posted by CAA
CAA invites nominations and self-nominations for at-large members of the Annual Conference Committee to serve a three-year term, beginning February 2017, immediately following the 105th Annual Conference. We welcome all members to participation in the nomination process. Working with the Programs Department staff, this committee selects the sessions and shapes the program of the Annual Conference. The committee ensures that the program will reflect the goals of the association and of the Annual Conference, namely, to make the conference an effective place for intellectual, aesthetic, and professional learning and exchange, and to provide opportunities for participation that are fair, equal, and balanced.
The Annual Conference Committee meets at least two times a year via conference call and once during the Annual Conference at the call of the vice president for Annual Conference and the committee’s chair. Members must be available throughout May and June to review a significant amount of material and select 2018 conference content from the submitted proposals.
Please send a 150-word letter of interest and a CV to Katie Apsey, CAA manager of programs. Deadline: January 31, 2017.
posted by CAA
CAA invites you to help shape the future of the organization by serving on the 2017-2018 Nominating Committee. Each year, this committee nominates and interviews potential candidates for the CAA Board of Directors and selects the final slate for the membership’s vote. The candidates for the 2017 Board of Directors’ election were announced on November 29, 2016.
The Board of Directors and the Nominating Committee strive to find the best candidates that represent the broad subdisciplines and practitioners represented in the membership. The 2016-2017 Nominating Committee will select the members of the 2017-2018 committee at its business meeting during CAA’s Annual Conference in New York City in February 2017. Once selected as new members of the Nominating Committee, all members propose, in the spring, five to ten nominations of people to run for the board. Service on the committee involves conducting telephone interviews with candidates during the summer of 2017, and meeting in the fall to select the final slate of Board candidates. Finally, all Nominating Committee members attend their next business meeting, at the 2018 Annual Conference in Los Angeles to select the succeeding committee members.
Nominations and self-nominations should include a brief statement of interest and a 3–4 page condensed CV. Please email a statement and your CV as Word attachments, with the subject line “2017-2018 Nominating Committee,” to the attention of Jim Hopfensperger, CAA vice president for committees, care of Vanessa Jalet, CAA executive liaison. Deadline extended: Friday, January 6, 2017.
posted by CAA
CAA Media Lounge
105th Annual Conference NYC 2017
Nov 30, 2016
Craft Action: Genre Bending
Craft Action: Genre Bending is a juried video screening exploring the role of process, skill, and action as it relates to craft mediums. The growing interdisciplinarity of craft practices is the impetus for this call for submissions of video work by practitioners engaged craft media, such as ceramics, textiles, metals, wood, and glass. The use of video with craft enables the artist to engage in using materials and tools in combination with their representation to express new ideas, addressing making by investigating not only what is shown, but how it is shown.
Media Lounge is CAA’s main stage of new media explorations where students, academics, and artists come together to build camaraderie. These methods of working with conceptual and technical content provides fodder for a dynamic dialogue of how artists’ place themselves in the larger distinction of media, both analog and digital.
Each year Media Lounge coordinates a central theme to explore the interrelationship of media across a topic. This year in NYC, Media Lounge presents screenings, panels and discussions that explore the genres of craft and video, politics and strategy, and inter-related material explorations of new media and footage that entangles what is expected of cross-disciplinary explosions of content, surrounding the theme of Genre Bending.
Genre is a way to group practices into categories that are familiar-or frame an expected experience from the audience. Media Lounge NYC 2017 uses genre and the elasticity of bending to explore new media genre relationships and their impulse of hybrid crossovers.
Anne Sophie-Lehman has theorized that the combination of craft and film produces its own unique genre, which she calls “showing making”. Part archival, part instructional, part visual pleasure, and part showmanship, this idea of genre bending and genre production is the starting point for this year’s Media Lab theme.
Craft Action: Genre Bending seeks to explore how artists bend, break, subvert, or invent new genres for craft and film. Artists will be asked to note in their application what genre/s they see themselves as bending or creating. This may be a traditional genre, like comedy, tragedy, animation, or a craft-based genre like the instructional demonstration – or a genre yet-to-be defined that can provoke new understanding and considerations.
All video submission must be original works of art completed within the last 3 years.
- Entries will be accepted from the link HERE
- Artists are required to submit video as Vimeo files, opening up the access of the files to shared
- The video(s) should be an excerpt totaling no longer than 5 minutes.
