CAA News

In its semimonthly roundup of obituaries, CAA recognizes the lives and achievements of the following artists, scholars, teachers, curators, museum and gallery directors, art dealers, auction-house administrators, and other men and women whose work has had a significant impact on the visual arts.

• Keith Aoki, a professor of law at the University of California, Davis, who helped create Bound by Law? Tales of the Public Domain, a comic book about copyright law and fair use, died on April 26, 2011. He was 55
• Jackson Burnside, a Bahamian artist, architect, and activist who was a cultural icon in his country, died on May 11, 2011, at the age of 62
• Matthew Carr, a figurative artist who drew portraits of Tom Stoppard and Diana Ross, died on February 23, 2011, at the age of 57
• Nimai Chatterji, a collector of postwar avant-garde art and literature, including artist’s books, posters, and audiovisual material, died on December 25, 2010. He was 77
• Polly K. Evans, an artist, teacher, and graphic designer who worked in the Byzantine studies program at the Dumbarton Oaks Research Library, died on December 28, 2010. She was 53 years old
• Jack Franses, a specialist in and dealer of textiles, tapestries, and oriental carpets who once led a department of Islamic art at Sotheby’s in London, died on December 10, 2010, at age 83. He also designed and taught classes at the University of London’s School of Oriental and African Studies
• Creighton Gilbert, a historian of Italian Renaissance art who taught for many years at Yale University, died on April 6, 2011, at the age of 90. CAA’s longest standing member, Gilbert was editor-in-chief of The Art Bulletin from 1980 to 1985 and shared the Frank Jewett Mather Award with Harold Rosenberg in 1964
• Sam Green, a promoter of Pop art who as director of the Institute of Contemporary Art in Philadelphia gave Andy Warhol his first retrospective in 1965, died on March 4, 2011. He was 70
• Stephen Hahn, a connoisseur, collector, and dealer of modern art who was a past president of the Art Dealers Association of America, died on April 2, 2011. He was 90
• John Hinchcliffe, a weaver, potter, printmaker, and designer who in 1991 had a retrospective at the Russell-Cotes Art Gallery and Museum in Bournemouth, England, died on December 20, 2010. He was 61
• Erlund Hudson, an artist who documented the home front in England in painting and drawing during World War II, died on March 9, 2011. She was 99 years old
• Gwyneth Johnstone, a British painter whose work absorbed the influences of Western art from the Italian Renaissance to modernism, died on December 8, 2010, at the age of 95
• Nancy Kominsky, an artist and the star of the television program Paint Along with Nancy, shown in the United Kingdom from 1974 to 1978 and rebroadcast in the United States in the 1980s, died on March 11, 2011. She was 95
• Suzanne Lang, a potter who expressed her Marxist beliefs on plates, pots, and jugs, died in March 2011. She was 69 years old
• Gordon Lebredt, a Canadian conceptual artist and writer who also fixed and raced motorcycles, died on February 26, 2011, at age 62. A monograph on unrealized projects, Gordon Lebredt: Nonworks 1975–2008, was published earlier this year
• Craig “Pirate” Lucas, a painter, associate professor emeritus at Kent State University, and the winner of the Cleveland Arts Prize’s 2008 Lifetime Achievement Award for Visual Arts, died on April 1, 2011. He was 69 years old
• Ioana Nemes, a Romanian artist who showed across Europe and was on a residency at Art in General in New York, died on April 23, 2011. She was 32
• Christopher Pemberton, an English painter, teacher, and translator of Joachim Gasquet’s Cézanne: A Memoir with Conversations, died on December 1, 2010. He was 87 years old
• Jane Phillips, a painter turned curator and director who led the Mission Gallery in Swansea, Wales, died on February 6, 2011. She was 53 years old
• John Pitson, a British typographer who had directed the Australian Government Publishing Service and helped author the influential Style Manual for Authors, Editors, and Printers (1966), died on November 25, 2010. He was 92
• Lancelot Ribeiro, an Indian artist who settled in Great Britain whose abstract and representational work covered a range of styles and subject matter, from figuration to landscape to still life, died on December 25, 2010. He was 77 years old
• Harold Rotenberg, an American artist who worked in an Impressionistic style and taught at the Museum School and School of Practical Arts (now the Art Institute of Boston), died on April 2, 2011. He was 105
• Heather Ann Sackett, an artist based in Syracuse, New York, who worked in sculpture and ceramics, died on March 17, 2011. She was 56 years old
• Tessa Sidey, a curator of modern and contemporary art for the Birmingham Museum and Art Gallery in England, died on January 1, 2011, at age 55. Among her career highlights is the exhibition Surrealism in Birmingham 1935–1954 and its catalogue
• Julian Thompson, a leading expert in Chinese porcelain who was chairman of the London branch of Sotheby’s from 1982 to 1990, died on January 16, 2011. He was 69
• Robert Vickrey, a Magic Realist painter who appeared in nine Whitney Museum Annuals in the 1950s and 1960s, died on April 17, 2011. He was 84 years old

