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This summer, CAA will hold webinars in response to an influx of requests for guidance on and advice about academic publishing. Organized and moderated by Christy Anderson, Editor-in-Chief of The Art Bulletin and professor of the History of Architecture at University of Toronto, a panel of publishing experts will discuss and answer audience questions on the topics of turning longer research into an article and responding to readers reports and revisions. Our aim is to help demystify the academic publishing process, expand access to publishing education and professional development, and ultimately increase diversity in publishing.  


July 31, 2–4 p.m. ET 
In Print: From the Archive to the Essay 
Getting Your Research Into Print 

Shaping a large amount of research into a powerful essay can be more difficult than writing a book. A successful article needs a strong argument, clear organization, and effective use of images. In this workshop we will discuss some guidelines on developing an essay for The Art Bulletin or other journals. Join Christy Anderson, the Editor-in-Chief of  The Art Bulletin and other scholars for a roundtable discussion with time for your questions.  


August 7, 2–4 p.m. ET 
Contending with Critique: How to Effectively Respond to Readers’ Reports 

Each essay in The Art Bulletin has been through multiple revisions in response to comments from readers and the editor. If you are asked to ‘revise and resubmit’ how do you respond to readers’ reports? This workshop will demystify the peer review process and help you to incorporate the best of the advice into your writing.  


Publishing webinars are free for CAA members and students. 

Non-member registration is $15 per webinar or $20 to register for both.   

REGISTER NOW

Not currently a member of CAA? Join for $8 per month to attend both summer publishing webinars for free and receive discounted CAA Annual Conference registration!

 

Publishing webinars sponsored in part by:

CAA is now accepting applications for the Millard Meiss Publication Fund. Twice yearly, grants are awarded through this fund to support book-length scholarly manuscripts in art history, visual studies, and related subjects which have been accepted by a publisher on their merits but cannot be published to their greatest potential without a subsidy. Thanks to the generous bequest of the late Professor Millard Meiss, CAA has been awarding these grants since 1975. 

Learn more about the application process and apply here.

Deadline: September 15 


Congratulations to the Meiss Spring 2024 Grantees!  

Shira Brisman: The Goldsmith’s Debt: Conceptions of Property in Early Modern Art, University of Chicago Press  

Atreyee Gupta: Non-Aligned: Art, Decolonization, and the Third World Project in India, Yale University Press  

Peyvand Firouzeh: Intimacies of Global Sufism: The Making of Ne‘matullahi Material Culture between Early Modern Iran and India, Indiana University Press 

Sherry Fowler: Buddhist Bells and Dragons, Under and Over Water, In and Out of Japan, University of Hawaii Press

Brendan McMahon: Iridescence and the Image: Material Thinking in the Early Modern Spanish World, Penn State University Press 

Winnie Wong: The Many Names of Anonymity: Portraitists of the Canton Trade, University of Chicago Press  

Filed under: Grants and Fellowships

Do you have an idea for a podcast or want to turn your conference panel into a podcast discussion? CAA Conversations is currently accepting applications to participate in its 9th season! 

CAA Conversations is a podcast initiative run by the Education Committee and provides a platform to explore hot topics in the field. While not limited to these topics and open to new ideas, the podcast team is interested in exploring the following themes in season 9: 

  • Inclusive pedagogy/community building  
  • Interdisciplinary teaching  
  • New technologies 
  • Equity in art history and studio art classrooms

Contact CAA Education Committee podcast administrators with any questions here  

If you are interested in participating in our upcoming season, please submit an interest form here 

Deadline: June 30 

Filed under: Committees, Podcast

CAA has signed on to the American Council of Learned Societies (ACLS) Statement on 2024 Campus Protests, which, like the American Historical Association (AHA) statement last week, was issued in response to recent decisions by colleges and universities to encourage police intervention and suppress protests.  

Both AHA and ACLS statements resonate with CAA’s mission to advocate for the visual arts through “intellectual engagement and a commitment to the diversity of practices and practitioners,” as more broadly this speaks to a commitment to advocating for diversity of ideas. Opposing ideas, whether expressed via visual art or through protest, can disturb and trigger discomfort. However, per the ACLS statement, “while administrators have every right and duty to secure the safety of their campus communities, they cannot and should not shield students or others from the experience of hearing strongly worded statements which might make them deeply uncomfortable. It is the nature of protest to be loud, sometimes discourteous, and contentious. But, as scholars, we believe that suppressing the expression of unpopular or uncomfortable ideas by students or faculty engaged in peaceful protest does not do justice to the values at the heart of the university.” 

Visit the ACLS website to view the full list of individuals, societies, and institutions who have signed on to this statement.  