- Artists may submit up to three videos to be selected
Screening Dates and Panel Discussion
CAA Conference Media Lounge
February 16, 2017
Guest Curators and Conference Panelists
Marilyn Zapf is the Assistant Director at The Center for Craft, Creativity & Design (CCCD) and Curator of CCCD’s Benchspace Gallery & Workshop in Asheville, NC where she has curated a number of nationally-traveling exhibitions including Made in WNC (2015) and Gee’s Bend: From Quilts to Prints (2014). Zapf teaches courses on the History of Craft at Warren Wilson College and publishes articles and reviews in international publications, including Art Jewelry Form and Crafts Magazine (UK). She is a founding member of the international experimental history of design collective, Fig. 9, holds a MA in the History of Design from the Royal College of Art and Victoria and Albert Museum in London, England, and a BA (English Literature) and BFA (Jewelry and Metalworking) from The University of Georgia. Her areas of research include craft, postmodernism and de/industrialization.
Namita Gupta Wiggers is a curator, writer, educator and artist based in Portland, Oregon. She is the Director of Critical Craft Forum, and Exhibitions Review Editor, Journal of Modern Craft. From 2004-12 Wiggers served as the Curator, and later Director and Chief Curator (2012 -14) of Museum of Contemporary Craft. She curated over 65 exhibitions, including: New Embroidery: Not Your Grandma’s Doily, Touching Warms the Art, The Academy is Full of Craft, Object Focus: The Bowl, and Manufractured: The Conspicuous Transformation of Everyday Objects (curated by Steven Skov Holt and Mara Holt Skov), and Gestures of Resistance (curated by Judith Leemann and Shannon Stratton.). She curated the first museum exhibitions on Betty Feves, Laurie Herrick, Nikki McClure, Emily Pilloton, and Ken Shores. Recent exhibitions include Across the Table, Across the Land with Michael Strand for NCECA’s 50th Anniversary, and Everything has been Material for Scissors to Shape, on view at the Wing Luke Museum of Asian American Experience. Wiggers is editing a Companion on Contemporary Craft (Wiley Blackwell), and collaborating on a project focused on gender and jewelry with Benjamin Lignel.
Hilton New York Midtown, College Art Association Conference, Media lounge
ArtSpace + Media Lounge
CAA’s Services to Artists Committee hosts offerings in ArtSpace and Media Lounge, a “conference within a conference” of innovative programs that are of special interest to artists, emerging professionals, and artist / educators. ArtSpace and Media Lounge programming offers an informal, dynamic setting with sessions, panels, screenings, curated media, distinguished artists interviews, exhibition opportunities and other social events. These programs are free and open to the public, and do not require CAA membership or registration fees for the conference to participate or attend.
Thank you in advance for your participation and please feel free to contact carissacarman at gmail.com if you have questions regarding the submission.
posted by CAA
In a competitive job market, everyone could use the opportunity to get feedback on interviewing and presentation. Take advantage of this opportunity to have a twenty-minute interview/mentoring session from a seasoned professional.
Students and emerging professionals have the opportunity to sign up for a twenty-minute practice interview at the 2017 Annual Conference in New York. Organized by the Student and Emerging Professionals Committee, the Mock Interview Sessions give participants the chance to practice their interview skills one on one with a seasoned professional, improve their effectiveness during interviews, and hone their elevator speech. Interviewers also provide candid feedback on application packets. Mock Interview Sessions are offered free of charge, but you must be a CAA member to participate. Sessions are filled by appointment only and scheduled within the SEPC Lounge for the following times:
Thursday, February 16: 11:30 AM–1:30 PM
Thursday, February 16: 3:00–5:00 PM
Friday, February 17: 9:00–11:00 AM
Friday, February 17: 2:00–4:00 PM
Conference registration, while encouraged, is not necessary to participate. To apply, fill out the Google Registration Form. You may enroll in one twenty-minute session. The deadline to register is February 6, 2017. You will be notified of your appointment day and time by email. Please bring your application packet, including cover letter, CV, and other materials related to jobs in your field. The Student and Emerging Professionals Committee will make every effort to accommodate all applicants; however, space is limited. There will be VERY limited registration onsite. If you have any questions, please email the Student and Emerging Professionals Committee.
posted by CAA
The Services to Artists Committee invites artist members to participate in ARTexchange, CAA’s unique pop-up exhibition and annual meet-up for artists and curators. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators, and cultural producers. ARTexchange will take place at the 105th Annual Conference in New York on Friday evening, February 17, 2017, from 5:30 to 7:30 PM.