Read all past obituaries in the arts in CAA News, which include special texts written for CAA.

In conjunction with the publication of The Eye, the Hand, the Mind, CAA has been conducting short email interviews with the many contributors to give an overview of the book’s diverse components. The artist Ellen K. Levy and the art historian Matthew Israel have participated thus far, with additional interviews to be published later in the spring and summer of CAA’s Centennial year.

Ellen K. Levy’s chapter, “Art in an Academic Setting: Contemporary CAA Exhibitions,” focuses on the organization’s role in supporting artists and exhibitions in recent decades. She explores the annual Regional MFA Exhibitions, which began in 1989 in San Francisco, and researched the shows that coincided with the Annual Conference, including Techno-Seduction, held in New York in 1997, and New Space, New Audience, CAA’s first and only online exhibition from 2001.

Matthew Israel’s chapter on “CAA, Pedagogy and Curriculum: A Historical Effort, an Unparalleled Wealth of Ideas,” considers how the organization’s journals, research initiatives, and conference programming reflect its varying commitments to teaching.

Jonathan Lackman of the Art History Newsletter published the first review of The Eye, the Hand, the Mind on February 24, 2011.

Newly elected members and officers of the CAA Board of Directors will gather at the governing body’s spring meeting on this Sunday, May 1, 2011. Charged with CAA’s long-term financial stability and strategic direction, the board sets policy regarding all aspects of the organization’s activities, including publishing, the Annual Conference, awards and fellowships, advocacy, and committee procedures.

New Directors

The board welcomes four new members, who will serve from 2011 to 2015:

• Leslie Bellavance, dean of the School of Art and Design in the New York State College of Ceramics at Alfred University in Alfred, New York
• Denise Mullen, president of the Oregon College of Art and Craft in Portland
• Saul Ostrow, chair of Visual Arts and Technologies at the Cleveland Institute of Art in Ohio
• Georgia Strange, director of the Lamar Dodd School of Art at the University of Georgia in Athens

New Officers

At its February 2011 meeting, the board elected new officers—four vice presidents and a secretary—from among its members to serve one-year terms, from May 2011 to April 2012.

• Patricia McDonnell, director of the Ulrich Museum of Art at Wichita State University in Kansas, is vice president for external affairs
• Maria Ann Conelli, director of the American Folk Art Museum in New York, will serve a second term as vice president for committees
• Anne Collins Goodyear, who was vice president for publications for two years, has been named vice president for Annual Conference
• Taking over from Goodyear as vice president for publications is Randall C. Griffin, professor of art history at Southern Methodist University in Dallas, Texas
• DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University in Hamilton, New York, was reelected secretary

Appointed Director

Earlier this year, CAA named Anne-Imelda Radice, a senior consultant for the Dilenschneider Group, to the board as an appointed director. She served as director of the Institute of Museum and Library Services from 2006 to 2010 and earned a PhD in art and architectural history from the University of North Carolina, Chapel Hill, as well as an MBA from American University in Washington, DC.

