And what about homework? The student-evaluation site Rate My Professors contains a huge stockpile of information about what college students think of their instructors. And thanks to a new tool created by a Northeastern University professor, those millions of reviews can be mined to reveal students’ biases about male and female professors. (Read more from Chronicle of Higher Education.)

New York Museums Are Banning Selfie Sticks? What a Heroic Idea

At last, someone has stood up to the swilling tide of pseudodemocracy that threatens to turn museums into playgrounds and shopping malls. The selfie stick is now banned in many New York museums. The doctrine that a museum should be full of people at all times, however uninterested they may be, means that most big museums and art galleries will do anything, literally anything, to make themselves more approachable. (Read more from the Guardian.)

Inside Look

Last fall, as I was finishing my doctorate and applying to tenure-track jobs outside my institution, I served on a search committee for assistant-professor openings at my doctoral institution in my areas of study with my dissertation mentors—all of whom are senior scholars. Although I could have declined the service, I recognized that being on the committee would help me gain insights that could improve my own job search. (Read more from Inside Higher Ed.)



Filed under: CAA News

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