Each artist is given the space on, above, and beneath a six-foot table to exhibit their work: prints, paintings, drawings, photographs, sculptures, and small installations; performance, process-based, interactive, and participatory works are especially encouraged. Previous ARTexchange participants have found that this parameter sparked many creative display options. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets.
To participate as an exhibiting artist in 2017, contact Katie Apsey, CAA manager of programs, by December 2, 2016, with the following information: (1) a short description of what you will exhibit and how you will use the six-foot table space (provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations); (2) your CAA member number (memberships must be active through February 18, 2017); and (3) your website or a link to a digital portfolio.
Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference. Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline extended: January 6, 2017.
posted by CAA
The Professional Interests, Practices and Standards (PIPS) committees address critical concerns of CAA’s members set out in the goals of CAA’s Strategic Plan. CAA invites members to apply for service on one of these PIPS committees.
Committee on Diversity Practices
The Committee on Diversity Practices supports the development of global perspectives on art and visual culture. The committee promotes artistic, curatorial, scholarly and institutional practices that deepen appreciation of political and cultural heterogeneity, as educational and professional values. To that end, the committee assesses and evaluates the development and implementation of curricular innovation, new research methods, curatorial and pedagogical strategies, and hiring practices that contribute to the realization of these goals.
Committee on Intellectual Property
The Committee on Intellectual Property monitors and interprets copyright legislation for the benefit of CAA’s various constituencies. In so doing, it seeks to offer educational programs and opportunities for discussion and debate in response to copyright legislation that affects educators, scholars, museum professionals, and artists.
Committee on Women in the Arts
The Committee on Women in the Arts (CWA) promotes the scholarly study and recognition of women’s contributions to the visual arts and to critical and art-historical studies; advocates for feminist scholarship and activism in art; develops partnerships with organizations with compatible missions; monitors the status of women in the visual-arts professions; provides historical and current resources on feminist issues; and supports emerging artists and scholars in their careers.
The Education Committee promotes the visual arts as essential human activity; as a creative Endeavor and subject of cultural and historical inquiry and critical appreciative activity, and encourages excellence in teaching at all levels. Its focus is on pedagogy at the higher education level in art history, visual culture, studio, aesthetics, and art criticism, and on the interface between arts teaching and learning research and practice.
The International Committee seeks to foster an international community of artists, scholars and critics within CAA; to provide forums in which to exchange ideas and make connections; to encourage engagement with the international student community; to develop relationships between CAA and organizations outside the United States with comparable goals and activities; and to assist the CAA Board of Directors by identifying and recommending advocacy issues that involve CAA and cross national borders.
The Museum Committee provides a bridge between scholars and arts professionals in the academic and museum fields. It offers a forum for the discussion of issues of mutual interest and promotes museum advocacy issues within CAA. The committee lends support and mentorship for both seasoned and emerging professionals to protect and interpret the arts within museums.
Professional Practices Committee
The Professional Practices Committee responds to specific concerns of the membership in relation to areas such as job placement and recruitment, tenure and promotion procedures, scholarly standards and ethics, studio health and safety, and artists’ practices. The Professional Practices Committee also oversees CAA’s Standards and Guidelines.
Services to Artists Committee
The Services to Artists Committee (SAC) was formed by the CAA Board of Directors to seek broader participation by artists and designers in the organization and the Annual Conference. SAC identifies and addresses concerns facing artists and designers; creates and implements programs and events at the conference and beyond; explores ways to encourage greater participation and leadership in CAA; and identifies ways to establish closer ties with other arts professionals and institutions. To this end, committee members are responsible for the programming of ARTspace and its related events.
Student and Emerging Professionals Committee
Established in February 1998, the Student and Emerging Professionals Committee is comprised of CAA members who are students, recent graduates, and experienced arts professionals with the intention of better representing students and emerging professionals within the larger CAA and academic framework.