CAA recognizes the lives and achievements of the following artists, scholars, teachers, filmmakers, curators, museum directors, and other men and women whose work has had a significant impact on the visual arts. Of special note are two obituaries—on the curator Anne L. Schroder and the art historian Francesca Weinmann—that are published by CAA.

• Meredith Allen, a photographer based in New York best known for her series of Melting Ice Pops, died on March 17, 2011. Born in 1964, Allen showed her work at Edward Thorp Gallery and Sarah Bowen Gallery
• Jihmye Collins, an activist, poet, and painter who helped found two nonprofit organizations in southern California—African American Writers and Artists and San Diego Writers, Ink—died on March 15, 2011. He was 71
• Donny George, an archaeologist, professor at Stony Brook University, and former director of the Iraqi National Museum in Baghdad who fought against its looting in 2003, died on March 11, 2011, at age 60. CAA News published an interview with George in 2007 and the text of his 2008 Convocation address about the looting
• Gabriel Laderman, a New Realist painter based in New York whose 1971 article in Artforum highlighted the like-minded figurative work of Sidney Tillim, Jack Beal, and Philip Pearlstein, died on March 10, 2011. He was 81 years old
• Sidney Lumet, the celebrated director of such films as Dog Day Afternoon, Network, Serpico, 12 Angry Men, and The Wiz, died on April 9, 2011, at the age of 86
• John McCracken, a sculptor and painter who emerged in the 1960s making a West Coast brand of Minimalism often called “finish fetish” or “light and space,” died on April 8, 2011. He was 76 years old
• Anne L. Schroder, curator and academic program coordinator at Duke University’s Nasher Museum of Art, died on December 23, 2010, at the age of 56. Julie-Anne Plax has contributed a special text on her
• Leo Steinberg, an eloquent, erudite art historian whose articles and books on Renaissance, Baroque, and modern art—among them Other Criteria and The Sexuality of Christ in Renaissance Art and in Modern Oblivion—have influenced innumerable students and scholars, died on March 13, 2011, at age 90. Steinberg was honored as CAA’s  Distinguished Scholar in 2002
• Hedda Sterne, an artist associated with the original Surrealists and the first-generation New York School but whose paintings often resisted such styles and categorizations, died on April 8, 2011, at age 100. She also appeared in the famous “Irascibles” photograph in Life magazine in 1951
• Toshiko Takaezu, an award-winning ceramic artist based in Honolulu who had taught for many years at Princeton University and the Cleveland Institute of Art, died on March 9, 2011. She was 88
• Peter Thursby, an English artist who created sculpture in bronze, aluminum, and stainless steel, often placed in public locations, died on January 6, 2011. He was 80 years old
• George Tooker, a Magic Realist artist known for mysterious, haunting work, including The Subway (1950), in the collection of the Whitney Museum of American Art, died on March 27, 2011. He was 90
• Françoise “Francesca” Weinmann, founder of the Art History Department at the American University in Paris who taught there for three decades, died on March 4, 2011. George A. Wanklyn has written a remembrance on Weinmann, who was born in 1932

Read all past obituaries in the arts in CAA News, which include special texts written for CAA.

At its February 2011 meeting, the CAA Board of Directors elected new officers—four vice presidents and a secretary—from among its members to serve one-year terms, from May 2011 to April 2012. Elected officers (other than the president) hold their positions for one year and may be reelected to a second term. For more information about the election process for officers, please read Article VII, Section 5 of the CAA By-laws.

The new vice president for external affairs is Patricia McDonnell, director of the Ulrich Museum of Art at Wichita State University in Kansas. She will work closely with Linda Downs, CAA executive director, and Nia Page, CAA director of membership, development, and marketing, on fund-raising initiatives and advocacy matters. McDonnell succeeds Andrea Kirsh, an independent scholar and curator based in Philadelphia, Pennsylvania, who will rotate off the board in May.