Filed under: Advocacy — Tags:

Join the CAA Board of Directors

posted May 06, 2024

Now accepting Board of Directors nominations for the 2025–29 term! CAA seeks individuals passionate about shaping the future of the organization and the field. The Board is responsible for all financial and policy matters related to CAA, as well as promoting excellence in scholarship, curation, design, and art practice. CAA’s Board is also charged with representing and advocating for the membership regarding current issues affecting the visual arts and humanities. 

Nominations and/or self-nominations must include the following: 

  • Nominee name, affiliation, and e-mail address 
  • Nominator name, affiliation, and e-mail address (if different from nominee) 
  • Nominee résumé/CV 
  • Nominee statement of interest (250 words maximum) 

Please send all information and/or any questions via e-mail to Maeghan Donohue, CAA Chief of Staff & Director of Strategic Planning, Diversity, and Governance, with the subject line: Board of Directors Nomination.  

Deadline: July 12, 2024

Filed under: Board of Directors

CAA has signed on to the American Historical Association (AHA) Statement on 2024 Campus Protests, in response to recent decisions by colleges and universities to encourage police intervention and suppress protests. We stand with AHA in recognizing the historical dangers of suppression, “the fundamental value of peaceful protest on college and university campuses,” and the need for administrators at these institutions to reevaluate their forceful handling of such peaceful demonstrations:

“It is appropriate for universities to establish and enforce, through fair and transparent procedures, reasonable and content-neutral restrictions on the time, place, and manner of protests and other assemblies. These procedures should not, however, deprive students, faculty, and staff of their right to gather, speak, debate, and protest.” 

AHA’s statement resonates with CAA’s mission to advocate for the visual arts through “intellectual engagement and a commitment to the diversity of practices and practitioners,” as more broadly this speaks to a commitment to advocating for diversity of ideas. Opposing ideas, whether expressed via visual art or through protest, can disturb and trigger discomfort. However, as AHA’s statement underscores, “encountering ideas that might make us uncomfortable is central to the educational process.”  


OTHER LEARNED SOCIETIES AND INSTITUTIONS WHO HAVE SIGNED THE AHA STATEMENT 

American Association for Italian Studies
American Association of Geographers
American Society for Environmental History
American Society for Theatre Research
American Sociological Association
Association for Asian Studies
Berkshire Conference of Women Historians
California Scholars for Academic Freedom
Dance Studies Association
Disability History Association
Executive Committee of Czechoslovak Studies Association
Historians for Peace and Democracy
International Labor and Working-Class History
Labor and Working-Class History Association
Linguistic Society of America
Medieval Academy of America
North American Conference on British Studies
Network of Concerned Historians
Oral History Association
PEN America
Shakespeare Association of America
Sixteenth Century Society
Society for French Historical Studies
Society for Historians of the Gilded Age and Progressive Era
Society for the History of Children and Youth
Society for US Intellectual History
Southern Association for Women Historians
Southern Historical Association
Western Society for French History
World History Association

Filed under: Advocacy — Tags:

The Art History Fund for Travel to Special Exhibitions is designed to grant instructors of qualifying art history classes the resources to attend special museum exhibitions both in the US and abroad. These grants cover travel, accommodation, and admission fees for selected classes up to $10,000. Congratulations to the 2024 grantees!


University of Mississippi 
Instructor: Kris K. Belden-Adams 
Course: Art Now (Art of the 21st Century) 
Exhibition: Whitney Biennial 2024 
Location: The Whitney Museum, New York City  


Penn State University 
Instructor: Lindsay S. Cook
Course: Theories and Practices of Conservation
Exhibition: Rediscovering the Sculptures from Notre-Dame and The Medieval Library of Notre Dame of Paris
Location: Musée de Cluny, Paris


Applications for the next round of grants will be accepted by CAA beginning in fall 2024. Questions about the program can be sent to Cali Buckley, Manager of Grants and Awards and Director of the CAA-Getty International Program.

As the preeminent international leadership organization in the visual arts, CAA has an important role to play in public discourse on matters related to visual arts scholarship and practice. The CAA Board of Directors, Executive Director, members, and staff contribute to public understanding of visual arts advocacy through our newsletter, ED letters, social media platforms, special events, and sessions/workshops at our Annual Conference.

When the Executive Director or the Advocacy Committee perceives good reason to publish a statement on behalf of CAA (which may involve requesting endorsements from affiliated member societies/organizations or signing on to advocacy statements drafted by those affiliates), the Advocacy Committee convenes to interrogate the issue. If this issue is deemed in service to CAA’s mission and a majority of Advocacy Committee members agree to act, a member of the committee or staff will draft an original statement depending on capacity. The Advocacy Committee may approve the statement, reject it, or request changes; responses are needed from all members as soon as possible and no later than two days after receipt. The Advocacy Committee and Executive Director will agree on any action to be taken in response to expressed concerns. Once the entire committee reviews and approves the final draft, the statement will go live on the CAA website and will be distributed across social media channels when appropriate. In the case of a sign on to another organization’s advocacy statement, the Executive Director will share the sign on opportunity with the Advocacy Committee, and they will discuss and vote to determine whether to proceed.