In the past year the Committee on Diversity continues to address how CAA as an association can positively address diversity awareness, training and implementation and maintains a site for resources on diversity practices: http://www.collegeart.org/diversity/; the Committee on Intellectual Property has organized conference sessions on the new Fair Use Code and maintains a resource cite on intellectual property: http://www.collegeart.org/ip/; the Committee on Women in the Arts provides CWA Picks: http://www.collegeart.org/committees/picks and supports scholarship on women in the arts; the Education Committee organizes conference panels on issues in education, and in 2017 will examine Teaching Art and Art History to Non-Majors; the International Committee promotes interactions between scholars on a global basis and continues to support the CAA/Getty International Travel program that brings international scholars to the annual conference; the Museum Committee focuses on the history and theory of art museums and academia and has implemented its project—Resources for Academic Art Museum Professionals (RAAMP) supported by the Andrew W. Mellon Foundation; the Professional Practices Committee updates and develops important guidelines for the profession; Services to Artists Committee plans and organizes ArtSpace at the annual conference that presents prominent artists and designers, discussions on artist/designer concerns from safety in the workplace to professional development; the Student and Emerging Professionals Committee organizes panels related to emerging professionals and holds mentoring and mock job interviews at the conference. All committees are seeking new members with expertise in these areas.
New this year, each PIPS Committee may propose and present one session on a subject related to their committee charge. If a Committee wishes to propose a second session, that session must be vetted and approved by the Annual Conference Committee.
Committee members serve three-year terms (2017–20), with at least one new member rotating onto a committee each year. Candidates must be current CAA members and possess expertise appropriate to the committee’s work. Members of all committees volunteer their services without compensation. It is expected that once appointed to a committee, a member will involve himself or herself in an active and serious way.
The following vacancies are open for terms beginning in February 2017:
- Committee on Diversity Practices: 3–4 members
- Committee on Intellectual Property: 3–4 members
- Committee on Women in the Arts: 3–4 members
- Education Committee: 3–4 members
- International Committee: 6 members
- Museum Committee: 5 members
- Professional Practices Committee: 7 members
- Services to Artists Committee: 4–5 members
- Student and Emerging Professionals Committee: 3–4 members
CAA’s president, vice president for committees, and executive director review all candidates in the fall, and announce the appointments after November 1, prior to the Annual Conference. New members are introduced to their committees during their respective business meetings at the conference.
Nominations and self-nominations should include a brief statement (no more than 150 words) describing your qualifications and experience and an abbreviated CV (no more than 2–3 pages). Please send all materials to Vanessa Jalet, CAA executive liaison at email@example.com. Deadline: Friday, September 30, 2016. Kindly enter subject line in email: 2017 PIPS Applicant.
posted by CAA
The president of the CAA Board of Directors, Suzanne Preston Blier, has confirmed new appointments to the editorial boards of CAA’s three scholarly journals and to the Publications Committee, in consultation with the vice president for publications, Gail Feigenbaum.
The Art Bulletin
A new member-at-large has joined the Art Bulletin Editorial Board. Laura Weigert is an associate professor at Rutgers University in New Brunswick, New Jersey, whose area of specialization is Northern European art of the late Middle Ages and Renaissance. Her term on the editorial board runs through June 2020.
Three new at-large members have joined the Art Journal Editorial Board. Tatiana E. Flores, associate professor at Rutgers University in New Brunswick, New Jersey, with a joint appointment in the Department of Art History and the Department of Latino and Caribbean Studies, specializes in Latin American and contemporary art. She is also active as an independent curator. Amelia G. Jones, a historian and theorist of contemporary art and performance studies, is Robert A. Day Professor of Art and Design and vice dean of critical studies at the University of Southern California’s Roski School of Art and Design in California. Derek Conrad Murray, associate professor of contemporary art and visual culture at the University of California, Santa Cruz, focuses on the junctures of African American and African diasporic art, postblack art and aesthetics, cultural theory, and identity and representation. The term for each new editorial-board member goes through June 2020.
In addition, Tirza T. Latimer, chair of the graduate program in visual and critical studies at California College of the Arts in San Francisco and a member of the Art Journal Editorial Board since 2014, will now serve as its chair. Her term extends through June 2018.