The board reelected Maria Ann Conelli, director of the American Folk Art Museum in New York, to a second term as vice president for committees. She will act as a liaison between the board and the nine Professional Interests, Practices, and Standards Committees and coordinate committee work that advances CAA’s goals. Conelli will also chair the Nominating Committee, the Professional-Development Fellowships jury, and the Appointed Directors Nominating Committee.

Anne Collins Goodyear, who was vice president for publications for two years, has been named vice president for Annual Conference. She will chair the Annual Conference Committee, which determines conference programming and content, and work with CAA staff to devise and implement flexible session scheduling and formats for the event. Goodyear, who is assistant curator of prints and drawings at the National Portrait Gallery, Smithsonian Institution, in Washington, DC, succeeds Sue Gollifer, an artist and principal lecturer in fine art at the University of Brighton in England, who served as vice president for Annual Conference for two years.

Taking over from Goodyear as vice president for publications is Randall C. Griffin, professor of art history at Southern Methodist University in Dallas, Texas. He will oversee CAA’s publications program, serve as chair of the Publications Committee, and be a resource for the editorial boards of The Art Bulletin, Art Journal, and caa.reviews.

DeWitt Godfrey, an artist and associate professor of art and art history at Colgate University in Hamilton, New York, was reelected secretary. This officer informs each board member of upcoming meetings and notifies all CAA members of the Annual Members’ Business Meeting. The secretary also attends the above meetings, as well as all Executive Committee sessions, and records the votes and the minutes of the proceedings in a book to be kept for that purpose.

Membership fees cover less than half of CAA’s operating costs; thus voluntary contributions from members significantly help to make possible the wide range of programs and services that the organization offers. In a new website section called Acknowledgments, CAA recognizes the distinguished contributors for each of the following:

• The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so given the organization’s dynamic influence in shaping the study and practice of the visual arts
• The Annual Campaign helps CAA maintain affordable membership dues and Annual Conference fees, implement its myriad programs and publications, and serve the international community of professionals in the visual arts
• The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
• Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
• The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
• The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
• The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
• The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Sara Hines, CAA development and marketing manager, at 212-691-1051, ext. 216.

 

The CAA Board of Directors has selected five extraordinary individuals as the distinguished recipients of CAA’s four Centennial Awards in recognition of the extraordinary time and expertise they have contributed to the visual arts in New York and across the nation. The honorees are:

• Philippe de Montebello, Centennial Award for Leadership
• Agnes Gund, Centennial Award for Service to the Field
• Dorothy and Herbert Vogel, Centennial Award for Patronage
• Stuart E. Eizenstat, Centennial Award for Protecting Art as a Cultural Product

Special guests presenters gave the Centennial Awards during Convocation at the 99th Annual Conference and Centennial Kickoff at the Hilton New York on Wednesday evening, February 9, 2011.

 

CAA recognizes the lives and achievements of the following artists, scholars, critics, architects, museum directors, collectors, and other men and women whose work has had a significant impact on the visual arts.