The Executive Director is authorized to issue statements on behalf of the organization without review by the Advocacy Committee on time-sensitive matters (see example). At these times, the ED will specify this an ED response, so as not to speak on behalf of the Advocacy Committee, Executive Committee, or Board of Directors without consent.

CAA cannot respond to every advocacy request brought forth by our members. Our goal remains maximum impact when advocating for the field. There are times when calls to advocacy from one constituency directly conflict with another. It is for this reason that it is imperative our Board of Directors, and by extension, our Advocacy Committee remain diverse in background, field, and perspective, to ensure decisions are made as objectively as possible on behalf of membership and the field; advocacy action must also be in direct alignment with our mission, and in accordance with our 501(c)(3) status.

CAA must concentrate its energy and prestige on matters related to the advancement and protection of visual arts and scholarship, including academic infrastructure and professional practice.

Because CAA is the umbrella organization for a diverse membership with varying needs and viewpoints, we cannot engage in party politics and cannot take a stand on issues that are not in direct alignment with our mission.


CAA SOCIAL MEDIA POLICY

The CAA Board, Executive Director, and staff agree that due to the limitations of the mode, comments made on social media about visual arts practice or scholarship by CAA staff are most effective when they are constructive and celebratory of the achievements of CAA and members of the CAA community. CAA staff and Board members may wish and indeed are encouraged to share information about CAA and its programs, including on social media.


CONTACT US

If you have an advocacy request, please contact info@collegeart.org with the subject line “Constituent Advocacy Request” and your concern will be escalated to the Advocacy Committee for immediate discussion.


Policy adopted by the CAA Board of Directors on February 18, 2024.

Filed under: Advocacy

CAA invites nominations and self-nominations for individuals with relevant expertise to serve on our juries for Awards for Distinction, Publication Grants, Travel Grants, and Fellowships. Jury service is one of the most impactful volunteer positions at CAA; help select our next awardees and grantees!  

To apply, send an e-mail to Cali Buckley, CAA Manager of Grants and Awards & Director of CAA-Getty International Program, with the following: 

  • Statement of interest outlining qualifications and experience of nominee (150 words maximum)  
  • CV (two pages maximum) 

Three-year terms begin in July. Current CAA Committee and Editorial Board members are not eligible to apply.   

Deadline: June 1, 2024 


CURRENT JURY OPENINGS


Awards for Distinction 

  • Art Journal Award  
  • Charles Rufus Morey Book Award for Non-catalogue Books in the History of Art  
  • Arthur Kingsley Porter Prize for Art Bulletin articles  
  • The CAA/American Institute for Conservation Award for Distinction in Scholarship and Conservation  
  • Jury for the Artist Award for Distinguished Body of Work, Distinguished Artist Award for Lifetime Achievement, and Distinguished Teaching of Art Award  
  • Distinguished Feminist Awards for Scholars and Artists  

 Publication Grants  

  • Millard Meiss Publication Fund for Books in Art History 
  • Wyeth Foundation for American Art Publication Grant  

 Travel Grants 

  • Art History Fund for Travel to Special Exhibitions   

 Fellowships

  • Professional Development Fellowship in Visual Art  
  • Michael Aurbach Fellowship for Excellence in Visual Art   

 

Filed under: Awards, Grants and Fellowships

CAA invites nominations and self-nominations to fill two seats on the Art Journal / AJO Editorial Board for a four-year term: July 1, 2024–June 30, 2028. Candidates may be artists, art historians, art critics, art educators, curators, or other art professionals; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture. AJO is an online forum for the visual arts that presents artists’ projects, conversations and interviews, scholarly essays, and other forms of original content. Committed to fostering new intellectual exchanges in the fields of modern and contemporary art, AJO prioritizes material that makes meaningful use of the web and publishes on a rolling basis. 

The editorial board advises the Art Journal and AJO editors-in-chief and assists them in identifying authors, articles, artists’ projects, and other content for the journal; performs peer review and recommends peer reviewers; guides the journals’ editorial programs and may propose new initiatives for them; promotes and advocates for both journals; and may support fundraising efforts on their behalf. Members also assist the editors-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, exhibitions, and events. 

The Art Journal / AJO Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The fall and spring meetings are currently held remotely. Members are expected to pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation. 

Candidates must be current CAA members in good standing and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journals during the term of service. CAA encourages applications from colleagues who will contribute to the diversity of perspectives on the Art Journal / AJO Editorial Board and who will engage actively with conversations about the discipline’s engagements with differences of culture, religion, nationality, race, gender, sexuality, and access. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a letter of interest and a CV as a single PDF to Eugenia Bell, Editorial Director.

Deadline: May 6