The caa.reviews Editorial Board welcomes Juliet Bellow, associate professor of art history at American University in Washington, DC, as editor designate for the journal. She will begin a three-year term as editor-in-chief on July 1, 2017. Bellow has been a field editor for books on nineteenth-century art and served on the journal’s editorial board for the past four years. Andrei Pop, associate professor for the Department of Art History and the John U. Nef Committee on Social Thought at the University of Chicago in Illinois, has joined the caa.reviews Editorial Board after serving as field editor for books on theory and historiography.
caa.reviews recently added design history as a subject area, and Karen Carter, an associate professor from the Kendall College of Art and Design at Ferris State University in Grand Rapids, Michigan, will be the first editor to commission books on the subject. In addition, Iris Moon, visiting assistant professor of architecture at Pratt Institute in Brooklyn, New York, has joined the journal’s Council of Field Editors to commission reviews for books on eighteenth-century art. Alpesh Kantilal Patel, assistant professor and director of the MFA program in visual arts at Florida International University in Miami, currently serves as field editor for books on contemporary art.
Emily Shapiro has joined CAA’s Publications Committee as member-at-large for a term of three years. Shapiro is managing editor of the Archives of American Art Journal, after serving as executive editor for American Art.
posted by CAA
CAA is pleased to announce the members of the 2016–2017 Nominating Committee, which is charged with identifying and interviewing potential candidates for the Board of Directors and selecting the final slate of candidates for the membership’s vote. The committee members, their institutional affiliations, and their positions are:
- Jim Hopfensperger, Vice President for Committees and Nominating Committee Chair, Professor, Frostic School of Art, Western Michigan University
- Jesús Escobar, Harold H. and Virginia Anderson Chair, Department of Art History, Northwestern University
- Helen C. Frederick, Professor, School of Art and Design, George Mason University
- Carmenita D. Higginbotham, Associate Professor, Program in American Studies, University of Virginia, Department of Art
- Thomas Lawson, Dean, School of Art, Jill and Peter Kraus Distinguished Chair in Art, California Institute of the Arts
- Sarah A. Lichtman, Assistant Professor, Director, Design-Curatorial Studies, Parsons School of Design
- Gunalan Nadarajan, Professor and Dean, Stamps School of Art and Design, University of Michigan
- David C. Terry, Director of Programs, Curator, New York Foundation for the Arts
Hunter O’Hanian, CAA’s incoming executive director and CEO, will also serve on the Nominating Committee as an ex-officio member.
CAA publishes a call for nominations and self-nominations for Nominating Committee service on the website in late fall of every year and publicizes it in CAA News and via social media. Please direct all queries regarding the committee to Vanessa Jalet, CAA executive liaison.
posted by CAA
CAA invites nominations and self-nominations for at-large members of the Annual Conference Committee to serve a three-year term, beginning on May 1, 2016. We welcome all members to participation in the nomination process. Working with the Programs Department staff, this committee selects the sessions and shapes the program of the Annual Conference. The committee ensures that the program will reflect the goals of the association and of the Annual Conference, namely, to make the conference an effective place for intellectual, aesthetic, and professional learning and exchange, and to provide opportunities for participation that are fair, equal, and balanced.
The Annual Conference Committee meets at least two times a year at the call of the vice president for Annual Conference and the committee’s chair. Members must be available throughout May and June to review and select 2017 conference content from the submitted proposals. Please send a 150-word letter of interest and a CV to Katie Apsey, CAA manager of programs. Deadline: April 15, 2016.
posted by Katie Apsey
CAA invites nominations and self-nominations for individuals to serve on eight of the twelve juries for the annual Awards for Distinction for three years (2016–19). Terms begin in May 2016; award years are 2017–19. CAA’s twelve awards honor artists, art historians, authors, curators, critics, and teachers whose accomplishments transcend their individual disciplines and contribute to the profession as a whole and to the world at large.
Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2016. CAA’s president and vice president for committees appoint jury members for service.
The following jury vacancies will be filled this spring:
- Alfred H. Barr Jr. Award: three members
- Art Journal Award: two members
- Arthur Kingsley Porter Prize: two members
- CAA/AIC Award for Distinction in Scholarship and Conservation: two members
- Charles Rufus Morey Book Award: three members
- Distinguished Lifetime Achievement Award for Writing on Art: two members
- Distinguished Teaching of Art Award: one member
- Frank Jewett Mather Award: one member
Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and an abbreviated CV (no more than two pages). Please send all materials by email to Katie Apsey, CAA manager of programs; submissions must be sent as Microsoft Word or Adobe PDF attachments. For questions about jury service and responsibilities, contact Tiffany Dugan, CAA director of programs. New deadline: May 20, 2016.