• Maria Altmann, a woman who pursued the restitution of her family’s Gustav Klimt paintings from the Austrian government, died on February 7, 2011, at the age of 94
• Françoise Cachin, a French curator and art historian who specialized in Impressionism and Postimpressionism, died on February 4, 2011, at age 74. She helped found the Musée d’Orsay in Paris and also served as its director when it opened in 1986
• Vlassis Caniaris, an artist based in Athens, Greece, whose work was exhibited across Europe, died in March 2011 at the age of 83. He also served as chair of architecture at the National Technical University in Greece for twenty years
• Robert J. Clark, a longtime professor of art and archaeology at Princeton University and curator of the influential 1972 exhibition The Arts and Crafts Movement in America, 1876–1916, died on January 4, 2011. He was 73
• Edmund de Unger, a Hungarian-born businessman who developed property London and owned a major collection of Islamic fine and decorative art, died on January 25, 2011. He was 92
• B. H. Friedman, a novelist and the author of the biography Jackson Pollock: Energy Made Visible (1972) who started his career in real estate, died on January 4, 2011. He was 84
• Oleg Grabar, a renowned historian of Islamic art and architecture and professor emeritus in the School of Historical Studies at the Institute for Advanced Studies, died on January 8, 2011, at age 81. Grabar won CAA’s Distinguished Lifetime Achievement Award for Writing on Art in 2005, among other others
• Ida Kay Greathouse, director of the Frye Art Museum in Seattle from 1966 to 1993, died on January 6, 2011. She was 105 years old
• Roy Gussow, an abstract sculptor based in New York whose large public works in stainless steel can be seen across the United States, died on February 11, 2011. He was 92
• John Keefe, a curator of decorative arts at the New Orleans Museum of Art in Louisiana since 1983, died on January 31, 2011, at the age of 69. He had organized exhibitions on antique glass, Wedgwood china, Fabergé eggs, and perfume bottles
• Donald Locke, a Guyanese-born British artist who had settled in Atlanta, Georgia, died on December 6, 2010, at the age of 80. He was known for his work in diverse media, including drawing, painting, ceramics, and sculpture
• Loretta Lorance, an architectural historian at the School of Visual Arts who wrote Becoming Bucky Fuller (2009), died on February 26, 2011. She had worked briefly for CAA in 2001 as a book cataloguer while completing her doctorate at the Graduate Center
• Tom Lubbock, a British artist and the chief art critic for the Independent and Independent on Sunday, died on January 9, 2011, at the age of 53
• Alfred K. Moir, a specialist in Italian Baroque art and professor of art history at the University of California, Santa Barbara, died on November 13, 2010. Born in 1924, Moir was instrumental in the growth of the Santa Barbara Museum of Art
• Malangatana Ngwenya, a celebrated African artist and political activist from Mozambique who served in his country’s parliament from 1990 to 1994, died on January 5, 2011. He was 74
• Dennis Oppenheim, an artist whose pioneering work in land, video, body, performance, and installation art in the 1960s and 1970s pushed aesthetic boundaries, died on January 22, 2011, at age 72. In his last fifteen years he had actively pursued outdoor sculpture and public commissions
• Charles O. Perry, an American sculptor trained as an architect whose public works were inspired by mathematics, died on February 8, 2011, at the age of 81. He won the Prix de Rome in 1964 and stayed in Italy for fourteen years to pursue art and architecture
• Milton Rogovin, a socially motivated photographer who documented the lower classes in his adopted hometown of Buffalo, New York, and across the United States, died on January 18, 2011. He was 101
• Paul Soldner, a ceramicist who emerged in California in the 1960s with Peter Voulkos, Ken Price, and John Mason, died on January 3, 2011, at the age of 89. A teacher at Scripps College for many years, he invented a pottery technique called American raku
• David Sorensen, a painter and sculptor based in Montreal who taught at Bishop’s University for nearly twenty years, died on February 17, 2011. He was 73
• Brian Stewart, an unorthodox English curator and the director of the Falmouth Art Gallery in Cornwall, died on December 12, 2010, at age 57. He authored The Dictionary of Portrait Painters in Britain up to 1920 (1997) with Mervyn Cutten and wrote twenty more books on his own
• Ellen Stewart, the founder and artistic director of La MaMA Experimental Theater Club, a landmark venue for progressive theater and performance art in New York, died on January 13, 2011. She was about 91 years old
• Edgar Tafel, an architect who had trained with Frank Lloyd Wright, died on January 18, 2011, at the age of 98. The last surviving member of the Taliesin Fellowship, which first met in 1932, Tafel worked on his own projects across the state of New York and beyond
• Alan Uglow, an British-born, New York–based artist and musician whose work in abstract painting, installation, and photography inspired younger New York artists, died on January 20, 2011. He was 69 years old
• Don Van Vliet, a painter, rock musician, and avant-garde composer best known as Captain Beefheart, died on December 17, 2010, at age 69. He had retired from music in the early 1980s to concentrate on his abstract painting
• Doyald Young, a graphic designer, a logotype developer, and a professor at Art Center College of Design for thirty years, died on February 28, 2011, at age 84. His books include Logotypes and Letterforms (1993), Fonts and Logos (1999), and Dangerous Curves (2008)

Read all past obituaries in the arts on the CAA website.

CAA’s nine Professional Interests, Practices, and Standards Committees have welcomed their newly appointed members, who will serve three-year terms, 2011–14. In addition, seven new chairs have taken over committee leadership. New committee members and chairs began their terms last month at the 2011 Annual Conference in New York.

A call for nominations to serve on these committees appears annually from July to September in CAA News and on the CAA website. CAA’s president, vice president for committees, and executive director review nominations in December and make appointments that take effect the following February.

New Committee Members

Committee on Diversity Practices: Julie Levin Caro, Colby College; Yasmin Ramirez, Hunter College, City University of New York; Jordana Moore Saggese, California College of the Arts; and Jacqueline Taylor, University of Virginia. Kevin Concannon of the University of Akron takes over as chair from Renée Ater of the University of Maryland, College Park.

Committee on Intellectual Property: Benjamin Binstock, Cooper Union for the Advancement of Science and Art; and Charlotte Frost, Writtle School of Design. Doralynn Pines, formerly of the Metropolitan Museum of Art (retired), and Christine Sundt of Visual Resources: An International Journal of Documentation will share chair duties, succeeding Kenneth Cavalier, a lawyer based in British Columbia.

Committee on Women in the Arts: Wanda Ewing, University of Nebraska; Donna Moran, Pratt Institute; and Claudia Sbrissa, St. John’s University. Taking over the position of chair from Diane Burko, professor emerita at Philadelphia Community College, is Maria Elena Buszek of the University of Colorado, Denver.

Education Committee: Wayne (Mick) Charney, Kansas State University; Linda Cirocco, Savannah College of Art and Design; Joan Giroux, Columbia College Chicago; James Haywood Rolling, Syracuse University; and Julia Sienkewicz, Auburn University, Montgomery. Rosanne Gibel of the Art Institute of Fort Lauderdale succeeds Richard Tichich of Western Carolina University as chair.

International Committee: Kathryn Brown, Tilburg University; Diane Derr, Virginia Commonwealth University; Gwen Farrelly, Museum of Modern Art; and Geraldine A. Johnson, University of Oxford. Jennifer Milam of the University of Sydney remains the committee chair.

Museum Committee: Helen Burnham, Museum of Fine Arts, Boston; Christa Clarke, Newark Museum; Briley Rasmussen, Los Angeles County Museum of Art; and N. Elizabeth Schlatter, University of Richmond Museum. Karol Ann Lawson of Sweet Briar College assumes chair duties from Jay Clarke of the Sterling and Francine Clark Art Institute.

Professional Practices Committee: Dana B. Clancy, Boston University; Anne McClanan, Portland State University; and Robert Tynes, University of North Carolina, Asheville. Charles Wright of Western Illinois University will continue to serve as chair.

Services to Artists Committee: Sharon L. Butler, Eastern Connecticut State University; Conrad Gleber, La Salle University; Micol Hebron, Chapman University; Julia Morrisroe, University of Florida; and Timothy Nolan, independent artist, Los Angeles. Jackie Apple of Art Center College of Design follows Brian Bishop of Framingham State University as chair.

Student and Emerging Professionals Committee: Hazel Antaramian-Hofman, California State University, Fresno; Steven Bleicher, Coastal Carolina University; Deborah Karpman, University of Montevallo; David Lindsay, Texas Tech University; and Laurel O. Peterson, Yale University. Jennifer Stoneking-Stewart of Lander University succeeds Hilary Batzel of Women’s Studio Workshop as chair.

CAA wishes to thank the artists, art historians, curators, critics, and educators who generously served as mentors in two Career Services programs at the 2011 Annual Conference in New York: the Artists’ Portfolio Review and Career Development Mentoring. The organization also thanks the leaders of the Roundtable Discussions, the presenters of the Professional Development Workshops, and the speakers at Orientation.

Artists’ Portfolio Review

Pam Aloisa, US Air Force Academy; Aaron Bible, Robischon Gallery; Michael Bzdak, Johnson & Johnson; Susan Canning, College of New Rochelle; Brian Curtis, University of Miami; Les Joynes, TransContemporary; Peter Kaniaris, Anderson University; Jason Lahr, University of Notre Dame; Julie Langsam, Rutgers University; Suzanne Lemakis, Citigroup; Sharon Lippman, Art Without Walls; Craig Lloyd, College of Mt. St. Joseph; Margaret Murphy, New Jersey City University; Judith Pratt, Judith Pratt Studio; Jeannene Przyblyski, San Francisco Art Institute; Habibur Rahman, Claflin University; John Silvis, New York Center for Art and Media Studies; Katherine Smith, Agnes Scott College; Steve Teczar, Maryville University; and Midori Yoshimoto, Jersey City University.

Career Development Mentoring

Edward A. Aiken, Syracuse University; Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; Roann Barris, Radford University; Ruth Bolduan, Virginia Commonwealth University; Jeffery Cote de Luna, Dominican University; Michelle Erhardt, Christopher Newport University; James Farmer, Virginia Commonwealth University; Reni Gower, Virginia Commonwealth University; Courtney Grim, Medaille College; Amy Hauft, Virginia Commonwealth University; Jim Hopfensperger, Western Michigan University; Simeon Hunter, Loyola University; Dennis Y. Ichiyama, Purdue University; Sue Johnson, St. Mary’s College of Maryland; Arthur Jones, University of North Dakota; Carol Krinsky, New York University; Seth McCormick, Western Carolina University; Heather McPherson, University of Alabama, Birmingham; Mark O’Grady, Pratt Institute; Morgan Paine, Florida Gulf Coast University; Pamela Patton, Southern Methodist University; Doralynn Pines, Metropolitan Museum of Art (emerita); Andrea Polli, University of New Mexico; David Raizman, Drexel University; Martin Rosenberg, Rutgers University; Paul Ryan, Mary Baldwin College; Betsy Schneider, Arizona State University; Gerald Silk, Tyler School of Art, Temple University; David Sokol, University of Illinois, Chicago (emeritus); Kim Theriault, Dominican University; Larry Thompson, Samford University; Ann Tsubota, Raritan Valley Community College; Jenifer K. Ward, Cornish College of the Arts; and Barbara Yontz, St. Thomas Aquinas College.

Roundtable Leaders

Susan Altman, Middlesex County College; Michael Aurbach, Vanderbilt University; John Silvis, New York Center for Art and Media Studies; and Annie V. F. Storr, Corcoran College of Art and Design.

Professional Development Workshops

Michael Aurbach, Vanderbilt University; Barbara Bernstein, Rhode Island School of Design and Virginia Center for the Creative Arts; Steven Bleicher, Coastal Carolina University; Mika Cho, California State University, Los Angeles; Kim Potvin, Morgan Stanley Smith Barney LLC; Susan Schear, ArtIsIn; and David M. Sokol, University of Illinois, Chicago (emeritus).

Orientation

Emmanuel Lemakis, College Art Association; Sheila Pepe, Pratt Institute; Harriet Senie, Graduate Center and City College, City University of New York; and David Sokol, University of Illinois, Chicago (emeritus).